Friday, October 26, 2018

"The Old Man & the Gun" and The Week in Reviews

[I review Robert Redford's film (rumored to be his last) "The Old Man & the Gun" as well as DVDs "Sicario: Day of the Soldado" and "Unfriended: Dark Web."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Andrei Rublev."  The Book of the Week is a cookbook - "Milk Street: Tuesday Nights" by Christopher Kimball, quick and easy recipes for those weeknights when you need to get something on the table fast!]

The Old Man & the Gun

Based on the true story of bank robber and prison escape artist Forrest Tucker (not to be confused with the actor of the same name), this is rumored to be Robert Redford's acting swan song.  Hope not.

The Brits like to call their older, accomplished actors and other creative types "National Treasures."  Tracey Ullman does a very funny send up of that notion on her comedy show where she plays "National Treasure" Judy Dench who manages to get away with murder because she is, well, a "National Treasure."  We Americans don't tend to offer that honor to our actors but if we did, Robert Redford would be at the top of the list.  

From handsome leading man ("Barefoot in the Park") to iconic roles in "Butch Cassidy and the Sundance Kid," "All the President's Men," "The Great Gatsby," "The Natural," a Best Director Oscar for "Ordinary People" and another 39 awards and 48 other nominations - I could go on and on - Robert Redford has had an acting career that has spanned over 60 years.  Never a flashy actor, but his natural style has served him well in over 40 films and countless TV shows and this film is no exception.  At 82 he is still going strong. 

So I hope the rumor that this is his last film is not true.  But if it is, it is a fitting ending.

Written and directed by David Lowery, the film is based on the life of Forrest Silva Tucker, a lifelong robber who was caught and locked up many times but also managed to escape many times - 18 times, in fact, most famously from San Quentin at the age of 70.  A montage shows the escapes and makes use of some old Redford film footage, reminding us of just how handsome that young Robert Redford was!

But this isn't just a heist story.  This is a story about purpose and meaning in life, even if that purpose and meaning is robbing banks. Tucker had a gift for robbing banks.  He was a gentleman robber, if there is such a thing, and enjoyed his work.  Everyone he robbed always remembered him smiling even when he was caught.  

This is also the story of John Hunt (Casey Affleck), a police detective who, unlike Tucker, wasn't enjoying his job very much... until he found his purpose - finding and arresting Forrest Tucker.

But this is Redford's movie.  

Everything we remember about him as an actor is in evidence.  He is still handsome, he is still cocky, he exudes an easy naturalness and an almost bemused persona in his characterization. Perfect. Shocking that Redford has never won a Best Actor Oscar but maybe it's because he makes it seem too easy, but maybe he will for this.  He is an actor at the top of his game.

Casey Affleck is also perfect for the part of Hunt because Hunt is a bit of a sad sack and I kind of think of Affleck as a sad sack. I mean, have you ever seen that kid smile?  Sissy Spacek plays Tucker's love interest - she's another actor whose gifts are apparent here - and seeing those two together - Spacek and Redford - I couldn't help but think that both of these actors are at the top of their game.  And I also couldn't help but say in my mind, Thank both let yourselves age naturally.  No plastic surgery.  And they both still look great. So people.  Look and learn.  It's called PLASTIC surgery for a reason because you might look young but when you have your face rearranged, you look PLASTIC!  Anyway, Elisabeth Moss makes a cameo appearance in a small but effective role and Danny Glover and Tom Waits are Tucker's old man accomplices in his "Over the Hill Gang," as they came to be known. 

Rosy the Reviewer this is the story of a career bank robber who really enjoyed his job, but it's also a reminder that no matter how old we get we need meaning in life - even if it's robbing banks.  And it's also a reminder that Robert Redford is a National Treasure.  Maybe he will finally get a Best Actor Oscar.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Sicario: Day of the Soldado (2018)

It's not enough that the drug cartels smuggle drugs.  Now they are in the business of smuggling people!

A sort of sequel to the first film ("Sicario"), but not really.  

No Emily Blunt, no Denis Villaneuve as director, no Roger Deakins for the cinematography or Johann Johannsson for the score (Deakins and Johannsson were nominated for Oscars in the first one), but the screenplay is again by Taylor Sheridan, who was also responsible for "Wind River" and "Hell or High Water," and Benicio Del Toro reprises his role as the enigmatic and badass Alejandro and Josh Brolin brings back his pumped-up body and permanent grimace to the role of Matt Graver, a federal agent

According to this film, the U.S.- Mexico border is controlled by the Mexican drug cartels and they are not just smuggling drugs.  Every year thousands of people are smuggled over the border for profit, because there is more money to be made smuggling people than drugs.

Graver has been called upon to stop the cartels. U.S. government officials believe that terrorists are also being smuggled across the border and Graver teams up with Alejandro to try and stop them.  Graver is enlisted to use the same techniques he used in the Middle East, basically torture and dirty tactics.  America wants to play dirty.  

Alejandro is enlisted to try to start a war between the competing cartels and to do that they kidnap young and spoiled Isabel Reyes (Isabela Moner), the daughter of one of the kingpins in hopes that he will think it is a rival cartel.  They bring her to the U.S. but when they try to take her back to Mexico, everything backfires so now they have to smuggle HER back into the U.S. to save her.

Unfortunately, I had no idea what was going on most of the time which was disappointing because I loved "Wind River" and "Hell or High Water," both written by Sheridan. Along with my confusion, there were also some strange plot holes and coincidences that bothered me. For example, when Alejandro was trying to get the girl back into the States, I couldn't figure out why they were on foot.  What happened to their truck?  And how come he just happened to have $1000 on him to pay to get smuggled back into the U.S?  Wait, there's more. When they encountered a deaf guy hoping he would help them, Alejandro just happened to know sign language.  How conveeeenient. 

I also really missed Johannsson's soundtrack from the first film.  I did not enjoy the soundtrack for this one. It was dreadful. I understand ominous but it wasn't just ominous.  It was fingers-on-the-chalk-board annoying.  

On the other hand, the film, directed by Stefano Sollima, does a good job of showing how we, too - the United States - can get it wrong and bungle things.  It doesn't paint a very rosy picture of the U.S.

Del Toro and Brolin deliver what you would expect from them, but I couldn't help but wonder what Brolin would be like as a romantic leading man.  It seems like he always plays grim cops or bad guys with no sense of humor.  The film is gritty so if you like Del Toro as a badass and Brolin as a tough guy and you like gritty, you might like this better than I did.

Rosy the Reviewer says...the first half of the film was all over the place and kind of boring.  It picked up in the last half when Del Toro let it rip, but by then, for me, it was too late.

Unfriended: Dark Web (2018)

A young man steals a laptop and soon learns why that wasn't such a good idea.

When we first meet Matias (Colin Woodell), he is trying to figure out the password to get into his "new" computer.  He has recently lifted it from the lost and found at his local coffee shop so it's not exactly it?  Anyway, he gets into the computer, Skypes with his deaf girlfriend, Amaya (Stephanie Nogueras) and then does a group Skype with his friends, one of whom is in London.  He shows off his "new" computer and brags about how much faster it is than his old one.  Everything seems hunky dory until...

It soon becomes apparent that the old owner is still very much in control of his computer and will do anything to get it back. Matias also uncovers some disturbing stuff on the computer.  You see, the original owner was involved in the Dark Web, a hidden part of the Internet where nefarious dealings take place such as paying someone to drill a hole in someone's head and put icky stuff in there.  Ew.  Mathis is lured into a website called "The River" and uncovers what our bad guy is up to and when our evil doer demands his computer back and Matias doesn't oblige fast enough his friends start dying.

This film plays out completely on the computer screen just as the film "Searching" did.  I favorably reviewed "Searching" last month praising what I thought was an original concept.  However, it wasn't as original as this franchise. I hadn't seen the first "Unfriended," which came out in 2014 and that one was the first to use that technique - everything playing out completely on the computer screen using video, Facetime and other social medias. And so this one continues that concept, a technique that works very well for the horror genre. This film is spooky as hell.

Written and directed by Stephen Susco, the film is low-budget and stars unknown young actors but it's a particularly good thriller. This is one of those films where you don't actually need to see the gore.  Your imagination will do just fine.

You may ask why a woman of a certain age wanted to watch this film, a film that is definitely not my demographic.  Well, ask away.  The answer to that is that this woman of a certain age has very eclectic taste, is a pop culture fan and likes the occasional horror film.  I may be old but I don't limit myself to movies like "Book Club" or "The Old Man & the Gun (see above)," which are aimed at, um, adults.  I liked those films but I liked this one too.  My only criticism would actually probably be related to the fact I am a woman of a certain age who can't see as well as I used to.  If you watch this film at home, and if your TV is rather far from where you are sitting, you might find it difficult to read the DM's posted on the screen.  Yes, I may be a woman of a certain age but I know what a DM is!

Rosy the Reviewer says...a good and timely little horror film reminding us that there are bad people doing bad things on the Internet and they live among us. So be careful. Don't steal someone's laptop!

***My 1001 Movies I Must See Before I Die Project***

121 to go!

Have YOU seen this classic film?

Andrei Rublev (1966)

An epic biopic of Andrei Rublev, a 15th century Russian iconographer (that's a painter of Orthodox icons and frescoes to you and me).

Remember what I said last week about any film that is called "epic?"  That means LONG!!! Here's another one. Be warned.  It's three and a half hours long! Three and a half hours about a Russian iconographer?

Little is known about Rublev (played by Anatoliy Solonitsyn) so this film is loosely based on his life but what we do know is that he was considered to be one of the greatest medieval Russian painters of icons and frescoes and director Andrei Tarkovsky sets out to give him his due. 

Four of Tarkovsky's films made it onto the list of the "1001 Movies You Must See Before You Die." The reviewers who decided what we should see must like slow, deep and difficult Russian films, I guess.  Of his films included, I actually really liked "Stalker." Didn't understand "The Mirror" at all and now this one.  Knowing it was three and a half hours long, I admist I was already prejudiced against it and did I watch every minute of it?  No.

Because Tarkovsky's themes involved religion, artistic freedom and creating art under a repressive regime, the film was banned in what was mostly an atheist and repressive Russia.  A censored version was finally released in Russia in 1971 and another shorter version was released worldwide in 1973 so several versions exist.  Wouldn't you know, I would have to get the one that is three and a half hours long!

This black and white film is beautiful to look at and is awash in color at the end when Rublev's paintings are shown in all of their glory, but I am not a big fan of movies about 15th century Russia especially three and half hours worth.  

Despite the censorship and limited release, the film is considered by many critics to be one of the greatest films of all time.  But not by this critic.

And speaking of critics, I have come to the conclusion that some reviewers like movies that no one can understand so they can be pompous blowhards.

Why it's a Must See:  " rich as [this film] might be on the thematic level, Tarkovsky's fresco is not made out of ideas.  It is made out of light and darkness, of noise and silence, of human faces and rough material.  It is a telluric move and a magical stay, suspended above the void."

---"1001 Movies You Must See Before You Die"


Rosy the Reviewer says...I rest my case.

***The Book of the Week***

Milk Street: Tuesday Nights: More than 200 Simple Weeknight Suppers That Deliver Bold Flavors, Fast by Christopher Kimball (2018)

Nobody likes Tuesdays.  Tuesday has no personality.  It's not as hated as Monday but on Tuesday you are still looking at three more days of work.  So it's no wonder when you get home on a Tuesday night you don't want to cook!

But Christopher Kimball to the rescue with this cookbook that divides the recipes into "Fast," "Faster," and "Fastest."  The recipes in the "Fast" section are ones that you can get on the table in under 45 minutes.  "Faster" recipes are ready in 30-35 minutes and the "Fastest" recipes are ready to eat in less than 30 minutes.

"Look at cooking elsewhere in the world and you'll find that flavor is built with ingredients, not time."

Christopher Kimball was one of the co-founders of America's Test Kitchen, which produces television and radio shows and publishes magazines, most notably "Cook's Illustrated," which Kimball launched in 1993.  In 2016, he started Christopher Kimball's Milk Street, a cooking school located on Milk Street in Boston.

So Kimball shares recipes from around the world, such as Spanish Eggs and Potatoes, Shrimp with Feta Cheese, Sesame Stir fried Pork with Shiitakes, Vietnamese Meatball Lettuce Wraps and Peruvian Quinoa and Corn Chowder. All very yummy, easy and fast! Imagine eating those great dishes on a Tuesday night at home! 

And it doesn't get much easier than this one!

Spaghetti with Pancetta
(Pasta alla Gricia)

20 minutes from start to finish!

3 ounces pancetta finely chopped
2 t. cornstarch
6 oz. pecorino Romano cheese, finely grated (3 cups) plus more to serve
12 oz. linguini or spaghetti
Kosher salt and ground black pepper

  • Bring 4 quarts of water to boil.  Meanwhile, in a 10-inch skillet over medium, cook the pancetta until crisp, about 5 minutes.  Using a slotted spoon, transfer the pancetta to a paper towel-lined plate; reserve 2 T. of the rendered fat.

  • In a large saucepan, whisk 1.5 cups cold water and the cornstarch until smooth.  Add the pecorino and stir until evenly moistened.  Cook over medium-low heat and cook, whisking constantly, until the cheese melts and the mixture comes to a gentle simmer and thickens, about 5 minutes.  Remove from heat, at the reserved pancetta fat and set aside.

  • Add 2 T. salt to boiling water, add pasta and cook until al dente.  Reserve 1/2 c. of the cooking water, drain the pasta and return it to the pot.  Let it cool for 1 minute.  Then pour the pecorino mixture over the pasta, toss until combined and add 2 t. pepper and the pancetta.  Let stand 3 minutes tossing several times until the liquid is absorbed.  Toss in reserved pasta water if needed.  The pasta should be creamy, but not loose.  Transfer to a warmed serving bowl and serve with more pecorino and pepper.

That's the long version. Here's my version. 

Cook the pasta and the pancetta, make the sauce and stir it all together.  Dinner done!

Kimball says not to use grated cheese but rather to grate it yourself but, I say, hey, it's Tuesday.  Do what is easiest for you!

The cookbook also includes sides, supper salads, pizzas, one pot dishes, roasted and simmered dishes and sweets.

Rosy the Reviewer new favorite cookbook!

Thanks for reading!

See you next Friday 


(a tribute to my sister who recently passed away)

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, October 19, 2018

"Colette" and The Week in Reviews

[I review the biopic "Colette" as well as the DVD "Hotel Artemis" and "The Kindergarten Teacher," now streaming on Netflix.  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "The Wheel" ( "La Roue.")]


A biopic about the early life of the writer, Colette.

First of all, I can't help but wonder when Dominic West will play a likable character.  I mean in 1994 he played British serial killer, Fred West (thankfully, no relation), in the TV miniseries "Appropriate Adult."  He has also played Ernest Hemingway (in "Genius"), and we know that Hemingway wasn't a particularly nice guy, especially toward F. Scott Fitzgerald and I have never forgiven him for that.  West also plays a clueless cheater in the ongoing Showtime series "The Affair" and now this - as Henry Gauthier-Villars, Colette's first husband,
an arrogant hack writer and critic (nom de plume "Willy"), who used Colette's talents and others to subsidize his life of gambling and womanizing.  Not a nice guy. He is currently in production to play hero Jean Valjean in a "Les Miserables" TV series so maybe that will turn the tide for him. I hope so.  I like him and think he is a great actor but I want to be able to root for him instead of think he is a sh*t.

As for this film, here is yet another story of a woman's talents being used by a man, her husband for his own gain 
(for more evidence of this see my review for "The Wife"), and it's also a prequel to Colette's later fame as a writer.

When the film begins, Willy is courting a young Colette (Keira Knightley) who is living with her parents in the French countryside of Burgundy.  Willy is a bon vivant, a suave writer, but also a hustler.  He writes under the name of "Willy," but mostly hires others to do his writing and basically oversees a writing factory.  He is always short of cash and looking for the next hustle.  But he charms our Colette who, when we first meet her, is known by her real name - Sidonie-Gabrielle - or Gaby, Colette being her last name. 

Willy and Gaby marry, and he takes Gabrielle to Paris where she is introduced to society and Willy's life.  But Willy needs money.  His lifestyle requires it.  Willy remembers the lovely letters that Gaby would write to him, so as funds dwindle, Willy enlists Gabrielle to write about her life.  He just doesn't enlist her, he actually locks her in her room and demands that she write! 

So under Willy's pseudonym, Claudine is born.  The character of Claudine is so popular that she becomes a pop icon and young girls believe they are the real Claudine.  They start dressing like her and "little Claudines" are seen all over Paris. Willy basks in the popularity while Gabrielle stays in the background, but as time goes by and Willy cheats on her and belittles her, Gabrielle becomes Colette and takes back her power while at the same time embarking on affairs with women and a career on the stage. 

And this was all before Colette became the prolific and well-known writer we know today.

Colette is probably best known by American audiences as the author of the book that inspired "Gigi," but she was in fact also the author of more than 80 other titles.  But she was not just a prolific woman writer but an early pioneer of women's rights and a proponent of sexual freedom.

Keira Knightly is a lovely actress but I always had a problem with her teeth, which I find very funny now because there is a scene in the film where she is complimented on her teeth.  I think she has had them fixed but at any rate she is a believable Colette.  But the star of this film is the gauzy, beautiful cinematography and costumes that lure us into the Belle Epoch

Rosy the Reviewer says...written by Wash Westmoreland, Richard Glatzer and Rebecca Lenkiewicz and directed by Westmoreland, this is a lovely-to-look-at costume biopic that the Brits do so well.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Hotel Artemis (2018)

A futuristic thriller about a secret "members only" emergency room for criminals run by "The Nurse" in a riot torn Los Angeles.

It's 2028 and The Nurse, AKA Jean Thomas (Jodie Foster), a septuagenarian agoraphobe who likes to drink, runs a tight ship in her secret emergency room for criminals.  There are rules - such as no guns, no killing the other patients, you know, rules like that - and they are enforced with the help of Everest (Dave Bautista), the Nurse's right hand man.  Why is he called Everest? When you see him, you will know.

"This hospital was built on two things.  Man's natural avarice and trust."

A riot has broken out in Los Angeles over the privatization of water and the fact that most people don't have access to it. Brothers Sherman (Sterling K. Brown) and Lev (Bryan Tyree Henry), with their friend Buke (Kenneth Choi), take advantage of the riot to rob a bank.  When they can't get into the vault, they steal the belongings of the hostages.  Lev takes a pen out of one of the hostage's pockets and the hostage says to Lev "You don't want it," to which Lev replies, "No, I really do."  Turns out the hostage is a mob courier for the Wolf King (Jeff Goldblum) and the pen is full of diamonds worth 18 million dollars. The guy was right.  Lev really didn't want that pen.  Soon all hell is going to break loose.  

The robbery goes awry and Lev and Buke are wounded and end up at the secret emergency room.  Ironically the Wolf King, who is the founder of the hospital and Thomas's boss, is also in need of medical attention and ends up at the hospital too. Not a good thing for Lev and Buke since the Wolf King has said that anyone who steals from him dies.  Oops.  

It also doesn't help that The Nurse goes against her own better judgment and bends the rules - the no cops rule - to help an old friend, a policewoman (Jenny Slate), who she hasn't seen in 22 years.  There is also a mysterious French girl (Sophia Boutella), an arrogant arms dealer (Charlie Day), a very convoluted plot involving Thomas's son who she discovers was killed by the Wolf King, and a final blood bath complete with throat cutting and a head in a vice. Ick! Let's just say, very gory and most of the hospital rules get broken.

Everyone in the hospital is given a code name based on the theme of the room they are assigned to - Honolulu (Henry); Acapulco (Day); Nice, no she's not a "nice girl," it's pronounced Neese, you know that town in France (Boutella), she's French; Waikiki  (Brown)...and everyone has a back story and almost everyone is involved in the final bloodbath.

We don't see Jodie Foster much these days and, though the part is certainly one where she can show her acting chops, I couldn't figure out what drew her to this project.  But she is very, very good. And actually, she wasn't the only star drawn to this film. This is a star-studded film with Goldblum, Zachary Quinto (as the Wolf King's son), Slate, Boutella, et al, and they all seem to be having a lot of fun except Sterling K. Brown.  He never seems to be having much fun. I have been watching him on the TV show "This is Us (which I love)" since it began and, I hate to say it, but he just bugs me.  He is so intense.  At first, I just thought it was his character on that show, but it seems like he plays every character the same - very actory, very intense.  I would like to see how he would do with light comedy.  But I will have to wait. This isn't it.

But speaking of comedy...Written and directed by Drew Pearce, I wasn't sure if this film was supposed to be a thriller, a drama, a dark comedy or some of all of that.  I figured eventually it was the latter - some of all of that. It's a little bit Stephen King and a little bit Quentin Tarantino and original in its characters and tone. But it is also way over the top and very campy.  

Rosy the Reviewer says...I can't say I am all in on this one, but it's an original concept. and I always like original. If you are open and on that same page, then you might want to give this one a chance.

Streaming on Netflix

The Kindergarten Teacher (2018)

When one of her young students recites an original poem off the cuff, his kindergarten teacher becomes obsessed with him.

You've heard these stories about pervy older male teachers running off with one of their students or young female high school teachers having sex with their young boy students, but what about a kindergarten teacher running off with one of her kindergarten students?  I haven't heard about that!

Lisa Spinelli (Maggie Gyllenhaal) is a kindergarten teacher who is good at what she does but she is unhappy with her life.  I'ts humdrum.  Her husband is less than exciting and her teenage children don't want much to do with her.  So she joins a poetry class and what does she discover there?  That's she's not much good at poetry.  But then one day, Jimmy (Parker Sevak), one of her little students, makes up a poem on the spot. And it's good. Lisa decides that Jimmy must be a prodigy and she is just the person to nurture his talents.  He has parents who don't have much to do with him and a nanny who is kind of clueless so now Lisa has a worthy purpose. She is going to save Jimmy's talent!  And if she lifts one or two of Jimmy's poems and passes them off as her own at her poetry class, so what?  Well, here's the what of that. She steals Jimmy's poems and then she steals Jimmy!

Written and directed by Sara Colangelo (based on a screenplay by Nadav Lapid), what starts out as a teacher nurturing a child who has an uncanny ability to compose poetry turns into an obsession that says more about what's wrong with the teacher than what's right about the little boy.

Maggie Gyllanhaal could well be one of the most underrated of our young actresses and, that's too bad, because it occurred to me while watching this that she can do anything. And perhaps that's the problem. Her roles so far have been so wide-ranging and diverse that she has not yet been pigeon-holed into typecasting.  That's a good thing for a serious actress, not necessarily a good thing for an actress who wants to be really popular. Audiences want to know what they are going to get.  But I don't think she really cares about that. Here she turns what could be a dark and boring tale into a compelling character study of a woman on the edge and shows how an ordinary and seemingly caring person can resort to obsession and a life changing bad decision.

Rosy the Reviewer says...see this for Gyllenhaal's compelling performance and a chilling final scene.

***My 1001 Movies I Must See Before I Die Project***

122 to go!

Have YOU seen this classic film?

The Wheel (1923)
(Orig. title "La Roue")

An epic film about a train engineer who saves Norma, a young girl, adopts her as a companion for his son, and then as she grows up, both father and son fall in love with her. 

And nooooo - it's not only a silent film, it's FOUR AND A HALF HOURS LONG!!! And it's French.

So there is a train wreck and a little girl is left orphaned.  Train engineer Sisif (Severein-Mars) takes her home with him and Norma (Ivy Close) grows up with Sisif's son who eventually falls in love with her.  I get that.  But then Sisif falls in love with her too.  Ew.  And it doesn't end well.

The only way I can justify a four and a half hour silent film is that, perhaps, people back then were so enamored of "them there" moving pictures that they were riveted to the screen and were willing to stay there for hours and hours, all agog over all of that newfangled movie stuff.  However, I am not one of those people, so needless to say, I fast forwarded through most of it which actually works quite well for silent films.  I could tell what was going on even though I was chugging along at 50 miles per hour.

Why it's a Must See: "...wide-ranging literary references...extraordinary cinematographic effects...are admirably brought together in the central metaphor of the title: the wheel of fate...the wheel of desire, and the wheel of the film itself with its many cyclical patterns."
---"1001 Movies You Must See Before I Die"

Rosy the Reviewer says...That's all well and good but FOUR AND A HALF HOURS? And it's a SILENT FILM?  Word to the wise.  When a film is described as "epic," it means LONG!

Thanks for reading!

See you next Friday 


what is rumored to be Robert Redford's last film

"The Old Man and the Gun"


The Week in Reviews
(What To See and What To Avoid)


the latest on

"My 1001 Movies I Must See

Before I Die Project" 

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.