Friday, July 13, 2018

"RBG" and The Week in Reviews

[I review "RBG," the documentary about Supreme Court Justice, Ruth Bader Ginsberg, as well as DVDs "Unsane" and "Forever My Girl."  The Book of the Week is "The Recovering: Intoxication and its Aftermath."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with an early Ang Lee film, "The Wedding Banquet."


A documentary on the life and career of Supreme Court Justice, Ruth Bader Ginsburg.

I feel really stupid.

I came of age in the early 1970's
when women couldn't get a credit card without their husbands' signature, marital rape was not a crime, and women could be fired from their jobs if they got pregnant. People, that was less than 50 years ago.  So my being a smart woman who was raised right, meaning my Dad always told me I could do anything, that kind of thing was all I needed to hear to become heavily involved with the Women's Movement in the 70's and I have considered myself a feminist ever since.  And speaking of the word feminist, I get very upset today when women who believe in equal rights don't want to call themselves "feminists (I ranted about that in a post called "Why is 'Feminist' Such a Dirty Word?") But that's another blog post.  

Anyway, back in the day, my idols of that time were Gloria Steinem, Betty Friedan, Kate Millett, and Germaine Greer.  I had never heard of Ruth Bader Ginsburg and yet what she had been doing behind the scenes to help women and minorities during that time was monumental.

Ginsburg was a graduate of Cornell University in 1954 and enrolled in Harvard Law School where she was one of only nine women out of 500 men.  The Dean of Harvard Law School supposedly asked her and the rest of the women "How do you justify taking a spot from a qualified man?"  When her husband was transferred to New York City, she enrolled at Columbia Law School where she was the first woman to be on two major law reviews, and she graduated from there in 1959 tying for first in her class.

She began her law career as a professor at Rutgers School of Law and Columbia Law School, one of the few women at that time teaching civil procedure, but she also spent a considerable part of her legal career as an advocate for women's rights and gender equality, arguing six gender discrimination cases before the Supreme Court between 1973 and 1976, winning five.  And she did not just work to protect the rights of women.  She argued and won Frontiero v. Richardson which sought the same housing allowance for a woman soldier's husband that was automatically granted to male soldiers for their wives and argued Weinberger v. Wiesenfeld which challenged a statute that only allowed Social Security benefits to widows and not widowers.  She won that one too.  She also challenged an Oklahoma statute that set different drinking ages for men and women and in 1979 challenged the validity of voluntary jury duty for women (I guess they were thought to be more vitally needed in the kitchen) on the grounds that serving on a jury was an important citizen's service and should not be optional no matter what one's gender was.

Ginsburg's legal legacy discouraged legislatures from treating men and women differently under the law.

President Bill Clinton appointed Ginsburg to the U.S. Supreme Court in 1993 where she started out as a moderate but as the Court became increasingly conservative, Ginsburg has moved farther and farther down the liberal line to become a senior member of the "liberal wing" and has written six dissenting opinions, most notably Bush v. Gore (2000) - you know what that one's about - Citizens United v. FEC (2010) which dealt with campaign financing and Burwell v. Hobby Lobby (2014) which gave a religious exemption to a corporation.

So those are the basics of Ginsburg's law career and filmmakers Julie Cohen and Betsy West did a great job showing Ginsburg's quiet and steady dedication to gender equality and other issues, but, for me, the film really shines when illustrating her personal life, most notably her 56-year marriage to Martin Ginsburg, also a lawyer, who she married right after law school and who supported her career all of his life.  He died in 2010.  He was the outgoing one and she was the shy, quiet one but she clearly had a sense of humor and got a big kick out of her husband. Likewise, he clearly was devoted to her.  Speaking of her sense of humor, a highlight of the film was Ginsburg watching Kate McKinnon doing her on SNL.

So like I said, I can't believe I had no idea of the profound impact RBG has had on the issue of gender equality and women's rights - she's not known as Notorious RBG for nothing - and for that reason alone I am glad I saw this film.  But as a documentary, it is also wonderful.

Now from a personal point of view, Ruth, can we talk?  I know you are 85 and have already had two bouts of cancer, but pleeeeeze, don't resign from the bench no matter how old you get.  We need you!  

Rosy the Reviewer says...this one could give "Won't You Be My Neighbor" a run for it's money come Oscar time.  An important film.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Unsane (2018)

One of those "Is-This-Really-Happening-Or-Is-It-All-In-Her-Mind?" movies.

It isn't easy being Queen.  That's the only reason I can think of why Claire Foy would give up her crown and go from playing Queen Elizabeth in "The Crown" to playing a young woman involuntarily committed to a mental hospital where her stalker just happens to be an orderly.  But perhaps it's also so she could work with director Steven Soderbergh who has directed some superlative films.  Or maybe it's because Claire needs a new gig and wants to disassociate herself from Queenie now that Olivia Colman will be taking on the role of the older Queen Elizabeth in Season 3 of "The Crown."

And let me tell you, Claire goes a long way to get away from young Lilibet. 

Here she plays Sawyer Valentini, who is, uh, how do I put this?  Kind of a slut?  She meets guys, has sex with them right away and then tells them to not call her.  But we come to learn that she  has issues and is also being stalked by a man named David Strine (Joshua Leonard) and has been for years and so she goes to see a therapist.  What a mistake that was.  The therapist gets her committed to a mental hospital involuntarily, and Sawyer spends the rest of the film trying to convince the hospital staff and us that she is not mentally ill.  

While there Sawyer meets several of the inmates, including Nate Hoffman (played by SNL's Jay Pharoah) who seems normal enough if not paranoid and Violet (Juno Temple), who is not very friendly to say the least, but to make matters worse, her stalker is also there as one of the orderlies.  Or is he?  And we find out that the hospital is involved in a conspiracy to admit perfectly sane people just to get the money.  Or is it?  I even spotted Matt Damon in an uncredited role as a police officer.  Or did I?

Foy is a really good actress and I don't doubt that she has a long career ahead of her whether she is playing a Queen or a nutter but I will certainly miss her in "The Crown."

But whenever I see Juno Temple in a film these days I just can't understand why she hasn't broken out and been able to carry a film on her own.  I wrote about her way back in 2014 in a post called "15 Really, Really Good Actors You Never Heard Of: Names You Should Know and Some Films You Should See," predicting that she would emerge as a household name.  Hasn't happened.  After starring in "Little Birds" and "The Brass Teapot," she has mostly played the quirky friend or some dysfunctional character and her roles seem to be getting smaller.  And this film isn't going to help because her role is very, very small. Speaking of that blog post, looking back at it, most of the actors I highlighted HAVE emerged and are now big names.  Good on me!

I am a big fan of director Steven Soderbergh who has always been in the forefront of original movie making - after all, he changed the movie world with his "Sex, Lies and Videotape" - but this film looked like he filmed it on his Iphone (turns out I was right!), but I guess he was going for a sort of maddening Kafkaesque feel and if so, it works as does the screenplay by Jonathan Bernstein and James Greer which clearly brings up that whole gender issue of women and hysteria and not being believed.

Rosy the Reviewer says...I guess if you want to not be type cast as a queen, just play a possible madwoman. This is an unsettling movie that will make you think twice about going to see a counselor!

Forever My Girl (2018)

A country star returns to his hometown and the girl he left behind.

Christian-themed movies are everywhere these days.  I guess people want to go back again to when America was great, and I guess that means country music, high school sweethearts, religion and no racial discord.

Liam (Alex Roe) not only leaves his small town of St. Augustine, Louisiana - a little town of nice houses, big porches and lots of American flags and churches called affectionately by the locals as"Saint" to which I say "how quaint" - to follow his dream to be a country singer, he actually leaves the day he is supposed to marry his high school sweetheart, Josie (Jessica Rothe).  He literally leaves her at the altar.

Eight years later Liam has realized his dream and is a big country music star, but we come to learn that money and fame doesn't always bring you happiness.  Didn't we know that already?  Liam has found his life not to be what he had hoped.  Groupies, adulation, drinking too much and living the high life just doesn't cut it anymore and he longs for the simple life he once had.  He regrets jilting Josie and when he sees a news report of the death of an old friend back home, he decides he needs to go home for the funeral.

He returns home and runs into Josie and a little girl named Billy (Abby Ryder Fortson) at the funeral.  He also learns that his name is Mud in town for walking out on Josie.  How many of you grew up with that as the all-time humiliation when you screwed up?  In my house, if you really messed up my Dad would say, "Your name is Mud." Not fun.

So Liam doesn't get a very warm welcome when he returns to St. Augustine.

"We have each other's backs here in St. Augustine.  We're family.  You don't belong here anymore."

Not the homecoming Liam had expected.  Oh, and that little girl with Josie?  Liam does the math and - gasp! - she is his!

But in case you hadn't already figured this out, Liam is kind of a selfish ass.  For all of those eight years he was gone becoming a big star, he didn't talk to anyone back home, not even his Dad (John Benjamin Hickey), who is a pastor, so that's why he didn't know about the little girl. That's his Dad's excuse for not telling him, anyway.  But, uh, St. Augustine might be a small town but don't they have cell phones?  Don't those people text?

But eventually, Liam realizes his life has been all about himself and he is drawn back to his church, which I think was the whole point of this movie.

Written and directed by Bethany Ashton Wolf (from the  YA novel series by Heidi McLaughlin), this film has a good message but in general these Christian-based films are so simplistic.  You mess up, just go to church and all will be well.  Actually, though, come to think of it, that's what my mother used to say to me!  Maybe I should have.

Anyway, you keep watching to find out why Liam left in the first place, and I am sorry to say that the reason is kind of lame, the ending is something out of "A Streetcar Named Desire," except Alex Roe is no Marlon Brando, and oh, geez, the little girl sings and plays the guitar and is so precious I thought I was going to gag on the Starbucks latte I had smuggled into the theatre.  You know how I feel about precious child actors. I thought I was going to hell so I guess I do need to go to church.

Rosy the Reviewer says...if you are looking for a movie version of a romance novel with no sex or bad words and where going to church plays a big role, or if you miss Nicholas Sparks you might enjoy this.

***My 1001 Movies I Must See Before I Die Project***

135 to go!

Have YOU seen this classic film?

The Wedding Banquet (1993)

A gay man living in New York makes a deal with his tenant - if they get married she gets a green card and his Chinese parents won't find out he is gay.

This was the first American film for director Ang Lee, who co-wrote the screenplay with Neil Peng and James Schamus.  Lee went on to direct the highly acclaimed films "Life of Pi" and "Brokeback Mountain" for which he won Best Director Oscars.

Wai-Tung Gao (Winston Chao in his first feature film) is a gay Taiwanese-American man living in New York City with his American lover, Simon (Mitchell Lichtenstein).  His mother and father (
Ah-Lei Gua and Sihung Lung), who live in Taiwan, keep wondering why he hasn't married and keep nagging him about it.  They want to fix him up with a bride and send him a questionnaire to fill out.  

He fills it out with what he feels are impossible qualifications for any woman to meet - she must be 5'9 (not an easy qualification for a Chinese woman), must have two doctorates, speak five languages and be an opera singer, also not easy qualifications to meet.  There, now he feels confident his parents will leave him alone.  But wouldn't you know?  Parents are uncanny about these things. They find him a woman who is all of those things except she only has one doctorate!  She travels to New York and Wai and she go out on a date and after she sings him an operatic aria, they both realize they are doing this for their parents.  She, too, has a love her parents wouldn't approve of.  So they part ways and Wai is back to square one.

Wai is kind of an uptight guy who owns a building and rents to Wei-Wei (May Chin), an undocumented Chinese artist.  She can't get a job and needs someone to marry so she can get a green card so Simon comes up with the idea of Wai and Wei-Wei killing two birds with one stone by getting married. When Wai wavers in the decision, Simon tells him if he gets married he can get a tax break and that's good enough for Wai.  He also thinks telling his parents he is getting married will be enough and they will get off his back, but instead they tell him they are coming to America to arrange the wedding.  Now Wai and Simon have to get all of the "gay" stuff out of the apartment, substitute it with Chinese calligraphy, move Wei-Wei in and really live out this charade.

When Wai's parents arrive, he and Wei-Wei get married at City Hall and his parents are clearly disappointed that the wedding is so small and simple.  But Simon offers to take them to an expensive Chinese restaurant to celebrate the wedding, and while eating, they run into a man who recognizes Wai's Dad as his commander during the war and it just so happens he is also the owner of the restaurant.  When he finds out that Wai and Wei-Wei have just gotten married and they are not having a big shindig to celebrate, he offers his restaurant for a huge banquet.

So now Wai and Wei-Wei embark on a huge wedding celebration with white wedding gown, wedding pictures, big dinner and the requisite wedding night tradition of shedding their clothes under a comforter with party goers in attendance and once naked and drunk under the covers...well, all kinds of complications, some predictable, ensue.

Chin and Chao were attractive and appealing actors but I found their acting to be over the top at times whereas Lichtenstein maintained a steadying presence as Simon. But it was Sihung Lung and Ah-Lei Gua as Mr. and Mrs. Gao who stole the show.  They were funny without overdoing it and also added a quiet pathos to the film especially when Mrs. Gao said, "When a son grows up, mother is forgotten."

Why it's a Must See: "...a clever and entertaining social comedy that helped to establish [Lee] as a commercial director...[and] the Chinese cultural details should be fascinating to all non-Chinese viewers."

---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...I agree that the "Chinese cultural details" were fascinating and actually the best part of the film. but though the film was often humorous I also found the acting and screenplay to be over the top at times.

(In Chinese and English with English subtitles)

***The Book of the Week***

The Recovering: Intoxication and it's Aftermath by Leslie Jamison (2018)

A memoir about drinking and addiction that includes not just the horrors of that life but also the cultural history and literary romanticism associated with it and the question of whether or not a story about recovery can be as interesting.

Jamison shares her personal struggle with alcohol in a very candid memoir.  She pulls no punches when it comes to telling her story and her story is an interesting and harrowing one.  But she also wanted to share her story of recovery and she wanted that to be interesting too.  She wondered if it was.

"When I decided to write a book about recovery, I didn't want to make it singular...I wanted to write a book that was honest about the grit and bliss and tedium of learning to live in this way -- in chorus, without the numbing privacy of getting drunk...If addiction stories run on the fuel of darkness...then recovery is often seen as the narrative slack, the dull terrain of wellness, a tedious addendum to the riveting blaze.  I wasn't immune.  I had always been enthralled with stories of wreckage.  But I wanted to know if stories about getting better could ever be as compelling as stories about falling apart.  I needed to believe they could."

And that's what drew me to this book.  I, too, have "always been enthralled with stories of wreckage."  I think it's human nature to want to read about the weaknesses and horrors of other peoples' lives so we can feel better about our own.  But I am also drawn to well-written inspiring stories of triumph over adversity and you can already tell, I am sure, that Jamison is one hell of a writer.

Jamison is not just a wonderful writer.  She is also a wonderful reporter. She has combined her personal story with a discussion of writers for whom drinking was not just a prop but something that drove them to write.  She also combines that with a report on the recovery movement and putting those three things together - memoir, literary criticism and reportage - Jamison has written a book that is as important to the recovery movement as Kate Millet's book was to the Women's Movement and it reminded me of that book, a book that changed my life which as an early proponent of the Women's Movement changed my life.  

This book could be a life changer for people seeking recovery, but it's also part memoir, part recovery advocacy, and part a literary history of how we romanticize the drinking life as portrayed by the hard drinking male writer (think Hemingway and Carver), but if it's a hard-drinking woman?  Forget it. Just as with job equality and life, we women aren't even considered equal when it comes to alcoholism.

"Female drunks rarely got to strike the same rogue silhouettes as male ones.  When they were drunk, they were like animals or children: dumbstruck, helpless, ashamed.  Their drinking was less like the necessary antidote to their own staggering wisdom...and more like self-indulgence or melodrama, hysteria, a gratuitous affliction. Women might know something about the complications of a drunkard's life, but their drinking would never be IMPORTANT...not like a man's.  If they weren't drinking like children, they were drinking instead of caring for their children.  A woman escaping into drink was usually a woman failing to fulfill her duties to home and family."

Yes, this is a classic drinking memoir with all of the confessions and shame associated with a drinking life but it's so much more than that. It's also about the loneliness of the human condition, gender, literature and recovery. It's beautifully written and does manage to also make recovery compelling and that is what sets this book apart from the rest.  Jamison was right to believe that the story of recovery could be as compelling as stories about falling apart.  She has done it.

Rosy the Reviewer says...Jamison has been compared to Joan Didion and Susan Sontag and, yes, she is every bit as good as those writers and has written the definitive book on the joys and sorrows of intoxication and recovery.  Highly recommended.

Thanks for reading!

See you next Friday 



The Week in Reviews
(What to See or Read and What to Avoid)

 and the latest on

"My 1001 Movies I Must See Before 
I Die Project." 

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Monday, July 9, 2018

"Ali's Wedding (A Netflix Original)" and The Week in Reviews

[I review the Netflix original movie "Ali's Wedding" as well as "Love, Simon," now out on DVD. I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Stroszek."]

Ali's Wedding

Now streaming on Netflix, this Australian film shows how a little "white lie" can spiral out of control.

"A lie begins in the soul and then travels the world."

So says Ali (Osamah Sami) as he tells his story and how lies have shaped his life.

The first lie involved his father who was arrested by Sadam Hussein but his friends lied their way into posing as prison guards and saved him, and he was able to escape with his family to Iran.

The second lie was believing that Iraqis could have a good life in Iran.  They didn't so the family moved to Melbourne, Australia.

But it was the third lie that was the biggest lie and forms the basis, and humor, of this film.

Ali's father (Don Hany) is a musically gifted cleric who likes to put on religious musicals in the mosque. Ali is studying to take the medical exam because becoming a doctor will make him a more desirable husband for an arranged marriage.  In the meantime, Ali works in a convenience store while studying for his upcoming seven hour medical exam to get into medical school and meets Dianne (Helana Sawires), an Australian born Lebanese young woman, who is also studying to take the entrance exam to get into medical school.  Unfortunately, Ali fails the exam, and even more unfortunately, when those who took the exam are sharing their scores and getting kudos at the mosque, Ali lies about his score saying he received one of the highest scores possible.

So that is the third lie and one that drives this charming comedy as Ali must now perpetuate the lie or shame his father and his family. So even though he did not get into medical school, Ali takes his brief case and attends the classes, but one student, the son of a rival cleric, is suspicious and tries to blow Ali's cover.

Ali also has to contend with the fact that his family is fixing him up with an arranged marriage when it's Dianne whom he loves.

This movie could do more to help Westerners understand Arab culture and assuage their fears about immigration issues than any news reports and debating can do.  It shows that there are more similarities among us than differences.  Though Ali's father is a Muslim cleric, he drives a purple Porsche and Ali and his friends listen to rap music and throw the "F" word around liberally. No matter what our nationality or religion, we are reminded that we are all human beings, who love our families and seek our own take on happiness.  Oh, and a lie is a lie no matter what your nationality or religion.  

The film also deals with women's issues and the old ways vs. the new.  Dianne is a very modern young woman and does not put up with any crap from men.
When a Muslim man addresses her as "Woman" instead of her name, she puts him in his place. She also plays basketball. But at the same time, she wears a headscarf and lives at home with her Dad.  She gets the highest score on the medical exam but her Dad doesn't want her to go to a Western university where she would be meeting unsuitable men so she might not be able to go.  All of this illustrates how there is no black and white when it comes to the clash of culture and the new vs. the old ways. 

But Dianne does get to go to college. Ali talks to Dianne's Dad and plants the idea of how wonderful it would be for him to have a woman doctor in the family who would then be able to take care of him if he got sick!  And at college, it's not long before Dianne figures out that Ali did not pass the medical exam.  However, when she confronts him, she offers to help him study to pass the test and the two embark on a chaste but believable modern Muslim relationship between a man and a woman.

But naturally Ali's lie is discovered as well as his relationship with Dianne and now Ali's Dad's position as the cleric for the mosque is jeopardized and Dianne's father plans to send her back to Lebanon.  Ali's lies have messed things up for everyone.

Co-written by Sami (based on his own experiences) and Andrew Knight and directed by Jeffrey Walker, this film has everything - romance, humor, pathos, drama and Sami and Sawires are wonderfully charming and have real chemistry together.  And believe it or not, this is based on a true story!

Rosy the Reviewer says...this award-winning film will do more to help Western/Arab relations than all of the pontificating in the world, and it's absolutely charming and delightful to boot.  If you loved "The Big Sick,"  you will love this film too.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Love, Simon (2018)

A closeted gay teen is threatened to be outed by a classmate.

The film begins with Simon (Nick Robinson) saying in voice over: "I'm just like you, totally normal except I have one huge-ass secret."

And yes, Simon Spier, who is in his last year of high school, does have a huge secret.  He's gay and he's not ready to tell his parents, Emily (Jennifer Garner) and Jack (Josh Duhamel), or his friends yet. Emily is a therapist and tries to be a hip Mom.  An example?  She suggests they all watch "The Affair" together as a family.  When that is vetoed by the kids with a big "Ew," and comments about how inappropriate that would be, she suggests "The Bachelor," which prompts macho Jack to say that he thinks the Bachelor is fruity.

Simon is a theatre kid with three good friends: Leah (Katherine Langford), Abby (Alexandra Shipp) and Nick (Jorge Lendeborg Jr).  He comes across a post on a school gossip site by someone calling himself Blue who anonymously confesses that he is lonely because he is gay and no one knows.  That resonates with Simon and he responds with "I'm just like you." The two strike up an online friendship with Simon going by the name of Jacques, and over time, Simon starts to have feelings for Blue.  He also tries to figure out who Blue is, imagining that different guys he comes across might be Blue.  If someone winks at him or smiles, he wonders, Is that Blue?

However, one of his theatre cronies, the obnoxious Martin (Logan Miller), gets onto the same library computer that Simon was using to correspond with Blue.  Simon didn't log out so Martin can't help but read his emails and discovers that Simon is gay.  So Martin confronts Simon with what he knows, tells him he has made screen shots of the emails, and if Martin doesn't set him up with Abby he will put the emails out on the gossip website.  So Simon tries to help Martin hook up with Abby while at the same time discover the identity of Blue.  He also discovers that his friend, Leah, who has been his friend since they were really young, also has been keeping a secret.

A movie like this totally depends on the charisma of the lead actor and Nick Robinson doesn't disappoint and the other young cast members are also likable.

Jennifer Garner and Josh Duhamel don't have much to do except act like clueless parents, though they get their chance to give out a positive message at the end of the film.

Based on the book "Simon vs. the Homo Sapien Agenda" by Becky Albertalli, and adapted by Elizabeth Berger and Isaac Aptaker, despite some "huh?" moments, the film does a good job of drawing the teens and showing what it's like to be a gay teen who is not ready to tell the world he is gay. Imagine keeping a secret like that and having to endure the unknowing comments about gay people that straight people sometimes stupidly throw around such as Simon's Dad saying the Bachelor is fruity or kids calling each other fags. I guess everyone assumes everyone else is straight unless told otherwise and that it's OK to say disparaging things about gay people to each other. 
Speaking of which, when Simon wonders why only gay people have to come out, there is a fun montage of straight kids confessing to their parents that they are heterosexual.  Now wouldn't that be something.

But those huh? moments include Simon asking to be excused from class to run to furiously run to the bathroom to check his phone to see if Blue has responded.  That seemed a bit over the top.  Likewise, I don't think any Vice Principal would act like Mr. Worth (Tony Hale), no matter how hip he is trying to be.  Talking to a student about being on Tinder?  I don't think so.  I know Martin finding Simon's emails is one of the main plot lines but would Simon really forget to sign out of a public computer when he is having such personal discussions with Blue?

But despite those huh? moments, the film directed by Greg Berlanti had a lot of charm thanks to the young ensemble cast and mostly because of the charming Nick Robinson and a good message: that in most cases, despite the fear and anxiety of coming out, once it is revealed, life goes on as before.

Rosy the Reviewer says...another absolutely charming and delightful film.

***My 1001 Movies I Must See Before I Die Project***

136 to go!

Have YOU seen this classic film?

Stroszek (1977)

An alcoholic who has recently been released from prison dreams of leaving Berlin and moving to Wisconsin.

Director Werner Herzog, who is also a screenwriter, author, actor and opera director, was a major figure in New German Cinema along with the likes of Wim Wenders and Rainer Werner Fassbinder. He was named one of the 100 Most Influential People in the World by Time Magazine in 2009.

Bruno Stroszek (Bruno S.) is a street performer who has just been released from prison.  The warden gives him a lecture before his release and tells him to stop drinking.  So what's the first thing he does when he gets out?  He hits a bar and as time goes by Stroszek has trouble fitting in and making his life work, mostly because he drinks too much. 
He befriends, Scheitz (Clemens Scheitz), a crazy father figure, and Eva (Eva Mattes), a young woman who is being abused by her boyfriend and his friend. They are two bad dudes who trash Stroszek's apartment for getting involved with Eva and they keep bullying him.  His life isn't working very well.

So Stroszek dreams of moving to the U.S. where he believes everyone is rich, and 40 minutes into the film, and after much bullying, he finally decides to go to America and takes the girl and the old man with him.  But it doesn't take long for reality to set in when he moves to Railroad Flats, Wisconsin to work as a mechanic.  They end up there because Bruno's neighbor knew an American at the American Air Force Base in Germany who lived there.  

Eva gets a job as a waitress at a truck stop and, by the way, did I mention that Eva is actually kind of a slut?

From this film, one can't help but think that Herzog has a jaundiced view of America, because the movie is all about the schism between cultures. He seems to think Americans are very white bread, macho, naive and subtly abusive. When Bruno says that he may have been beaten up in Germany but at least with the physical pain he knew where he stood, Herzog seems to be saying that in America the abuse is masked which creates a more spiritual pain.  But Herzog also shows that you may be able to run away to another country but you can't escape your own demons.  It's The American Dream gone wrong.

This is one of those films where the story could have been told in half the time, but the ending was an amazingly brutal one involving a bunch of performing animals in an arcade with a dancing chicken that was particularly disturbing.  In fact, when making the film, that scene was so disturbing to the crew filming it that Herzog had to film it himself.  So brace yourselves.

Why it's a Must See: "What makes the picture the way Bruno S. commands the screen...he embodies one of the distinctively strange intelligences of modern cinema...[The film] is among [Herzog's] best films and certainly one of the most unpitying dramas ever made about Europe's dreams of America."

---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...I still haven't gotten over that dancing chicken!

(In German with English subtitles)

Thanks for reading!

See you next Friday 

for my review of the Netflix original


The Week in Reviews
(What to See or Read and What to Avoid)

 and the latest on

"My 1001 Movies I Must See Before 
I Die Project." 

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.