It's a futuristic Johannesburg, South Africa, lots of crime kept under control by a robotic police force. One "rejected" robot becomes the guinea pig in an experiment to see if a robot can be made to think and feel as a human.
Several warring factions come together in this film that explores the issues of playing God and what makes us human.
Dev Patel (who is not hamming it up quite as much as he does in the "Exotic Marigold Hotel" movies) is Deon Wilson, the creator of the robot police force (Scouts) that can understand human speech and take orders from humans. He works for Tetravaal, a company run by CEO Michelle Bradley (Sigourney Weaver, who doesn't have a whole lot to do except look angry or concerned, but I am always happy when actresses of a certain age are working). But what Deon really wants to be able to do is create a robot that can think and act on his own. After a long night of Red Bull, though, he thinks he has mastered the program. Now he just needs a robot to test it on.
Then we have Vincent Moore (Hugh - What Can't This Guy Do? - Jackman) whose religion is against artificial intelligence. He has created "Moose," a huge robot that takes orders from the mind of its operator. However, Vincent's creation has taken a back seat to the droids Dion has created and Vincent is not happy about it.
Add to that mix a trio of hapless criminals, Ninja, Yolandi (Yolan-di Visser) and America (Jose Pablo Cantillo) who owe their drug supplier 20 million and who need one big heist to pay him back. They get the "brilliant" idea to kidnap Deon and steal his remotes that control the police robots so they can turn them off. They kidnap Deon only to find that there are no remotes, no on/off switches for the robots. But what they do find in Deon's van is a rejected robot that Dion was planning to use for his experiment.
Enter Chappie (Sharlto Copley).
The bad guys order Deon to put the robot together because Ninja wants a badass, gangster robot to help them with their heist. Deon explains that the robot will need to learn language and how to do things because at first he will be like a baby.
So we have a Pygmalian-like tug of war as the Mad Max-like-thugs try to make Chappie into their likenesses while Deon tells Chappie he must not rob or hurt others. Chappie takes Deon very seriously as Deon is his "creator," but he also thinks of Yolandi and Ninja as Mommy and Daddy and he also wants to do what they tell him.
This film is written and directed by South African director Neill Blomkamp who brought us the wonderful and original "District 9," which was nominated for an Academy Award for Best Picture in 2009. Here what's interesting is the blurred lines between who are the bad guys and who are the good guys, not to mention the charming Chappie, whose antennae act like doggy's ears as he reacts to the world around him. You can't help but love him.
Hugh Jackman is almost unrecognizable in his mullet, but once again, even as a villain, this guy is hugely talented. Dev Patel has that over-the-top personality so in evidence in the "Exotic Marigold" movies, but here he is toned down and believable. But other than Chappie, Ninja and Yolandi were stand outs. And then there is Chappie. Copley brings Chappie to life. You really feel for him. Yes, I teared up.
However, there are some plot problems, like why the bad guys would let Deon go and why Deon would leave Chappie behind with them, but if you can ignore those and think of this as a sort of fairy tale - "Transformers" meet "My Fair Chappie," there is humor, lots of action and pathos.
Rosy the Reviewer says...Chappie is a fine chap who you will enjoy spending a couple of hours with.
Several warring factions come together in this film that explores the issues of playing God and what makes us human.
Dev Patel (who is not hamming it up quite as much as he does in the "Exotic Marigold Hotel" movies) is Deon Wilson, the creator of the robot police force (Scouts) that can understand human speech and take orders from humans. He works for Tetravaal, a company run by CEO Michelle Bradley (Sigourney Weaver, who doesn't have a whole lot to do except look angry or concerned, but I am always happy when actresses of a certain age are working). But what Deon really wants to be able to do is create a robot that can think and act on his own. After a long night of Red Bull, though, he thinks he has mastered the program. Now he just needs a robot to test it on.
Then we have Vincent Moore (Hugh - What Can't This Guy Do? - Jackman) whose religion is against artificial intelligence. He has created "Moose," a huge robot that takes orders from the mind of its operator. However, Vincent's creation has taken a back seat to the droids Dion has created and Vincent is not happy about it.
Add to that mix a trio of hapless criminals, Ninja, Yolandi (Yolan-di Visser) and America (Jose Pablo Cantillo) who owe their drug supplier 20 million and who need one big heist to pay him back. They get the "brilliant" idea to kidnap Deon and steal his remotes that control the police robots so they can turn them off. They kidnap Deon only to find that there are no remotes, no on/off switches for the robots. But what they do find in Deon's van is a rejected robot that Dion was planning to use for his experiment.
Enter Chappie (Sharlto Copley).
The bad guys order Deon to put the robot together because Ninja wants a badass, gangster robot to help them with their heist. Deon explains that the robot will need to learn language and how to do things because at first he will be like a baby.
So we have a Pygmalian-like tug of war as the Mad Max-like-thugs try to make Chappie into their likenesses while Deon tells Chappie he must not rob or hurt others. Chappie takes Deon very seriously as Deon is his "creator," but he also thinks of Yolandi and Ninja as Mommy and Daddy and he also wants to do what they tell him.
This film is written and directed by South African director Neill Blomkamp who brought us the wonderful and original "District 9," which was nominated for an Academy Award for Best Picture in 2009. Here what's interesting is the blurred lines between who are the bad guys and who are the good guys, not to mention the charming Chappie, whose antennae act like doggy's ears as he reacts to the world around him. You can't help but love him.
Hugh Jackman is almost unrecognizable in his mullet, but once again, even as a villain, this guy is hugely talented. Dev Patel has that over-the-top personality so in evidence in the "Exotic Marigold" movies, but here he is toned down and believable. But other than Chappie, Ninja and Yolandi were stand outs. And then there is Chappie. Copley brings Chappie to life. You really feel for him. Yes, I teared up.
However, there are some plot problems, like why the bad guys would let Deon go and why Deon would leave Chappie behind with them, but if you can ignore those and think of this as a sort of fairy tale - "Transformers" meet "My Fair Chappie," there is humor, lots of action and pathos.
Rosy the Reviewer says...Chappie is a fine chap who you will enjoy spending a couple of hours with.
***DVDS***
You Might Have Missed
(And Some You Will Be Glad You Did)
Dumb and Dumber to (2014)
The Farrelly brothers have produced some funny films: "There's Something about Mary," and "The Heartbreak Kid" but this isn't one of them. Even the first "Dumb and Dumber" was kind of funny, though not my cup of tea, but here, there is not a laugh to be had despite Jim Carrey, for whom I am a huge fan. Maybe the Farrellys need Ben Stiller who starred in the aforementioned films.
All Rosy the Reviewer can say is...during this film I felt my own IQ dropping about 50 points. This film is the single-handed reason NOT to do a sequel, especially 20 years later. This story and characters have not aged well.
A Coffee in Berlin (2012)
A day in the life of a young German law school drop-out living in Berlin who just wants a regular cup of coffee.
Nico Fischer (Tom Schilling) encounters a series of people during his day.
His douche bag (pardon my German) psychologist who will determine whether or not our hero will get his license back (he got a DUI). However, the psychologist asks all kinds of leading and trick questions until it becomes apparent our hero won't be driving for awhile.
His nosy new neighbor whose wife sends him up some rock hard meatballs, which seems funny at first until the neighbor starts unloading about his horrible life after only a few minutes.
The once fat girl from high school who is now hot but crazy.
As he meets more and more people, more and more silly and crazy stuff happens and all this guy really wants is a nice, regular cup of coffee. It begs the question: Will our hero get his cup of coffee and in so doing, find happiness?
This is writer/director Jan Ole Gerster's first film and it's shot in beautiful, colorful black and white with a jazzy score reminiscent of Woody Allen and Jim Jarmusch films.
Rosy the Reviewer says...if you like Jim Jarmusch or Woody Allen movies and you are not put off by black and white or subtitles, you might like this. If you are under 35, you will definitely like this.
(In German with English subtitles)
***My 1001 Movies I Must See Before I Die Project***
A young couple move into a new home and start experiencing demonic episodes. Moral: You don't want to mess with demons!
These are the kinds of movies I usually don't watch because I am scared to and then when I do finally watch them, I realize they are not scary and it was mostly hype.
I will give this film props for the improvisational acting that gave the film a sense of reality and the use of the night vision camera was interesting, but all I could think of every time the young couple got up to investigate strange sounds was if you think there is a demon in your bedroom "TURN ON THE FRIGGIN' LIGHTS!" Yes, it was creepy but not that scary.
Why it's a Must See: "(to date, it is the most profitable movie of all time)...Oren Peli, a first-time filmmaker who shot the film in his own home for around $15,000...Anybody who likes being scared silly will love [this film]."
---"1001 Movies You Must See Before You Die"
Scared silly? Nope. Sorry.
So we have a low budget film that made a huge amount of money (think "The Blair Witch Project" but not as scary) and now a whole franchise has been born. We are now up to "Paranormal Activity: The Marked Ones," number five in the series.
But does low budget and spawning a franchise a classic film make? One that I need to see before I die?
I think not.
Rosy the Reviewer says...Really? I needed to see this one before I died? Nope. Sorry.
These are the kinds of movies I usually don't watch because I am scared to and then when I do finally watch them, I realize they are not scary and it was mostly hype.
I will give this film props for the improvisational acting that gave the film a sense of reality and the use of the night vision camera was interesting, but all I could think of every time the young couple got up to investigate strange sounds was if you think there is a demon in your bedroom "TURN ON THE FRIGGIN' LIGHTS!" Yes, it was creepy but not that scary.
Why it's a Must See: "(to date, it is the most profitable movie of all time)...Oren Peli, a first-time filmmaker who shot the film in his own home for around $15,000...Anybody who likes being scared silly will love [this film]."
---"1001 Movies You Must See Before You Die"
Scared silly? Nope. Sorry.
So we have a low budget film that made a huge amount of money (think "The Blair Witch Project" but not as scary) and now a whole franchise has been born. We are now up to "Paranormal Activity: The Marked Ones," number five in the series.
But does low budget and spawning a franchise a classic film make? One that I need to see before I die?
I think not.
Rosy the Reviewer says...Really? I needed to see this one before I died? Nope. Sorry.
***Book of the Week***
Girl in a Band: A Memoir by Kim Gordon (2015)
***At the Theatre***
First staged off Broadway in 1968, this musical review of Brel's songs resonated with the public because of his anti-war lyrics and aching love songs. Four singers, two men and two women, sing 26 of Brel's songs, translated into English, including the familiar "Ne Me Quitte Pas ('If You Go Away,' the only one sung in French) and "Amsterdam," which have been covered many times by other singers.
I can't believe it's taken me 47 years to finally see this show.
Rosy the Reviewer says...the show is an exquisite jewel of music and emotion. If it comes to a theatre near you, don't do what I did and wait 47 years to see it. In fact, don't wait at all. Don't miss it!
(Now playing at the ACT Theatre in Seattle through May 15).
Thanks for Reading!
That's it for this week.
See you Tuesday for
"A Perfect 24 Hours in Portland
(And Some Travel Tips You Can Use Anywhere)"
If
you enjoyed this post, feel free to click on the share buttons to share it
on Facebook, Twitter, Pinterest and LinkedIn,
email it to your friends and
LIKE me on Facebook at https://www.facebook.com/rosythereviewer.
email it to your friends and
LIKE me on Facebook at https://www.facebook.com/rosythereviewer.
Check your local library for DVDs and books mentioned.
Note: Next time you are wondering
whether or not to watch a particular film, check out my reviews on IMDB (The
International Movie Database).
Here
is a quick link to get to all of
them. Choose the film you are interested in and then scroll down the
list of reviewers to find "Rosy the Reviewer."
Find the
page for the movie, click on "Explore More" on the right
side panel and then scroll down to "External Reviews." Look for
"Rosy the Reviewer" on the list. Or if you are using a mobile device,
look for "Critics Reviews." Click on that and you will find me
alphabetically under "Rosy the Reviewer."