Friday, October 27, 2023

Killers of the Flower Moon (Movie Review)

 


After oil is discovered on Osage Nation land in Oklahoma, Osage people are being murdered or die under mysterious circumstances.

So let's first just address the elephant in the room.  You know I don't like overlong movies and at three and a half hours, this film certainly falls into that category. Directors, especially our auteurs, can't seem to want to part with any of their creation.  But it's not just the fault of the auteurs. A recent Vanity Fair magazine article reported on why movies are getting longer.  

In 2002, the average length of a movie was a teeny-bit less than two hours. So why have movies become so long today? As a top agent says “Because producers have gotten so short." The now notorious producer Harvey Weinstein wasn't nicknamed "Harvey Scissorhands" back in his producing days for nothing.  He would cut the films he produced "with relish," but today's producers don't appear to have the skills to work with the directors and stand up to them. Nor do they have the feedback they once had with fewer test screenings during the pandemic. If viewers are fidgeting or leaving early during a screening, producers might try to get the director to make cuts but without that kind of feedback, self-indulgent directors seemed to just take off.

And then there are the streaming services who are making their own films, which has put pressure on the studios to let directors do whatever they want, despite the fact that long films cost more to make and thus need to make more at the box office.  Who wants to say no to director Martin Scorsese and lose him to Netflix?  Well, someone must have said no because they lost him with this film to Apple (it will be streaming on Apple+ in the coming months).

But Scorsese is unapologetic about his three and a half hour long film.  

He says...

“Make a commitment. Your life might be enriched. This is a different kind of picture; I really think it is. Well, I’ve given it to you, so, hey, commit to going to a theater to see this."

Spoken by a true auteur.

But he's right. It's a three and a half hour commitment (plus a half hour of previews), and if you can make that commitment, it will enrich you, but I am unapologetic about overlong movies. I believe that Scorsese could have told this story in two and a half hours instead of three and a half and it would have been even more enriching, but before those of you who have already seen it and loved it get all mad and yell at me, that is the end of my rant.  

Now here is the good news. This is an important story and an important movie.

Based on the book "Killers of the Flower Moon: The Osage Murders and the Birth of the FBI" by David Grann, this is the true story of the Osage Indians who in the 1920's were the richest people per capita in the world because of oil discovered on their land and the white men, who not only preyed upon them, but murdered them for shares of the wealth.

As a bit of background for those of you who haven't read the book, mineral rights to the oil, known as "headrights," were distributed equally among the tribe members. Since headrights couldn’t be bought or sold—only inherited—outsiders had to either marry into an Osage family or become a legal guardian. In 1921 the federal government passed a law requiring Osage members to prove “competency” with money, or else be assigned a financial guardian, and a lot of the Osage people were deemed “incompetent” and assigned a white guardian. Lawyers and marriage-minded suiters swarmed the area to become guardians or marry into the family to hopefully inherit the mineral rights.  And then the "Reign of Terror" - the murders - began. (I wish the screenplay by Scorsese and Eric Roth had done a better job of explaining all of that because I think it was a bit confusing in the film).

The film focuses on Ernest Burkhart (Leonardo DiCaprio) who has just returned to Oklahoma from WW I to work for his rich rancher uncle William K. Hale (Robert De Niro) aka "King." And he acts like a king, too, on the one hand an ally to the tribe while at the same time, plotting to get their money. Ernest's brother, Byron (Scott Shepherd), is also there. 

Ernest is not a smart man and not a very nice man, either. He drives a cab for rich Osage tribe members, and in his spare time, robs them along with his brother.  But then King puts the idea in Ernest's head that he should court Mollie Kyle (Lily Gladstone), a rich young Osage woman whose family members are mysteriously dying. Ernest actually likes Molly and she likes him too and the two marry. But like I said, Ernest is not a smart man and not a very nice man.  Mollie, who has diabetes, finds herself getting sicker and sicker. 

A "Reign of Terror" is afoot as more and more Osage tribe members are murdered or die mysteriously.  No one seems to care until finally a contingent of the relatively new federal government's Bureau of Investigation led by Tom White (Jesse Plemons) arrives to solve the mystery and that investigation would lead to the prominence of the FBI.

This is a beautifully photographed epic film that not only exposes yet another dark side of America and the looting of our native peoples but will probably be hailed as one of Scorsese's best. 

At 83, Scorsese is a national treasure.  His films never cease to amaze and this is one of them. The acting ensemble is stellar and DeNiro and DiCaprio give the performances of their lives.  And newcomer Gladstone is at the heart of the film.  Her face expresses the quiet stoicism of what native Americans have endured since the white man came along. 

Oh, and in true auteur style.  Scorsese gets the last word in the film during his original and inventive epilogue!

Rosy the Reviewer says...an important film that you will want to see. I predict it will win all of the awards this year. But pack a lunch! (now streaming on Apple+)

Thanks for reading!


See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, Twitter, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

(NOTE:  If you are looking for a particular movie or series, check out this cool site: JustWatch.  It tells you where you can access all TV series and movies)

Saturday, October 21, 2023

"Dumb Money" and the Week in Reviews

[I review the new movie "Dumb Money" and the Netflix rom-com "Love at First Sight." The Book of the Week is Kerry Washington's new memoir "Thicker Than Water"]


Dumb Money (2023)


The true story of how individual investors turned the video gaming store, GameStop, into one of the hottest stocks in the world and disrupted Wall Street.

During the height of the Pandemic, you might remember the big brouhaha over regular investors driving up the price of GameStop stock, but you probably don't really remember the details of it all because you were more concerned with not catching COVID.  And even if you did know the details, you might not have really understood it all. I know I didn't because I am not particularly savvy when it comes to the machinations of Wall Street and investing, but this film, in addition to being entertaining was very enlightening about the investment world and just what happened.

Here is what I learned:

  • Hedge Fund investorsa limited partnership of investors that uses high risk methods, such as investing with borrowed money, in hopes of realizing large capital gains. They like to sell short.
  • Selling shortsell stock or other securities or commodities which one does not own at the time, in the hope of buying at a lower price later. Can get tricky.
  • Short Squeezea situation in which the price of a stock rises to such an extent that investors who have sold short purchase the stock in order to limit their losses, causing the price to rise further. Oops.
  • Diamond Handsa slang term that refers to holding a volatile investment even when there is pressure to sell. 
  • Dumb Money - that's what those hedge fund guys and Wall Street fat cats call individual investors - the little guys - us.

So now you have the basics for this David and Goliath story of a little guy and his followers who took on the big guys.

And lest you worry that this is a dry film about investing, remember I said it's entertaining?  It is.

Based on the book "The Antisocial Network: The GameStop Short Squeeze and the Ragtag Group of Amateur Traders That Brought Wall Street To Its Knees" by Ben Mezrich, adapted by Lauren Schuker Blum and Rebecca Angelo and directed by Craig Gillespie, this is the story of Keith Gill (Paul Dano), a young guy in Brockton, Massachusetts, working at a bank as a financial analyst, and spending his free time on a sub-Reddit site called WallStreetBets, posting his opinions on it via YouTube live streams under the name "Roaring Kitty."

During the height of the COVID Pandemic, Gill notices that the stock for the video game retailer GameStop is undervalued so he invests what little money he has in it and keeps his viewers updated on how he is doing.  At first, his followers (what few he has) and his brother, Kevin (Pete Davidson), make fun of him but soon other individual investors start investing: Nurse Jennifer (America Ferrera), GameStop employee Marcus (Anthony Ramos) and college couple Riri (Myha'la Herrold) and Harmony (Talia Ryder) and the price of the stock goes up.  

All of a sudden GameStop stock is making a ton of money for its investors. Earlier, hedge funders Gabe Plotkin (Seth Rogen) of Melvin Capital Management and Ken Griffin (Nick Offerman) had started short selling with the the idea that the online stock buyers would pull out and GameStop would fail. That's how the hedge fund fat cats make their money - betting that a company will fail and then profiting from the failure. But not this time. As the stock prices goes up and up and up and the little guys get richer and richer, they don't sell.  They hang tough with their Diamond Hands (see glossary above).

With me so far?

Things get crazy when WallStreetBets shuts down and RobinHood, the commission-free stock trading website, screws up and all purchasing of GameStop stock is halted in an attempt to drive down the price.  This works but then the U.S. House Committee on Financial Services notices the shenanigans, gets involved and everyone is subpoenaed.

And can you believe it?  This all happened when we were in lockdown during the Pandemic!

So what ultimately happened? Does anyone get rich? Does Dumb Money win? You will have to see the film to find out!  

The film does a good job pointing out the differences between us regular folks and the big money fat cats.  In counterpoint to our hardworking regular folks, we have the spoiled Plotkin, arrogant Vlad Tenev (Sebastian Stan) of RobinHood, rich hedge funder Steven Cohen (Vincent D'Onofrio) and the cold as ice Ken Griffin.  Paul Dano is great as Gill and handily carries this entertaining film along with the star-studded cast that also includes Shailene Woodley as Gill's supportive wife (haven't seen Woodley much lately). 

All of the actors were just wonderful and did their bit to make this thrilling story come to life. Yes, I said thrilling. There is an awesome epilogue that will make you cheer!

Rosy the Reviewer says...a smart, fast-paced, often funny, film with a great ensemble cast.  If you liked "The Big Short (I loved it!)," you will enjoy this. (In theatres)


Love at First Sight (2023)


Love blossoms on a flight to London.  What are the odds?

Twenty-year old American student Hadley Sullivan (Haley Lu Richardson) misses her flight to London to attend her Dad's wedding by four minutes.  However, that's not exactly a new thing.  She is known for being late and not keeping her phone charged. She also doesn't like small spaces, dentists or mayonnaise.  So with time on her hands until her next flight, she goes to charge her phone and meets twenty-two-year old Oliver Jones (Ben Hardy), a Yale student majoring in statistics. The two have an instant connection - he doesn't like mayonnaise either. He also doesn't like surprises so he uses statistics to structure his life and make sure that doesn't happen.

Turns out they are on the same plane to London.  What are the odds?

When Oliver's seat belt doesn't work, he is moved to another seat on the plane...and it's next to Hadley.  What are the odds?

They spend the night falling in love.  What are the odds?

When they get off the plane, there is a rush and Oliver quickly puts his phone number in Hadley's phone and then they are separated.  Did I also mention that Hadley is a klutz?  She drops the phone, it breaks and there goes Oliver's phone number. She now has no way to reach him.

But, hey, this is a rom-com.  Of course they will meet again.  How they get back together and find each other in one of the biggest cities in the world, is part of the fun.  In the meantime, Hadley attends her Dad's (Rob Delaney) wedding, comes to reconcile her feelings with it and Oliver realizes he can't measure his life in statistics.

Based on the 2011 book "The Statistical Probability of Love at First Sight" by Jennifer E. Smith, adapted by Katie Lovejoy, and directed by Vanessa Caswill,  this is one of those little 90 minute rom-coms with interesting characters and a quirky plot that the Brits are so good at.  Richardson and Hardy are a believable and engaging couple. She is a lovely young actress and he is totally my type, er, I mean a handsome young actor.  There is also a sort of Greek Chorus element at work with Jameela Jamil narrating the story but also showing up at various points as a flight attendant, a customs officer, a bartender, a bus driver, a wedding guest and a passerby.  Not exactly sure what that was all about, but like I said, these little British rom-coms often have their quirks and that was kind of a fun one.  I started wondering, what are the odds she will show up again?

Rosy the Reviewer says...in this terrible time of world turmoil, we all need a little love and this charming film will make you forget your troubles for awhile. (Netflix)



***The Book of the Week***


"Thicker Than Water" by Kerry Washington (2023)


The once very private star of "Scandal" is no longer private.

SPOILER ALERT:  Well, there is not exactly a spoiler here.  Kerry Washington has been on every talk show imaginable hyping her book and talking about this (but don't read further if you are going to get mad at me):  She discovered that she was the product of artificial insemination and the man she thought was her Dad for 40 years was not her biological father.  

You see, Washington was slated to be on "Finding Your Roots," a PBS show that explores the genetics and family trees of celebrities, and when her parents found out she was going to be on that show, they thought they had better tell her.  Good idea!

So this memoir is all about what that revelation meant to her and how it affected her life.  But there is much more than that here.  In addition to the specifics of her career, she opens up about her personal life: her parents' turbulent relationship and her father's struggle with alcohol; sexual abuse she endured as a young girl; an abortion; and her struggle with anorexia.

But this is not a "woe is me" memoir by any means.  It is a book about success and finding one's true self.

Born in the Bronx with African and Jamaican roots, Washington's mother was a professor and her father was a real estate broker. She was active in the arts from an early age and her career was launched with back-to-back successful movies, "Our Song" and "Save the Last Dance."  Further acclaim followed with roles in "Ray" and "Django Unchained."  But it was her role as Olivia Pope in the TV show "Scandal" that has made her one of the most successful women on TV with nine Emmy nominations and countless other awards.

Rosy the Reviewer says...if you are a Washington fan, you will find this enlightening and you celebrity mavens will find this a candid insider account of an actor's life and career. Check it out at your local library.


Thanks for reading!


See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, Twitter, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

(NOTE:  If you are looking for a particular movie or series, check out this cool site: JustWatch.  It tells you where you can access all TV series and movies)




Wednesday, September 27, 2023

Some Fun Films: "A Haunting in Venice," "Theater Camp" and "Killer Book Club"

[I review the movies "A Haunting in Venice," "Theater Camp" and "Killer Book Club."]



A Haunting in Venice (2023)



Hercule Poirot is back, this time in Venice.

I have been mad at Kenneth Branagh ever since he left wife Emma Thompson and ran off with Helena Bonham Carter.  But time heals all wounds and even though he and Helena are no longer together, I guess it was meant to be. All have moved on.  And I guess Agatha Christie was meant to be in his life, too, as he has basically turned his acting and directing career into her franchise. I wonder if anyone remembers his bravura performances in "Henry V" and "Hamlet." He is now Hercule Poirot and he has made a career out of Agatha Christie mystery films with all-star casts. 

In this third installment, it is 1947 and master detective Hercule Poirot (Branagh) is in self-imposed exile in Venice.  He is tired of everyone clamoring for his expertise but when old friend and mystery writer Ariadne Oliver (Tina Fey) arrives, she convinces him to attend a Halloween night seance at the home of opera singer Rowena Drake (Kelly Reilly).  Poirot does not believe in the dead coming back but Oliver says that medium Joyce Reynolds (Michelle Yeoh) seems to be the real deal and she wants Poirot to see what he thinks.  She uses her charm, hanging over his head the fact that he is famous because of her, because she made him a character in her books.  They make a wager and Poirot reluctantly agrees to go.  

Rowena lives in a supposedly haunted palazzo.  It was an orphanage where the children were mistreated by the doctors and nurses and now the place is thought to be haunted by the children who want revenge. Rowena's daughter, Alicia, had supposedly committed suicide the year before when her fiance, Maxime Gerard (Kyle Allen) broke off their engagement. Rowena wants to commune with her daughter. When Poirot and Ariadne arrive, they meet Rowena's housekeeper, Olga Seminoff (Camille Cottin), the family doctor, Leslie Ferrier (Jamie Dornan) and his creepy little son, Leopold (Jude Hill), and Joyce Reynold's assistant, Desdemona Holland (Emma Laird), all with, shall I say?  Issues.

During the seance, Poirot spots the set-up right away and reveals Desdemona's half-brother, Nicholas (Ali Khan), hiding in the chimney and helping with the special effects. But when Joyce speaks in Alicia's voice and reveals that she had not committed suicide, but rather had been murdered, Poirot is pulled back into what he does best - solving murders.

But the arrogant Poirot is also forced to wonder if he is losing his mojo as he starts seeing and hearing things that make him wonder if the house really is haunted. Is he ever wrong? Could he possibly be wrong about ghosts and hauntings?

After several perplexing incidents and a murder, in true Agatha Christie fashion, during a storm, Poirot gathers all of the suspects together in one room to solve the case. 

They are all there: Maxime, who broke off the engagement because Alicia was too obsessed with keeping her mother happy; the creepy little kid, Leopold, who says he talks with the dead children in the palazzo; unhappy housekeeper, Seminoff;  and Nicholas and Desdemona, who dream of making their way to St. Louis, Missouri to live a life like in the film "Meet Me in St. Louis (long story)." Rowena, Oliver and Poirot's bodyguard, Vitale (Riccardo Scamarcio), are also there.

Loosely based on Christie's story "Hallowe'en Party," with a screenplay by Michael Green and directed by Branagh, this is a haunting (hee hee) visually beautiful and moody tale told in true Christie style.  It has an "old movie" feel but with modern special effects. The film reminded me of the wunderkind Orson Welles and "Citizen Kane," not surprisingly because Branagh, in his early days, was compared to Welles.  It was Welles who started using unusual camera angles, shooting from below, up, down and all around and that is very much in evidence here.  Almost too much.  The camera angles should get their own screen credits.

But the film is fun.  It's fun to try to put the clues together along with Poirot and guess who done it (I got there almost in time).  The film is also very atmospheric and beautiful to watch and the acting is first rate, though Branagh seems to be having just a bit too much fun with Poirot's French accent.

Rosy the Reviewer says...if you like Agatha Christie who-done-its or Branagh's Poirot films, this is the best one yet. (In theatres)


Theater Camp (2023)


When the beloved founder of a theater camp in Upstate New York becomes ill and the bank wants to foreclose, her son and the camp staff work to save the camp. 

Joan Rubinsky (Amy Sedaris) is the co-founder and director of AdirondACTS, a summer theater camp.  As the summer begins, Joan attends a performance of "Bye Bye Birdie," starring one of her campers, experiences a seizure and falls into a coma caused by a strobe light that is used during the show (see, those signs you see in the theaters mean something)!  So with Joan in the hospital, her son Troy (Jimmy Tatro) takes over, but Troy is as about as far from being a theater kid as you can get.  When someone mentions a straight play, he asks what a gay play is called.

Troy is a "crypto bro" who looks like a skater dude, and he has difficulty getting along with the theater people.  There is Clive (Nathan Lee Graham), who teaches dance; Amos (Ben Platt), who teaches acting; Rebecca-Diane (Molly Gordon) teaches music, costuming and past lives; and Glenn (Noah Galvin), the techie with a secret, who teaches "The Art of the Spotlight."  A camera crew is following Amos and Rebecca-Diane around as they work on an original play about Joan's life called "Joan, Still." 

But for all of his shortcomings, Troy really wants to help, especially when he discovers that the camp has financial difficulties and the bank is about to foreclose. Troy is approached by Caroline (Patti Harrison), who represents Barnswell Capital, the owners of Camp Lakeside, the more upscale camp next door.  They want to buy AdirondACTS but it comes to light that they plan to dismantle the camp. 

Highjinks ensue as everyone bands together to help Troy save the camp. Think of those Judy Garland movies where theatre kids decide to put on a show in a barn "and my mother will make the costumes!"  Here a character says, "We're theater people.  We know how to turn cardboard into gold!" The movie culminates in the hilariously bad production of "Joan, Still."


Written by Gordon, Platt, Galvin and Nick Lieberman and directed by Gordon and Lieberman and based on their short 2020 film of the same name, this feature length mockumentary features an ensemble cast and affectionately makes fun of actory actors and theater affectations.  Much of it is improvised but it's funny and you theater nerds out there who went to theater camp or longed to become a performer will get the jokes.  


Some funny moments include Amos' comment upon hearing a child's audition piece will be "I Had a Dream" from "Les Miserables."  He says "That's a good song choice.  I totally believe her as a French prostitute," upon which Rebecca-Diane says "Amos!" and he replies, "Sorry.  Sex worker."  There is also a past life regression class where Rebecca-Diane tells one student - "You were once President Warren G. Harding!"  


Platt, Galvin, Gordon and Lieberman are all theatre people and old friends.  The pictures of children at the beginning of the film are of them. Platt is probably best known for his success on Broadway in "Dear Evan Hanson" and Gordon, also in that, is now engaged to Platt and starring in the TV series "The Bear."  It's a great ensemble cast that also includes many talented young kids. 


Rosy the Reviewer says...not sure that anyone else besides theater nerds will get this and find it funny but since I was one from a young age, I enjoyed it. And there is a good message: No matter what the talent level, the theater gives kids a way to express themselves and a sense of belonging. (Hulu)




Killer Book Club (2023)

(Original title: El Club de los Lectores Criminales)





A killer clown is after eight horror loving friends.

Who said horror films can't be fun?  Blumhouse has proven they can be with such "fun" films as "Happy Death Day" and "M3gan." And this film, though gory, is no exception.

Angela (Veki Velilla), Sara (Ane Rot), Nando (Ivan Pellicer), Sebas (Alvaro Mel), Rai (Carlos Alcaide), Koldo (Hamza Zaidi), Eva (Maria Cerezuela) and Virginia (Priscilla Delgado) are all students and friends who form a book club. This is not your old lady book club where the old ladies get their kicks reading "Fifty Shades of Grey."  This is a book club where the kids get their kicks reading horror stories.  Their latest fascination is killer clowns.

Our heroine is Angela, a writer who has experienced writer's block ever since her book was published years before.  But then she gets inspiration and has some chapters she wants her professor to look over. But when she goes to his office, he tries to rape her.  She tells her friends and they devise a plan to seek revenge on the professor.  They all dress in killer clown costumes with the idea of scaring him but the prank turns ugly and the professor is killed.  The kids are now in deep you-know-what, especially when they figure out that one of them is a real killer clown planning to pick them off one by one.

The killer clown publishes a story online called "The Mad Clown," dedicating each chapter to one of the students as he (or she) kills each one, so time is running out. The kids need to solve the mystery before the killer clown gets them all.  Who is the killer clown?  Is it one of them and why is he or she wanting them dead? And what is the secret that Angela has been keeping all of these years? We discover what it is along with what the heck was going on with that cold opening. 

Written by Carlos Garcia Miranda and directed by Carlos Alonso Ojea, this is
derivative of such slasher films as "Scream" and "I Know What You Did Last Summer" with classic horror tropes in evidence - lots of running around, bloody impalements (I counted at least three), and plot twists, but what sets this one apart from your standard slasher film is the literary angle and the idea that horror stories are not given the gravitas they deserve because they are considered inauthentic.  I would say that horror films suffer from that same discrimination. But then the students become part of a real life horror story as they are tormented by a killer clown, so as far as they are concerned, horror stories are authentic! And don't we all have our own "horror stories?" 

Rosy the Reviewer says...if you have coulrophobia, this is not for you (look it up)! But if you like your horror with a little literature and tongue-in-cheek gore, you will enjoy this. (Netflix - in Spanish with English subtitles)



Thanks for reading!


See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, Twitter, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

(NOTE:  If you are looking for a particular movie or series, check out this cool site: JustWatch.  It tells you where you can access all TV series and movies)


Sunday, September 17, 2023

Lights, Cameras, ACTION!!! Some Action Movies Rosy Enjoyed!

 [I review the action films "The Mother," "Heart of Stone" and "Ghosted"]


The Mother (2023)



Don't mess with a mother!

J-Lo stars as a military operative known as "The Mother" who not only gets involved with arms smuggling but also gets romantically involved with two of the smugglers - Adrian Lovell (Joseph Fiennes) and Hector Alvarez (Gael Garcia Bernal) - resulting in her becoming a mother, literally.  

However, when she discovers that those two guys are also into child trafficking, she turns FBI informant, but during her interrogation, Lovell attacks killing all of the agents except Special Agent William Cruise (Omari Hardwick).  The Mother saves Cruise but Lovell confronts her and stabs her in the womb.  She survives, but the baby is born prematurely and she is told that because Lovell is still out there, her baby will never be safe unless she gives up parental rights.  She reluctantly agrees but tells Cruise she will only do that under three conditions: the child will have a life as ordinary as possible, she'll get a photo every birthday, and that he will call her if her daughter is ever in jeopardy. The Mother then goes into hiding and moves to a remote cabin in Alaska with the help of her former army colleague, Jons (Paul Raci).

Well, guess what? Your daughter is in danger, girl.

Twelve years later, Cruise contacts The Mother to tell her that Alvarez and Lovell are still mad at her for blabbing and still want revenge and it looks like they are going to go after her daughter, Zoe (Lucy Paez), who is living that ordinary life in Ohio that The Mother wanted her to have.  The Mother heads to Ohio just in time to witness Alvarez's goons kidnapping Zoe.

Game on, goons.  You are messing with the wrong Mother!

The film begins with the usual action movie trope - a long cold opening with lots of action and drama which sets us up for MORE action and MORE drama. But Lopez is up for it.  Surprisingly, she makes a great action heroine. As the film unfolds we not only follow The Mother as she tries to save her daughter but we learn how she got involved with Lovell and Alvarez.  

I have always been a big fan of J-Lo.  She is not the greatest actress in the world nor the most beautiful but there is something about her that makes her a great and beautiful actress.  She exudes warmth and realness (is that a word?) that radiates off the screen.  You can't help but believe in her and root for her, even here where she is playing an unsmiling badass. This is J-Lo as you have never seen her, a female Tom Cruise (okay, so she probably had a stunt double but she does some exciting stuff).

Written by Misha Green, Andrea Berloff, and Peter Craig and directed by Niki Caro, it's a sort of female version of "Taken." Yes, there are some plot holes but there are also some great chase sequences, twists and even heart-warming moments, not to mention the great Jennifer Lopez.  The first half of the film is all action, the second half mother-daughter moments.

Rosy the Reviewer says...much better than anticipated so if you like action and you like J-Lo, you will enjoy this. (Netflix)


Heart of Stone (2023)

Bad guys are trying to steal "The Heart," a valuable but dangerous weapon from the good guys.

Rachel Stone (Gal Gadot) is pretending to be a newbie for MI6 but she is in fact a female version of Bond, James Bond, a field agent known as The Nine of Hearts.  She is a member of The Charter, a murky peacekeeping agency trying to keep "The Heart," a quantum computer capable of hacking into any digital device, safe.  

"If you own the Heart, you own the world."

However, when the film begins, no one at MI6 knows Stone's true identity.  She is on a mission in the Italian Alps with an MI6 team, along with Parker (Jamie Dornan) and Bailey (Paul Ready).  They are after a wanted arms dealer.  However their cover is blown and Stone engages in the longest cold opening in history (well, probably not history but it felt like it - but in a good way).

With that failed mission, Stone is called back to London where she is reprimanded by Nomad (Sophie Okonedo), her superior at The Charter, for nearly blowing her cover.  In the meantime, it is discovered that there is a hacker out there who is after "The Heart," Keya (Alia Bhatt), a young quantum computer expert who turns out to be Stone's arch nemesis set on not only stealing "The Heart" but exposing Stone. Lots of twists and turns ensue. 

Gal Gadot is a beautiful woman but I hate to say that she is not a very good actress.  Thankfully, we have Jamie Dornan who is a beautiful man and also a good actor aided by lots of action with some great car chases and the usual stuff we expect from action films which doesn't really require Gadot to chew too much scenery. But I do give Gadot some credit. She makes a good badass and there is nothing like a badass woman saving the day. And this movie, written by Greg Rucka and Allison Schroeder and directed by Tom Harper, doesn't have just one badass woman, but THREE!

Rosy the Reviewer says...though derivative of practically every action film ever, there is a big twist and the film has some exciting moments with great exotic locations but there were enough script holes that I sometimes didn't know what the hell was going on...but perhaps that's just me. However, if you like action, this one's got it. (Netflix)


Ghosted (2023)


Cole is a farmer and Sadie is an art curator (wink, wink).  They "meet cute," Cole is smitten and then Sadie disappears.  

Cole (Chris Evans) and Sadie (Ana de Armas) have a one night stand - a good one - and Cole, who is suffering from a recent breakup and has a reputation for being needy, wants to continue the relationship but Sadie disappears.  When he discovers she is in London, he decides to go there to surprise her (which won't help his reputation as being needy) only to find himself embroiled in some shady shenanigans.  

He is mistaken for the Tax Man (I never did figure out why) by a mysterious guy living under the Tower Bridge who tortures Cole with insects. Cole tries to convince the guy that he is just a dorky farmer but it doesn't work.  Sadie rescues him and, if we hadn't figured it out by now, we discover that our Sadie is NOT in fact an art curator but a CIA operative and our dorky farmer finds himself embroiled in a spy plot.  

So here we have another badass woman (see reviews above) who is trying to keep the world safe from the bad guys.  We are firmly in spy movie trope world. This time there is a case with a destructive device inside dubbed Aztec and bad guys are trying to get the code to open it. The main bad guy is Leveque (Adrien Brody) who has the device in a case and is trying to sell the device but doesn't have the code to open the case. Everyone thinks the Tax Man has the code and that Cole is the Tax Man. So if Cole is not the Tax Man, who is?  Gee, I wonder... 

Lots of action as would-be assassins and bounty hunters show up trying to get that dang code while Sadie and Cole argue and bicker in true rom-com fashion.

Chris Evans, best known these days as Captain America, is probably the last guy you would expect to be playing a dork, but here it works as he is at odds with the non-dorky Sadie while they fight off would-be assassins. The two bicker so much that every time they run into one of those assassins, there is a running gag where the would-be assassin says to them "Get a room!" And speaking of would-be assassins, that's another sort of running gag because each is played by a famous face in a cameo that lasts about five seconds. (Anthony Mackie, John Cho, Sebastian Stan, and even, Ryan Reynolds).

Written by Rhett Reese, Paul Wernick, Erik Sommers and Chris McKenna and directed by Dexter Fletcher, there is some "Romancing the Stone" going on here and some fun action sequences like Sadie driving a colorful Pakistani bus backwards along some mountain passes (not sure how they got from the Tower Bridge in London to Pakistan so fast, but oh well, suspend disbelief) and a high rise rotating restaurant that runs amok.  It's all very OTT (that's Brit talk for over the top) but it's engaging and fun.

Rosy the Reviewer says...a stylized action film that won't tax your brain. (Apple+)


EPILOGUE:  All three films share similar action movie tropes but those tropes are why we watch, right? - so "Lights, Cameras, ACTION!"




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