Friday, December 7, 2018

"Boy Erased" and The Week in Reviews

[I review "Boy Erased" as well as DVDs "7 Days in Entebbe" and "Destination Wedding."  The Book of  the Week is "Brutally Honest" by Melanie Brown (Remember The Spice Girls?).  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die" with "Fox and His Friends."]

Boy Erased

After being outed to his religious parents, a young boy is sent to a gay conversion program to "pray the gay away."

Arkansas teen Jared Eamons (Lucas Hedges) is a typical young man in that he is trying to find himself. Isn't that what we are all doing when we are 18?  Things don't feel right with his relationship with his girlfriend, and he has thoughts that disturb him. He thinks about boys. Not good since his father, Marshall (Russell Crowe), is an evangelical Baptist minister. But Jared is a dutiful son.  He attends church and tries to be what his parents want him to be. His mother, Nancy (Nicole Kidman), is loving and also dutiful and doesn't have a clue about what is going on with her son, Jared. 

When Jared goes off to college, he meets Henry (Joe Alwyn) and the two form a friendship that eventually goes too far, too far meaning Henry tries to rape Jared.  Henry admits to Jared that he has this rape problem.  He tried it with another kid, too, so when Jared distances himself from Henry, fearing that Jared will tell on him, Henry contacts Jared's parents, pretends to be a counselor from the college and outs him.  Shocked, Marshall calls in some older minister friends and they all decide that the best course of action is to "pray the gay away," and send Jared to a church-related gay conversion program. Jared feels guilty about his impulses so once again is dutiful and goes along with the plan.

There, he meets a motley group of teens and adults, some more submerged in the program than others.  The program is led by Victor Sykes (Joel Edgerton), who tells them that homosexuality is a choice caused by poor parenting and the sins of the parents and other family members. Sykes puts his charges through a series of shaming exercises and "moral inventories" and tells them to maintain silence about what goes on in the sessions, but after weeks in the program, when Sykes demands that Jared admit he hates his father, which he won't do, Jared, with the help of his mother, frees himself from the dutiful son role and gets the hell out of there. 

It would be easy for a story like this to go over the top, with very black and white characters - the evil, overly religious parents who only care about themselves and their beliefs and a kid who knows who he is and fights to overcome the oppression.  Thankfully, Edgerton, who also directed and, with Garrard Conley, adapted the screenplay from Conley's memoir, didn't fall for that but instead created a film full of depth and humanity with no real good and bad guys. (Well, Sykes seems to be a bad guy but don't miss the "Where are they now?" epilogue to see what happened to him, something I suspected all along).  

Nancy loves her son and thinks that sending him to a conversion therapy program is the right thing to do, that it will help her son.  She has no real idea what Jared will go through, but when the chips are down she is on his side.  Marshall is the last hold out but, hey, he's a Baptist minister in the South. He preaches against homosexuality. What do you expect? But even he comes to understand his feelings and accept Jared.  There is never any doubt that Marshall and Nancy love their son and want to do the right thing to help him. And Jared goes along because he loves his parents and is not sure of himself.  This isn't a kid living an unashamed gay life.  He is young and doesn't yet know who he is and how he feels about himself, his sexuality, his faith and even his relationship with his parents.  As these three characters come to accept the cards they have been dealt, we see them grow and it's all very real and human.

Lucas Hedges is a young actor to be reckoned with.  Ever since "Manchester By The Sea," for which he received an Oscar nod, he has made his mark in Hollywood. I would guess he will be nominated again. But it's Nicole Kidman for whom I have renewed respect.  She has always been a good actress but here her role is not flashy, not showy.  It's a quiet role and it would be easy for her to be swallowed up by the other actors and the story itself.  But instead she is the centerpiece of the film.  Her Nancy's love for her son is apparent and when called upon, despite her not yet understanding what her son is going through, she shows steely resolve to save her son.  

Rosy the Reviewer can tell it's Awards Season.  The performances are first rate and, this is one of the best films of the year. Not to be missed!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


7 Days in Entebbe (2018)

Re-creation of the 1976 hijacking of an Air France flight from Tel Aviv to Paris and the subsequent rescue mission, considered one of the most daring ever undertaken.

The film opens with a dramatic dance performance by the Batsheva Dance Company which strangely is more exciting than the "daring rescue mission" that ends the film. Following the opening dance sequence, the film segues into a written on-screen exposition of the political situation in Israel at the time, that when Israel became a state in 1947 the Palestinians were displaced. Naturally, they were not happy, tensions ensued and the Palestinians started attacking Israeli citizens (and vice versa).  A movement grew around the Palestinian cause and radical groups from around the world joined them in their fight. The Palestinians and their radical counterparts called themselves freedom fighters. Israel called them terrorists.

The film then progresses in a day-by-day account of the hyjacking and the subsequent rescue mission.

On Day One, we meet the terrorists, Bridgette Kuhlmann (Rosamund Pike) and Wilfried Bose (Daniel Bruhl), two Germans, who board the plane during a stopover in Athens.  There is a flashback to six months earlier when the planning was taking place. Air France was targeted because France was seen as pro-Israel which was not a good thing because the hijackers saw Israel as fascist, Zionist and racist. After takeoff, the two Germans and two pro-Palestinian terrorists take control of the plane as well as the 239 passengers, 83 of whom were Israelis.  Their destination is Uganda which at that time was ruled by Idi Amin, a notorious nut job.  Once in Uganda, as the passengers leave the plane, he is there to greet them, which if I was one of the hostages, would have scared me even more.

The ultimate plan is to bargain with Israel for the release of all of their political prisoners.  Unfortunately, Israel is known to be a country that does not negotiate during hostage situations. The film shifts back and forth from the terrorists and the hostages to Prime Minister Yitzhak Rabin (Lior Ashkenazi) trying to decide what to do. The Prime Minister wants to negotiate and the Defense Minister, Shimon Perez (Eddie Marsan), wants to send in a rescue team.  They eventually decide on the latter resulting in the aforementioned daring rescue mission which disappointingly only takes up a few minutes of screen time, resulting in a very lackluster and undramatic finale.

There is little attempt to give much background on the terrorists or the hostages.  The terrorists are clearly driven by their ideals even if their methods are questionable. Bridgette says "I only fear a life without meaning." But that's about it.  We never get to know them, how they ended up there nor do we get to know any of the hostages other than some brief moments.

Directed by Jose Padilha with a screenplay by Gregory Burke, this is a dramatic historical incident and should have made a compelling film but the film was strangely cold.  Despite the good actors, they don't really have much to do and the film feels more like a documentary than a dramatization. There is a lot of sermonizing and the rescue mission itself takes only minutes and is not particularly thrilling. The dance sequences that begin and end the film, though repetitive, are far more dramatic and compelling than the film itself. 

However, as we see the back and forth at the top, with Rabin and Peres arguing about the best course of action which will ultimately determine the fate of the hostages, I was struck by the puppet strings that control people's fates, pulled by people who are far removed from danger, something that continues today.

Factoid: Five Israeli commandos were wounded and one, unit commander Lt. Col. Yonatan Netanyanhu, was killed. Netanyahu was the older brother of Benjamin Netanyahu, who was spurred by this event to get into politics and became Prime Minister of Israel in 2009.

Rosy the Reviewer says...what should have been a thriller had no thrills.

Destination Wedding (2018)

Two wedding guests are drawn together through their mutual distaste for love and romance.

If you have ever wondered what happened to Wynona Ryder, wonder no more.  Here she is in what the Brits call a "two-hander."  It's just Ryder and Keeanu Reeves talking and interacting for the entire 90 minutes.

But before I dive in, I need to interject my personal opinion (so what else is new, right)?  

OK, sigh. Destination weddings, where guests fly all over the world to see their friends get married. I actually think that destination weddings are a huge pretension and a huge pain in the neck for the guests.  I mean, unless you are paying for my plane ticket and hotel, I don't think I can afford to fly to Venice to see you marry the man of your dreams on a gondola.  

So that was what I was expecting with this film, a wedding in some exotic location. So imagine my dismay to discover that THIS destination was in Paso Robles, California.  For those of you who don't live in California, that might seem like a destination wedding to you but it's only a three and a half hour drives from L.A!  If that is a destination wedding, then EVERY wedding would be a destination wedding because most of the guests have to usually do some kind of traveling to get to a wedding, right?  I kept thinking that maybe it was supposed to be ironic.

Anyway, Lindsay (Ryder) and Frank (Reeves) first meet at the airport as they get ready to board a plane from LA to San Luis Obispo where they will continue on to Paso Robles for this so-called destination wedding. After arguing about who gets on the plane first or how to pronounce Paso Robles, Lindsay and Frank settle into their seats on the plane where no one appears to wear seat belts. It soon becomes clear that they are both heading to the same wedding.  It's Lindsay's ex-fiance who is getting married and the groom is also Frank's half brother.  Frank hates his brother and is only attending because his mother made him and Lindsay is attending for "closure."  Cynical bickering and insults ensue as the two are constantly being thrown together until they - what? - inexplicably kiss and then have sex, albeit bickering and unpleasant sex.

The entire film is just Frank and Lindsay at the rehearsal dinner, the daytime activities, the wedding and the reception with them cynically commenting on what they are seeing.  I kept wondering why two people who clearly didn't like each other would end up spending so much time together, but then I guess we wouldn't have a movie about two unpleasant people meeting and sort of falling in love.

Lindsay: "I have so much to give."
Frank: "No you don't."

These two are not very nice people.  Frank has the unpleasant habit of clearing his throat, bringing up saliva and wiggling his ear to bring up mucous in his mouth and then gargling it - I know, ugh - and Lindsay is just kind of a dip.

Writer director Victor Levin might have said: "It's supposed to be funny."

Rosy the Reviewer actually says..."But it wasn't."

***My 1001 Movies I Must See Before I Die Project***

116 to go!

Have YOU seen this classic film?

Fox and His Friends (1975)

When working class Franz, also known as Fox, wins the lottery he suddenly discovers he has many, many friends...of the wrong kind.

Franz (Rainer Werner Fassbinder looking like a young and less handsome Jeremy Renner) is an openly gay circus worker in a sideshow called "Fox, The Talking Head," but when his partner in the sideshow enterprise is arrested for tax fraud, the sideshow is shut down and Fox loses his job.  But he isn't down and out for long. Franz is a bit of a scam artist who lives by his wits.  And then he wins 500,000 marks in the lottery!

He also wins a new boyfriend, Eugen (Peter Chatel), a handsome, dapper upper class fellow who sports those wide 70's ties and looks just like Rick Springfield with a porn mustache.  He seduces Fox, physically and mentally, as Fox navigates Eugen's cold, upper class world. You would think that Franz is the scammer but turns out Eugen, who seems like the least likely scam artist, is the biggest one of all. The energetic and street smart Fox is no match for Eugen's manipulations and condescending treatment as Eugen works to save his family's business by swindling Fox out of his lottery winnings.  

This film is about wealth vs. class (Remember, "Money can't buy you class?"), and it exposes the pretensions of the upper classes.  Fox realizes too late that he has been trying to be someone he is not, to rise above himself, and he is slapped down in a very troubling ending.  Let's just say that Fassbinder has a cold view of life.

No one would ever accuse director Rainer Werner Fassbinder of holding back. Regarded as the catalyst for the New German Cinema movement, which included Werner Herzog and Wim Wenders, his films are large, lush and loud, and this one is no exception. I still haven't gotten over the scene where one of the characters is talking and right there, over his shoulder, large and loud is a nude male in all of his full frontal glory staring back at me...for a long time! 

This film drew me back to the late sixties and early seventies when I was a young woman and movies took a lot of risks. They were raw and edgy and full of sex, nudity and adult themes.  I mean, remember "Midnight Cowboy?"  It won the Best Picture Oscar in 1969 and it was about as raw and edgy as you can get. But then I think we went into a sort of puritanical period and movies settled down a bit.  I wonder if "Midnight Cowboy" would win a Best Picture Oscar today.

Anyway, I was really into this film for the first hour, but then it started to drag and go on and on. But Fassbinder is a good actor and always an interesting director creating original films, and the film holds up well today, if you can get over those wide 70's ties and porn mustaches and the long drawn out story. 

Why it's a Must See: "The film poignantly dramatizes the ways in which the mass media has marketed desire for social status and wealth to the postwar working class through commercials, glossy magazines, and soap operas...[It's also] one of the most powerful descriptions of death in a society where human value has a price tag."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...yes, the ending is profoundly disturbing.  

***The Book of the Week***

Brutally Honest by Melanie Brown (2018)

Remember The Spice Girls?  Well, Melanie was one of then ("Scary Spice") and life hasn't been that pretty since then.

If you are a fan of my blog, you know that I have some guilty pleasures.  OK, I can be very shallow, and I admit that from time to time I enjoy an episode of Dr. Phil.  I guess I sometimes enjoy involving myself in the misery of others.  Anyway that must be it because otherwise I can't explain why I was drawn to this book.  I was never a Spice Girls fan and Brown gets on my nerves on "America's Got Talent," where even she admits she is kind of thick, but when Wendy Williams talked about this book and Brown's terrible, abusive marriage (OK, yes, I watch The Wendy Williams Show too - celebrity gossip is another one of my, er, guilty pleasures), I had to find out more.

Is she brutally honest?

Let's just say if you are into juicy celebrity memoirs, this one fits the bill, but I will give her credit, though, for what she says is her main reason for writing this book - to help other women who are in abusive relationships.  It's one of those "if this could happen to Scary Spice" sort of books.

She grew up poor in Leeds with a black father from the Caribbean and a white English mother which didn't make it easy growing up in Northern England.  She was a ball of energy who found an outlet in dancing and at 16 left home to dance in Blackpool and musical shows around England.  When she saw an ad for a new girl group being formed, she applied and The Spice Girls was formed.

We get the details of her roller coaster life as a Spice Girl, her first marriage, and her up and down relationship with Eddie Murphy (with whom she has a daughter - a daughter that for many years he denied), but the book is mostly about what happened to her after she married Stephen Belafonte (no relation to Harry), who she claims isolated her from her family and controlled her to the extent that she tried to take her own life, all of this playing out as she tried to remain the loud and funny Melanie Brown on "The X Factor."

Rosy the Reviewer says...Yes, the book is a potboiler to a certain extent, but it is also a cautionary tale and I learned something - that Simon Cowell is actually a really nice guy. But I never learned why she was called Scary Spice.  I had to look it up!

Thanks for reading!

   See you next Friday 

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The Week in Reviews
(What To See and What To Avoid)


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Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, November 30, 2018

"Green Book" and The Week in Reviews

[I review the movie "Green Book" as well as "The Christmas Chronicles," now streaming on Netflix.  The Book of the week is Sir Michael Caine's memoir "Blowing the Bloody Doors Off."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Vampyr."]

Green Book

A rough and tumble Italian-American bouncer is hired to drive an African-American classical pianist to his gigs in a Jim Crow era South.

It's 1962 and Tony Vallelonga (AKA Tony Lip and played by Viggo Mortensen), is an Italian American living in the Bronx, on hiatus from his job as a bouncer at the Copacabana nightclub while it undergoes renovations.  But like any working class guy with a family, he's got to pay the bills so he takes on a two-month job driving Dr. Don Shirley (Mahershala Ali) to his concerts.  

Dr. Shirley is a renowned, classically trained pianist and the centerpiece of the Don Shirley Trio, and he travels the country playing at posh events to mostly white audiences.  However, when Tony meets Shirley for his interview, the divide between the two is clear.  Tony lives in a working class neighborhood; Shirley lives over Carnegie Hall in a posh apartment complete with throne which Shirley sits in while interviewing Tony. Where Dr. Shirley is refined, educated and elegant, Tony is rough, boorish and has a prodigious appetite (to earn a few bucks he takes on Fat Paulie (Johnny Williams) in a hot dog eating contest and beats him)! Tony is also a racist.  When Tony's wife, Delores (played by a wonderfully real and warm Linda Cardellini), offers two black repairmen a drink of water, after they leave, Tony throws the glasses into the garbage.

But as Maya Angelou once said, "When you know better, you do better." 

But it still takes Tony awhile. When Tony and Dr. Shirley begin their road trip, Tony regales Shirley with all of the stereotypes attributed to African Americans.  For example, Shirley must love fried chicken, right?  Wrong.  He has never tried it. Tony is unabashedly himself: lacking in manners, subtlety or political correctness, whereas Shirley is the epitome of the gentleman and, naturally, he doesn't approve of Tony. But Shirley is also uptight and lonely. 

See where this is going?

As this road trip/buddy film progresses and Tony experiences the racism that Dr. Shirley faces and Shirley comes to realize that Tony, despite his crudeness, is a good person, their feelings change about each other and a bond is forged between the two. 

This film, based on a true story, is a bit like a reverse "Driving Miss Daisy." And yes, there are some cliches and plot devices you can see coming from a mile away, but this film is so beautifully done and the actors so real and open, none of that will matter.  You will be transported on this journey with them and love every minute of it.

If you saw Mahershala Ali in "Moonlight" you won't recognize him in this. And if you saw Viggo in practically anything else he has every done, you won't recognize him either. And that's good because that means these two are wonderful actors and have created characters you have not seen them do before. The two together have an unforgettable chemistry and you won't be able to take your eyes off either of them.

This is the directorial debut of Peter Farrelly, one half of the Farrelly Brothers, who brought us the funny but rather low-brow "There's Something About Mary" and the "Dumb and Dumber" films, but there is nothing low-brow or dumb about this film.  

Though this film has some of the humor of those earlier films, there is a lot more than that going on here.

For one thing, it's a statement about white privilege.  Dr. Shirley can be the star of the night, wowing the white elite with his piano playing.  He can be erudite, refined, dressed in a tuxedo and still be refused service in the very restaurant where he was the main attraction and, afterwards, be relegated to seedy hotels when the night is over while Tony is welcomed with open arms everywhere no matter how he acts or how he is dressed just on the basis of his whiteness.  Over and over we witness Shirley's humiliations in this film. But when Tony witnesses it first hand, it changes him. 

When I see films like this and am reminded of the cruelty a race of people has endured based on the color of their skin, I get so angry and I am getting angrier and angrier because it seems that even today nothing has changed.  But at least this film gives us a glimmer of hope. We see that people can change, one encounter at a time.

The film is also about family, identity, prejudice (and not just against black people), the Jim Crow South and the threat of being gay in the bad old days, but though the film has that serious side, the film is also funny and carries you along on this journey where two very different people from very different backgrounds form a special and lifelong friendship. The film was written by Farrelly, Brian Hayes Curry and Nick Vallelonga, Tony's real life son, who has had a long career as an actor, director and producer.

My only complaint about this film is what I consider an unfortunate title.  

And that's only because I think the title might keep people from seeing this wonderful film. Though it's integral to the plot (a Green Book was a guidebook to help those "traveling while black" to avoid inherent dangers, listing restaurants and hotels that would take black people), few people probably know what a Green Book was and it doesn't really describe the film.  I worry that people won't go see this film because of the title and that would be a shame because it's one of the best films of the year.  And it's even sort of about Christmas. This might turn out to be your new favorite Christmas movie.

Rosy the Reviewer says...ring...ring...Oscar calling!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

Streaming on Netflix

The Christmas Chronicles (2018)

Brother and sister, Kate and Teddy Pierce, spend a magical Christmas Eve!

It wouldn't be the holidays if I didn't include some holiday films, right?  I mean, enough already with the terrorists and the vampire movie I am going to review next and all of the daily bad news.  We need to BELIEVE!

And that's what this movie is all about.

The Pierce family living in Lowell, Massachusetts, loves Christmas as we see from a montage of home videos spanning 2006 to 2017.  First little Teddy is the centerpiece but then a couple of years later the family is joined by his little sister, Kate.  But now it's 2018 and things don't look good for Teddy and Kate.  The tree hasn't been decorated, the house is a mess and the kids aren't happy. We soon figure out that Dad, Doug, has died and Christmas isn't going to be what it once was (Doug is played by Oliver Hudson - he is Goldie Hawn's son and Goldie has famously been in a very long term relationship with Kurt Russell, who plays Santa, so this film is a family affair!

Naturally when it comes to Santa, teenager Teddy (Judah Lewis) is a non-believer but young Kate (Darby Camp) still believes and sends Santa a video letter. She is an intrepid and curious young girl who, when following her brother with the video camera, catches him out stealing a car with his thuggy friends. She video tapes it. Not a good start to the Christmas season.  Worse, Mom, Claire (Kimberly Williams-Paisley) has to work on Christmas Eve, leaving Teddy and Kate to fend for themselves. Clearly things aren't the same since Dad died and basically things have gone to hell.

Directed by Clay Kaytis, this is one of those "Is there really a Santa?/and Someone needs to save Christmas" movies like "Miracle on 34th Street," "White Christmas" and countless others.  Here when Santa gets put in jail, it's up to Teddy and Kate to do just that - save Christmas. Oh, and, of course, we need to get Teddy to become a believer.

This is how it all shakes out.

Mom gets called into work on Christmas Eve.  She needs to work because she has to support her family so she tells Teddy to look after his sister and off she goes. Teddy goes off to his room and Kate amuses herself by looking at old family Christmas videos.  All of a sudden she sees something in one of the videos.  It's a red arm with fur around the wrist and it's holding a present.  What?  Could that be Santa?  Kate calls Teddy down to see it and, then Kate hatches a plan.  Let's stay up and video Santa in the act! Though Teddy is skeptical, he agrees to Kate's plan when she offers to give him the video she made of him stealing that car.

So they set up the cameras and some booby traps to alert them to Santa's arrival, stuff themselves with junk food and fall asleep.

Soon, Kate hears the jingle jingle of one of the booby traps and, then, footsteps on the roof!  Santa!

Kate and Teddy run outside and see Santa's reindeer and sleigh and a figure leaping from house to house.  Kate climbs into the sleigh, Teddy follows and before they know it they are flying off with Santa who doesn't know they are there.  But when he realizes he isn't alone, he is so shocked that the sleigh crashes, Santa loses his hat (the hat allows him to fly) and the reindeer and sleigh fly off.

There the three are - Santa, Teddy and Kate - lying in a park in Chicago and no way for Santa to deliver the rest of his packages. According to Santa the Christmas Spirit is fading fast. What will happen if he can't make his rounds? Well, according to Santa, the last time that happened the Dark Ages descended!  So someone has to save Christmas!

So what do you do when you need to get into Chicago to find your reindeer and deliver packages?  Why you steal a Dodge Charger and speed into town but when they get caught by the police and Santa goes to jail, it's up to Teddy and Kate to save Christmas.

This film has an abundance of Christmas movie tropes with some "Adventures in Babysitting" thrown in:

  • Cutesy and plucky kids
  • Even cuter reindeer
  • A wise-cracking Santa
  • Elves
  • Pratfalls
  • Car chases
  • Bad guys who try to thwart our hero
  • Lots of heart string tugging AKA schmaltz
  • And a message

Of course we know that Christmas will be saved and non-believers will be believers.  I mean, who hasn't seen the aforementioned "Miracle on 34th Street" and all of the Christmas clones since then?  But even though we know how it will end, it's the journey that will decide the success of the film.  Is the journey to that known ending worth the ride?

Yes and no.

Kurt Russell is a fun Santa (he actually gets to rock out and sing with Little Steven and The Disciples of Soul); I actually liked the kids (and you know how I feel about precocious children in films); someone makes a surprise cameo appearance as Mrs. Claus (remember, I said it was a family affair!); and the film moves along at a rapid pace  There is also a good message: You don't need to just believe in Santa, you need to believe in yourself. But ultimately, I think it will appeal mostly to young children.  For older folks, it's a bit silly, though I have to say, I loved the reindeer.

Rosy the Reviewer for little kids but if you are a Kurt Russell fan, you might enjoy this.  For us older folks?  I, for one, am not adding this to my Christmas movie repertoire. I'm sticking with the classics!  

***My 1001 Movies I Must See Before I Die Project***

117 to go!

Have YOU seen this classic film?

Vampyr (1932)

Allen Gray (Julian West) is obsessed with the supernatural so what a coincidence that he ends up in a creepy town where a young girl is turning into a vampire.

Note:  I know this isn't very Christmasy but holiday season or not, I must continue with my 1001 Movies Project!

This is one of those early films that was somewhere in between a silent film and a talkie.  The film still utilized intertitles (printed words on the screen), but there was also audible dialogue, though not often synchronized with the characters, mostly voice overs.

Allen Gray is a bit of a drifter who studies the supernatural.  While wandering around (we don't know why or where he has come from), he encounters an inn where he gets a room.  In the middle of the night he is awakened by an elderly man (again, we don't know why or where this guy has come from either) who proclaims "The girl musn't die" and leaves a parcel labeled, "To be opened in the event of my death."  Later Gray wanders over to a house (this guy likes to wander) and discovers that the old man's daughter, Leone (Sybille Schmitz) is suffering from some strange anemia (uh, she has a bite on her neck!) and then the man is murdered so Allen opens the package, discovers a book about vampires and all hell breaks loose.

Directed by Carl Theodor Dreyer, this film was considered to be one of the greatest of all horror films.  If by horror they mean creepy, OK, then this is horror but it wouldn't stand as anything very scary today.  However, it's loaded with atmosphere and the later Dracula films are written all over it. There is also an amazing sequence where Gray imagines his own death.

West is a strange hero in that he doesn't seem to be too upset or amazed by the strange scenes he encounters.  This is probably because Gray is played by Julian West who was not an actor but the Baron Nicolas de Gunzburg who agreed to finance the film if he could star in it.

The cinematography is dreamy and gauzy. I was wondering why it was so fuzzy only to learn that the photography was achieved by placing a gauze filter over the camera lens to achieve a dreamlike state.

In fact, the whole film is very much like a dream, a very bad dream.

Why it's a Must See: "The greatness of Carl Theodor Dreyer's first sound film derives partly from its handling of the vampire theme in terms of sexuality and eroticism, and partly from its highly distinctive, dreamy look...If you've never seen a Dreyer film and wonder why many critics regard him as possibly the greatest of all filmmakers, this chilling horror fantasy is the perfect place to begin to understand."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...I guess I understand, but though this film is very dreamy and beautiful to look at, haunting even, if you are a fan of modern horror this probably wouldn't scare you too much.
(In German with English subtitles and intertitles)

***The Book of the Week***

Blowing the Bloody Doors Off: And Other Lessons in Life by Michael Caine (2018)

Sir Michael Caine catches us up on his amazing life and shares what he has learned about acting and about life.

I remember when I first saw Michael Caine.  It was when he starred in the 1966 film "Alfie," and I remember thinking, what a strange looking leading man (I was precocious for a teen).  And his acting style was so underplayed and his Cockney accent so thick,  I didn't get him at first.  But by the time the film was over, I was hooked and I have been a Michael Caine fan ever since.

This is not his first memoir and he has also written a wonderful book about acting in films.  This one is both and more.  It's a primer for students of acting (how not to look shifty on camera, if you aren't Marilyn Monroe or Elizabeth Taylor, don't keep people waiting, the importance of preparation and other important tips), but it's also a self-help book for the rest of us.  He talks about how to be a successful working actor and then applies those principles to life.  And for those of you who like dishy celebrity memoirs, don't despair. There are also plenty of fun anecdotes about Caine's 50+ year career.  At 85, Caine has much to share and it's inspiring stuff.

"I wanted to look back on my life from the Elephant and Castle to Hollywood, and from man-about-town Alfie to Batman's butler Alfred, with all its successes and all its failures, all its fun and all its misery and struggle, its comedy, its drama, its romance and its tragedy, and find, among it all, the lessons I've learnt and want to share, not just for aspiring movie actors but for everyone."

And here are some of his lessons:

  • "You are always auditioning"
Just a reminder to be nice. Remember that old saying that goes something like, "Be nice to people on the way up because you may meet them on the way down?" He illustrates that beautifully with a story about being on a film set before he hit it big.  In those days, a bus would bring tourists through and they were allowed to get out and mingle with the actors during filming and get autographs.  However, the actors didn't like that and would usually hightail it out of there when the bus arrived.  Caine talks about one particular bus driver who was a go-getter and very adept at arriving at key times so his passengers could try to meet as many actors as possible.  One day after most of the actors had taken off, Caine decided to make the bus driver look good and stay and sign autographs.  That bus driver was Michael Ovitz who...wait for it...became President of the Disney Company.

  • "Use the difficulty"
Basically he believes when life hands you lemons, make lemonade.

  • "Whatever it is, give it 100 per cent"
We've heard that before but I like how he explains it. Even if you have a bit part in a movie or a "bit part" in your chosen profession, he says, "It's the small-time experience that adds up to the big-time ability...your part may not be the most important part in the movie, but it is the most important thing to you...The same goes whatever you're doing, in whatever walk of life. However scaled down your role is, do not make that a reason to scale down your effort."

Many of his lessons just seem like common sense, but if they are so common and make so much sense, why aren't we all doing these things?  The book is a great reminder to be our best selves.

There is a reason Michael Caine has had such a long and successful career.  He follows his own advice and people want to work with him. And he is a popular actor with audiences.  We like Michael Caine.  And this book is the evidence.  He's just a really good guy who has learned a lot in his 85 years and we are fortunate that he is sharing what he has learned in this witty, self-deprecating and charming book.

Rosy the Reviewer says...I enjoyed every minute of my time with Sir Michael!

Thanks for reading!

   See you next Friday 


"Boy Erased"


The Week in Reviews
(What To See and What To Avoid)


the latest on

"My 1001 Movies I Must See

Before I Die Project" 

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Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.