Friday, June 2, 2017

"Guardians of the Galaxy Vol. 2" and The Week in Reviews

[I review the new movie "Guardians of the Galaxy Vol. 2" as well as the animated feature films "Moana" and "Sing," newly released on DVD.  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "In The Year of the Pig."  The Book of the Week is a cookbook:  "Over Easy" by Joy Wilson.]





Guardians of the Galaxy, Vol. 2


Peter Quill AKA Star Lord is back and he is still trying to figure out his parentage.

I am not a big Marvel comics fan - well, actually I'm not a Marvel comics fan at all - so it was just by accident that I went to the first installment of this franchise, "Guardians of the Galaxy," which I guess looking back would now be Vol. 1.  I needed to review a new film and there just wasn't anything else to see.  And I have to say I was surprised.  I just loved it!  I loved it so much that I saw it again on DVD so Hubby could see it too.  Chris Pratt had lost all of that weight after his stint on "Parks and Recreation" and was breaking out in a big way, the "mixed tape" 80's soundtrack was awesome, and the story was fresh and original.  Also who knew a wise-cracking raccoon (Bradley Cooper), a talking tree who can only say "I am Groot (Vin Diesel)" and Drax (Dave Bautista), a tattooed knucklehead, could be so much fun? 

I really loved the FIRST "Guardians of the Galaxy" and thought it was just charming and even ended my review of it with "I can't wait for the next one!" 

But that was the FIRST "Guardians of the Galaxy." I am sad to report that the "next one" is here, and I did not feel the same way about this sequel.  You know how I feel about sequels anyway.  I usually hate them and avoid them, but because I loved the first "Guardians" so much I didn't even think about it being a sequel so I can guarantee you that the fact that it was a sequel did not color my judgment. I was expecting the same charm as the first and that Pratt would be his wise-cracking self. 

Well, folks, "Guardians of the Galaxy Vol. 2" had no charm.  Whatever it was that made the first one so enjoyable was just not present here.  And worse, Chris Pratt has lost his charm too.  He seemed to be sleepwalking through his part with most of the other characters having the funny wise-cracking lines.

Well, anyway, enough about me. Let's get to the story.

As you may remember from the first one - and if you haven't seen the first "Guardians of the Galaxy," please see it, even if you don't plan to see this one.  But if you ARE going to see this one, it's a must to see the first one unless you want to be hopelessly lost or already know the story.  I saw the first one and still struggled to remember who was who and why was why in the sequel. Characters from the first one come and go and some new characters, like Baby Groot, are not really explained.

This time around, Peter and his side-kicks Rocket (the aforementioned raccoon); Gamora (Zoe Saldana), the sort-of love interest; Drax (the tattooed knucklehead); and Baby Groot (still Vin Diesel, but like I said, not sure where he came from) have been hired by the Sovereign race, a bunch of people who are all painted gold and look alike, to protect valuable batteries from a monster that is going to attack their planet.  In return, the Guardians get Gamora's estranged sister, Nebula (Karen Gillan), who had been arrested for stealing some batteries. Everyone in the universe seems to want those batteries. As for Gamora and Nebula...shall we say that Gamora and Nebula have a fractious relationship?  However, if you have not seen the first film, that whole thing probably won't make much sense to you either because it's not really explained here.

After killing the monster, the Guardians leave the Sovereigns, but not before Rocket helps himself to some batteries.  Not a good idea.  So now the Sovereigns are after the Guardians and they are forced to crash-land on a nearby planet where Peter meets a mysterious figure (Kurt Russell - it's nice to see him again) who purports to be the father he has never met. 


Again, it was established in the first film that Peter's mother had a relationship with some kind of "Star Man," and Peter has always wondered who his father was. Peter's father introduces himself as Ego (perfect name considering how things turn out) and invites him to his home planet. He also introduces Peter to
Mantis (Pom Klementieff), Ego's empath, who is very entertaining. She has these cute little antennae and the uncanny ability to touch you and tell what you are feeling and then make you feel better. Very sweet. She was actually my favorite character in this sequel, which tells you how desperate I was to like this film.
So anyway off they go accompanied by Gamora and Drax while Rocket and Groot remain behind to repair the ship and guard Nebula.

Meanwhile, Yondu (Michael Rooker) and his crew (and Yondu is a whole other storyline that isn't really explained here until the end so, like I said, see the first one first) are after the Guardians too, but when Yondu won't turn over Peter to the Sovereigns there is a mutiny and Yondu's right hand man, Taserface (Chris Sullivan), leads a mutiny.  The film has fun with Taserface and his name, and he basically becomes one of the main villains. 

Nebula escapes and continues her obsession with killing her sister, and Peter bonds with his Dad. Turns out, Ego is a Celestial, an immortal, and he has been searching for Peter to find out if he too is a Celestial.  You see, Ego is seeking meaning in life, and needs another celestial to help him find the meaning he seeks.  Unfortunately that meaning he seeks is not to help the universe but to take over the universe.

When Peter discovers that his father might not be the nice sweet Daddy he had been looking for, things change and Peter finds out just who his real "Daddy" is.

Lots of fighting and space ships flying around and crashing, and you know that slo-mo walk that happens in practically every film these days whether it's a bachelorette party or a movie like this?  You know the one, where the main characters walk shoulder-to-shoulder to some powerful hair metal song as they get themselves ready to take on the world? That's called a Power Walk - and there was not just one of those in this film, but TWO!

Written and directed by James Gunn, there are some laughs to be had and lots of space ship fights and that sort of thing. I am sure fans of the Guardians will still enjoy this, but I was disappointed.  And worse...the soundtrack, or should I say, the infamous mixed tape, wasn't nearly as good as the first one.

Rosy the Reviewer says...sigh...like I always say about sequels...but no doubt there will be a Vol. 3.

 



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD




Moana (2016)



When Moana (Auli'i Cravalho) hears the story of Maui (Dwayne "The Rock" Johnson), who stole the heart of the Island Queen, Nafiti, she sets out to find Maui, restore the heart and make things right.

As a child in Polynesia, Moana many times heard the story of the shape-shifter Maui, a demon of earth and fire, who stole the heart of the Island Queen. Her heart is literally the heart of Polynesian life and without the heart, island life is threatened.

We see early in the film that Moana has some magical abilities when it comes to taming the ocean, and the ocean wants her to travel out beyond the reef to find the heart. But Moana's father (Temuera Morrison) is the island's chief and Moana is being groomed to take leadership of the island, and the rule has always been, no one goes beyond the reef. Her mother tells her, "Some things we wish we could do are not meant to be."

Guess what? 

Disney films all have a formula.  This could be a Polynesian version of "Frozen" or even "Finding Dory," but that's OK because if it's not broke, why fix it? Disney has been churning out these formulaic animated feature films for years, and I have only good things to say about films that empower young girls to think they can do anything they want to do.

Naturally, with much powerful singing, Moana goes out past the reef with her cute little pig (there are always cute little sidekicks) and gets caught in the coral.  She makes it back to shore and so much for venturing out past the reef.

So now Moana is discouraged until her grandmother (Rachel House) gives her inspiration to not give up.  Grandma tells her the real story of Nafiti and shows her a cave with a sailing ship and tells her who Moana is really meant to be.

Moana is meant to find Maui and restore the heart to Nafiti to stave off ecological disaster. So off she goes again, this time also accompanied by a ditzy and very funny rooster. She finds Maui and discovers that Maui isn't a very nice guy. He and Moana are not on the same page about saving the islands. Instead, he imprisons her.  He not only isn't a very nice guy, he is actually kind of a meathead.  Maui is not yet who he is meant to be either.  But he also doesn't realize who he is dealing with here.  He is dealing with a Disney Princess and Disney Princesses have PLUCK and GUMPTION!  And remember, the theme here is "Never give up!"

I applaud Disney for this Polynesian folk tale which is a nice and different addition to their film library and for keeping the musical comedy alive.  It's strange, but for some reason people are fine with animated figures and animals singing but when you talk about a musical with live actors doing the same thing, people usually say, "I don't like musicals."  But they love "Frozen" and "Snow White" and other Disney features, all musicals. People are strange.

The excellent quality of the animation is also what we expect from Disney films. Young Cravalho has a lovely voice and creates a perky and engaging Moana. Likewise, "The Rock," who seems to be everywhere these days does a good job as the voice of Maui.

Oh, and did I mention that Disney films are also masterful at pulling the heartstrings?  This one is no exception.

Directed by Ron Clements, Don Hall, Chris Williams and John Musker with a screenplay by Jared Bush and score and songs by Mark Mancina and Lin-Manuel Miranda respectively, the film not only encourages young girls to never give up but it also shows us what can happen if we don't take care of our earth.

Rosy the Reviewer says...not my favorite Disney film but Moana is a wonderful role model for young girls. 





Sing (2016)


Humanoid animals compete in an American Idol type competition (call it Animal Idol) to help save a theatre.

Koala Buster Moon (voice of Matthew McConaughey) fell in love with the theatre at a young age.  He becomes a theatre empresario and is a fast talking promoter, but he is hurting financially and when his theatre is facing the chopping block, he comes up with the idea to have a singing competition.  He manages to eek out $1000 for a prize but, his aging, out-of-it secretary accidentally types $100,000 on all of the flyers and before Buster can proof-read them, the flyers all literally fly out the window and land all over town.

Singers come from far and wide to audition with Buster who does not realize the prize is $100,000! 

At the auditions, we are introduced to a series of performers:

  • Johnny (voice of Taron Edgerton) a teenage gorilla who has fallen in with a bad crowd as in his own family;

  • Rosita, (voice of Reese Witherspoon), a singing pig who is the beleaguered mother of 25 piglets;
 
  • Mike (voice of Seth McFarlane), a rat, who fittingly sings like Sinatra


  • Gunter (voice of Nick Kroll), a flamboyant Liberace style pig;

  • Meena (voice of Tori Kelly), a shy young elephant with a big voice;

 

All of our performers have their personal stories.  The gorilla teen has to fight his criminal Dad, the singing pig can't find a babysitter for her 25 piglets, the elephant girl doesn't make the cut at the audition because she is so shy, though Buster does hire her as a stagehand (and don't worry, she will get her shot).

So now Buster has the talent lined up for his show but when he finds out that the prize is supposed to be $100,000, how will he finance it?
 
Directed by Garth Jennings (he also wrote the screenplay) and Christopher Lourdelet with pop songs most of which you will recognize, this isn't Disney, but Illumination Entertainment, which produced "Despicable Me" and the recent "The Secret Life of Pets," has rounded up a star-studded cast to play anthropomorphic animals in a sweet film reminiscent of "Zootopia."  All of the stars give it their all and like "Moana (see review above)," the film explores the theme of "Never give up," as well as friendship, family and following your dreams.  The animation is first rate.  At times I thought I was actually watching humans!

Rosy the Reviewer says...Great songs, great performances, great fun that all ages will enjoy!





***My 1001 Movies I Must See Before I Die Project***



Only 200 to go!

This is a milestone and I am celebrating!


Have YOU seen this classic film?





In the Year of the Pig (1968)


Produced at the height of the Vietnam War, this anti-war film was nominated for an Academy Award for Best Documentary Feature in 1970.

Director Emile de Antonio uses American Civil War and empire building images to begin this film that is clearly against America's participation in the Vietnam War.  Filmed when the war was in full swing (1968), he used images of protest, news footage and interviews with military figures and journalists to trace the history of Southeast Asia from China's occupation followed by the various other European powers meddling in Vietnam and ending with France.  The film makes the argument that none of those wars and acts of imperialism did anything to help Vietnam and that the Vietnamese should determine their own fate.

Duh.  Too bad we couldn't figure that out long before we got involved.

There are also images of American politicians sitting in Washington in their nice suits talking about the war, intercut with images of the death and destruction occurring thousands of miles away. A voice-over of one of the politicians says "These prisoners are not being mistreated" while at the same time we see an image of a prisoner being kicked by an American soldier.

I got married to my high school sweetheart in 1967 when I was 19. Six months later he was drafted and sent to Vietnam.  I was in college at the time and had the unique experience of a husband fighting in Vietnam while I was at home in college protesting against the war. I also remember watching the news every night worrying that one night I might see my husband getting shot.  Yes, people, there was reporting about the war every single night on the news, showing images of the fighting and the bodies and every night there would be a count of how many Viet Cong and American soldiers had died.  Do we see any images of the wars we have been involved in since?

The film is insightful but very dry.  Lots of talking heads.  And I have to wonder if anyone cares about the Vietnam War anymore.  Maybe not, but seeing films like this is a reminder of a war that we had no business being involved in, letting our fear of communism and the domino effect cloud our judgement.

This film was made in 1968 and sadly the war went on another seven years.  All of that death and destruction and for what?

Why it's a Must See: "...an impressive attack on American foreign policy and the war in Vietnam.  One result is an extraordinarily provocative documentary.  Another is a textbook example of flaws within the American sensibility that are most easily identified as simple arrogance...one of the most successful antiwar, if at times, anti-American diatribes on the evils of political expediency."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...a reminder of the debacle that was the Vietnam War that we can learn from today.




***Book of the Week***




Over Easy: Sweet and Savory Recipes for Leisurely Days by Joy the Baker (Joy Wilson) (2017)

 
Think you know how to boil an egg or make perfect scrambled eggs?  Think again!
 
Joy Wilson, AKA as Joy the Baker, shares recipes for breakfasts and brunches and the rest of a leisurely weekend.
 
Her cookbook "is meant to celebrate and facilitate our own lazy meal days.  The recipes here will satisfy any craving, whether you like things simple or decadent, savory or sweet."
 
She is mostly right.  Her cocktails - "Summer Pimm's Cup" and "Grapefruit Rosemary Mimosa" - would certainly satisfy my brunch cravings for a cocktail, and I am definitely going to try her "Extra-Egg-and-Bacon Fried Rice" and her "Favorite Breakfast Sandwich," where she uses a "folded" scrambled egg (see recipes below).
 
However, she complicated my life a bit by sharing her secrets for "Great Fried Eggs" and "Very Easy Poached Eggs. 
 
For all of the secrets, you will have to check out her book, but the one secret I have a hard time with is having to crack the eggs into a fine-mesh strainer when making fried or poached eggs.  This supposedly strains the watery portion of the egg whites, leaving the "best" parts for you to fry or poach thus creating a more compact egg.  I can just see myself cracking the egg into a strainer and breaking the yolk.  Not sure if I am going to do that, but check back to one of my upcoming Tuesday "Rosy's Test Kitchens" where I will test that tip. 
 
In addition to fried and poached eggs, she also reveals the "Secret to Perfectly Boiled Eggs (for hard-boiled, keep them in the fridge until the very last minute and then when the water is at a full boil, put the eggs in the water, turn the heat down to medium and boil for 11 minutes).  She says it's when you overcook your hard-boiled eggs that you get that ugly green or grey ring that sometimes appears around the yolk. I have my own method for hard boiled eggs which is easy and seems to work perfectly except now that I think of it, my eggs do seem to get that nasty little discoloration. And the "Secret to Fluffy Scrambled Eggs?"  She uses clarified butter and soy sauce in her scrambled eggs! Soy sauce?  I am also going to have to test that!
 
In addition to her egg tips, the cookbook has recipes for pancakes, waffles, quiches, breakfast BLT's , tacos, quesadillas and burgers and for the sweet tooth - scones, pecan rolls and doughnuts.
 
The cookbook is a lovely presentation with almost all of the recipes having accompanying color photographs.
 
And as promised, here are a couple stand-outs:
 
"Extra-Egg-And-Bacon Fried Rice"
 
  • Bake 8 slices of bacon in the oven on a rack in the upper third of the oven at 375 for 17-20 minutes.  Let cool and chop. (and baked bacon really works)!
 
  • Heat 3 T sesame oil in a large skillet over medium heat.  Add 1/3 c. sliced scallions with both white and green parts and 1/2 c frozen peas, thawed.  Cook until warmed, about 3 minutes.  Add 6 c. cooked white rice and toss to combine. Cook rice and veggies about 6 minutes.
 
  • Meanwhile, mix 3 T soy sauce, 2 T rice vinegar and 1 to 2 T Sriracha or your fave hot sauce.  Pour the mixture over the rice and add the chopped bacon.  Scrape the rice to one side of the pan and add 2 large beaten eggs and stir immediately to scramble the eggs as they cook.  As the eggs firm, stir the rice mixture back into the eggs.  Season as you wish.
 
  • To serve, divide the rice among four shallow bowls and top each with a fried egg (cooked as she had instructed - remember that fine mesh strainer)?
 
Yum!
 
 
As for that Breakfast Sandwich with the folded scrambled eggs I mentioned?
 
  • You put the whisked eggs (with that soy sauce) into a nonstick skillet and let the eggs set like a crepe.  Sprinkle it with cheese and then use a very thin spatula to fold the sides of the egg over the melting cheese creating a small folded square.
 
  • Then put the egg, your favorite meat and seasoning on a prepared English muffin and breakfast is served!
 
Rosy the Reviewer says...a delightful cookbook with breakfast and brunch recipes that will be delicious any time of the day.
(And keep your eye out for an upcoming "Rosy's Test Kitchen" where I will put her egg tips to the test and share my own secrets)!
 
 
 
Thanks for reading!

  

 See you next Friday 

 
for my review of  
 
  
"Everything, Everything"


and


 The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer


Check your local library for DVDs and books mentioned.


Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Once there, click on the link that says "Explore More" on the right side of the screen.  Scroll down to External Reviews and when you get to that page, you will find Rosy the Reviewer alphabetically on the list.

NOTE:  On some entries, this has changed.  If you don't see "Explore More" on the right side of the screen, scroll down just below the description of the film in the middle of the page. Click where it says "Critics." Look for "Rosy the Reviewer" on the list.

Or if you are using a mobile device, look for "Critics Reviews." Click on that and you will find me alphabetically under "Rosy the Reviewer."




Friday, May 26, 2017

"Snatched" and The Week in Reviews

[I review the new Amy Schumer-Goldie Hawn comedy "Snatched" as well as DVDs "Why Him?" and "Shut In."  The Book of the Week is "My Mother's Kitchen: Breakfast, Lunch, Dinner and the Meaning of Life" by Peter Gethers. I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "The House is Black."]



Snatched


Emily Middleton (Amy Schumer) is happily planning her upcoming vacation to Ecuador with her boyfriend...until her boyfriend dumps her.  She has an non-refundable ticket.  Who can she get to go with her?  Surely, not her overprotective Mom...

Emily lives in New York City and is your typical millennial - and no offense to millennials, but she is a little, well a lot, self centered and clueless with an Instagram addiction.  When her musician boyfriend breaks up with her she doesn't quite get it.

"I'm breaking up with you," he says over lunch.

To which she cluelessly replies, "When?"

Like I said, clueless.

Well, even though she didn't get it, the break-up is immediate and now Emily is stuck with a non-refundable ticket to Ecuador and can't find anyone to go with her. Worse, she has also lost her job.  She goes home to visit her Mom, Linda (Goldie Hawn), and to lick her wounds.  Linda lives alone and is an empty-nester with a lot of fears.  She occasionally checks online for love, but she is still clearly in Mom mode. She spends her time checking the many locks on her doors and taking care of her agoraphobic grown son, Jeffrey (Ike Barinholtz). She also fusses over Emily while Emily takes her mother for granted and basically doesn't approve of her. 

However, while looking through one of her mother's closets, Emily finds an old scrapbook and sees pictures of her Mom from her younger days, traveling and having a great time (this is also a chance for us to also see Goldie back in her heyday which I would bet Goldie wanted us to see since she hasn't made a movie in 15 years).  Emily gets the idea that maybe her mother could be fun and go with her to Ecuador.  After a funny scene where Emily tries to convince Linda to leave her safe environment and have some fun, off they go to Ecuador where Linda plans to sit by the pool and read her book. No mingling with the locals for her!

Meanwhile, Emily meets James (Tom Bateman), a handsome guy who comes on to her in the bar.  He is so handsome and she is so stunned that he wants HER that she throws caution to the wind, much to Linda's chagrin, and goes off with him on a whirlwind tour of the area that includes a party with the locals, where Emily gets very drunk.  But James is a gentleman and returns Emily safely to her room with an invitation for a sightseeing trip the next day. Linda is also invited and reluctantly tags along and that's when it happens....some bad guys ram the car and the next thing Emily and Linda know, they are locked up in a dirty cell.

The two manage to escape the cell, hop a truck and suddenly find themselves in Colombia.  The rest of the film is all about Emily and Linda trying to elude the very bad guy, Morgado (Oscar Jaenada), who didn't take kindly to Emily killing his son.  Emily develops an uncanny and very funny ability to kill bad guys, but more importantly, Emily finally learns that she had her mother pegged all wrong.  Her mother is AWESOME!

Directed by Jonathan Levine and written by Katie Dippold (though I am sure Amy had a hand in it), this is the best comedy to come along in a long while.  Why?  Because it is actually funny.

I know that Amy Schumer is an acquired taste for many.  I actually think she is funny, but sometimes she does go too far with the sex jokes.  Her last stand-up - The Leather Special - was not my cup of tea.  But, hey, I'm old.  I'm not a millennial and probably don't get what millennials like. But that's not to say she isn't funny because she is.

Speaking of millennials, Goldie Hawn might not be a name that young people recognize today.  She hasn't made a movie for 15 years, but for us Baby Boomers she was a household name and made some of the funniest and most enjoyable rom-coms of all time -  "Foul Play," "Private Benjamin," and "Overboard."  Starting out on TV's "Rowen and Martin's Laugh-in," Goldie took ditzy blonde to a new level. 

But no matter what you think of Amy Schumer or whether or not you know who Goldie Hawn is, here is the most important thing - THIS MOVIE IS FUNNY.  Can you believe it?  A comedy that is actually funny.  I haven't seen one of those is a very long time, though I could have done without the scene with the tapeworm.

And in addition to being funny, the film also has a message.  It actually has many messages: it's about the empty nest, mothers and daughters, girl power and even pokes fun at the U.S. State Department, as in don't expect much help from the U.S. if you get kidnapped overseas.

  • The Empty Nest

It's not easy being a Mom and then all-of-a-sudden you aren't one anymore when your kids grow up.  Linda is having a hard time finding herself and restructuring her relationship with her children now that they are adults, and there is a touching scene toward the end of the film when Linda shares with Emily how difficult it is for parents when their children move on without them.

  • Mothers and Daughters
My daughter and I live thousands of miles apart so because of that we try to do a mother/daughter trip together every year so this film really resonated with me, not just the mother/daughter trip but also because of the generation gap, how difficult it is for mothers and daughters to understand each other.  Mothers have a hard time thinking of their daughters as anything other than that little girl who used to sit on their laps and daughters have a hard time thinking of their mothers as anyone other than someone who is getting in their business and trying to tell them what to do.  I know that now that my daughter is an adult, those trips have helped us understand each other better.

  • Girl Power
Once Emily and Linda decide they need to do something about their predicament and take on the bad guys, they do the requisite "Power Walk."  The Power Walk has now become a cliché.  When the filmmakers want us to be sure to know that the heroes or heroines are now going to kick some butt, there is always the Power Walk, where the actors walk in slow motion toward us, shoulder to shoulder, with determined looks on their faces and an iconic soundtrack behind it.  In the most recent "Guardians of the Galaxy, Vol. 2 (which I will review next week)," there wasn't just one Power Walk but TWO!  Anyway, Emily also demonstrates more girl power when she discovers that she has a knack for killing bad guys in a couple of very funny scenes.

  • The U.S. Government
When Jeffrey gets the ransom call from the kidnappers, he immediately calls the State Department where he speaks with Morgan Russell (Bashir Salahuddin), a beleaguered bureaucrat who doesn't take kindly to Jeffrey asking that they send in the A-Team.  The only help he can give is to tell him the women need to get to the consulate in Bogata.  Not very helpful considering the women are miles from Bogata with no money.  Jeffrey and Morgan have a contentious and very funny relationship as Jeffrey continues to try to get him to do something to find his mother and sister. 

Amy is very funny and even a bit toned down, but for me, Goldie was the revelation.  No ditzy blonde, here. She is funny, yes, but she also shows her acting chops and why she was and still is, such a big star. She was totally believable as Emily's Mom, and I loved her.

Ike and Bashir were also stand-outs who provided some of the funniest moments in the film.

And then there is Roger (Christopher Meloni).  When the women are on the run, they meet Roger, who is dressed very much like Indiana Jones. They are thrilled to get his help, because Roger appears to be someone who knows his way around South America.  He has a boat (reminiscent of the boat in Herzog's "Aguirre, Wrath of God") and offers to take them down the Amazon to Bogata. Unfortunately, Roger is not what he appears to be and one of the funniest moments in the film is when he reveals his true identity and why he is in South America.

Wanda Sykes and Joan Cusack also provide some comedy but seem like after- thoughts as characters.

Rosy the Reviewer says...this is a very sweet film that mothers and daughters should see together (I wish I could have seen it with mine), but more importantly, FINALLY, a comedy that is actually funny.




***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD






Why Him? (2016)


What does a Dad do when he doesn't approve of his daughter's choice of husband?

Stephanie (Zoey Deutch) is attending Stanford and, while Skyping from her dorm room with her Dad, Ned (Bryan Cranston), on his 55th birthday, what should he see?  Her boyfriend, Laird's (James Franco), bare bum coming into view as he enters her room with no pants on.  That's our and Ned's first glimpse of Laird.  Not a good start and that sets the stage for what a nut he is and why perhaps Ned would not approve of him.

Ned and his wife, Barb (Megan Mullally, whose voice to me is the equivalent of fingernails on a blackboard) are straight-arrow Midwesterners from Grand Rapids, Michigan (my old neck of the woods, so I know all about those kinds of parents), and when next we see them, the family has flown out to Palo Alto to visit Stephanie, and Stephanie wants them to meet Laird, who it turns out is a billionaire owner of a tech company.

They meet Laird at his impressive compound.  In a classic East meets West culture clash, as in buttoned-up, up-tight East meeting overly-friendly, hugging West, Laird appears and happily shows the family his new tattoo: Stephanie's family's Christmas card picture tattooed on his back, including "Merry Christmas."  Laird is watched over by his major domo, Gustav (Keegan-Michael Key, who is always funny), and one of Gustav's jobs is to attack Laird without warning as a way to keep Laird fit and on his toes, so that is a bit of a shock to our Midwesterners . Laird is also very liberal with the F-bomb and other profanities, which doesn't go over really well either.  Not a great start.

But Laird is trying very, very hard to win Ned and Barb over.  He has put in a bowling alley at his home, because he knows Ned likes to bowl and even has Richard Blais on tap to fix them their meals.  Unfortunately, Blais has prepared edible soil and plantain foam (You "Top Chef" fans will remember that Blais always liked his foam).

So overall Ned is not impressed.

Here is your classic comedy where a seemingly normal young woman has her boyfriend meet her parents and the  boyfriend is decidedly NOT normal and strangely everyone can see that except the girl.  Think "Meet the Parents."

But Ned loves his daughter and wants her to be happy, so despite his misgivings, he says he will give Laird a chance.  Unfortunately, Laird has no filter, overshares, and is very inappropriate, and when he tells them that Stephanie and he are living together and he plans to pop the question, Ned goes ballistic. However, Laird wants Ned's blessing and says he won't marry Stephanie without it.  Just give him until Christmas Day to prove he is worthy.

So now the incentive for Ned is to not give his blessing and to dig up dirt about Laird to prove to Stephanie that she shouldn't marry him.  But naturally it all backfires on Ned.

Laird throws a big Christmas party and does everything he can to impress Ned and Barb.  Kiss, Barb's favorite band, even shows up. It seems that everyone is won over by Laird except Ned. 

James Franco loves to play odd characters that bely his good looks - that nice head of hair and that dazzling smile.  So many in fact that at this point, it would actually be difficult for me to take him seriously in a romantic drama.

Bryan Cranston must have wanted to shed his "Breaking Bad" character and remind us that he can do comedy (he did do comedy earlier in his career with "Malcolm in the Middle."). How else can you explain his being in this film after recent successes in dramas such as "Trumbo" and "All the Way? " And unfortunately, I don't think comedy is his forte.  He seems forced here and is actually just not very funny, even when subjected to some cringe worthy scatological scenarios, one of which has Ned trying to cope with a paperless Japanese toilet.

Despite my not being able to cope with her voice, Mullally is an excellent comedienne and provides much of the humor in this film.  She is expert at under-her-breath, throwaway lines, so listen for those, and she has some of the best lines.

Directed by John Hamburg and written by him with Ian Helfer (Jonah Hill is credited for having something to do with the story too), this is the story of an uptight Midwest conservative learning from a spaced-out West Coast millennial, which could have been rich fodder for some fun, but doesn't hit the mark. It's even got a bit of a metaphor, though it falls into overly sentimental territory: Ned runs a printing company in a world that is becoming increasingly paperless.  I get it. The lack of understanding between the older generation (paper) and millennials (paperless), right?  

For the first hour, this film was mildly amusing as we got to know Laird and could see the steam coming out of Ned's ears, but then I got bored waiting for this thing to resolve itself.   This plot - daughter brings unsuitable suitor to meet the parents - has been done to death and didn't bring anything new to it.

You know you are in trouble when Kiss and a Japanese toilet play a major role in a film.

Rosy the Reviewer says...not why him?  Why ME?





Shut In (2016)


A widowed mother and her disabled stepson live an isolated existence  with a storm coming in this thriller where some strange and scary things start to happen.

Naomi Watts stars as Mary, a child psychologist with a very difficult stepson, Steven (Charlie Heaton) and difficult issues of her own.  Steven has just unwillingly gone off with his Dad to boarding school while she stays behind. En route there is a car accident.

Flash forward six months later...

Lifetime movie cliche anyone?  (for more information on Lifetime Movie cliches, see my blog post "Lifetime Movies: A Baby Boomer's Appreciation"), and that flash forward is not the only Lifetime movie device you will encounter in this film.

Anyway, Mary's husband has been killed in the car accident, and now the stepson is living alone with Mary.  Unfortunately he was badly injured in the car accident, and he is a paraplegic with brain damage.

Mary is informed that one of her patients, a little boy named Tom (Jacob Tremblay), who is hearing impaired, is going to be transferred to another school in Boston. Mary is not happy about that, but there is nothing she can do. Later, Mary hears glass shattering and her car alarm going off. Naturally she goes outside in THE DARK all by herself or this wouldn't be a classic thriller about a woman living one her own with a disabled son who would be no help to her should something bad happen.  

Entering the garage, Mary finds one of her car windows smashed in and Tom, that little hearing-impaired boy I mentioned earlier, fast asleep on the backseat. She brings him inside, but after discussing him on the phone inside her office, when she returns, she finds her front door standing open and Tom is nowhere to be found. Mary informs the police and they search for Tom while Mary continues to hear sounds in the night and to experience strange, dream-like horrors.

What the hell is happening?

This genre - a woman all alone plagued by things that go bump in the night -  always has certain criteria.  Glad you asked.  Let me share those with you:

The Top 20

#1 - An idyllic but very remote location.  What could possibly happen in a beautiful place like this?

#2 - The woman is alone or with someone who can't really help her, in this case the only other person with her is her stepson who is a paraplegic.

#3 - Next, expect the unexpected - it's always the least likely person or our heroine does something least likely.  Just think least likely. 

#4 - Our heroine has to be troubled - in this case, she is having problems dealing with her stepson and actually dreams of drowning him.  She is also an insomniac which calls everything she sees into question.

#5 - The woman goes out into the dark alone to investigate a noise and opens up the gate thus possibly allowing bad guys to get in.  And right here, I have to say, I shouted at the screen (I am prone to that kind of thing when I get frustrated), WHY???  What woman in her right mind would hear a noise out there in the dark and go out by herself to investigate - without a gun?

#6 -  A black cat jumps out making us all jump and then we and our heroine breathe a sign of relief thinking that it was only the cat that made the noise.  If only.

#7 - A knock on the door.  DO NOT ANSWER THE DOOR! (I am shouting at the screen again)

#8 - Another strange sound and she goes outside AGAIN, this time leaving the front door open, forcing you to scream "WHAT IS WRONG WITH THIS WOMAN?!"

#9 - A nightmare scene occurs, so now we are questioning truth vs. reality.  Is Mary imagining all of this?

#10 - I am now reminded that next time I am home alone at night I am going to be terrified.

#11 - Oh, geez, now she is going down into a dark basement by herself!

#12 - A dark figure runs across the screen behind her.  SHE IS NOT ALONE!

#13 -  Many gotcha moments that make you jump, most of which turn out to be nothing, thus letting your guard down so when the big payoff comes you really jump out of your seat.

#14 - A reminder that all bad things happen at 2am (my mother warned me about that).

#15 - There is a warning that a big storm is coming.  Of course there is.  And the power could go off. And of course it does because in movies like this the lights always go off so that our heroine can go down in dark basements by herself like an idiot.

#16 - Phone goes dead. Of course.

#17 - Cat and mouse game begins.

#18 - Friend who comes to check on our heroine gets killed.

#19 -  Big twist.  Things are not as they appear - and it all goes crazy.

#20 - Our heroine stops being a victim and goes ballistic.

There you have it.  Any questions? 

Directed by Farren Blackburn with a screenplay by Christina Hodson, this film asks the question: who is really the shut in here?  It also asks, just how many movies exactly like this have you already seen?

Rosy the Reviewer says...a psychological thriller that checks all of the above boxes and, despite the usual good performance by Watts, prompts me to ask:  Why?  You've probably seen this film already a million times on Lifetime.




***My 1001 Movies I Must See Before I Die Project***



201 to go!

Have YOU seen this classic film?





The House is Black (1964)



A short documentary about a leper colony in northern Iran.

Written and directed by Forugh Farrokhzad, this 22 minute black and white short combats the "ugliness" of lepers in a leper colony by using poetry, religion and gratitude, challenges you to see beauty in creation.  The film was meant to shed light on leprosy so that something could be done about it.

The film starts with a black screen and a narrator warning about the images to follow. It makes the case that leprosy is a disease of the poor and with proper care and medical treatment it can be cured.  However, the way that people with leprosy were treated was to segregate them and neglect them in leper colonies.

People in the leper colony are seen eating, having medical treatments, in class and going about their daily lives.  There are children playing but also people with rotting flesh and parts of their faces and bodies eaten away. The images are sometimes difficult to look at.

All of the images are accompanied by narration by Farrokhzad of her own poetry and religious readings and begs the question:  Is there still beauty in creation when the creation isn't beautiful? Can beauty be found in ugliness?  Despite deformities, can one still be grateful for what one does have? 

It was the only film directed by Farrokhzad before her death in 1967.  During shooting she became attached to a child of two lepers, whom she later adopted.  The film received little attention outside of Iran but has since been recognized as a landmark in Iranian film and helped to pave the way for the Iranian New Wave of filmmakers.

I think this film would have been more meaningful having done a little research beforehand.  Seeing the film cold, it was difficult to see the point but understanding why the film was made and something about the filmmaker makes the film more potent.

Why it's a Must See: "At once lyrical and extremely matter-of-fact, devoid of sentimentality or voyeurism yet profoundly humanist [this film] offers a view of life in the colony...that is spiritual, unflinching, and beautiful in ways that have no apparent Western counterparts; it registers like a prayer."
--"1001 Movies You Must See Before You Die."

Rosy the Reviewer says...a grotesquely beautiful film, but certainly not for everyone.
(b & w, in Persian with English subtitles)



 
***Book of the Week***





My Mother's Kitchen: Breakfast, Lunch and Dinner and the Meaning of Life by Peter Gethers (2017)



Nothing like a son writing admiringly about his mother.

Peter Gethers is an author, screenwriter, playwright, book editor and film and television producer.  His mother, Judy Gethers, was the daughter of the founder of Ratner's restaurant, a legendary Jewish kosher dairy restaurant on New York City's lower East Side. She herself became a legendary figure in the L.A. cooking scene, when, at the age of 53, she took her first job, working with Wolfgang Puck at Ma Maison, running and teaching at its cooking school with Julia Child, Maida Heatter and Paula Wolfert.  She was known as the "Ma of Ma Maison."  Later she followed Puck when he opened Spago and wrote several cookbooks.

Judy faced several health challenges over her lifetime, but when she suffered a stroke in her 80's, she was robbed of her ability to cook, but through regular visits with her son, Peter, she and he talked about food and her life which culminated in this book.  Through their visits, Peter learned about his mother's favorite dishes, and though he did not consider himself much of a cook, Peter decided to honor his mother by preparing her breakfast, lunch and dinner, each consisting of her favorite dishes - and in so doing mother and son drew closer.

The menus?


Breakfast

  • Ratner's Matzo Brei
  • The Beverly Hilton Coffee Shop's and the Cock'n Bull's Eggs Benedict.

Lunch

  • Barbara Apisson's Celeriac Remoulade
  • Louise Trotty's Chocolate Puddy
  • Joel Robuchon's Mashed Potatoes
  • Yotam Ottolenghi's Quail

Dinner

  • Before-Dinner Drink: Peter Kortner's and The Martini Brothers' Perfect Martini
  • Wolfgang Puck's Salmon Caulibiac
  • The Tornabenes' Buccatini with Cauliflower, Pine Nuts, Currants, Anchovies and Saffron
  • Solferino's Steak with Truffle Cream Sauce
  • My Almost-Made-Up Fava Bean Puree
  • Nancy Silverton's and Abby Levine's French Boule and Challah
  • Romanee-Conti's Greatest Red Wine: La Tache
  • Smoothest White Wine There Is: Batard-Montrachet
  • Burgundian Store-Bought Cheese: Epaisses
  • Martha Stewart's Tarte Tatin

Quite a daunting set of menus for someone who can't cook! 

But therein lies the humor...and the love that exudes from this book. And yes, there are recipes as well as stories about the people, food and drink mentioned in the menus, as well as tales about his family and his growing up years all interwoven throughout the book as he goes on a quest to prepare these special meals for his mother. 

For each meal, Gethers shares the menu and then gives often very funny accounts of trying to find the right ingredients, the proper tools and then trying to prepare the meal exactly as it is supposed to be prepared as per his mother.  It is funny and very touching to envision this grown son wanting to do something like this for his mother.  We mothers can only hope our own sons would care as much.

Gethers also shares what he learned about himself:

"Here's what I learned from cooking with my mother and talking to her and absorbing her wisdom.  Here is what I learned in my search to find meaning in my mother's kitchen: Food is not a be-all and end-all.  It does not provide meaning, though it does provide pleasure.  Nothing that provides pleasure can do so in a vacuum.  It is sharing our pleasure that provides real pleasure.      Love can fade.  Families can break apart.  Nothing you do in the kitchen can really alter that.  But love can also last...And food can be used to celebrate and cement love and family, strength and comfort.  It did for my mother.  It does for me now."

Gethers' recollections of his mother who he clearly admired and loved, and his attempts to get the food just right for her was all very touching.  I cried.

Food is love.  Preparing a meal for someone is an act that shows that love. I have a similar story in my own life, though the cuisine is hardly as fancy. My Dad was an only child and his parents - my grandparents - lived across the street from us.  As they aged (my grandmother was blind), my Dad would stop by their house on his way home from work and prepare their dinner. I wish now that I had spoken more to him about that, what he prepared and how he felt about it.

This book is very much a literary version of one of my favorite documentaries, "Nothing Left Unsaid," where Anderson Cooper talks with his mother, Gloria Vanderbilt, about her life, to really try to know and understand her so that when she is no longer around, there is nothing he will regret, nothing left unsaid.

Rosy the Reviewer says...an inspiring book about food and love and a reminder to make the most of our time with our parents.  NOW GO CALL YOUR MOTHER!  Or better yet, prepare her a favorite meal.


Thanks for reading!

 

See you next Friday 

 
for my review of
 

"Guardians of the Galaxy Vol. 2"


and



The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer


Check your local library for DVDs and books mentioned.


Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Once there, click on the link that says "Explore More" on the right side of the screen.  Scroll down to External Reviews and when you get to that page, you will find Rosy the Reviewer alphabetically on the list.

NOTE:  On some entries, this has changed.  If you don't see "Explore More" on the right side of the screen, scroll down just below the description of the film in the middle of the page. Click where it says "Critics." Look for "Rosy the Reviewer" on the list.

Or if you are using a mobile device, look for "Critics Reviews." Click on that and you will find me alphabetically under "Rosy the Reviewer."