My Movie Picks & Pans for July 2026: "Project Hail Mary," "Voicemails for Isabelle" and "The Sheep Detectives"

[I review "Project Hail Mary," "Voicemails for Isabelle" and "The Sheep Detectives"]

Project Hail Mary (2026)

A science teacher wakes up alone on a spaceship not knowing who he is or where he is. But then he remembers and also discovers an unexpected friendship.

On Earth, the sun is losing power which could kill one third of the earth's population in 30 years. But Eva Stratt (Sandra Huller), an official from the European Space Agency, is on it. She is the leader of a secret project to save humanity and she finds her way to Dr. Ryland Grace (Ryan Gosling), a middle school science teacher who previously submitted a paper detailing “Astrophage,” or single-cell organisms feeding on electromagnetic radiation... and if you understand that, you are better than I. 

Dr. Grace soon finds himself on the spaceship Hail Mary, on his way to try to stop the spread of the organisms before Earth is slowly destroyed, and it is basically a suicide mission, hence the spaceship's name. It's an eleven year ride and no return ticket. When Grace wakes up with full mountain man hair and beard, he realizes he is left with dead crew members and little memory of his immediate past.  But then he is contacted by an alien ship and meets a stone-like creature he names “Rocky” who is also alone on the same mission. And thus begins a buddy movie. I just wish it hadn't taken so long for Rocky to appear.

The story, written by Drew Goddard (based on the novel by Andy Weir) and directed by Phil Lord and Christopher Miller, is told through a series of flashbacks as Grace regains his memory, and we understand his relationship with Eva and how he ended up on this spaceship, though I am still not certain I understand. There is a question asked over and over in the film, "Why is a science teacher in space?" and I kept asking myself the same thing. Why him?  I know he wrote that paper, but he was a middle school science teacher, for god's sake. 

I might have gotten into this more if it wasn't for the fact that it took forever to get going.  I mean, Grace didn't meet Rocky until almost an hour into the film, and did I say that the film is almost three hours? I have a thing about movies being longer than 2 hours, and it's mostly Gosling alone on the spaceship and, much as I like him as an actor, I am not sure I like him that much all by himself for two hours talking to a headless rocklike creature, the product of puppetry and CGI. I could have lopped off at least 30 minutes of this film, and I  think it would have worked better.

And did he save the world?  By the time the movie came to an end, I didn't really care anymore.

And by the way, it was not lost on me that before I ever saw the film, much of the press was more about Ryan Gosling's cardigan than the film itself with people wondering where they could buy it or knitting one for themselves! So much for people being into the movie.

Rosy the Reviewer says...there is lots of science if you like that kind of thing, and for the rest of us, moments of fun, sentimentality and emotion, but all in all, and I know this might be an unpopular opinion, this just didn't do it for me. It was too long and too indulgent (for rent or purchase on Amazon Prime). 

Voicemails for Isabelle (2026)

When Jill's sister dies, Jill tries to stay close by continuing to call her sister's phone and leaving voice mails not realizing that a real estate agent now has her sister's phone number and is listening to Jill's voicemails.

Jill (Zoey Deutch) and her sister, Isabelle (Ciara Bravo), also known as Izzy, who has cystic fibrosis, grew up very close in Austin, Texas. Now Jill is an aspiring baker living in San Francisco but the young women stay close through calls and voice mails. Jill works under a demanding and abusive chef (Nick Offerman), so she regularly vents and relates her life to her sister.  But then Isabelle abruptly dies and Jill has difficulty accepting that, so to help her deal with her grief, she continues to leave voicemails forIsabelle, unaware that Isabelle's phone number has been reassigned to Austin-based real estate agent Wes (Nick Robinson), a guy whose ethics are sometimes in question.

At first, Wes is confused about receiving Jill's voice mails but eventually realizes that Isabelle is dead, but he can't stop listening and becomes invested in Jill's life, hearing about her dates with her co-worker Arthur (Lucas Gage) and dating podcaster Tyler (Toby Sandeman), and her desire to become a baker. So Wes convinces his boss to send him on a work trip to San Francisco but his real mission it to meet Jill.  They do meet but, of course, Wes doesn't tell Jill that he knows all about her because he has been listening to her voice mails.

In typical rom-com fashion, love ensues, then trouble ensues when Jill discovers that Wes has been listening to her voicemails to Isabelle and then...well, if you are a rom-com fan, you know where this will eventually go. But it's an enjoyable and poignant journey getting there.  

However, I have to say.  You know how sometimes you call a friend and want to leave a voicemail and you get a message that you can't leave a message because your friend's inbox is full because they haven't cleared it out?  I couldn't help but think...if Isabelle is dead, she can't clean out her inbox so at some point, wouldn't you think Jill would wonder about that? 

But that's just me and how my mind works, and if Jill had realized that and stopped leaving voicemails, then we wouldn't have this movie written and directed by Leah McKendrick, which was a sweet little journey with attractive lovers, an original romantic concept, beautiful San Francisco views with some "Top Chef" and "Hell's Kitchen" vibes thrown in and, though it's an exploration of grief, it's also often funny.  Something for everyone here.

Rosy the Reviewer says...a very cute and satisfying romantic diversion (Netflix).

The Sheep Detectives (2026)

A flock a sheep try to solve a murder.  Yes, you heard me.

In the English village of Denbrook, shepherd George Hardy (Hugh Jackman) spends his time reading murder mysteries to his flock of sheep. You heard me. He is very close to his sheep and all of them have names. He doesn't like other humans that much and enjoys the company of his sheep.  Turns out, unknown to Geroge, the sheep can understand him, and they love listening to the stories and actually discuss who they think the murderer is in the mysteries they are hearing.

And it's a good thing the sheep have been paying attention to those murder mysteries, because one morning, George is discovered dead outside his trailer. Tim Derry (Nicholas Braun), the town's only police officer, concludes that George was poisoned.

In true Agatha Christie style, the usual suspects are rounded up for the reading of George's will, which turns out to be a new one. Tim is there along with George's solicitor Lydia Harbottle (Emma Thompson), the Reverend Hillcoate (Kobna Holdbrook-Smith), the appropriately named butcher Ham Gilyard (Conleth Hill), innkeeper Beth Pennock (Hong Chau), neighboring shepherd Caleb Merrow (Tosin Cole) and Elliot Matthews (Nicholas Galitzine), a reporter who just happens to be in town for the local festival. It comes to light that George had a twin son and daughter who were sent away for adoption after their mother died in childbirth. The daughter, Rebecca Hampstead (Molly Gordon), also just happens to be in attendance.  She had reconnected with George and had just arrived from the United States to visit him for the first time. The twin son, Peter Van Vuuren, who lives in South Africa, is also there but only by phone. They all learn that George was secretly a millionaire after selling the patent for a medicine he had invented and the new will names Rebecca as the beneficiary instead of the animals rights charity that had been in the first will.

All of them had issues with George or something to gain if he died.  So who had the means, motive, and opportunity to kill George?

The sheep immediately realize that Tim is a bungling detective, so they decide to solve the mystery on their own, led by crime aficionado ewe Lily (voice of Julia Louis-Dreyfus) and the ram Mopple (voice of Chris O'Dowd), along with Cloud (voice of Regina Hall) and the loner Sebastian (voice of Bryan Cranson) whom George rescued from a carnival. Other sheep voices include Brett Goldstein playing the twins Reggie and Ronnie; Patrick Stewart as Sir Richfield; Bella Ramsay as Zora; and Rhys Darby as Wool-Eyes. George hadn't read them all of those murder mysteries for nothing. They are on the case.

Speaking of Sebastian, turns out he was a "winter lamb," considered an outcast among sheep.  If you are a sheep, you are supposed to be born in the spring.  Spring good, winter bad.  There is also a little lamb in the flock who was born in winter, who had been rejected by the flock. And, boy did that little guy, get to me.

The anthropomorphic sheep are voiced by an all-star cast and, with the help of AI, are amazing and fun to watch, and yes, poignant.  This film, based on the book "Three Bags Full" by Leonie Swan (screenplay by Craig Maizin) and directed by Kyle Balda, reminded me of the 1995 movie "Babe," though the production values here are much more sophisticated. Speaking of production, Phil Lord and Christopher Miller, the directors of "Project Hail Mary (see review above) are two of the producers of the film. 

I had been looking forward to this movie because I thought the concept was a fun one, and I was looking forward to Hugh Jackman interracting with the sheep, but that was not to be as he was killed off early on, so I was a bit disappointed in that, as well as the sometimes overly broad humor, silliness and sentimentality, but overall, it was a fun family movie.

Rosy the Reviewer says...so, yes, the humor is broad and the film is at times very silly and overly sentimental, but...okay, I loved those darn sheep, especially that little "winter lamb," and it got me. There were some tears at the end. (Amazon Prime).

See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

If You Have Been Missing Rom-Coms... (I know I have)!

[I review the rom-coms "Office Romance," "Jane Austen Wrecked My Life" and "La Dolce Villa."]

I know rom-coms can be formulaic and often silly, but sometimes there is nothing better to take your mind off of the trials of the world than some love stories you can count on, especially when they take place in romanic locations. And here are three good ones (well, maybe the office isn't romantic but Paris, Italy and the English Countryside certainly are)! 

Office Romance (2026)

Jackie Cruz (Jennifer Lopez) is the CEO and President of Air Cruz, a major airline company founded by her father. She runs a tight ship especially when it comes to office romances.  But she never expected to meet Daniel Blanchflower (Brett Goldstein).

Jackie (Lopez) is under a lot of pressure from her company board and her demanding father (Edward James Olmos).  She desperately wants her father's respect, so she is a no-nonsense manager who enforces a rigid, anti-fraternization policy.  And so goes her personal life as well. It's no-nonsense, rigid and very isolated.

Enter reserved and very British Daniel Blanchflower (Goldstein), who is newly hired as the company's legal counsel and wouldn't you know?  He is assigned a high-stakes litigation case that forces him to work closely with Jackie. Sparks fly and now Jackie has to deal with her own fraternization issues.

Well, you know where this is headed, right?  Let the rom-com tropes begin!  Boy meets girl. Boy and girl fall in love.  Boy and girl break up because there is some kind of misunderstanding or challenge that needs to be overcome.  Boy and girl get back together.

Yes, those tropes are in play here to a certain extent, but what sets this rom-com apart from Hallmark and other lightweight love stories is the smart writing by Goldstein and writing partner, Joe Kelly, the smart direction of Ol Parker, interesting characters like Jackie's very pregnant assistant, Sydney (Betty Gilpin), who adds a fun comic element and almost steals the show, and the side plot about the family matter that has brought Daniel to America.  It's not your usual rom-com, though it's got rom and it's got com.

J-Lo was made for rom-coms and writer/actor Brett Goldstein must agree with me.  He wrote this movie for her.  And this is the kind of movie I enjoy seeing her in. She is a beautiful, luminous woman who radiates warmth from the screen. I think she actually looks better now at 56 than she did when she first starred in "Selena."  Who wouldn't fall in love with her?  I did. I have been a big fan of hers from the start. But this is a bit of a departure for J-Lo, even in the rom-com genre.  In her past rom-coms, she would usually start out needing to improve her life - think "Maid in Manhattan" or "Second Act." - but here she is already at the top as a CEO. She just needs a little romance and you know (whisper)...sex. And Goldstein makes a great leading man and foil for Jackie, though I had a hard time trying to forget him as Roy Kent on "Ted Lasso," with that colorful language of his. But here he is toned down, handsome, sensitive and very sexy and the two have great chemistry.  And rumor has it that Goldstein and J-Lo have a real life romance.  I want that to be true.

Rom-coms used to be everywhere in the "old days."  Where are the new versions of "Sleepless in Seattle" and "You've Got Mail" when you are craving a romantic getaway?  Rom-coms seem to have gone the way of the albatross in lieu of super heroes, sci fi and horror, but perhaps the success of this film will bring them back. We need those kinds of films when we are tired of super heroes, sci fi and horror and, yes, the sometimes horror of real life.

Rosy the Reviewer says...got my rom-com fix, and I have to say that this is one of the best rom-coms I have seen in a long time (Netflix).

Jane Austen Wrecked My Life (2024)

A lonely Parisian bookseller yearns to be a writer but keeps not only messing that up but her love life as well.

Agathe (Camille Rutherford) is a French bookseller who works at the famous bookstore Shakespeare and Company in Paris and aspires to be a writer.  She lives with her sister and her sister's young son and cycles everywhere, as she is too anxious to ride in cars anymore since her parents were killed in a car accident in which she was injured. Agathe is a strange duck. She is a huge Jane Austen fan and has a difficult time relating to her own real life, feeling like she is living in the wrong century. She has no romantic life, instead only manifesting itself in her writing and yearning for a love story worthy of a Jane Austen heroine.

One evening, after Agathe imagines a handsome naked man in a restaurant, she is inspired to write the beginning of a romance novel in English.  Her friend, Félix (Pablo Pauly), with whom Agathe is very close, reads her work and secretly sends it to the Jane Austen Residency, a two-week writing retreat held in England. When they accept her, Agathe reluctantly gets into a car and lets Félix drive her to the Channel ferry. As she is about to board, they kiss for the first time.

Agathe is met at the ferry by Oliver (Charlie Anson), a distant descendant of Jane Austen's (his parents run the Residency). There is a meet cute moment when en route to the Residency, Oliver's car breaks down and they have to spend the night in the car. Agathe insults him in French under her breath, and he surprises her when he informs her he is fluent in French. Oops. And he also informs Agathe he thinks Jane Austen is overrated. Double oops. The next morning they are rescued by an apple-cart.

This is one of those romances where there is hostility at the beginning of the relationship. Oliver is an arrogant Mr. Darcy type and Agathe doesn't like him but slowly a connection develops.  At the same time, though, Agathe experiences writer's block and Felix shows up creating a dilemma for Agathe.

Will Oliver and Agathe fall in love?  Or will she choose Felix?  And will she finish her novel?

Written and directed by Laura Piani in her feature debut, this is a quiet film, beautifully atmospheric, but how can you go wrong with the beauty of Paris and the English countryside looking like a Constable painting at every turn? Rutherford, who reminded me a bit of a younger version of Katie Holmes, is believable and charming as the awkward, anxiety-ridden Agathe.and Anson reminded me of a young Hugh Grant, perfect for a sweet, but complicated, rom-com. 

What sets this apart from other rom-coms is that this is not just about a young woman finding love but more about a young woman finding her artistic path.  You go girl!

Rosy the Reviewer says...if you love Jane Austen, Paris and the English countryside, you will love this romantic homage to literature and writing. (Netflix in English and French with English subtitles).

La Dolce Villa (2025)

An American businessman travels to Italy to stop his daughter from spending all of her money restoring an old villa, not realizing what is in store for him.

Fifty-something American widower Eric Field (Scott Foley) returns to Italy to try to stop his 24-year-old daughter, Liv (Maia Reficco), from blowing her inheritance on rebuilding a villa. Eric has taken time off for the first time in years from his restaurant support company out of concern that Liv is possibly jeopardizing her future. Liv has had a difficult time deciding what she wants to do.  She has been spending time in Italy as a tutor in Milan, a nanny in Florence and even worked harvesting olives, but then she discovered the village of Montezaraand decided she wanted to settle down there. 

Montezara is part of the 1-euro Housing Plan, a new economic plan to help remote parts of Italy. It involves selling abandoned heritage villas "as is" for one Euro, so Eric and Liv check out the potential properties, and while doing so, meet the town mayor, Francesca (Violante Placido). She is wholeheartedly in favor of the 1-euro project, hoping to revitalize Montezara. They also meet Bernardo (Tommaso Basili), the local surveyor whose job it is to oversee construction projects and he is not in favor of the project, concerned about non-italians buying up properties.

Liv chooses a property and Eric decides to handle his business remotely and stay to help Liv with the renovation despite a tense on-going relationship with her and business problems at home.  As the renovation moves forward, Eric gets an idea of turning the property into a cooking school, but more problems arise and not just with the cooking school plan. As Eric starts to have romantic feelings for Francesca, Bernardo is not happy to have a rival for Francesca's affection. 

So who will Francesca choose?  And will Liv and Eric strengthen their father/daughter bond?  And what about that cooking school?

The actors are believable and Foley and Placido make a handsome couple.  Placido is a particularly lovely actress.  Hubby was drooling over her the whole time! 

Written by Elizabeth Hackett and Hilary Galanoy and directed by Mark Waters, this film is light as a feather with some Hallmark Channel vibes, but I appreciated the generational romance aspect: we have Eric and Francesca, two people of a certain age in a romance, but also Liv and a local young chef are attracted to one another. It's also a father/daughter story as Liv and Eric work through their problems. But this is also a love letter to Italy as the film is visually beautiful and showcases the beauty of Tuscany (the town of Pienza stands in for Montezara).

Rosy the Reviewer says...if you like your romance set in a beautiful Italian location with some reno and Italian house hunting thrown in, and you don't mind some predictable plot lines, you will enjoy this light, but charming rom-com. ( in English and Italian with English subtitles - Netflix)

See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

My Movie Picks and Pans for December 2025

[I review "The Kiss of the Spider Woman (the musical starring Jennifer Lopez)," "Blue Moon," a new one from director Richard Linklater starring Ethan Hawke, "Oh.What.Fun," an all-star Christmas movie that defies the Hallmark tropes, and "The Wrong Paris," a little rom-com with one very handsome star]

Kiss of the Spider Woman (2025)

• 
• A new movie version of the 1993 Broadway musical.

I can't believe it has taken this long to make a movie out of the musical version of this story (the musical opened on Broadway in 1993 and won a Tony for Best Musical).  Yes, I know it was originally a 1976 novel by Manuel Puig which was made into a movie drama starring William Hurt (he won an Oscar), and then it was a Broadway musical, but 32 years before a movie version of the musical?  I guess that says something about the waning popularity of movie musicals over the years, right? That makes me sad because I love musicals.

Anyway, enough about me.  On with the show!

It's 1983 in Argentina during the "Dirty War," and Valentin (Diego Luna), a political prisoner and Molina (Tonatiuh), his cell mate, who is there for "public indecency," pass the time with Molina sharing the story of his favorite Hollywood musical, "Kiss of the Spider Woman." It transports them out of their dreary confines into a imaginary world.

So, okay, "public indecency" is code in some countries for someone being gay and that is the case with Luis Molina. He is in a cell with Valentin Arregui Paz who is a political dissident involved with a revolutionary group in a time in Argentina when the country's military dictatorship was rounding up and imprisoning left-wing opponents and civilians who disagreed with the regime. Molina is obsessed with the old Hollywood movie "Kiss of the Spider Woman," and despite Valentin's irritation with Molina's flamboyance, he lets him recount the story of the movie. The film flips back and forth between the dark existence of the two men in the jail cell and the bright lights of the silver screen depicting the story of "Kiss of the Spider Woman." It's a movie within a movie.

So here's that story.

The "Kiss of the Spider Woman" film stars Ingrid Luna (Jennifer Lopez) as Aurora, a successful magazine publisher (Molina's retelling also casts himself as Kendall, Aurora's assistant and a closeted homosexual and Valentin as Armando, a photographer and Aurora's love interest, because remember this is all playing out in their minds). Aurora and Kendall accompany Armando to a shoot in his and Aurora's home village. Aurora and Armando fall in love, but when Aurora learns that the village is protected from malevolent spirits by the Spider Woman (also played by Lopez) in exchange for the regular sacrifice of a native woman's lover, Aurora worries that this means Armando will be taken from her. 

But to find out what happens to Aurora and Armando, you will have to listen along with Valentin as Molina tells the story.

In the meantime, the warden has coerced Molina into spying on Valentin in exchange for potential parole. Despite being eager to be released from prison as his mother is ailing, Molina starts to have feelings for Valentin and Valentin for Molina. Can Molina betray Valentin?

Written for the screen and directed by Bill Condon, there is a change of scene from the original, but it is still a dark story of political persecution and prison life and the need to escape, at least mentally.  And the two men escape into Aurora's world. Luna and Tonatiuh are compelling together as Molina tells his tale and Valentin tries to resist but is eventually drawn into both the fantasy story and Molina's own story as well.

And this is Jennifer Lopez as you have never seen her.  She stretches her acting, singing and dancing chops here. I have always been a fan of Jennifer Lopez, but not so much for her singing, so I was pleasantly surprised to see what a great job she did with that. Her dancing was great, too, but that wasn't really a surprise because I remembered that she had been a dancer on "In Living Color," one of the Fly Girls. Lopez has shared that it has always been her dream to do Broadway and this film would be a close second to that. I also heard her say getting an award for this would be a dream come true. Sadly, though I think she was wonderful in this and deserved a nomination, she was snubbed by the Golden Globes.

I was pleasingly surprised about how much I enjoyed this, because it wasn't on my list of favorite musicals (in fact I had never seen it). I wouldn't say that the songs by John Kander and Fred Ebb (they also wrote the songs for "Chicago" and "Cabaret") are particularly memorable, but they are enjoyable, and with the vivid, extravagant costumes by Colleen Atwood and Christine L.Cantella and the glittery production values during the musical numbers, the whole thing works. 

Just as the retelling of a movie musical helps these two prisoners escape  their dreary and scary lives, so, too, do musicals take us away from our own cares of the world as we watch. That's why musicals are an important art form.

Rosy the Reviewer says...an homage to musicals, and I was reminded how much I love and miss them. I throw a kiss to the movie musical! (For rent or purchase on Amazon Prime)

Blue Moon (2025)

A night in the life of Lorenz Hart.

The film begins with a quote from Mabel Mercer: "He was the saddest man I ever knew."

"He was dynamic and fun to be around." - Oscar Hammerstein II

They were both talking about Lorenz Hart who with his writing partner, Richard Rodgers, wrote 28 Broadway musicals and some 500 songs: "Bewitched, Bothered and Bewildered," "Where or When," "Isn't It Romantic?" "My Funny Valentine," "Spring is Here," "The Lady is a Tramp" and, of course, "Blue Moon," to name a few. They were considered the American Gilbert and Sullivan and wrote together for 25 years.

But now it's March 31, 1943, opening night for the new musical "Oklahoma!," and Lorenz Hart (Ethan Hawke) is in the audience but slips away and heads over to Sardi's, where the opening night celebration will be. Hart is a bit down in the dumps because it looks like the show will be a hit and he is not a part of it. His former creative partner, Richard Rodgers (Andrew Scott), has written the show with Oscar Hammerstein II (Simon Delaney) and not him. Rodgers and Hart "broke up" after a string of very successful musicals and hit songs because Hart's drinking made him unreliable.

But now Hart is newly sober and very talkative.  He holds court with the bartender, Eddie (Bobby Cannavale), who tries not to serve him liquor, but you know how those things go. Morty (Jonah Lees) is at the piano and the two commiserate with Hart as he complains about the sensational success of Oklahoma!, which he declined to write, and the state of his own career. Declaring himself "omnisexual," Hart reveals his infatuation with Elizabeth Weiland (Margaret Qualley), a Yale art student and aspiring production designer. After months of correspondence and an unconsummated weekend with the 20-year-old Elizabeth, 47-year-old Hart believes this is the night to win her over.

Meanwhile, Hart recognizes writer E.B. White (Patrick Kennedy) sitting nearby, and seeks out his opinions as a fellow writer in a fun little digression.  White reveals he is working on his first children's book and Hart intrigues White with the story of a mouse who keeps coming back to his 19th floor apartment. White asks if he'd named the mouse and Hart comes up with "Stuart."  Well, we all know how that turned out, right?

As the playgoers, Elizabeth, and Rodgers and Hammerstein arrive at Sardi's and the rave reviews for "Oklahoma!" pour in and it becomes clear that Elizabeth doesn't think of Hart "that way," he becomes more and more depressed, so he drinks.

It doesn't end well for Hart.

Nominated for a Best Picture Golden Globe, this film, directed by Richard Linklater, and written for the screen by Robert Kaplow (based on the letters of Lorenz Hart and the real life Elizabeth Weiland) is a wonderful recreation of 1940's New York and boasts a first-rate ensemble cast.  

But this is a tour de force for Ethan Hawke, who is completely transformed into Hart, who was less than five feet tall (Hawke is 5' 11" in real life) thanks to the direction of Linklater and Hawke's acting abilities (he is also nominated for a Best Actor Golden Globe). Hawke even shaved part of his head to achieve the comb over that Hart sported. And it's all him, all of the time, holding forth in Sardi's as Hart, lamenting what could be unrequited love for the 20-year-old Elizabeth and bitter about what could perhaps be the end of his career.  I think Hawke said recently he had more lines in this movie than in all of his movies for the last ten years (or something like that). And he is just remarkable.  I forgot I was watching Ethan Hawke and for an hour and 40 minutes, I felt like I was in Lorenz Hart's world.

Rosy the Reviewer says...if you love classic musicals, you will have fun getting all of the references (and see if you spot a young Stephen Sondheim), but even if you aren't particularly interested in musicals, if you appreciate great acting, this will be an enjoyable experience. I see an Oscar nod for Ethan Hawke. (in theatres and for rent or purchase on Amazon Prime)

Oh.What.Fun (2025)

An homage to the true heroes of the holidays, the Moms who make Christmas happen for their families.

Texas housewife Claire Clauster (Michelle Pfeiffer) spends the entire year planning the perfect family Christmas for her husband Nick (Denis Leary) and their kids. Channing (Felicity Jones), the oldest, is home for the holidays with her husband, Doug (Jason Schwartzman), and two kids; middle child Taylor (Chloe Grace Moretz) is gay and has a reputation for bringing a different girlfriend home every Christmas and this year she has brought Donna (Devery Jacobs); and Sammy (Dominic Sessa) is in a funk because his girlfriend just dumped him. 

But Claire is doing everything she can to make the holiday merry and bright and all she wants for Christmas is for the kids to nominate her for the Best Holiday Mom contest, which would result in an all-expenses-paid trip to Burbank to meet her idol, self-help guru and talk show host, Zazzy Tims (Eva Longoria). She has been hinting about that to the kids but not only don't they get the hints, they take all of her efforts for granted.

And then the final straw.  Claire has gotten tickets to a show and everyone climbs into two cars - and they forget Claire.  Think "Home Alone," except instead of forgetting Kevin, the family forgot Mom!  So that's it. Claire decides to leave and drive to California where she gate-crashes Zazzy's live televised broadcast.

Written by Chandler Baker and Michael Showalter and directed by Showalter, I was really looking forward to this film.  It had a great line-up of stars and none of the Hallmark Christmas movie tropes. The idea that Moms would get some props seemed to be a refreshing idea, but sadly, overall the movie was very disappointing. 

Though the competition between Claire and her neighbor, Jeanne Wang-Wasserman (Joan Chen), who appears to have the perfect family and who seems to do everything right much to Claire's annoyance, was kind of fun, it all fell apart for me when Claire goes to the mall to get a candle for Jeanne that will outdo the one Jeanne gave Claire, and finding the checkout line too long, Claire walks out of the mall with the candle.  Security tries to stop her and chases her, but she gets away and that's that. Huh? No knock on the door later, no police, she gets away with it?  All I could do was talk to the screen and say, "What? Didn't they get her car's license number and report her to the police?" That whole scene didn't need to happen. And then why was Doug so needing to get Taylor's approval?  Made no sense. And then it all kept going downhill from there for me. Too many unbelievable plot holes, too many questions and I just didn't care anymore.

Rosy the Reviewer says...despite an all-star cast and a good idea, it was NOT so.much.fun. It made me wish for those Hallmark movie tropes! (Amazon Prime)

The Wrong Paris (2025)

Twenty-five-year-old aspiring artist, Dawn, has been admitted to art school in Paris but doesn't have the funds to pay for it.  What to do?  Why, go on a dating show, what else?

Dawn (Miranda Cosgrove) lives in a small Texas town with her two sisters and grandmother Birdie (Frances Fisher). Dawn is thrilled to be accepted to an art school in Paris, but is short of funds after spending some of her savings on Birdie's medical expenses.

A huge fan of the dating show - "The Honeypot" - a bachelor-type show - Dawn's sister, Emily (Emilija Baranac) talks Dawn into auditioning for the show, as the  appearance fee would help cover her studies. Dawn reluctantly goes to an audition and is surprised to learn she is cast for the upcoming season, which will be taking place in Paris. Later, the two sisters go out for a drink and to play pool to celebrate, and Dawn connects with one very handsome cowboy. They have a few moments together and then part, thinking, that's that.  Well, this is rom-com.  You know how that goes.

But here's the twist for Dawn and the viewer.  The show is not going to take place in Paris, France, but rather Paris, Texas!  And guess who the bachelor on the show is going to be?  You got it.

So though Dawn likes the cowboy bachelor, Trey (Pierson Fode), she doesn't like the fact that she is in Paris, Texas, and not Paris, France, so she wants off of the show and does everything she can to get kicked off. But this is rom-com. Again, you know how that goes.

Yes, I know, this isn't "Citizen Kane," but sometimes it's fun to watch a little airy rom-com, especially if it stars two nice looking people, especially one very handsome cowboy.  Sorry.  I gush. 

Written by Nicole Henrich and directed by Janeen Damian, this definitely feeds into my obsession, er... tendency to watch dating shows. I enjoy watching handsome and beautiful people fall in love, but this little movie is also a satire of that genre, poking fun at it e.g. all of the girls are kind of wacky and none of them will eat in front of the camera (kind of true - think about it) and when Trey chooses who stays, he asks "Will you accept this...spur? Lol! But that aside, the movie is also one of those "what if" stories.  What if there is a girl on a Bachelor-type reality show who really doesn't want to be there? Fun ensues.

Rosy the Reviewer says...if you enjoy dating shows, you will enjoy this, and even if you don't, this is a light refreshment. Yes, it's far-fetched and has a certain amount of slapstick, but what's wrong with that?  But I thought it was fun, and I am accepting the spur! (Netflix)

See You Next Time!

And Happy Holidays!

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And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!