Showing posts with label Abigail. Show all posts
Showing posts with label Abigail. Show all posts

Sunday, November 10, 2024

Giving Some Respect to Horror Films - Some New Ones You Might Enjoy!

[I review the horror films "The Substance," "Abigail," and "Night Swim"]

I think I have mentioned this before but in case you missed it, I enjoy the occasional horror film, and I don't feel that the horror film genre gets the respect it deserves. 

Did you know that only one horror film has ever won an Oscar for Best Picture and that was "The Silence of the Lambs," way back in 1992, and one could argue that is really not a horror film. Yes, some horrific scenes but not a horror film in the classic sense.  Likewise, few horror films have won awards for acting and only three for visual effects.  Even with wonderful visual effects, horror films are often written off as low art and second-rate, when in fact, they can be thought-provoking, cathartic, funny even, and often explore important themes such as mental health and racism and the sometimes scary thoughts that we have to deal with in our everyday lives, like what if you run into a zombie or your mother-in-law?  I kid.

But horror films fill a niche. Sometimes we just need a few jump scares to get us out of our comfort zones, shake us up a bit, and get us thinking.  Believe it or not, horror films often have a moral to the story that makes us go "Mmm."

So I am here to share with you some horror films that are worth watching for just those reasons.


The Substance (2024)


Not looking as youthful as you would like?  Well, why not make a younger version of yourself? Literally.

I think that Demi Moore has been one of our most underrated actresses.  Yes, she has starred in acclaimed movies like "Ghost" and "A Few Good Men," but no one has really raved about her acting.  And I don't think it helped that she was an early member of "The Brat Pack," a dismissive term coined by a journalist to put those upstart young actors in their place.

But now Demi gets her moment and what a moment it is, albeit a bit disturbing.

Elisabeth Sparkle (Moore) is an Oscar-winning actress with a star on Hollywood Boulevard.  Her acting career has waned and now she is the star of a long-running aerobics TV show (remind you of anyone?), but that star is also fading, and on her 50th birthday, she is unceremoniously fired from her show and Harvey (Dennis Quaid), her boss, makes no bones about the fact that he is firing her because she is OLD. 

While driving home, Elisabeth is in a major car crash. At the hospital, a young male nurse gives her a flash drive advertising "The Substance," a black market serum that generates a "younger, more beautiful, more perfect" version of oneself. After some deliberation, Elisabeth orders "The Substance" and injects the single-use activator serum, resulting in a much younger version of herself that emerges from a slit in her back in what I would say was one of the most disturbing film moments since that little creature burst out of John Hurt's chest in "Alien."

So now there is Elisabeth and her younger version, Sue (Margaret Qualley).  For this to work, Elisabeth must transfer her consciousness between the bodies every seven days without exception, while the inactive body remains unconscious. The other self also requires daily injections of a "stabilizer" to prevent deterioration. 

Wouldn't you know, Elisabeth's "other self," Sue, gets Elisabeth's old aerobics TV show and the new TV show skyrockets her to fame, and she is eventually selected to host a major New Year's Eve show. Sue enjoys a confident and hedonistic lifestyle, while Elisabeth becomes more and more reclusive.

And Sue wants to continue her happy life so she is more and more reluctant to play by the rules and one night gives Elisabeth extra stabilizer fluid to keep her asleep longer.  When Elisabeth awakes, she finds that her finger has aged.  When she calls the supplier to complain, she is warned that staying as Sue longer than the seven days will result in rapid aging of her original self.  And even though the two entities are supposed to be one, both personas see themselves as separate and start to resent each other.  

You can see where this is going. All hell breaks loose in what could be described as gut wrenching - again, literally.  If you have a squeamish stomach, the blood and guts that ensue might upset you.  But, hey, it's a horror film.

All kinds of horror films are referenced here from Sue being a sort of Frankenstein's monster to a bloody moment reminiscent of "Carrie" to a long hallway that keeps showing up reminding us of "The Shining" to Elisabeth's body aging as Sue gets stronger, hints of "The Picture of Dorian Gray."

All of this and more is thanks to the gifts of Coralie Fargeat, who wrote the screenplay and directed this in-your-face reminder of how women are objectified and told "Pretty girls should always smile," and when they reach a certain age and are no longer considered "pretty," especially in the world of show business, they are often invisible and discarded. And when I say, in-your-face, the close-ups Fargeat chooses are mesmerizing and add to the horror.  More and more, this kind of camera work is being used to create tension in films and it works.  

As for Demi, I couldn't help but wonder what she was thinking making this film as a no-longer-young movie star herself, dealing with the same issues as Elisabeth. Though she still looks great, she is no longer the young in-demand ingenue she once was as fewer and fewer roles are available to women of a certain age in Hollywood. She also lost her much younger husband to a much younger actress, so I couldn't help but wonder if playing this role was liberating or depressing?  But I give Demi credit for letting herself "age" in the film, and I would say her fantastic performance is her revenge, and I hope an Oscar nomination is in the cards for her. Margaret Qualley, the daughter of Andie MacDowell, is also wonderful in this.  She has never looked more beautiful.

I have to say that the film is a bit too long and the ending is horrifically over the top - kind of lost me - and I think I said out loud, "Oh my God!"  But hey, it's a horror film. And speaking of Oscars, the make-up people should get nominations.  When you watch the ending, you will know what I mean.

So what's the moral? There is an obsession with youth and beauty and women are held to a standard they can't live up to and trying to stave off aging by making a deal with the devil can be a horror story.

Rosy the Reviewer says...if you like psychological horror, this is for you because it will definitely get in your head (but brace yourself for some stomach-churning scenes). (For rent of purchase on Amazon Prime or Apple+)


Abigail (2024)


Be careful who you kidnap!

Young ballet dancer Abigail's (Alisha Weir) father is Kristof Lazaar (Matthew Goode), a powerful crime lord.  She is abducted by a band of baddies consisting of Joey (Melissa Barrera), a former Army medic and recovering drug addict; Frank (Dan Stevens), a former NYPD detective; Sammy (Kathryn Newton), a hacker born into money who is just into crime for the thrills; Rickles (William Catlett), a former Marine; the not-too-bright Peter (Kevin Durand); and psychopath, Dean (Angus Cloud).  They take Abigail to a creepy, secluded mansion where they meet Lambert (Giancarlo Esposito), the mastermind behind the plan to ransom Abigail for $50 million.  You might make the connection between the baddies names. No one is supposed to know each other's real names so Lambert names each of them after members of Sinatra's Rat Pack.

Joey is chosen to watch over Abigail. She feels sorry for Abigail and bonds with her, promising Abigail that she will protect her. Abigail shares that her father doesn't really care about her and will not pay the ransom. Joey no longer likes the kidnapping plan because she didn't realize that Abigail was a child.  Uh-oh. There is also something else about Abigail she didn't realize.

When Dean is attacked and Sammy finds Dean's decapitated corpse (and it's not pretty), the group realizes that their hiding place has been discovered and they think that Lazaar's famed enforcer, Valdez, is inside the house (he was famous for mutilation and decapitation). Rickles decides he is outta there but when he tries to leave, they realize they are trapped.  

And then Abigail reveals her real self and her revenge plot.

Let the vampire violence and mutilation begin!

Alisha Weir's face is soulful and poignant until it's not. Each member of the ensemble cast has a different role that provides drama as well as comic relief and you mostly care as each one is killed off in a creative way a la Agatha Christie's "And Then There Were None" plot device.  Well, almost all of them are killed off.  It's fun to see Dan Stevens who was my favorite "Downton Abbey" character (he was Matthew Crawley). He seems to have made a career for himself playing villains and in this - geez - he is about as far from Matthew Crawley as one could get.

Written by Stephen Shields and Guy Busick and directed by Matt Bettinelli-Olpin and Tyler Gillett, the film is slow to get going by horror movie standards, but once it does get going, it's non-stop scary moments and over-the-top blood and gore for the next hour. Though the plot gets very convoluted, the ballet theme mixed in with the blood and guts is fun and the film provides tense moments and solid production values that make for a satisfying, if grisly, experience that fans of vampire horror films will enjoy. But it was intense. I actually put my hands over my face a couple of times and when the first body blew up into blood and guts, I said "Ick" and when the second one did the same thing I said, "Oh my God" out loud, and I was all by myself. But I definitely had a bit of catharsis!

So what's the moral?  Sometimes good deeds are rewarded and some exploding bodies can provide catharsis, especially in these challenging times.

Rosy the Reviewer says...if you like your horror with some blood and gore as well as funny banter, this is for you! (Peacock)



Night Swim (2024)


A new thing to worry about.  Murderous pools!

In 1992, a young girl, Rebecca Summers (Ayazhan), goes out to her family pool one night to retrieve a toy boat belonging to her sick little brother. While she tries to get the boat, something in the pool pulls her underwater.

Flash forward to the present day, the Waller family—Ray (Wyatt Russell), Eve (Kerry Condon), and children Izzy (Amelie Hoeferle) and Elliot (Gavin Warren)—move to a new neighborhood after Ray has been forced to retire from his baseball career due to MS. They decide to purchase a house with a swimming pool in the backyard, especially after hearing that the pool would be good for Ray’s condition. Gee. Do you think it's the same pool where little Rebecca was pulled under the water and died?

Duh.  

As he spends more time in the pool as part of his therapy, Ray seems to be getting better, but at the same time, Ray's personality is changing and he is acting strangely and there also seems to be something scary in the pool attacking the children. At this point, I would think Ray and Eve should have a conversation about moving. Instead, they have a pool party, that, well, doesn't go well. And then they learn about little Rebecca. 

Tracking down the Summers family, Eve meets with Lucy (Jodi Long), Rebecca's mother. Lucy reveals the pool's malevolent history.  

So what will happen? 

This is your typical "family in jeopardy" horror film, but it's also a sort of "Jaws" but for pools.  And I thought I was afraid of water because I couldn't swim. Never worried about murderous pools.

Written and directed by Bryce McGuire and produced by my favorite horror producer, Jason Blum and his crew at Blumhouse Productions, whose films run the gamut from glossy, high budget scary films starring big names ("Get Out") to comedy horror ("Happy Death Day") to low-budget films starring relative unknowns like this one (though Russell is Goldie Hawn's and Kurt Russell's son and Condon was an Oscar nominee for her performance in "The Banshees of Inisherin"), this one is 99 minutes of suspense, fun jump scare moments (you might never want to play Marco Polo again) and great underwater photography. Blum is a genius at producing films that turn the normal, everyday lives of people into horror stories.

So what's the moral?  Sometimes you have to make sacrifices for those you love...big ones.

Rosy the Reviewer says... if you can't stomach children in jeopardy, this one might be a difficult one for you, but hey...it's a horror film...you are supposed to be creeped out!  And now here is something new to be scared of.  Demon pools! (Amazon Prime)


See you next time!

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And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!