Showing posts with label Cookbooks. Show all posts
Showing posts with label Cookbooks. Show all posts

Friday, February 14, 2020

"1917" and The Week in Reviews

[I review "1917" as well as "Countdown" and "Gemini Man."  The Book of the Week is another cookbook, "Nothing Fancy: Unfussy Food for Having People Over" by Alison Roman.  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "The Saragossa Manuscript."]


Two WW I British soldiers must traverse No Man's Land to stop a planned British attack on the Germans, an attack that is a German trap.

Winner of a Golden Globe and BAFTA for Best Picture and a Best Director award for director Sam Mendes, as well as over 100 more awards, this film was poised to win the Oscar for Best Picture and a Best Director Oscar for Sam Mendes, but victory was snatched from the jaws of defeat by director Bong Joon Ho and his film "Parasite," which had been gaining momentum over the last few weeks leading up to the Oscars. (I actually predicted this happening in my review of "Parasite.")

But Best Picture Oscar or not, this film is extraordinary. And it and director Sam Mendes were both deserving of the nominations.

First, let me say that I am not a fan of war movies, but this isn't just any war movie.  This is also a horror film that expertly, economically, beautifully and poignantly (I can't use enough adjectives) shows the horror of war as it follows two young British soldiers - Lance Corporals Schofield (George MacKay) and Blake (Dean-Charles Chapman) - who are sent on what could be a death mission to try to stop an offensive by another British battalion, the Second Devons, who are planning an attack on the Germans.  However, they have bad information and it's actually a trap set by the Germans and all 1600 British troops are bound to be killed, Blake's brother among them. There is no communication - the radio lines are down - so Schofield and Blake must run across enemy lines in Northern France into trenches they hope have been abandoned by the Germans and make their way to the Second Devons alone.  

It's a war film with an airplane dog fight, a sniper, a raging river, bombs, lots and lots of dead bodies and an aura of the bitterness and stress of war. But it's also a film about saving lives, courage, loyalty, love, and friendship.

In addition to eight other Oscar nominations, the film did garner three wins: for visual effects, sound mixing and cinematography, and it is the cinematography that also sets this film apart from all other war films.  The film looks like it was shot in one two hour take. However, that is not really the case. It was actually filmed in a series of uncut takes that were seamlessly connected to make it seem as if we were watching these two young men on their perilous mission in real time.  And that choice makes for a very tense and mesmerizing film, indeed.  Kudos to Roger Deakins who won the Oscar for Best Cinematography, but also to director Mendes, whose choices led to this - and I can't use this word enough - this extraordinary film.  And the film was a personal journey for Mendes, who at the end of the film, dedicates it to a family member.

The film was also nominated for Best Production Design and, though "Once Upon a Hollywood" won for its amazing depiction of 1960's L.A, this film certainly also deserved that nomination.  The endless trenches, the battlefield dotted with dead bodies both human and animal, and the bombed out town were just breathtakingly and sadly beautiful.

Though the look and feel of this film takes center stage, the actors were also wonderful. I can't believe that McKay was not nominated for a Best Actor Oscar.  He, too, was extraordinary and was pretty much the very heart of this film. We care about Corporal Scofield, we want him to make it, we don't want him to be a casualty of the horrors of war.

All wars are terrible but WW I was particularly terrible with men in muddy trenches or in hand-to-hand combat, only to gain an inch of land, and Mendes does not glamorize this war.  General Sherman said "War is hell."  And there is no better description than that nor a better film to illustrate it.

Rosy the Reviewer extraordinary feat of movie making that made me cry for the sheer beauty of it.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Countdown (2019)

If there was an app that could tell you when you were going to die, would you want to know?  Me neither.

But that's not the case with a bunch of millennials who come across an app that says it will predict when you die.  Should they do it?  "It's just an app." At first it's fun when several download the app and discover that they have years and years ahead of them. But poor Courtney (Anne Winters).  The app says she only has three hours to live. Geez.  Okay, it's just an app.  When Courtney's boyfriend (Dillon Lane) gets drunk, Courtney decides to walk the dark...alone.  Don't do it, girl!  Then her phone buzzes and says, "User agreement broken." Next she is being followed by a big hairy guy, but it's not the hairy guy she needs to worry about.  She gets home and dies in a supernatural way in her own bathroom. Turns out her drunk boyfriend had a car accident too, so either way, she was going to die.

So who's next?

Meet Quinn (Elizabeth Lail).  She is a nurse and meets the drunk boyfriend who crashed his car.  He ended up in the hospital and is about to go into surgery. He is sure that he is going to die. He tells her about the app and she downloads it.  Not good.  Quinn finds out she only has two days left.  At first she doesn't take it seriously, but when the drunk boyfriend does actually die in surgery...Okay, time to delete the app.  Nooooo.  It won't delete and time is ticking away.  It doesn't help that Quinn notices a shadowy figure following her around.  The Grim Reaper?  She has to figure out a way to save herself before time runs out.  Tick...tick...tick...It's a race against time.

Turns out this is yet another instance of the importance of reading an app's user agreement (see my review of "Jexi").

Quinn goes to a phone store to get help and talks to Derek (Tom Sergura),  a smart ass phone sales person (what is it with smart ass phone sales people? - see also "Jexi" for that too) and buys a new phone, thinking she can start over.  Oops.  The app automatically installs itself on her new phone.  Tick. Tick. Tick. She also meets Matt (Jordan Calloway), who has the same problem she does, not much time left, and he can't stop the countdown on his phone, either.  Better read that damn user agreement. So they do. It states that the user agreement is broken if the user tries to change his or her fate.

They are referred to Father John (P.J. Byrne), a priest who still believes in demons and the devil.  I mean, when in doubt blame it on the devil.   With the help of the priest, it is determined that the app is a curse from the devil and the only way to beat the curse is to prove the devil wrong (he doesn't like that) by either dying before the countdown ends or live at least one second past.  Well, the former is not an option so Quinn and Jordan need to figure out how to live past their death deadline. Will they?

In the meantime, Quinn is being sexually harassed by a doctor (Peter Facinelli) at the hospital, a sort of #MeToo Movement side-story that does little to help either the movement or the movie.

Written and directed by Justin Dec, I have to ask myself why I end up watching all of these films aimed at millennials.  I guess part of the reason is that as I get older the stars of movies get younger.  And I actually like these thriller cum horror films.  I don't like the really gross ones like "The Texas Chainsaw Massacre" or the "Hostel" and "Saw" series, but a nice little thriller, more along the lines of "Happy Death Day"  with just the right abount of gotcha moments is good for the heart once in awhile, and I liked the premise of this film. And it's actually funny at times, though not sure if it was supposed to be.  It's not going to win any awards but it's an amusing 90 minutes in a "Final Destination" kind of way.

Rosy the Reviewer says...if you like middle of the road horror, you might like this.

Gemini Man (2019)

An aging hit man can't figure out how a man coming after him knows his every move...until he discovers the other hitman is a clone of himself!

We once again see the age regression magic that was used in "The Irishman," except this time it is used on Will Smith who plays himself as well as a younger version of himself.  

Will plays assassin/sharp shooter, Henry Brogan, who works for the DIA, the Defense Intelligence Agency, a thinly veiled version of the CIA.  Despite 72 kills, he is actually a good guy.  When he isn't killing people, he lives a sort of Zen life in Georgia.  After a botched hit, he decides to retire and heads to his home in Georgia, but as Michael Corleone said in "The Godfather," "Just when I thought I was out, they pull me back in!" 

Henry meets Danny (Mary Elizabeth Winstead), who is at the dock renting boats, but who is in fact an agent sent to keep tabs on Henry.  And for some reason that is never made clear, Henry has now become the prey instead of the hunter as Clay Varris (Clive Owen), head of a black ops unit Code Name "Gemini," wants him dead. As I said, it's unclear why Varris wants Henry dead, something about the government screwing up and Henry killing the wrong guy, but all kind of far-fetched.  But not as far-fetched as the fact that Varris just happens to have a son named Junior who also just happens to be a clone of Henry.  So now Henry must try to outsmart himself in order to stay alive. Danny turns out to be on Henry's side and the two go on the run to try to find out why Varris wants Henry dead while at the same time trying to stay alive.

Written by David Benioff, Billy Ray, and Darren Lemke, it's all very complicated and convoluted as these kinds of thrillers often are, but Will Smith has that "X" factor, that something special that compels you to watch him, and with this added feature of playing against a younger version of himself, it can be fun to watch at times, though this is one of those movies where the trailer makes you think one thing and the movie turns out to be completely different.

There are the usual motorcycle chases, bombs, lasers and gun fights, though the way they are portrayed look more like a video game than a film.  Something in the way director Ang Lee filmed this movie - higher frame rates - makes it look exactly like a video game and that actually makes the film kind of annoying and exhausting.

This is an odd film to be directed by Ang Lee, who is most known for more serious, high-brow films like "Sense and Sensibility," "The Ice Storm" and "Brokeback Mountain," but I don't fault him for wanting to do something different.  I just wish the film had been better and not presented as a video game.  The premise is kind of weak too:  we have to believe that if someone is a clone of you, the clone would know what you are thinking and be able to predict your every move.  It's an interesting concept but kind of a stretch and in the end kind of a yawn.

Will does a good job playing himself and his younger self, but there is little in the way of character deveopment. Mary Elizabeth Winstead looks like a young Signourney Weaver and poor Clive Owen doesn't really have much to do.  All in all, disappointing.

Rosy the Reviewer says...if you like watching video games, you might enjoy this.

***My 1001 Movies I Must See Before I Die Project***

43 to go!

Have YOU seen this classic film?

The Saragossa Manuscript (1965)

An officer finds a book and he lives out some of the fantasies in the book.

During a Napoleonic Wars battle in the town of Saragossa, Alfonse van Worden (Zbigniew Cybulski), a Belgian officer, finds a large book on the second floor of an inn and becomes engrossed in it.  Alfonse then finds himself living out the stories in the book in a kind of Arabian Nights fantasia. He finds an inn where he meets two Moorish princesses, Emina (Iga Cembrzynska) and Zibelda (Joanna Jedryka), sisters who tell Alfonse they are his cousins, and, as the last of the Gomelez line, he must marry both of them.  After drinking out of a skull goblet, Alfonse finds himself in a desolate countryside where he meets a hermit priest who is trying to cure a possessed man who tells his story, which also features some sisters.

The next morning, Alfonse leaves the inn but is captured by members of the Spanish Inquisition and then rescued by - you guessed it - those two sisters (I am seeing a pattern here) who seduced him earlier. He then meets a caballist and goes to his castle.

End of Part I.

Sigh.  There's a Part II?

This part is a series of stories told by the leader of a band of gypsies and the stories are not only tales-within-a-tale but tales-within-a-tale-within-a-tale and there is a coming together of sorts at the end of the film, if you make it that far (the film is three hours long!) and can figure out what the hell is going on. 

Directed by Wojciech Has, there is all kinds of mysticism, symbolism and the supernatural at work here, and it is difficult to tell what is fantasy and what is reality. It has been recommended that you watch this several times to understand everything that is going on. You know what I think when someone tells me that about a movie? I lose all desire to see it. I don't want to have to work that hard to enjoy a film. Why can't a movie make sense the first time?  In this case, watching it once was enough.

Why it's a Must See: "Jerry Garcia proclaimed this 1965 Polish feature his favorite movie..."

Garcia supposedly saw an abbreviated version of this film in the 60's when it first came out and loved it so much he worked with Martin Scorsese and Frances Ford Coppola to restore the film to its original three hour length, which they did in 1999. So we have Jerry Garcia to thank for this three hour version!  I am being sarcastic. I wish he hadn't done it. Not sure why he loved it so much, but remember it was the 60's.  There were a lot of strange movies produced in that decade, and, uh, Jerry was not averse to taking a puff or two and doing a hit of acid, which might explain why he liked this mess.

Rosy the Reviewer says...Is the fact that this film was Jerry Garcia's favorite movie reason enough to see this film before you die?  No.
(In Polish with English subtitles)

***The Book of the Week***

Nothing Fancy: Unfussy Food for Having People Over by Alison Roman (2019)

Entertaining doesn't need to be stressful!

You may have noticed, people don't seem to get together to play cards or bowl or invite people over like they used to back in the "old days."  If you haven't noticed, and you don't believe me, read "Bowling Alone: The Collapse and Revival of American Community" by Robert Putnam, which he wrote all the way back in 2001. He thought then that people had stopped inviting people over, stopped joining groups as in bowling leagues, hence the title, a metaphor for the fact that we have all stopped interracting with our fellow humans. Back in 2001, Putnam blamed it on television, women working and people having to commute to and from their jobs, leaving little time for bridge groups, bowling leagues and dinner parties. And now, in 2020, things are even worse.  We still have television, women still work, and we are still commuting except now we also have technology and social media which cuts us off from human interaction even more.

Well, Alison Roman wants to fix that in her own little way - with food.  She has made it easier for us all to get together in this fun book about entertaining.  Well, sorry, she actually points out that "This is not a book about entertaining."  It's about love.

"Using your time and resources to feed people you care about is the ultimate expression of love.  And love is about expressing joy, not producing anxiety, so the other thing I want you to get out of it is: You can do this."

So she has written a cookbook that makes it easy for you to have people over for a meal and the cookbook is also fun to read (you know I like to do that)!

Roman starts the book with "Three helpful things:"

1.  Ask for help - have your guests participate
2.  Pick your battles - don't strive for perfection and everything does not have  to be piping hot when it hits the table.
3. Never apologize - "Embrace the quirky imperfections that make dinner at your house special and different."

On that note, Roman goes on to give advice on shopping, what ingredients and equipment to have on hand and then the recipes: snacks, salads, sides, mains and desserts.  Each section contains an introduction with her cooking philosophy e.g. the salad section begins with "These days, a salad can be anything you want it to be" and for her lengthy section on "Sides" she says:

'Side Dish' is a very misleading term.  It implies something that exists only to serve as an accompaniment to something else.  No disrespect to a great chicken or an expensive steak, but it's no secret that sides are often the most delicious things on the table.  In fact, I make a meal of  'just sides' all the time and don't see anything wrong with your doing that either. Side dishes deserve our unrestrained love and utmost respect! Thank you for coming to my TED Talk."

Oh, did I say she also has a sense of humor?

Yes, what really sets this cookbook apart from others is not only the stories Roman tells about each recipe but her sense of humor and no-nonsense approach.  She knows we are all busy, but she wants you to enjoy cooking for those you care about. She takes you by the hand and walks you through every recipe so you never need to feel insecure about having people over again!  She also uses unique ingredients. She inspired me to buy some anchovy paste.  It's one of her favorite ingredients!  I am intrigued.

Roman's love of stress-free cooking could prove Putnam and his "bowling alone" theory wrong and could get us off our phones and out from in front of our computers and TVs and get us socializing again with real live humans. So from a lovely shrimp cocktail to a salad with celery, fennel, walnuts and blue cheese to Wine-Roasted Artichokes (did I say she LOVES sides?) to Citrus Chicken Rested in Herbs to Crushed Blackberry and Cornmeal Cake, I am ready to turn off the TV and have some people over.

Rosy the Reviewer come on down!

Thanks for reading!

See you next Friday


"JoJo Rabbit"


The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project"

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Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, October 4, 2019

"Judy" and the Week in Reviews

[I review the Judy Garland biopic "Judy" as well as DVDs "The Sun is Also a Star" and "The Happy Prince." The Book of the Week is my new favorite cookbook "Half Baked Harvest Cookbook: Recipes From My Barn in the Mountains" by Tieghan Gerard. I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Europa Europa."]


Except for just a few films in recent years, Renee Zellweger has been pretty much out of the public eye since 2010, but now she is back with a vengeance as the tragic superstar Judy Garland during the last year of her life.

For those of you who don't know who Judy Garland was (and that's another tragedy, if you don't), she was an acclaimed actress and singer whose career spanned 45 years. Though she was in over two dozen films at MGM before starring as Dorothy in "The Wizard of Oz" at the age of 17, and later starred in iconic musicals such as "Meet Me in St. Louis" and "A Star is Born (the second and best one)," Dorothy in "The Wizard of Oz" is probably the role for which she is most remembered today.  Dorothy had a happy ending, but there was no happy ending for Judy who struggled in later years with finances and drug and alcohol issues and died at the age of 47 of a barbituate overdose.

In the winter of 1968, Garland was alone and lonely having just divorced her fourth husband.  She was also broke and unable to pay her hotel bills or care for her young children, and her abuse of alcohol and drugs had made her an insomniac and a liability to the film industry.  So when she was offered some nightclub dates in London, she reluctantly agreed to take them on despite the fact that she was in such a fragile state it was unclear whether or not she would be able to perform.  When she arrived in London she was assigned a minder, Rosalyn (Jesse Buckley), and it was a good thing too, because it was touch and go for Judy. But when she was able to perform, she was still amazing.  She was the consummate performer who heartbreakingly gave everything she had to the audience.

The film follows Garland as she tries to meet her performance obligations while at the same time struggling with sleep and addiction issues. We also meet her ex-husband, Sid Luft (Rufus Sewell), who perportedly gambled away much of her money, and we also meet her soon-to-be new husband, a much younger, Mickey Deans (Finn Wittrock), who appears to also be on the road to using poor Judy, who can never seem to find happiness. 

But Zellweger is able to not only show Garland's demons, but also her vulnerability, charm and sweetness, her endless desire to please, and when it comes to performing, Zellweger channels Garland beautifully.  She has the mannerisms down and does her own singing, which was taking a risk because Garland's voice was big and magnificent, but Zellweger is believable, because even though she doesn't sing exactly like Garland, we can believe that all of that abuse Garland put herself through would have certainly affected her voice. And that's not saying Zellweger is not a good singer.  She is.  But what she does best is replicate the energy and excitement Garland brought to the stage.  

Garland was also a gay icon, partly because the gay community likened her personal struggles to theirs, and the film portrays this in a very poignant scene when a lonely Judy is met at the stage door by a gay couple, Stan (Daniel Cerqueira) and Dan (Andy Nyman), fans who have been at every one of her shows.  So they can't believe their luck when Judy asks them if they want to grab a bite.  Unfortunately it's after midnight and this is London in the 1960's. Nothing is open so they take Judy to their apartment and make a very bad omelet but have some laughs giving them a wonderful memory of a lifetime.  And Judy is happy to be there, happy to be loved and appreciated.

And that was the amazing thing about Judy Garland.  Despite all of her issues and woes, she had a beautiful heart and spirit, and that's the amazing thing, too, about Renee Zellweger in this role.  She not only embodies Garland in looks and talent, but she captures Garland's charm and optimistic spirit.  This is the role of a lifetime for Zellweger and she plays it to perfection.  Never once did I think I was watching Renee Zellweger playing Judy Garland.  I was watching Judy Garland come to life.

So that's the good news.

The bad news is that the film itself is a bit clumsy, especially the way it uses flashbacks to explain to the audience why Judy was such a mess, and it plays a bit fast and loose with the facts.  

At the beginning of the film, we have L.B. Mayer, the head of MGM, literally walking with Judy on the Yellow Brick Road, reminding Judy that she is lucky to have the role of Dorothy in "The Wizard of Oz," as if she was just starting out as an actress.  Yet by the time she was 17, she had already starred in over two dozen MGM films.  He also demeans Judy's looks and threatens her with the idea he can replace her at any time with Shirley Temple if she screws up. That is only partially true. Shirley Temple had already turned down the role, as had Deanna Durbin, another young, hot singer/actress of her day. And yes, Judy was insecure about her looks, especially her weight in a world where glamour was the operative word and yes, the studio supposedly gave her diet pills and kept her on a diet, but one wonders if they were quite as Machiavellian as portrayed in the film. I found those flashbacks to Judy's early life over dramatic and kind of jarring when compared to Zellweger's more finely tuned scenes as the older Judy, despite the fine work by the young actress (Darci Shaw) playing her in the flashbacks.

Adapted by Tom Edge from the stage play "The End of the Rainbow" and directed by Rupert Goold, I would have preferred a montage at the beginning of the film, one of those old-fashioned ones with headlines and photographs that ran us through Garland's life and early success, so those of you who have been living under a rock would know who she was, and then let her explain her early life and what led to the drinking, drugs, divorces and insomnia by way of her talking to her therapist rather than those unwieldy flashbacks.  But that is a minor concern when pitted against Zellweger's performance.  This is a tour de force for Zellweger who is sure to win an Oscar for this performance.  Don't miss it.

Rosy the Reviewer says...ring! ring! Ms. Zellweger, Oscar calling.  We have your statue all ready to go!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


The Sun is Also a Star (2019)

A star-crossed teen love story.  At least one of them isn't dying!

If you are familiar with Richard Linklater's "Before Trilogy," where Ethan Hawke and Julie Delpy walk around beautiful European locations and talk about love and life, then you will have some idea what this film is like.  It's a kind of teen version of that.

Natasha (Yara Shahidi) is a Jamaican girl who is about to be deported.  Like tomorrow.  Despite the fact that Natasha grew up in New York City, her parents did not arrive in the U.S. through the proper channels so her whole family is getting sent back to Jamaica.

But then she meets Daniel (Charles Melton), a young Korean guy whose parents want him to be a doctor. He wants to be a poet. Daniel is getting ready for an interview to get into Dartmouth to start that path to doctorhood, but serendipity brings our young lovers together, two cultures collide and Natasha and Daniel will never be the same again.

In Grand Central Station, Daniel is with a friend.  Daniel is obsessed with "Deus ex machina" which for some reason means to Daniel "Open up your heart to destiny." That's not exactly what I thought that meant.  Anyway, he even has it posted in his room. When he sees Natasha looking up at the constellations painted on the ceiling of Grand Central Station, he is fascinated because he has never, ever seen anyone look up at the ceiling in Grand Central Station.  And then when he sees "Deus ex machina" on the back of Natasha's sweatshirt, that's it.  He sees that as a sign and has to get to know her. He chases after her and eventually sees her on his train, follows her and saves her from getting hit by a car.  You can't get any more "meet cute" than that!

But Natasha is a pragmatist who is fascinated by astronomy, doesn't believe in love, only things she can measure.  And like I said, Daniel is a poet and, of course, he believes in love. Daniel bets Natasha that if she gives him 24 hours, he can make her fall in love with him. With his Darmouth interview postponed to tomorrow and Natasha leaving the country tomorrow, the two embark on a day long odyssey around the city, and it is an odyssey with all kinds of synchronicities, some of which I saw coming a mile away. Are these two destined to be together?

Directed by Ry Russo-Young, the film sports a meager plot and the dialogue could be better, but that's okay.  The poignant ending made up for that, and, hey, I like love stories starring beautiful people - Shahidi and Melton are attractive and engaging young actors - and I like the idea of destiny.  And though Tracy Oliver's screenplay leaves out some of the nuances of the YA book by Nicola Yoon on which this film is based, she does a good job of capturing the two characters as well as making a timely comment on the immigrant experience in the U.S.

Carl Sagan said, "We are like butterflies who flutter for a day and think it's forever." But sometimes a single perfect day is enough.

Like I said, the film is reminiscent of Linklater's "Before Sunrise" trilogy but aimed at the teen market.  Head to head, it doesn't measure up to those films, so if you are over the age of 20 and you haven't yet seen them, get thee to Netflix immediately! But if you are a teen or the parent of a teen, you can start with this one.

Rosy the Reviewer says...a sweet story that reminds us that sometimes one perfect day can be enough.

The Happy Prince (2018)

Another biopic about the sad last years of a famous person - this time it's Oscar Wilde.

And he was not a happy prince.

This film depicts Wilde's last three years of life.  It's difficult to believe there was a time when being homosexual was a crime.  In 1895 Oscar Wilde (Rupert Everett) was the most famous man in London but by 1900 he was a pariah.  When his lover's father accused him of being a sodomite and Wilde sued him for libel, it was Wilde who ended up in prison for "gross indecency."

It helps to know something about Wilde's life before seeing this, because the film skips all around, which I decided while watching "The Goldfinch," that I didn't like. Wilde's life is presented here in a confusing way. Though the film concentrates on Wilde's life post-prison, it gives glimpses of his earlier life in flashbacks.  I would have preferred a more linear approach - Oscar's early, successful life, his affairs, his trial, his imprisonment and then death.  But Everett, who also wrote and directed, must have decided that was too boring.  But though I didn't like the screenplay, the acting can't be faulted.  Like Renee Zellweger in "Judy (see review above)," this is a tour de force for Everett.

Now out of prison, Wilde is broke and lonely, living in Paris under an alias and abusing absinthe and cocaine.  He has lost everything except his sarcastic wit which he was known for.  But it's a sordid story and about as far from "happy" as one can get. Wilde never recovered from his stint in prison and it was all downhill for him after that.

Emily Watson also stars as Wilde's estranged wife and Colin Firth as Wilde's friend, Reggie.

Rosy the Reviewer says...a sad and depressing tale and a reminder of what homosexuals have had to endure.

***My 1001 Movie I Must See Before I Die Project***

60 to go!

Have YOU seen this classic film?

Europa Europa (1990)

The true story of how a young Jewish boy survived the Holocaust by posing as an Aryan German.

Salomon Perel (Marco Hofschneider) was born in Germany to a Polish-Jewish family and was a teenager when the Nazis came to power. He and his family fled Germany to Poland, only to have Hitler invade Poland, so Salomon, called Sally, and his brother, Isaak (Rene Hofschneider), were sent away but the brothers were separated and Sally found himself alone.  He ended up in a Russian orphanage where he was on his way to becoming a good Communist, when Hitler attacked Russia, leaving Sally a refugee once again.  

When he is captured by the Germans and they discover he can speak Russian and can be useful to them, he avoids discovery as a Jew.  Now he is a German soldier and he's only 16.  A German officer takes a liking to Sally and wants to adopt him so he sends Sally to an elite military school for Hitler Youth where he meets the anti-Semitic Leni (Julie Delpy in an early role) and falls in love with her.  All seems to be working out for our hero.

But here is the problem. 

Circumcision is the custom in the Jewish religion but not so for other men in Europe.  So the Nazis would make prisoners undress so they could inspect their penises.  Circumcision marked the prisoner as Jewish so for the entire span of Sally's odyssey during the war, from 1938 to 1945, Sally is tortured trying to keep his penis to himself, so to speak.  

When Sally is befriended by a Nazi soldier who was once an actor, Sally asks him, "Isn't it hard being someone else?" to which the actor replies, "It's harder to play yourself."  Quite the irony since Sally has become someone else in real life. He bends his persona to every situation he finds himself in. He is willing to deny who he really is to survive, and being a young teen he also is desperate to fit in. And through a series of lucky and sometimes absurd circumstances, Sally is able to fit in and survive. No matter what comes his way, he is able to blend in, but in so doing, he denies who he really is. 

And then there is that troublesome penis.  If anyone sees it, his true identity will be discovered, his penis a symbol of the fact that we can never really escape who we truly are.  But as director Agnieszka Holland said to film critic Amy Taubin in an interview in 1991, "His penis saved his soul. Otherwise, he might have become a total Nazi."

Perel eventually emigrated to Israel and never denied his Jewish heritage again, but he didn't tell his story until 40 years later.

Why It's a Must See: "[Director] Holland refrains from passing judgment on her chameleon-like protagonist as she represents unspeakable psychological tortures and miraculous escapes from a matter-of-fact distance, not dwelling on agony or bloodbath.  This is waht renders his incredible story so shockingly believable and separates it from other films about the Holocaust."

---"1001 Movies You Must See Before You Die"

The film won a Golden Globe for Best Foreign Language Film and an Oscar for Holland for best screenwriting. Germany did not submit the film for consideration for a Best Foreign Language Oscar, because the film was not well received in Germany and was controversial on all sides, some thinking that Holland was mocking the Holocaust, others that she made a mockery of European nationalism of both the left and the right... and then there is that whole penis thing. Well, I guess it was just too much!

Rosy the Reviewer says...a fascinating take on identity and an original take on the Holocaust, that horrible part of human history.

***The Book of the Week***

Half Baked Harvest Cookbook: Recipes from My Barn in the Mountains by Tieghan Gerard

My new favorite cookbook!

One of seven children, Tieghan Gerard grew up in Ohio but moved to a Colorado mountain with her family when she was in high school.  At age 15 she started doing the cooking and found freedom, creativity and a haven from the chaos of her big family.  She began a blog called "Half Baked Harvest" where she shared her fresh takes on classic recipes and her blog took off, with millions of people taking her cooking advice.

This beautifully produced cookbook will charm even the fussiest cookbook connoisseur and her recipes are out of this world.  I mean, putting a poached egg in soup?  I'm there!

Gerard shares her and her family's story in the first pages of the book, and we find out how she came to write the cookbook.  And then she shares her recipes for breakfast dishes, appetizers, pasta and grains, meat, poultry and seafood dishes as well as some vegetarian options and, of course, dessert. Each recipe is accompanied by a paragraph by Gerard explaining how and why the recipe came about as well as some cooking tips, such as how to clean a leek or a possible ingredient substitution.

In addition to "Dad's One-Pan Friday Night Pasta" - I love anything I can make in just one pan - and a "30-Minute Healthier Chicken Parmesan: - what makes it healthier?  It uses zucchini noodles - here are my two current favorites:

"Spring Chicken Soup with Ravioli & Poached Eggs"


"Dad's Simple Pasta Salad."

I mean, c'mon, a chicken soup with plump raviolis and a poached egg floating in it?  Yum!  And though I wouldn't say the salad is particularly easy, because it has 14 different ingredients, many of which need to be chopped, it is absolutely delicious tossed with a basil pesto and full of sun-dried tomatoes, pickled pepperoncinis and pepperoni, ingredients not usually found in pasta salads. It even has some nectarines!

I have tried both of those recipes and they are winners!

I am intrigued by Gerard's use of interesting tastes such as miso paste, sun-dried tomatoes and other unusual ingredients.  Can't wait to try more!

Now on to the "Thai Butternut Squash and Peanut Soup" and the "Braised Pork Tamale Burrito Bowls!"

Rosy the Reviewer says...Gerard's story is an interesting one, her recipes are unusual and delicious and her tips are enlightening!  Bon appetit!

Thanks for reading!

See you next Friday


"Linda Ronstadt: The Sound of My Voice"


The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

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Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.