Friday, October 5, 2018

"Fahrenheit 11/9" and The Week in Reviews

[I review Michael Moore's new movie "Fahrenheit 11/9" as well as the HBO documentary "Jane Fonda in Five Acts" and the DVD "Bad Samaritan."  The Book of the Week is "Perfectly Clear: Escaping Scientology and Fighting for the Woman I Love."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Senso."]



Fahrenheit 11/9


Michael Moore tries to figure out just how Donald Trump became President.

Most of us who were alive then know exactly where we were when we heard that President Kennedy had been shot.  I was in chemistry class and the idea that our President could be dead was so out of the realm of possibility for me that when the principle made the announcement over the classroom intercom and said our President had been shot, I thought he meant our STUDENT COUNCIL president!  Likewise, most of us Baby Boomers remember where we were and what we felt when we heard that John Lennon had been assassinated because that was another impossibility.  And most recently, liberals and Hillary supporters no doubt remember exactly where they were and what they felt when they learned that Donald Trump had become the 45th President of the United States.

And I do.

I was sitting up watching the returns alone because Hubby was away on business. I, like so many other Americans, was pretty confident that Hillary Clinton would become the first woman President of the United States.  Only two days before, the polls had said that Hillary had an 85% chance of becoming the first woman President. Trump had also been exposed as a womanizing sexual aggressor in that infamous Billy Bush tape.  It seemed like a slam dunk that Hillary would become the 45th President of the United States. I had already posted on Facebook my happiness that my newly born granddaughter would see a woman President in her lifetime.  But as the hours ticked by, euphoria turned to disbelief as it became apparent that Donald Trump was going to be the next President.  As I sat in that chair staring at the TV at 2:30 in the morning of November 9th I thought "How the f**k did that happen?"

And that is exactly the question that writer/producer/director Michael Moore poses and attempts to answer in his new documentary.

First of all, yes, he blames the Russians.  He also blames James Comey.  But most of all he blames...Gwen Stefani!

Gwen Stafani? According to Moore, it seems that Gwen Stafani was paid more for her seat on "The Voice" than Trump was paid for his "Celebrity Apprentice" TV show.  Trump was not happy about that, so he decided to do a bit of grandstanding to call attention to himself so that NBC would give him a raise.  He decided that announcing he was running for President would be the thing.  That's when we saw him grandly rolling down the escalator to make his big announcement.  But it didn't have the effect on NBC that he wanted.  In fact, NBC cancelled his show.  Moore asserts Trump didn't really intend to run for President but he had booked two rallies so he went anyway and during those rallies had a bit of an epiphany.  He liked rallies.  He liked stirring people up.  He liked being the center of attention. Maybe running for President for real wasn't such a bad idea!  And that, my friends, according to Michael Moore, is how it all started.

But just because Trump was running for President didn't mean he would win, right?

Moore was a bit of a Cassandra, Cassandra being the Trojan Princess who uttered prophecies that were true but that no one believed.  No one believed Trump could win ...except Michael Moore.  In fact, pundits unequivocally said before 11/9 that it was impossible but Michael Moore sounded the alarm. He said Trump could win. He is a Michigan boy and knew the unrest that was swirling around the common folk and they were not happy with the status quo.  No one believed Cassandra and no one believed Michael Moore either.

And Michael Moore presents the perfect storm of events that led to that happening.

There was the outrage of the Flint water crisis when Governor Rick Snyder, a businessman with no public service experience, signed an Emergency Management bill that allowed him to oust the mayors, city councils and other officials of four cities in Michigan and replace them with businessmen he appointed to run the cities.  Those cities were Pontiac, Benton Harbor, Detroit...and Flint.  Those cities were also predominantly black and it didn't matter that there was no emergency.  Water for Flint had been supplied from the clean water of Lake Huron but Snyder and his cronies decided to build another pipeline that would use the water from the filthy Flint River which ended up poisoning the locals with lead though of course no one would admit that was happening.  It was all in the name of greed and corruption. And when all of this came to light and President Obama went to Flint, but didn't do anything about it as the inhabitants had hoped, people just gave up on the establishment.  And, then, during Hillary's campaign, she didn't even bother to go to Michigan because she thought it was in the bag.

You see, Moore isn't placing all of the blame on the Republicans.  The Democrats clearly dropped the ball.  In fact, he contends there was some hanky panky on the part of the Democrats when several states gave the Democratic nomination to Hillary when Bernie had won more votes.  But there is plenty of blame to go around. Moore also blames the Electoral College - I mean in the last 16 years, two Presidents were elected who lost the popular vote. How does that happen?

And it wouldn't be a Michael Moore movie if he didn't throw in gun violence, sexual harassment, low teachers' pay and a host of other issues that he believed helped create the Trump Presidency. He also asserts that we all knew what Trump was. He was doing everything he did in plain sight.  He talked about grabbing women's private parts, he was a known womanizer, he hung out with the Russians and even said he could shoot someone on Fifth Avenue and not lose any voters. And no one cared. Moore even throws himself under the bus.  

And yes, he does "go there." He compares Trump's ascendancy to Hitler's and there are some potent similarities.  When Hitler came to power, Germany was the most educated, cultured and well-read country in the world.  Most towns had several newspapers.  The people were informed and involved, so how did someone like Hitler take over the country?  Little by little.  As Mussolini once said "If you pluck a chicken one feather at a time, no one notices."  And that is how fascism takes over.

So there is the usual Michael Moore controversial stuff here. But most would agree Moore is right on point when he blames the media who couldn't get enough of Trump and basically gave him free publicity and an apathetic populace who had given up on the establishment and just didn't vote. 

But this film is much more than a diatribe on the Trump Presidency.  It is also a call to arms. 

Moore shows how our freedoms are already in jeopardy and if we give up and don't vote because we think our votes don't matter, don't be surprised if all of a sudden we wake up one day and we are no longer free. Democracy isn't something that we are entitled to.  It's something we have to keep alive. We need to care about all of the issues that Moore brings up in this film and we need to speak up about them.

The film ends with those Parkland teens using their freedom of speech to agitate over gun violence and school shootings and it's clear that Moore thinks it is the young people who can save us.  I hope so.

Rosy the Reviewer says...whether you agree with Moore or not, you can always count on him to make a compelling film. This is a powerful film about the state of American politics and has much food for thought, and it made me cry.



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!




On HBO



Jane Fonda in Five Acts (2018)


Another controversial figure.  Eighty-year-old Jane Fonda and her life and times.

Divided into five chapters, four of which are named after the men in Jane's life, it is an effective way to tell her story because Jane herself admits she didn't know herself very well and was often defined by men.

Act One - "Henry."

Jane was the daughter of Henry Fonda, an acting icon who epitomized solid American Midwestern values.  Growing up, Jane felt she had to be a certain kind of girl, a good girl, because she was his daughter.  But Henry was also a difficult man who cheated on Jane's mother with a younger woman which led Jane's mother to kill herself.  Of course no one told Jane and her brother, Peter, that.  It was swept under the carpet and it wasn't until she went to boarding school and someone showed her a story on her mother that she learned the truth.  That's not something that is easy to get over.

Jane grew up a Daddy pleaser and was still living at home when she was 21.  Her new stepmother told her she needed to move out and that's when she met acting teacher Lee Strasberg who took her into his class and encouraged her.  She came alive.  Her career took off on Broadway and eventually in film where she specialized in ingenues. But despite her success, she still needed to get out from behind her father's shadow so she went to France.  And that's when she met Vadim.

Act Two - "Vadim"

Roger Vadim had been married to Brigitte Bardot and Catherine Deneuve (who I quote all of the time because she said "At a certain age, you have to choose between your face and your ass."  No truer words spoken) and was also a charismatic French director.  When Jane met him she allowed him to mold her which is how she ended up as Barbarella.  In France she also became politicized. She married Vadim, they had a daughter together, and Jane started engaging in more serious film projects.  Up until then she had mostly played ingenues but when she starred in "They Shoot Horses, Don't They" followed by "Klute," and she won and Oscar, everything changed. She started to be taken seriously as an actress. She also left Vadim and became an activist.

Act Three - "Tom"

She met political activist and one of the Chicago Seven, Tom Hayden, and married him.  He didn't approve of the Hollywood lifestyle so she pared down, lived in reduced circumstances, did her own shopping and cooking, didn't have a washing machine or dishwasher and helped Tom in "The Movement."  But The Movement needed money and that's how Jane came to do the Workout tapes.  She was into fitness and figured that was what she could do to contribute to the Revolution.  I would guess all of those women who bought her tapes didn't realize they were helping her leftist politics!  It was during this time that Jane started to do films with a message - "The China Syndrome (1979)," which actually foreshadowed what happened at Three Mile Island and "9 to 5 (1980)," which called attention to the sexual harassment of women office workers well before the #Metoo Movement.

Act Four - "Ted"

Tom Hayden was a controlling husband so Jane moved on to Ted Turner.  He called her the day after her divorce from Tom.  They fell in love, she gave up her career, and they had ten years together but she felt that to be with him she had to hide a part of herself. He never wanted to be alone and Jane's feminism was taking shape.

So as we move on to Act Five - what do you think that one will be called?  I remember saying to Hubby, I would imagine it will be called "Jane."  And I was right.

Act Five - "Jane"

Now at 80, Jane can look back and see that her life was defined by men.  But no more.  She always adopted the lives of the men she was with but finally realized that she didn't need a man and now at 80 her career is still going strong with the Netflix series "Grace and Frankie," reuniting with Robert Redford in "Our Souls at Night" and starring in the popular "Book Club."  She also looks great.  I want the name of her plastic surgeon.

Director Susan Lacy interviews Jane throughout the film and uses never-before-seen footage and interviews with friends and co-workers.  But it's Jane herself who makes this film so extraordinary.  She is open, candid and vulnerable. It's not all "Look at me, I'm Jane Fonda and I've had a great life!"  She has been a controversial figure and she knows it.  She has regrets.  She regrets going to North Vietnam and being used as propaganda (something many Americans still haven't forgiven her for); she regrets not being a better mother; and she regrets that she needed to have plastic surgery and "wasn't brave enough" to let herself age naturally, but in the end she says, "I am what I am," and is happy to have found herself.

Rosy the Reviewer says...is Jane worth a two hour and twenty minute movie?  Yes, hers has been a life well-lived and she shows us that it's never too late to find ourselves.




Bad Samaritan (2018)


What do you do when you are a petty burglar and while robbing a home discover a woman being held captive there?

That's what happens to young Sean Falco (Robert Sheehan) who has figured out that being a valet in Portland is a good way to rob houses.  While people dine, he takes their car, and rather than parking it, heads to their house and robs them.  I remember saying to Hubby while watching this film that I must not have a criminal mind because it never occurred to me that a valet might do that.  Now I don't trust them!

However, when Sean arrives at arrogant and surly Cale Erendreich's (David Tennant) house he gets more than he bargained for.  He discovers a woman named Katie (Kerry Condon), chained and gagged and a very scary torture room in the garage.  What should he do?  He may be a thief but he's not a bad person, not really.  But how does he explain being in that house?  So he places an anonymous call to the police but Cale is one step ahead of him. Written by Brandon Boyce and directed by Dean Devlin, the film turns into a cat and mouse game as Sean tries to save the girl with Cale getting demonic delight by not only trying to ruin Sean's life but his family's and friends' lives as well.  Oh, yeah, Cale is also trying to kill everyone in his path too.

Doctor Who and "Broadchurch" fans will not recognize their hero, David Tennant.  He is one creepy guy in this film and he hams it up big time, but it's enjoyable (in a creepy way) seeing him have so much fun  The film plays like a Lifetime Movie, but, hey, I like Lifetime Movies and all in all it's a good little thriller with an engaging young leading man and a woman FBI agent who eventually gets the job done.

And let me just say, the moral of the story is - If you want the job done right, get a woman to do it!

Rosy the Reviewer says...far-fetched and a bit sleazy but a surprisingly good thriller.



***My 1001 Movies I Must See Before I Die Project***



124 to go!

Have YOU see this classic film?




Senso (1954)
("The Wanton Countess")


An Italian countess gives up everything for love. Yes, it's one of those kinds of movies.

But I love them!

Set in Venice and Verona during the Italian-Austrian War of Unification right before Giuseppe Garibaldi expelled Austrians and helped unite Venice with the rest of Italy, this is the story of a bored Italian Countess who meets and falls in love with a dashing Austrian soldier.  Sadly, the soldier is a cad. It's a romantic melodrama and this is the kind of movie I love.

The film begins during a performance of the opera "Il Trovatore," which is no surprise since director Luchino Visconti was one of Italy's most renowned directors of opera. The opera is interrupted by a demonstration by Italian Nationalists against the occupying Austrian troops who were attending the opera. And the film itself is a kind of opera as we watch Countess Livia Septieri (Alida Valli) embark on a self-destructive love affair.  She is a Garibaldi supporter who intercedes on her beloved cousin's behalf when he impulsively challenges an Austrian officer to a duel. She meets Franz Mahler, a young Austrian officer (Farley Granger), and is immediately attracted to him.  Though he is "the enemy," Livia throws caution to the wind and embarks on a love affair with Franz.  He is also a cad who uses Livia to get money to bribe a doctor to say he is unfit for battle.  When he disappears and then writes her a letter thanking her for the money, she travels to see him only to discover him drunk and with a prostitute.  He humiliates Livia by rubbing her nose in her own humiliation by making her sit at a table and dine with the prostitute. It's all very Anna Karenina except in this case "Don't mess with a woman scorned."

Valli is wonderfully dramatic as the lovelorn Livia and Granger is appropriately charming and handsome.  Visconti had originally wanted Ingrid Bergman for the part of Livia but Bergman was married to director Roberto Rossellini at the time and he didn't want her working for other directors.  And Brando?  Hard for me to imagine him mumbling around in the role of the dashing Mahler. And believe it or not, Granger was a more popular actor at the time.  Does anyone remember him now?

Why it's a Must See: "With screenplay credit for both Tennessee Williams and Paul Bowles -- among six writers in total - [this film] is a distinctly high-class melodrama."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...just my kind of film!  I love the old-fashioned costume melodramas that end tragically.  I'm weird that way.
(In Italian and German with English subtitles)


***The Book of the Week***




Perfectly Clear: Escaping Scientology and Fighting for the Woman I Love by Michelle LeClair (2018)


Yet another book on the evils of Scientology.

Don't get me wrong.  I am not making fun of this book, but this is certainly not the first book by someone wanting to break free from Scientology, most famously Leah Remini's book "Troublemaker" and "Ruthless," written by David Miscavige's own father, Miscavige being the head of the church. You would think with all of these books written about the evils of Scientology and what they do to you if you go against them, something significant would happen such as arrests or the Church going bankrupt.  Leah Remini has made calling Scientology out a lifelong mission and even had a regular TV show interviewing about the aftermath of a life in Scientology.  But even with that, nothing seems to happen.  Scientology just keeps chugging along. Like, why aren't we hearing from Kirstie Alley or John Travolta?


I have always been fascinated by cults and what draws people in.  I recently reviewed Catherine Oxenberg's book, "Captive," about her daughter's involvement with Nxivum and her efforts to save her.  What strikes me about that book and this one is that in both cases it was the mothers who introduced their daughters to the cults - Catherine was first interested in Nxivum and got her daughter involved.  However, when she became disenchanted with the group she left but her daughter didn't. In this book, LeClair's mother was a lifelong seeker and brought her daughter in.  Both books show how vulnerable young people are to this sort of thing especially when their own parents seem to give them the seal of approval.


If you have done any reading about Scientology at all you will already know what she reveals about the Church - the auditing with the E-Meter, the Sea Org, how the Church keeps people in line, nothing really new with that, but LeClair puts a new spin on the group as she sheds life on their intolerance toward homosexuality, which she experienced first hand.


LeClair was the former President of Scientology's international humanitarian organization and gave the group millions of her own dollars.  All of her life she had struggled with her feelings about other women and tried to live a conventional heterosexual life but an abusive marriage led her to find love elsewhere and to eventually find the love of her life - a woman.  Over the years she had tried to reconcile her sexual orientation with the anti-gay ideology of Scientology, but when she met her wife she eventually left the church not realizing what a price she would pay.  The police raided her home, her husband sued her for custody of their children and she lost her business, all, according to her, as part of the Church's plan to destroy her as they try to do with any who go against them.

Rosy the Reviewer says...a harrowing story. If you are interested in the inner workings of Scientology or in cults and how people get pulled in, this is a compelling story.




Thanks for reading!



See you next Friday 


for

"A Star is Born"

and


 The Week in Reviews
(What to See or Read and What to Avoid)

and the latest on


"My 1001 Movies I Must See Before 

I Die Project." 




If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 


Go to IMDB.com, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, September 28, 2018

"The Wife" and The Week in Reviews

[I review the movie "The Wife" as well as DVDs "Lemon" and "Jurassic World: Fallen Kingdom."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Hotel Terminus: The Life and Times of Klaus Barbie."  The Book of the Week is Sally Field's memoir "In Pieces."]


The Wife


When novelist Joe Castleman (Jonathan Pryce) receives the Nobel Prize for Literature, his wife, Joan (Glenn Close), is forced to face the choices she made in life.

I probably wouldn't have known much about this movie or gone to see it if Hubby hadn't been in an airport on a recent business trip, needed something to read and randomly picked up the novel by Meg Wolitzer upon which this film is based, but I am glad he did.  With six Oscar nominations and no wins, I think this is Glenn Close's year for an Academy Award.

I can't really go into too much detail about the film, because this is one of those films with a big revelation at the end.  Unfortunately it was a revelation I saw coming practically from the first frame (Hubby said the book was much more subtle in the hints about what was to come), but that did not hinder my enjoyment of the film, especially the acting.  Let's just say that behind every successful man is a woman.

It's 1992. Joe Castleman is a successful novelist who has been awarded the Nobel Prize for Literature.  He and his doting wife, Joan, along with their son, David (Max Irons, son of Jeremy), travel from Connecticut to Stockholm for Joe's award. David also hopes to be a writer and yearns for his father's approval which is not forthcoming.  As we follow Joe and Joan on that journey, there are flashbacks to young Joe (Harry Lloyd, who distractingly looked too much like Jim Carrey and Jim Carrey always makes me laugh no matter what kind of role he is playing) and young Joan (the stunning Annie Starke) meeting in the 1950's when he was a professor at Smith College and she was a student and promising writer.  Though he is married with a baby, they embark on an affair and eventually he leaves his wife and marries Joan.  Joe is arrogant and needy and Joan is a good wife. Now they have been married for over 30 years and she looks after Joe, making sure he takes his pills, knows where his glasses are, and has forgiven him his infidelities, all of those things a good wife was supposed to do for her man back in the good old days.

But in Stockholm as Joe prepares to accept his Nobel Prize and Joan plays the role of the dutiful wife, Joan goes from doting wife to a woman tormented by the past and what might have been. And Christian Slater, as biographer Nathanial Bone, who hopes to write about Joe, stirs the pot as he interviews Joan over some stiff drinks.

Jonathan Pryce is always good but almost unrecognizable here with the facial hair and the American accent.  Likewise Annie Starke as the young Joan is wonderful (and she is Close's real life daughter), but this is Close's film.  Though she doesn't say much, her face speaks volumes as it reacts to what is happening around her.  Her face seems like a mask but yet it tell us everything. It's a face masking all of the secrets and locked up resentments of Joan's life.

Adapted for the screen from Meg Wolitzer's novel by Jane Anderson and directed by Swedish director Bjorn Runge, this is the story of a marriage and how so many women who came of age in the 1950's gave up their own dreams to live a life helping their husbands realize theirs.

Rosy the Reviewer says...ring....ring...Ms. Close?  Oscar calling.
(Note:  We saw this film at an "art house" that specializes in smaller films and there were only two other people in the matinee we attended so if you want to see this lovely film, get thee to the theatre now)!



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


On DVD




Lemon (2017)


When his girlfriend leaves him after ten years together, Isaac's life starts to unravel.

Forty-year-old Isaac Lachmann's (Brett Gelman) longtime girlfriend (Judy Greer) has left him and his life isn't working. He is a struggling actor whose most recent work includes a PSA hyping the dangers of Hepatitis C and a commercial selling adult diapers. So he also teaches acting classes to get by. It doesn't help that his seemingly only friend, Alex (Michael Cera with Shirley Temple hair), who is also one of his acting students, is getting some good jobs and bragging about them. However, it's difficult to feel sorry for Isaac because he is socially awkward to say the least.  He is in fact actually quite obnoxious.  

The film is cringeworthy at every turn because Isaac never makes the correct social decision. It's humor is also very dark. For example, Isaac's girlfriend is blind and sells medical supplies. Isaac's acting classes are also quite dark as they illustrate the dynamic of the failed actor as he relentlessly picks on one of his students.  Isaac's favorite is Alex who can seem to do no wrong while Isaac relentlessly picks on Tracy (Gillian Jacobs) who can't seem to do anything right as Alex and Tracy rehearse a scene from Chekov's "The Seagull."  Isaac may only be able to get commercials for adult diapers but, dammit, this is his acting class and he is going to throw his weight around.

Isaac eventually meets Cleo (Nia Long) an African-American make-up artist with a young son and he becomes obsessed with her while at the same time showing his innate racism.

There is lots of star power in this little film that shows all of the posing and false bragging that embodies the actor's life in L.A; how actors are treated in the industry (like pieces of meat); what they have to go through to even get very small parts; the pecking order (you throw your weight around on people seen as below you as Isaac does with Tracy); and the rejection they face every day.  So to cope they create ego laden personas for themselves.  It's as if everyone is acting all of the time even when they aren't.

Written by Janicza Bravo and Gelman (they are married) and directed by Bravo, there is a message to be had here but unfortunately it was overshadowed by the unlikable characters. 

As I said, there are several big names attached to this film. Megan Mullally of the voice that sounds like fingernails on a chalkboard has a fake British accent here that comes and goes, the aforementioned Michael Cera, Judy Greer and Nia Long as well as Jeff Garlin and Rhea Perlman (playing against type), but the film is really all about Gelman as Isaac Lachmann.  Gelman is a writer and actor in real life and has been a fixture on TV.  His character here reminded me of Will Ferrell when Ferrell plays arrogant but clueless characters.  But despite the insights and the good acting, I had a difficult time figuring out why all of these actors wanted to be in this film.

Those moments of insight and the good acting are not enough to save this film which is, er, kind of a lemon.

Rosy the Reviewer says...I like original films, I like quirky films, I like strange films but this one was a bit too original, too quirky and too strange. I can't recommend it.  I don't want you blaming me for this one.




Jurassic World: Fallen Kingdom (2018)


Ever since "Jurassic World (2015)," the first in this planned trilogy where the dinosaur amusement park went haywire, the dinosaurs have been living freely on the island of Isla Nublar but are now in danger as a volcano threatens to erupt making the dinosaurs extinct once again.  Owen (Chris Pratt) and Claire (Bryce Dallas Howard) to the rescue!

After the Jurassic World debacle, the dinosaurs are living alone on Isla Nublar but a volcano threatens to erupt.  There are those who believe they should let the dinosaurs die but animal rights groups are fighting to save them particularly the "Dinosaur Protection Group," led by Claire Dearing, who was instrumental in saving them in the last film.

She is approached by billionaire Benjamin Lockwood (James Cromwell), who wants to save the dinosaurs. He was supposedly involved with Hammond (from the first film) in creating the dinosaurs in the first place and he needs her to activate the old park's security systems so Claire works with Lockwood's minion, Eli Mills (Rafe Spall), to save the dinosaurs not realizing that he does not have the dinosaurs' best interests at heart.  In fact, he wants to save them from the island only to auction them off to animal traffickers for millions of dollars.

Claire and Owen had a thing in the last film but are no longer together. However, Claire knows she needs Owen to help her. Owen is living off the grid building a cabin in the middle of nowhere, but Claire finds him and entreats him to help her save the dinosaurs, especially Blue, the little dinosaur that Owen raised from a baby. Owen is not keen.  He wants to be left alone but the two go off and get drunk together, hash over their old relationship, Owen eventually relents and the two, with the help of dinosaur doctor Zia Rodriguez (Daniella Pineda) and computer nerd and scaredy cat Franklin (Justice Smith) - the two also provide comic relief - head to the island to help Lockwood's men save the dinosaurs, not realizing they are actually helping the bad guys.

The volcano does blow and this is where, as an actor, being a good runner and screamer comes in because there is a lot of that.  There are also many scary and up-close-and-personal encounters with dinosaurs especially as the monsters invade Lockwood's mansion.

Meanwhile, Mills is putting his evil plan in play (to weaponize the creatures) but it is overheard by little Maisie (Isabella Sermon), Lockwood's granddaughter.  She tries to tell her grandfather about it but Mills intervenes much to Lockwood's detriment and now little Maisie is in danger.

But you know how these things go.  Our heroes will prevail.

Written by Derek Connolly and Colin Trevorrow and directed by J.A. Bayona, there is a certain comfort in these kinds of movies.  Unlike Forrest Gump's box of chocolates, you DO know what you are going to get. 

  • The film will start with some sort of huge ominous action sequence that forebodes what is to come and someone usually gets eaten
  • There is a reluctant hero who has given up
  • We also have a plucky heroine and...
  • A plucky child
  • There will be a problem that our heroes must solve
  • Lots of big angry dinosaurs (or gorillas or aliens) will abound
  • Some bad guys (animal traffickers have been big this year) will show up to try to thwart our heroes
  • Our reluctant hero is drawn back in by memories, in this case memories of raising little Blue

And we are off and running!  Let's save some dinosaurs!

So even though you know how it's all going to go and how it's all going to end, there is comfort in that, right?  You settle down for a night of escapism that doesn't require a lot of brain waves. Or...you could get bored since you have seen it all before. That's what happened to me.  Even though there are some spectacular action scenes, the CGI dinosaurs are fun and the film is quite visually beautiful (Bayona also directed the lovely "A Monster Calls' which I really liked), about half way through, I got bored, especially since I knew how it was going to end. That's why it's sometimes a good thing to watch a movie at home.  You can fast forward through the boring bits.  Once the story became more about little Maisie, it all kind of fell apart.

Oh, but one final trope I missed.  The bad guy usually meets his demise rather spectacularly and this film is no exception.

I enjoy Bryce Dallas Howard as an actress and wish she would do more than this type of film.  I have also enjoyed Chris Pratt in the past.  He had a great deal of charisma in the first "Guardians of the Galaxy" film and even in "Jurassic World," both of which I really liked, but here he seems to be sleepwalking through the whole thing. He didn't even make wisecracks like we are used to.  If it wasn't for Pineda and Smith there wouldn't have been any humor in this thing at all. Since I didn't like him in "Guardians of the Galaxy, Vol. 2," either, maybe he just has a problem with sequels.

Plus Howard and Pratt had zero chemistry.  I thought the same thing about him and Jennifer Lawrence in "Passengers."  Maybe he has a problem with sex. I think it's time for him to be in some kind of sexy thing so we can see if he even has some sex appeal. 

Finally, what the heck was Jeff Goldblum doing in this?  When this was close to release, he was on all of the talk shows hyping the film and come to find out, he is in two very small scenes.  Maybe he was important because he was warning us that another sequel was coming.  Oh, god. 

Rosy the Reviewer says...you've seen it all before so you probably don't need to see it again.



***My 1001 Movies I Must See Before I Die Project***


125 to go!

Have YOU seen this classic film?



Hotel Terminus (1988)


A documentary that examines the life of Nazi SS officer Klaus Barbie, the infamous "Butcher of Lyon."

I am going to say at the get go there is absolutely no reason for a film to be FOUR AND ONE HALF HOURS LONG!

That said, this is a fascinating documentary and won an Oscar for Best Documentary Feature in 1989.

Using forty years of footage and interviews culled from over 120 hours of filmed material with former unrepentant Nazis, American intelligence officers, South American government officials and victims of Nazi atrocities, director Max Ophuls (who also directed the incredible "The Sorrow and the Pity - another very long movie") tells an epic tale about Barbie, who was Gestapo chief at the aptly named Gestapo headquarters, the "Terminus Hotel" in Lyon, France - where he tortured and murdered resistance fighters and deported thousands of Jewish men, women and children to the death camps.  

We learn from this film that after the war, he worked with and was protected by the U.S. Army and American intelligence officers because he helped them with their anti-communist efforts.  He was able to ingratiate himself with them because it seems we hated the Russians more than the Nazis! Despite Barbie's crimes, he was allowed to live peacefully in Bolivia for over 30 years until in 1987 he was finally brought to trial in a French court for crimes against humanity.

This film stirs the questions about American and German complicity, indifference, justice...and guilt. It also is a timely take on nationalism.

Why it's a Must See: "A work of art in every sense, [this film] is among the most rigorous as well as the most accessible documentaries about the Nazi era."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...an amazing film but it could have been shorter.




***The Book of the Week***



In Pieces by Sally Field (2018)


Who knew that our little "Flying Nun" had such a harrowing life?

It's all here.  Actress Sally Field spills the beans on the child abuse she suffered growing up as well as everything you ever wanted to know about her relationship with Burt and a great deal more.  I was particularly upset about her stepfather's sexual abuse.  It was really bad for her, I know, but I was upset to learn her stepfather was one of my movie star crushes growing up. Disturbing to learn he was a pedophile.

Raised by a struggling actress mother who divorced her father when she was really young, Sally was raised in L.A. by her actress mother and actor stepfather.  She struggled with insecurities and didn't do well in school but theatre saved her.  Not knowing what she was going to do after high school, luckily she was plucked from obscurity at 18 and landed the TV show "Gidget," which lasted for one season.  The show might have failed but she didn't so despite that show ending, she was off and running.  "The Flying Nun" came next and it was very successful but let's just say that type-casting is real and it took awhile for her to shed that habit and be taken seriously as an actress, particularly since she was a little thing who looked like a child until she was 40.  Hey, she still looks like a young girl at 71!

But then along came "Sybil," the TV version of the best-selling book about the woman with multiple personalities.  Everyone was stunned that our little Sister Bertrille could turn into a woman with so many, how do I say?  Issues ?  And that TV movie led to film roles: "Smokey and the Bandit, "Norma Rae," "Places in the Heart," "Forrest Gump," "Lincoln," and more.  "Norma Rae" and "Places in the Heart" were significant because she won Best Actress Academy Awards for both.  Remember her speech for "Places in the Heart?"  You like me!  You really like me!  But "Smokey and the Bandit" was significant because that's when she met Burt Reynolds.

They did two more films together as well as embarking on a romantic relationship. It's interesting that in his later years Burt has said that Sally was the love of his life.  That's not her take.  She describes him as a regular guy with his own family issues that helped create his charming devil-may-care persona that he showed the world but he was also controlling, lacking in empathy and not particularly interested in her issues.  There's more but you will have to read about it for yourself.

Rosy the Reviewer says...Sally, we do like you.  We really do!  If you like celebrity biographies, this is a good one.  It's candid and riveting.


Thanks for reading!


See you next Friday 


for



"Fahrenheit 11/9"

and


 The Week in Reviews
(What to See or Read and What to Avoid)

and the latest on

"My 1001 Movies I Must See Before 

I Die Project." 




If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 


Go to IMDB.com, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.