Wednesday, August 19, 2026

My Movie Picks and Pans for August 2026, Part 2: "Disclosure Day," "Backrooms" and "This Time Next Year"

[I review Steven Spielberg's latest, "Disclosure Day" as well as the horror film "Backrooms" and the British rom-com "This Time Next Year."]



Disclosure Day (2026)

Another reminder that we might not be alone.

Back in 1978, Ruth Montgomery warned in her book "Strangers Among Us," that aliens had invaded human bodies as "walk ins" and lived among us. A recent HBO miniseries "Bring Me the Beauties:The Model Cult" continues that story with a documentary about a 1980's group called Eternal Values run by charismatic socialite Frederick von Mieiers who claimed to be an extraterrestrial and recruited models to his cult (he only liked pretty people). And then there has always been the whole Roswell mystery - that the U.S. government had proof that aliens had landed on earth and the government was hiding it from the American public. Well, now Steven Spielberg weighs in with this story he came up with and directed (screenplay by David Koepp) and, from his interviews about this movie, he appears to be a believer - that we are not alone and the government has been hiding that from us.

And that's what this movie is all about.

Cybersecurity specialist Dr. Daniel Kellner (Josh O'Connor) has stolen documents and an extraterrestrial device from his employer, a secretive U.S.government contractor known as the Wardex Corporation (Waived Reporting, Development, and Extraction) run by Noah Scanlan (Colin Firth) that proves that the whole Roswell incident is true and aliens have always been with us. And the Wardex people are not happy about what Kellner has done so he is on the run with his girlfriend, Jane (Eve Hewson, Bono's daughter).

Daniel is being helped by Hugo Wakefield (Colman Domingo), who leads a team of former Wardex employees who want to disclose the evidence to the world that extraterrestrials are here.  But Wardex and the government are going to do everything they can to keep that from happening.

Meanwhile, in Kansas City, TV meteorologist Margaret Fairchild (Emily Blunt) is living with her boyfriend, Jackson (Wyatt Russell, Goldie Hawn's and Kurt Russell's son), and wondering whether she should stay in Kansas City when a cardinal flies into her home. Somehow, that incident changes Margaret and gives her a pscyhic ability to intuit people's thoughts and speak in languages she has never learned. During a live weather broadcast, Margaret unexpectedly begins speaking in an unknown language. Footage of the broadcast goes viral and draws the attention of Wardex, which identifies the language as extraterrestrial. So now, under the direction of Scanlan, Wardex is after her too. And somehow Margaret knows she needs to find Daniel - well, I guess she knows because now she is psychic - so off she goes to find him with Wardex in the guise of FBI agents after her. Turns out Daniel and Margaret discover they have a bond from the past.

Steven Spielberg knows how to make riveting movies, but there is a moment when Daniel says, "I don't understand what's happening," and I felt that way myself for the first 90 minutes of this movie. But, I was still engaged. That says something about Spielberg's movie-making abilities. I just wish he didn't take so long to tell the story. At two and a half hours, it's too long. But at least I watched it at home with a glass of wine and could take an intermission. I have a big TV so I am not as inclined to venture out to the theatre anymore. Though I want to support the movie industry, I just don't enjoy the long movies that seem to be the thing these days nor do I miss people talking behind me and the crackling of candy wrappers.

Anyway, as for the alien question, I have always wondered if there really were aliens among us and the government had proof, why would the government want to keep this a secret? What would happen if we knew the truth? Spielberg attempts to tackle that question. He seems to be saying that if we believed in aliens we would see them as supreme beings and would stop believing in God and that would divide us all further. Not sure about that. But it's a question worth asking. 

But despite my confusion and several "Huh?" moments, the all-star cast and the special effects were amazing, especially a scene with a car being dragged by a speeding train. Despite its length, the film keeps moving, is action-packed and engaging.

Rosy the Reviewer says...a long but fun ride even if I didn't know what was going on half of the time. (For rent or purchase on Amazon Prime and Apple+)


Backrooms (2026)


A San Jose furniture store contains an entryway into another dimension...and it's not nice in there.

It's 1990 and failed architect Clark (Chiwetel Ejofor) now owns a struggling furniture store in San Jose, California. He dresses up like a pirate to promote his store on TV with the help of his assistant manager, Kat (Lukita Maxwell) and her boyfriend, Bobby (Finn Bennett).  Clark is a sad character as he struggles with his alcoholism and a dissolved marriage and blames his situation on everyone and everything else besides himself.  

Having taken up residence in the store, one night Clark notices the lights flickering mysteriously and his television functioning erratically and while checking the breaker box, Clark notices a glowing slit in a wall. Approaching it, he falls through and enters a huge backroom area filled with upended furniture, empty closets filled with empty hangers, narrow passages, an endless series of abandoned office spaces. Clark also realizes he is not alone as an unseen entity appears to chase him and he narrowly escapes back into his store. There is also someone watching him from behind the scenes.

Clark has been seeing therapist Mary Kline (Renate Reinsve), who has her own issues, and when he tells Mary about the Backrooms, he is met with skepticism, so to get proof, Clark brings Kat and Bobby into the Backrooms to film their discoveries. Not good. Some bad things happen.

Later, Mary receives a cryptic message from Clark, who tells her that he is staying in the Backrooms and will not return.  Concerned about Clark, Mary visits the store and enters the Backrooms herself. Not good.  More bad things happen.

Ejofor and Reinsve are wonderfully believable as flawed characters struggling with their pasts, thrown into a kind of hell. It's like the halls of "Severance" but on acid. The film also reminded me of Jean-Paul Sartre's play "No Exit," set in a single room representing Hell. Is it hell?  Is it a nightmare?  Or is it madness?

Like "Obsession," this is a first feature film by a YouTuber, this time, Kane Parsons, whose YouTube series went viral and was picked up by A24, becoming the second highest-grossing horror film of 2026 and the fifth highest-grossing independent film of all time. The concept of Backrooms is an Internet urban legend from 2019.  Parsons wrote the screemplay along with Will Soodik and directed this highly creepy and disturbing horror film that will stay in the backrooms of your brain for awhile. Who knew huge empty well-lit rooms could be so scary? Much of the movie is filmed from the characters' point of view as they explore the backrooms which adds to a "you are there" aspect, and in turn adds to the creepyness factor. But there are also some "WTH?" unexplained moments like, what the hell did the “Async Research Institute" with Phil (Mark Duplass) monitoring the Backrooms on cameras have to do with this and what the hell was that ending all about?

Rosy the Reviewer says...I mostly enjoyed this if I can say "enjoy" about a horror film. But if you like creepy, you will like this and you will never look at a furniture store the same way again.  (For rent or purchase on Amazon Prime or Apple+)





Quinn (Lucien Laviscount) and Minnie (Sophie Cookson) were born only two minutes apart on New Year's Day.  They meet by chance 30 years later.  Gee, do you think they will hook up?

Minnie Cooper (yes, she knows) hates her birthday.  They have all been bad birthdays and this year is no different. She just doesn't seem to have good luck.  She goes to a New Year's Eve party with her not-very-nice boyfriend, Greg (Will Hislop), gets mistaken for a server and get locked in the bathroom all night.  The next morning she is rescured by a handsome stranger, Quinn Hamilton.  

Turns out, they were both born within minutes of each other in the same London hospital but Quinn beat her to be the first baby born in 1990, thus his mother, Tara (Golda Rosheuvel), won the money awarded to the first baby, and worse, Tara stole the name Minnie's mother, Connie (Monica Dolan), was going to name her. Connie had shared with Tara that she was going to name her baby Quinn and that it was a lucky name. But Tara beat her to it, naming her baby Quinn and winning the huge cash prize for giving birth to the first baby of the year. And thus started a series of unlucky events for Minnie and Connie's huge resentment toward Tara.

Minnie runs a food truck and has had an unlucky life but she is a kind person working with seniors. Quinn, on the other hand, is a wealthy businessman who has lived a charmed life, but he is a kind person too. One can't help but wonder if Quinn was indeed a lucky name that Minnie missed out on. 

In true rom-com fashion, the two meet cute, really like each other, then a misunderstanding occurs and then they don't like each other, yada, yada, yada.  We know how it's going to go but the Brits do a good job with romantic comedies.  Their rom-coms tend to be more original, not following the Hallmark formula as much, and include fun, quirky characters, and yes, poignancy.  I mean, does "Love Actually" ring a bell?  Or "Notting Hill?"  And... actually...director Nick Moore has been working in this rom-com genre for awhile having edited both "Love Actually" and "Notting Hill."

And...actually... this film, written by Sophie Cousens (based on her book by the same name) is just as good as those. 

Cookson and Laviscount are attractive lovers who exude warmth and who together bring out the best in each other. And there is a sweet subplot involving Connie and Tara. It all unfolds with beautiful London as a backdrop. It is one of the best rom-coms I have seen this year and I am picky about my ron-coms.

Rosy the Reviewer says...this is how you do a rom-com that's worth watching - characters with some depth and some issues to resolve; unlikely friendships, quirky characters and a good message. And it doesn't hurt that the leading man is super attractive. If you like rom-coms, you don't want to miss this one! (streaming on Amazon Prime)



 

See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

Wednesday, August 5, 2026

My Movie Picks and Pans for August 2026: A Comedy, a Rom-Com and a Documentary!

[I review Kevin Hart's new movie on Netflix "72 Hours," as well as the rom-com "You, Me & Tuscany," and the documentary "A Toxic Love Story."]


72 Hours (2026)


A 40-year-old finds himself accidentally invited to a three-day Bachelor Party with a bunch of 20-somethings. He goes. Chaos ensues.

I have always been a Kevin Hart fan, and the premise of this movie sounded funny, like a new version of "The Hangover," and I was in need of a good comedy.  Yes, it was a knock-off of "The Hangover," but sadly not funny nor a good comedy.

Joe Nixon (Hart) is a 40-something advertising executive in New York City who accidentally gets added to a group-chat of twenty-somethings mistakenly inviting him to an upcoming bachelor party in Miami. It just so happens that Joe is smarting from not getting the promotion he was expecting because he wasn't able to promote his company's vodka product effectively to young people. There was an insinuation that he is too old. So he gets the idea that if he goes to this bachelor party with these twenty-seomthings, he can get some valuable information that will help him promote the product to the younger generation and thus get his promotion. But he also kind of wants to get his youth back. 

So even though these kids are strangers, Joe takes them up on the invitation and decides to impress them by paying for a lavish Air BNB and basically footing the bill for everything.  When Joe arrives, the guys - Nick (Marcello Hernandez), Mason (Mason Gooding), Freshman (Kam Patterson) and Hunter (Ben Marshall) - are surprised Joe is "so old," so now Joe has to show them he can party as hard as they do, leading him to drugs and drinks and general chaos, including gangsters after them. Meanwhile, Hunter is nursing a broken heart, Nick is relentlessly picking on Mason about getting married and Freshman is clueless. 

Written by Jon Hurwitz, Hayden Schlossberg, Kevin Burrows, and Matt Mider and directed by Tim Story, old age and raunchy jokes abound along with projectile vomiting, a plethora of F-bombs and some helicopter penises (don't ask). Oh, and did I mention there were also whale penises and gangsters? Yawn.  You would think with four writers on board, something would have worked but not fun or funny.

And Hernandez, Patterson and Marshall are writers and performers on "Saturday Night Live," so you would think that this movie would at least be as funny as SNL, but nope. The concept was funny, the execution not. Teyana Taylor makes an appearance as Joe's girlfriend but doesn't have much to do, and Kevin plays his usual perplexed, put-upon and overwhelmed persona but it's not enough. Kevin, Kevin, Kevin.  You are a talentedly unpredictable and funny guy.  What are you doing in this predictable, unfunny movie? If this was meant to boost your career, it didn't work. 

Rosy the Reviewer says...watching this movie, I had to ask myself - When did comedies stop being funny?  I haven't seen a funny comedy in a long, long time.  And this is one of them.  If you watch it, remember, I warned you. But maybe, like Joe, I was just the wrong demographic for this party. (Netflix) 


 You, Me & Tuscany (2026)

A aspiring American chef squats in an empty Italian villa pretending to be the owner's fiance, not realizing what she has gotten herself into.

Anna Montgomery (Halle Bailey) is a young wannabe chef who put her dreams on hold after the death of her mother. Now she works as a house sitter and has the bad habit of pretending to be the owner of the house, helping herself to their clothes and other accoutrements. However, when she is caught in the act, she loses a big client.  

Drowning her sorrows in a bar, Anna meets Matteo Costa (Lorenzo de Moor), a handsome Italian real estate guy, who regales her with tales of his home in a charming village in Tuscany.  He invites her back to his room but he falls asleep before anything happens.  The next morning he is gone but leaves her a note apologizing for leaving but encouraging her to follow her dreams. Well, that's all it takes.  Off Anna goes to Tuscany and, finding accommodations in Matteo's village all booked because of a festival, Anna also gets the bright idea to stay in Matteo's empty villa. She finds the hidden housekeys, lets herself in and plans to do what she always does - pretend she lives there.  But then Matteo's mother, Gabriella (Isabella Ferrari) and his grandmother Alessia (Stefania Casini), show up.  What should she do?  Why, let's dig an even bigger hole and pretend to be engaged to Matteo.

The charade continues even after meeting Matteo's cousin, Michael (Rege-Jean Page), and finding a mutual attraction. And wouldn't you know, Matteo's father, Vincenzo (Paolo Sassanelli), owns a restaurant and Anna gets to help Matteo's father in his restaurant. Could it get any better?

But then, Matteo shows up.

Halle Bailey is a lovely young actress (her starring debut was in 2023's "The Little Mermaid"), but her gifts are not enough to save this very silly and unoriginal rom-com. Rom-com and Hallmark movie cliches abound. I know rom-coms can be silly but also charming, and, yes, even original. I enjoy them for the charming and original part. Sadly, this one lacks the charm, is not original and is actually kind of dumb.  

And if you have been wondering where hearthrob Rege-Jean Page has gone after steaming up "Bridgerton" as the Duke of Hastings for the first season ("Bridgerton" was never the same after he left), here he is. And yes, he takes his shirt off.  But even with that, all I can say is, Rege-Jean, get thee back to "Bridgerton!" Or at least to a project worthy of your talent and, yes, handsomeness. Written by Ryan and Kirsten Engle and directed by Kat Coiro, this is an unworthy piece of fluff and even the beautiful Tuscan landscape can't save it.

Rosy the Reviewer says...if you can totally suspend disbelief...and I mean totally...and you miss Page, you might enjoy this but at least wait until it streams for free (update: now streaming on Peacock). I certainly wish, I not only hadn't paid to rent it, but that I hadn't spent an hour and 45 minutes watching it. (Peacock and for rent or purchase on Amazon Prime )

 


A Toxic Love Story (2026)


A newly married U.S. Marshall and his wife start receiving threatening emails supposedly from his ex-girlfriend...but are they really from her?

Angela Connell and U.S. Marshall, Ian Diaz, are newly married.  But before that, Angela had a sketchy past trying to pass herself off as an attorney and cancer victim.  But now the two are happily married but appear to be targeted by Ian's ex-girlfriend, Michelle Hadley, who they say is harassing them with emails wishing them dead using a "Lilithistruth" persona (Lilith was supposedly Adam’s first wife and when banished from Eden became a revenge-seeking demon - not good). And in Lilith fashion, she is also placing ads on Craigslist under Angela's name saying she has a rape fantasy so men with that same fantasy will come over to her house and rape her. Cops are called, restraining orders are in place but the harassment continues. Then Angela reports that a man has appeared at her home and attempted to rape her.

There are many twists and turns in this real life horror story, with interviews and police body cam footage documenting this story directed by Alexandra Lacey, who beautifully structures and paces the film to keep you absorbed to the very surprising ending.

Rosy the Reviewer says...if you like twisty-turny true crime documentaries, you will like this one. (Netflix)


See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!