Some Fun Films: "A Haunting in Venice," "Theater Camp" and "Killer Book Club"

[I review the movies "A Haunting in Venice," "Theater Camp" and "Killer Book Club."]

A Haunting in Venice (2023)

Hercule Poirot is back, this time in Venice.

I have been mad at Kenneth Branagh ever since he left wife Emma Thompson and ran off with Helena Bonham Carter.  But time heals all wounds and even though he and Helena are no longer together, I guess it was meant to be. All have moved on.  And I guess Agatha Christie was meant to be in his life, too, as he has basically turned his acting and directing career into her franchise. I wonder if anyone remembers his bravura performances in "Henry V" and "Hamlet." He is now Hercule Poirot and he has made a career out of Agatha Christie mystery films with all-star casts. 

In this third installment, it is 1947 and master detective Hercule Poirot (Branagh) is in self-imposed exile in Venice.  He is tired of everyone clamoring for his expertise but when old friend and mystery writer Ariadne Oliver (Tina Fey) arrives, she convinces him to attend a Halloween night seance at the home of opera singer Rowena Drake (Kelly Reilly).  Poirot does not believe in the dead coming back but Oliver says that medium Joyce Reynolds (Michelle Yeoh) seems to be the real deal and she wants Poirot to see what he thinks.  She uses her charm, hanging over his head the fact that he is famous because of her, because she made him a character in her books.  They make a wager and Poirot reluctantly agrees to go.  

Rowena lives in a supposedly haunted palazzo.  It was an orphanage where the children were mistreated by the doctors and nurses and now the place is thought to be haunted by the children who want revenge. Rowena's daughter, Alicia, had supposedly committed suicide the year before when her fiance, Maxime Gerard (Kyle Allen) broke off their engagement. Rowena wants to commune with her daughter. When Poirot and Ariadne arrive, they meet Rowena's housekeeper, Olga Seminoff (Camille Cottin), the family doctor, Leslie Ferrier (Jamie Dornan) and his creepy little son, Leopold (Jude Hill), and Joyce Reynold's assistant, Desdemona Holland (Emma Laird), all with, shall I say?  Issues.

During the seance, Poirot spots the set-up right away and reveals Desdemona's half-brother, Nicholas (Ali Khan), hiding in the chimney and helping with the special effects. But when Joyce speaks in Alicia's voice and reveals that she had not committed suicide, but rather had been murdered, Poirot is pulled back into what he does best - solving murders.

But the arrogant Poirot is also forced to wonder if he is losing his mojo as he starts seeing and hearing things that make him wonder if the house really is haunted. Is he ever wrong? Could he possibly be wrong about ghosts and hauntings?

After several perplexing incidents and a murder, in true Agatha Christie fashion, during a storm, Poirot gathers all of the suspects together in one room to solve the case. 

They are all there: Maxime, who broke off the engagement because Alicia was too obsessed with keeping her mother happy; the creepy little kid, Leopold, who says he talks with the dead children in the palazzo; unhappy housekeeper, Seminoff;  and Nicholas and Desdemona, who dream of making their way to St. Louis, Missouri to live a life like in the film "Meet Me in St. Louis (long story)." Rowena, Oliver and Poirot's bodyguard, Vitale (Riccardo Scamarcio), are also there.

Loosely based on Christie's story "Hallowe'en Party," with a screenplay by Michael Green and directed by Branagh, this is a haunting (hee hee) visually beautiful and moody tale told in true Christie style.  It has an "old movie" feel but with modern special effects. The film reminded me of the wunderkind Orson Welles and "Citizen Kane," not surprisingly because Branagh, in his early days, was compared to Welles.  It was Welles who started using unusual camera angles, shooting from below, up, down and all around and that is very much in evidence here.  Almost too much.  The camera angles should get their own screen credits.

But the film is fun.  It's fun to try to put the clues together along with Poirot and guess who done it (I got there almost in time).  The film is also very atmospheric and beautiful to watch and the acting is first rate, though Branagh seems to be having just a bit too much fun with Poirot's French accent.

Rosy the Reviewer says...if you like Agatha Christie who-done-its or Branagh's Poirot films, this is the best one yet. (In theatres)

Theater Camp (2023)

When the beloved founder of a theater camp in Upstate New York becomes ill and the bank wants to foreclose, her son and the camp staff work to save the camp. 

Joan Rubinsky (Amy Sedaris) is the co-founder and director of AdirondACTS, a summer theater camp.  As the summer begins, Joan attends a performance of "Bye Bye Birdie," starring one of her campers, experiences a seizure and falls into a coma caused by a strobe light that is used during the show (see, those signs you see in the theaters mean something)!  So with Joan in the hospital, her son Troy (Jimmy Tatro) takes over, but Troy is as about as far from being a theater kid as you can get.  When someone mentions a straight play, he asks what a gay play is called.

Troy is a "crypto bro" who looks like a skater dude, and he has difficulty getting along with the theater people.  There is Clive (Nathan Lee Graham), who teaches dance; Amos (Ben Platt), who teaches acting; Rebecca-Diane (Molly Gordon) teaches music, costuming and past lives; and Glenn (Noah Galvin), the techie with a secret, who teaches "The Art of the Spotlight."  A camera crew is following Amos and Rebecca-Diane around as they work on an original play about Joan's life called "Joan, Still." 

But for all of his shortcomings, Troy really wants to help, especially when he discovers that the camp has financial difficulties and the bank is about to foreclose. Troy is approached by Caroline (Patti Harrison), who represents Barnswell Capital, the owners of Camp Lakeside, the more upscale camp next door.  They want to buy AdirondACTS but it comes to light that they plan to dismantle the camp. 

Highjinks ensue as everyone bands together to help Troy save the camp. Think of those Judy Garland movies where theatre kids decide to put on a show in a barn "and my mother will make the costumes!"  Here a character says, "We're theater people.  We know how to turn cardboard into gold!" The movie culminates in the hilariously bad production of "Joan, Still."

Written by Gordon, Platt, Galvin and Nick Lieberman and directed by Gordon and Lieberman and based on their short 2020 film of the same name, this feature length mockumentary features an ensemble cast and affectionately makes fun of actory actors and theater affectations.  Much of it is improvised but it's funny and you theater nerds out there who went to theater camp or longed to become a performer will get the jokes.  

Some funny moments include Amos' comment upon hearing a child's audition piece will be "I Had a Dream" from "Les Miserables."  He says "That's a good song choice.  I totally believe her as a French prostitute," upon which Rebecca-Diane says "Amos!" and he replies, "Sorry.  Sex worker."  There is also a past life regression class where Rebecca-Diane tells one student - "You were once President Warren G. Harding!"  

Platt, Galvin, Gordon and Lieberman are all theatre people and old friends.  The pictures of children at the beginning of the film are of them. Platt is probably best known for his success on Broadway in "Dear Evan Hanson" and Gordon, also in that, is now engaged to Platt and starring in the TV series "The Bear."  It's a great ensemble cast that also includes many talented young kids. 

Rosy the Reviewer says...not sure that anyone else besides theater nerds will get this and find it funny but since I was one from a young age, I enjoyed it. And there is a good message: No matter what the talent level, the theater gives kids a way to express themselves and a sense of belonging. (Hulu)

Killer Book Club (2023)

(Original title: El Club de los Lectores Criminales)

A killer clown is after eight horror loving friends.

Who said horror films can't be fun?  Blumhouse has proven they can be with such "fun" films as "Happy Death Day" and "M3gan." And this film, though gory, is no exception.

Angela (Veki Velilla), Sara (Ane Rot), Nando (Ivan Pellicer), Sebas (Alvaro Mel), Rai (Carlos Alcaide), Koldo (Hamza Zaidi), Eva (Maria Cerezuela) and Virginia (Priscilla Delgado) are all students and friends who form a book club. This is not your old lady book club where the old ladies get their kicks reading "Fifty Shades of Grey."  This is a book club where the kids get their kicks reading horror stories.  Their latest fascination is killer clowns.

Our heroine is Angela, a writer who has experienced writer's block ever since her book was published years before.  But then she gets inspiration and has some chapters she wants her professor to look over. But when she goes to his office, he tries to rape her.  She tells her friends and they devise a plan to seek revenge on the professor.  They all dress in killer clown costumes with the idea of scaring him but the prank turns ugly and the professor is killed.  The kids are now in deep you-know-what, especially when they figure out that one of them is a real killer clown planning to pick them off one by one.

The killer clown publishes a story online called "The Mad Clown," dedicating each chapter to one of the students as he (or she) kills each one, so time is running out. The kids need to solve the mystery before the killer clown gets them all.  Who is the killer clown?  Is it one of them and why is he or she wanting them dead? And what is the secret that Angela has been keeping all of these years? We discover what it is along with what the heck was going on with that cold opening. 

Written by Carlos Garcia Miranda and directed by Carlos Alonso Ojea, this is

derivative of such slasher films as "Scream" and "I Know What You Did Last Summer" with classic horror tropes in evidence - lots of running around, bloody impalements (I counted at least three), and plot twists, but what sets this one apart from your standard slasher film is the literary angle and the idea that horror stories are not given the gravitas they deserve because they are considered inauthentic.  I would say that horror films suffer from that same discrimination. But then the students become part of a real life horror story as they are tormented by a killer clown, so as far as they are concerned, horror stories are authentic! And don't we all have our own "horror stories?" 

Rosy the Reviewer says...if you have coulrophobia, this is not for you (look it up)! But if you like your horror with a little literature and tongue-in-cheek gore, you will enjoy this. (Netflix - in Spanish with English subtitles)

Thanks for reading!

See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, Twitter, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

(NOTE:  If you are looking for a particular movie or series, check out this cool site: JustWatch.  It tells you where you can access all TV series and movies)