Showing posts with label Cookbooks. Show all posts
Showing posts with label Cookbooks. Show all posts

Friday, June 2, 2017

"Guardians of the Galaxy Vol. 2" and The Week in Reviews

[I review the new movie "Guardians of the Galaxy Vol. 2" as well as the animated feature films "Moana" and "Sing," newly released on DVD.  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "In The Year of the Pig."  The Book of the Week is a cookbook:  "Over Easy" by Joy Wilson.]





Guardians of the Galaxy, Vol. 2


Peter Quill AKA Star Lord is back and he is still trying to figure out his parentage.

I am not a big Marvel comics fan - well, actually I'm not a Marvel comics fan at all - so it was just by accident that I went to the first installment of this franchise, "Guardians of the Galaxy," which I guess looking back would now be Vol. 1.  I needed to review a new film and there just wasn't anything else to see.  And I have to say I was surprised.  I just loved it!  I loved it so much that I saw it again on DVD so Hubby could see it too.  Chris Pratt had lost all of that weight after his stint on "Parks and Recreation" and was breaking out in a big way, the "mixed tape" 80's soundtrack was awesome, and the story was fresh and original.  Also who knew a wise-cracking raccoon (Bradley Cooper), a talking tree who can only say "I am Groot (Vin Diesel)" and Drax (Dave Bautista), a tattooed knucklehead, could be so much fun? 

I really loved the FIRST "Guardians of the Galaxy" and thought it was just charming and even ended my review of it with "I can't wait for the next one!" 

But that was the FIRST "Guardians of the Galaxy." I am sad to report that the "next one" is here, and I did not feel the same way about this sequel.  You know how I feel about sequels anyway.  I usually hate them and avoid them, but because I loved the first "Guardians" so much I didn't even think about it being a sequel so I can guarantee you that the fact that it was a sequel did not color my judgment. I was expecting the same charm as the first and that Pratt would be his wise-cracking self. 

Well, folks, "Guardians of the Galaxy Vol. 2" had no charm.  Whatever it was that made the first one so enjoyable was just not present here.  And worse, Chris Pratt has lost his charm too.  He seemed to be sleepwalking through his part with most of the other characters having the funny wise-cracking lines.

Well, anyway, enough about me. Let's get to the story.

As you may remember from the first one - and if you haven't seen the first "Guardians of the Galaxy," please see it, even if you don't plan to see this one.  But if you ARE going to see this one, it's a must to see the first one unless you want to be hopelessly lost or already know the story.  I saw the first one and still struggled to remember who was who and why was why in the sequel. Characters from the first one come and go and some new characters, like Baby Groot, are not really explained.

This time around, Peter and his side-kicks Rocket (the aforementioned raccoon); Gamora (Zoe Saldana), the sort-of love interest; Drax (the tattooed knucklehead); and Baby Groot (still Vin Diesel, but like I said, not sure where he came from) have been hired by the Sovereign race, a bunch of people who are all painted gold and look alike, to protect valuable batteries from a monster that is going to attack their planet.  In return, the Guardians get Gamora's estranged sister, Nebula (Karen Gillan), who had been arrested for stealing some batteries. Everyone in the universe seems to want those batteries. As for Gamora and Nebula...shall we say that Gamora and Nebula have a fractious relationship?  However, if you have not seen the first film, that whole thing probably won't make much sense to you either because it's not really explained here.

After killing the monster, the Guardians leave the Sovereigns, but not before Rocket helps himself to some batteries.  Not a good idea.  So now the Sovereigns are after the Guardians and they are forced to crash-land on a nearby planet where Peter meets a mysterious figure (Kurt Russell - it's nice to see him again) who purports to be the father he has never met. 


Again, it was established in the first film that Peter's mother had a relationship with some kind of "Star Man," and Peter has always wondered who his father was. Peter's father introduces himself as Ego (perfect name considering how things turn out) and invites him to his home planet. He also introduces Peter to
Mantis (Pom Klementieff), Ego's empath, who is very entertaining. She has these cute little antennae and the uncanny ability to touch you and tell what you are feeling and then make you feel better. Very sweet. She was actually my favorite character in this sequel, which tells you how desperate I was to like this film.
So anyway off they go accompanied by Gamora and Drax while Rocket and Groot remain behind to repair the ship and guard Nebula.

Meanwhile, Yondu (Michael Rooker) and his crew (and Yondu is a whole other storyline that isn't really explained here until the end so, like I said, see the first one first) are after the Guardians too, but when Yondu won't turn over Peter to the Sovereigns there is a mutiny and Yondu's right hand man, Taserface (Chris Sullivan), leads a mutiny.  The film has fun with Taserface and his name, and he basically becomes one of the main villains. 

Nebula escapes and continues her obsession with killing her sister, and Peter bonds with his Dad. Turns out, Ego is a Celestial, an immortal, and he has been searching for Peter to find out if he too is a Celestial.  You see, Ego is seeking meaning in life, and needs another celestial to help him find the meaning he seeks.  Unfortunately that meaning he seeks is not to help the universe but to take over the universe.

When Peter discovers that his father might not be the nice sweet Daddy he had been looking for, things change and Peter finds out just who his real "Daddy" is.

Lots of fighting and space ships flying around and crashing, and you know that slo-mo walk that happens in practically every film these days whether it's a bachelorette party or a movie like this?  You know the one, where the main characters walk shoulder-to-shoulder to some powerful hair metal song as they get themselves ready to take on the world? That's called a Power Walk - and there was not just one of those in this film, but TWO!

Written and directed by James Gunn, there are some laughs to be had and lots of space ship fights and that sort of thing. I am sure fans of the Guardians will still enjoy this, but I was disappointed.  And worse...the soundtrack, or should I say, the infamous mixed tape, wasn't nearly as good as the first one.

Rosy the Reviewer says...sigh...like I always say about sequels...but no doubt there will be a Vol. 3.

 



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD




Moana (2016)



When Moana (Auli'i Cravalho) hears the story of Maui (Dwayne "The Rock" Johnson), who stole the heart of the Island Queen, Nafiti, she sets out to find Maui, restore the heart and make things right.

As a child in Polynesia, Moana many times heard the story of the shape-shifter Maui, a demon of earth and fire, who stole the heart of the Island Queen. Her heart is literally the heart of Polynesian life and without the heart, island life is threatened.

We see early in the film that Moana has some magical abilities when it comes to taming the ocean, and the ocean wants her to travel out beyond the reef to find the heart. But Moana's father (Temuera Morrison) is the island's chief and Moana is being groomed to take leadership of the island, and the rule has always been, no one goes beyond the reef. Her mother tells her, "Some things we wish we could do are not meant to be."

Guess what? 

Disney films all have a formula.  This could be a Polynesian version of "Frozen" or even "Finding Dory," but that's OK because if it's not broke, why fix it? Disney has been churning out these formulaic animated feature films for years, and I have only good things to say about films that empower young girls to think they can do anything they want to do.

Naturally, with much powerful singing, Moana goes out past the reef with her cute little pig (there are always cute little sidekicks) and gets caught in the coral.  She makes it back to shore and so much for venturing out past the reef.

So now Moana is discouraged until her grandmother (Rachel House) gives her inspiration to not give up.  Grandma tells her the real story of Nafiti and shows her a cave with a sailing ship and tells her who Moana is really meant to be.

Moana is meant to find Maui and restore the heart to Nafiti to stave off ecological disaster. So off she goes again, this time also accompanied by a ditzy and very funny rooster. She finds Maui and discovers that Maui isn't a very nice guy. He and Moana are not on the same page about saving the islands. Instead, he imprisons her.  He not only isn't a very nice guy, he is actually kind of a meathead.  Maui is not yet who he is meant to be either.  But he also doesn't realize who he is dealing with here.  He is dealing with a Disney Princess and Disney Princesses have PLUCK and GUMPTION!  And remember, the theme here is "Never give up!"

I applaud Disney for this Polynesian folk tale which is a nice and different addition to their film library and for keeping the musical comedy alive.  It's strange, but for some reason people are fine with animated figures and animals singing but when you talk about a musical with live actors doing the same thing, people usually say, "I don't like musicals."  But they love "Frozen" and "Snow White" and other Disney features, all musicals. People are strange.

The excellent quality of the animation is also what we expect from Disney films. Young Cravalho has a lovely voice and creates a perky and engaging Moana. Likewise, "The Rock," who seems to be everywhere these days does a good job as the voice of Maui.

Oh, and did I mention that Disney films are also masterful at pulling the heartstrings?  This one is no exception.

Directed by Ron Clements, Don Hall, Chris Williams and John Musker with a screenplay by Jared Bush and score and songs by Mark Mancina and Lin-Manuel Miranda respectively, the film not only encourages young girls to never give up but it also shows us what can happen if we don't take care of our earth.

Rosy the Reviewer says...not my favorite Disney film but Moana is a wonderful role model for young girls. 





Sing (2016)


Humanoid animals compete in an American Idol type competition (call it Animal Idol) to help save a theatre.

Koala Buster Moon (voice of Matthew McConaughey) fell in love with the theatre at a young age.  He becomes a theatre empresario and is a fast talking promoter, but he is hurting financially and when his theatre is facing the chopping block, he comes up with the idea to have a singing competition.  He manages to eek out $1000 for a prize but, his aging, out-of-it secretary accidentally types $100,000 on all of the flyers and before Buster can proof-read them, the flyers all literally fly out the window and land all over town.

Singers come from far and wide to audition with Buster who does not realize the prize is $100,000! 

At the auditions, we are introduced to a series of performers:

  • Johnny (voice of Taron Edgerton) a teenage gorilla who has fallen in with a bad crowd as in his own family;

  • Rosita, (voice of Reese Witherspoon), a singing pig who is the beleaguered mother of 25 piglets;
 
  • Mike (voice of Seth McFarlane), a rat, who fittingly sings like Sinatra


  • Gunter (voice of Nick Kroll), a flamboyant Liberace style pig;

  • Meena (voice of Tori Kelly), a shy young elephant with a big voice;

 

All of our performers have their personal stories.  The gorilla teen has to fight his criminal Dad, the singing pig can't find a babysitter for her 25 piglets, the elephant girl doesn't make the cut at the audition because she is so shy, though Buster does hire her as a stagehand (and don't worry, she will get her shot).

So now Buster has the talent lined up for his show but when he finds out that the prize is supposed to be $100,000, how will he finance it?
 
Directed by Garth Jennings (he also wrote the screenplay) and Christopher Lourdelet with pop songs most of which you will recognize, this isn't Disney, but Illumination Entertainment, which produced "Despicable Me" and the recent "The Secret Life of Pets," has rounded up a star-studded cast to play anthropomorphic animals in a sweet film reminiscent of "Zootopia."  All of the stars give it their all and like "Moana (see review above)," the film explores the theme of "Never give up," as well as friendship, family and following your dreams.  The animation is first rate.  At times I thought I was actually watching humans!

Rosy the Reviewer says...Great songs, great performances, great fun that all ages will enjoy!





***My 1001 Movies I Must See Before I Die Project***



Only 200 to go!

This is a milestone and I am celebrating!


Have YOU seen this classic film?





In the Year of the Pig (1968)


Produced at the height of the Vietnam War, this anti-war film was nominated for an Academy Award for Best Documentary Feature in 1970.

Director Emile de Antonio uses American Civil War and empire building images to begin this film that is clearly against America's participation in the Vietnam War.  Filmed when the war was in full swing (1968), he used images of protest, news footage and interviews with military figures and journalists to trace the history of Southeast Asia from China's occupation followed by the various other European powers meddling in Vietnam and ending with France.  The film makes the argument that none of those wars and acts of imperialism did anything to help Vietnam and that the Vietnamese should determine their own fate.

Duh.  Too bad we couldn't figure that out long before we got involved.

There are also images of American politicians sitting in Washington in their nice suits talking about the war, intercut with images of the death and destruction occurring thousands of miles away. A voice-over of one of the politicians says "These prisoners are not being mistreated" while at the same time we see an image of a prisoner being kicked by an American soldier.

I got married to my high school sweetheart in 1967 when I was 19. Six months later he was drafted and sent to Vietnam.  I was in college at the time and had the unique experience of a husband fighting in Vietnam while I was at home in college protesting against the war. I also remember watching the news every night worrying that one night I might see my husband getting shot.  Yes, people, there was reporting about the war every single night on the news, showing images of the fighting and the bodies and every night there would be a count of how many Viet Cong and American soldiers had died.  Do we see any images of the wars we have been involved in since?

The film is insightful but very dry.  Lots of talking heads.  And I have to wonder if anyone cares about the Vietnam War anymore.  Maybe not, but seeing films like this is a reminder of a war that we had no business being involved in, letting our fear of communism and the domino effect cloud our judgement.

This film was made in 1968 and sadly the war went on another seven years.  All of that death and destruction and for what?

Why it's a Must See: "...an impressive attack on American foreign policy and the war in Vietnam.  One result is an extraordinarily provocative documentary.  Another is a textbook example of flaws within the American sensibility that are most easily identified as simple arrogance...one of the most successful antiwar, if at times, anti-American diatribes on the evils of political expediency."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...a reminder of the debacle that was the Vietnam War that we can learn from today.




***Book of the Week***




Over Easy: Sweet and Savory Recipes for Leisurely Days by Joy the Baker (Joy Wilson) (2017)

 
Think you know how to boil an egg or make perfect scrambled eggs?  Think again!
 
Joy Wilson, AKA as Joy the Baker, shares recipes for breakfasts and brunches and the rest of a leisurely weekend.
 
Her cookbook "is meant to celebrate and facilitate our own lazy meal days.  The recipes here will satisfy any craving, whether you like things simple or decadent, savory or sweet."
 
She is mostly right.  Her cocktails - "Summer Pimm's Cup" and "Grapefruit Rosemary Mimosa" - would certainly satisfy my brunch cravings for a cocktail, and I am definitely going to try her "Extra-Egg-and-Bacon Fried Rice" and her "Favorite Breakfast Sandwich," where she uses a "folded" scrambled egg (see recipes below).
 
However, she complicated my life a bit by sharing her secrets for "Great Fried Eggs" and "Very Easy Poached Eggs. 
 
For all of the secrets, you will have to check out her book, but the one secret I have a hard time with is having to crack the eggs into a fine-mesh strainer when making fried or poached eggs.  This supposedly strains the watery portion of the egg whites, leaving the "best" parts for you to fry or poach thus creating a more compact egg.  I can just see myself cracking the egg into a strainer and breaking the yolk.  Not sure if I am going to do that, but check back to one of my upcoming Tuesday "Rosy's Test Kitchens" where I will test that tip. 
 
In addition to fried and poached eggs, she also reveals the "Secret to Perfectly Boiled Eggs (for hard-boiled, keep them in the fridge until the very last minute and then when the water is at a full boil, put the eggs in the water, turn the heat down to medium and boil for 11 minutes).  She says it's when you overcook your hard-boiled eggs that you get that ugly green or grey ring that sometimes appears around the yolk. I have my own method for hard boiled eggs which is easy and seems to work perfectly except now that I think of it, my eggs do seem to get that nasty little discoloration. And the "Secret to Fluffy Scrambled Eggs?"  She uses clarified butter and soy sauce in her scrambled eggs! Soy sauce?  I am also going to have to test that!
 
In addition to her egg tips, the cookbook has recipes for pancakes, waffles, quiches, breakfast BLT's , tacos, quesadillas and burgers and for the sweet tooth - scones, pecan rolls and doughnuts.
 
The cookbook is a lovely presentation with almost all of the recipes having accompanying color photographs.
 
And as promised, here are a couple stand-outs:
 
"Extra-Egg-And-Bacon Fried Rice"
 
  • Bake 8 slices of bacon in the oven on a rack in the upper third of the oven at 375 for 17-20 minutes.  Let cool and chop. (and baked bacon really works)!
 
  • Heat 3 T sesame oil in a large skillet over medium heat.  Add 1/3 c. sliced scallions with both white and green parts and 1/2 c frozen peas, thawed.  Cook until warmed, about 3 minutes.  Add 6 c. cooked white rice and toss to combine. Cook rice and veggies about 6 minutes.
 
  • Meanwhile, mix 3 T soy sauce, 2 T rice vinegar and 1 to 2 T Sriracha or your fave hot sauce.  Pour the mixture over the rice and add the chopped bacon.  Scrape the rice to one side of the pan and add 2 large beaten eggs and stir immediately to scramble the eggs as they cook.  As the eggs firm, stir the rice mixture back into the eggs.  Season as you wish.
 
  • To serve, divide the rice among four shallow bowls and top each with a fried egg (cooked as she had instructed - remember that fine mesh strainer)?
 
Yum!
 
 
As for that Breakfast Sandwich with the folded scrambled eggs I mentioned?
 
  • You put the whisked eggs (with that soy sauce) into a nonstick skillet and let the eggs set like a crepe.  Sprinkle it with cheese and then use a very thin spatula to fold the sides of the egg over the melting cheese creating a small folded square.
 
  • Then put the egg, your favorite meat and seasoning on a prepared English muffin and breakfast is served!
 
Rosy the Reviewer says...a delightful cookbook with breakfast and brunch recipes that will be delicious any time of the day.
(And keep your eye out for an upcoming "Rosy's Test Kitchen" where I will put her egg tips to the test and share my own secrets)!
 
 
 
Thanks for reading!

  

 See you next Friday 

 
for my review of  
 
  
"Everything, Everything"


and


 The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


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Check your local library for DVDs and books mentioned.


Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Once there, click on the link that says "Explore More" on the right side of the screen.  Scroll down to External Reviews and when you get to that page, you will find Rosy the Reviewer alphabetically on the list.

NOTE:  On some entries, this has changed.  If you don't see "Explore More" on the right side of the screen, scroll down just below the description of the film in the middle of the page. Click where it says "Critics." Look for "Rosy the Reviewer" on the list.

Or if you are using a mobile device, look for "Critics Reviews." Click on that and you will find me alphabetically under "Rosy the Reviewer."




Friday, April 28, 2017

"Unforgettable" and The Week in Reviews

[I review the new movie "Unforgettable" as well as DVDs "Collateral Beauty" and "Desierto."  The Book of the Week is a cookbook, "An American Girl Living in London."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Scarface" (and you can save your "I can't believe you haven't seen 'Scarface" remark. I've heard it many times already)!




Unforgettable


Tessa Conover (Katherine Heigl) is divorced from her husband, David, but she's not happy about it.  And she is even less happy when she meets David's new girlfriend, who he plans to marry. 

Tessa and David (Geoff Stults) Conover are divorced but you would never know it.  They have a daughter together, Lily (Isabella Kai Rice), and I guess that's the reason why Tessa seems to be around all of the time.  It doesn't hurt that she only lives about a block away from David which makes it easy for her to drop by whenever she wants...and she does, which makes you wonder...um, David, why aren't you telling your ex-wife to take a hike? 

Tessa is the epitome of The Ice Princess right down to her perfect platinum blonde hair, her perfect pale skin, her perfect manners and her perfect white clothes. She is one of those perfect suburban mothers who always brings the best treats to school events, keeps an orderly calendar and has taught her daughter manners.  She is unflappable and, well, perfect.

In contrast is Julia (Rosario Dawson), a dark-haired beauty with a past, a victim of domestic abuse who spent some time in a mental hospital because of it.  But now, her career is on track, she has moved in with Geoff, she plans to marry him and is happy to be the step-mother to little Lily. But despite restraining orders and hiding from her tormenter, Michael (Simon Kassianides) - she doesn't even have a Facebook account, can you believe it? - she is still afraid that he will find her. Lots of changes for Julia so she is vulnerable and imperfect.

And let's just say that once Tessa is through with her she will seem VERY imperfect.

However, we soon find out that Tessa is less than perfect, too, as the façade begins to crack. She has a mom (Cheryl Ladd, who at 66 looks damn good), who you can tell was hard to please so naturally Tessa thinks she needs to live up to her mother's high standards and, likewise, is passing that on to little Lily. 

But I guess the most important thing that stands in the way of Tessa's perfection is that... Tessa is unhinged.

Tessa wants Geoff back and decides that the best way to do that is to get rid of Julia, so she stalks her and embarks on a series of situations to make Julia look bad and ultimately, points the evil Michael to her.  And horrors, she is a catfish - she sets up a fake Facebook account in Julia's name and catfishes Michael.

Remember "Single White Female?"  Well, this film is kind of like that, that and just about every Lifetime Movie ever.  And director Denise Di Novi and screenwriters Christina Hodson and David Johnson have included every single Lifetime Movie device in their screenplay. 

And I mean EVERY...SINGLE...ONE!

Let me refresh your memory on those:

  • The movie opens with our heroine having already gone through her ordeal, whatever it is, and then the movie flashes back six months (it's almost always six months for some reason).
  • Our heroine is being set up and/or framed by someone who is jealous/feels wronged/is crazy and murderous/ or all of those things...you fill in the blanks.
  • Lots of stalking.
  • Heroine never tells anyone about her past or the phone calls and stalking, instead practically gives herself a stroke trying to deal with this on her own
  • Husband or boyfriend is clueless and absolutely no help whatsoever and in fact, often must be saved by our heroine
  • Girl fight - always a girl fight
  • The ending is always a flash forward - six months again - and everything seems happy and resolved...
  • Until... a knock on the door/phone call/ text/you fill in the blanks that leaves us and our heroine thinking...happy ending...OR IS IT?


But, hey, I like Lifetime Movies (in fact, I wrote an appreciation of them awhile back), and I kind of knew what I was getting into with this, but I don't know.  When I pay almost $11.00 for a senior ticket for a matinee, I expect the film to be on a bit of a higher level than what I can watch for free any time of the day on the Lifetime Movie Channel.  but, alas...

Last week, when I was reviewing Anne Hathaway's new movie, "Colossal," I mentioned that in 2013 she was considered "the most hated woman in Hollywood."  Well, if the gossip rags and TMZ are correct, Katherine Heigl won that title after Anne, and not sure that she still isn't the most hated.  Since Katherine plays the villain here, this film won't help her image any either, but I have always liked her as a actress.  She is a beautiful woman and certainly a competent actress and does Ice Princess very well.

Likewise, I like Rosario Dawson, but in this movie, she just can't seem to rise above the script.  In her defense, I don't think Meryl Streep could either. And here's something. I didn't mind the child actress.

Rosy the Reviewer says...Unforgettable?  Nope, forgettable. If you are in a Lifetime Movie mood, turn on the Lifetime Movie Channel and indulge yourself for free.


 

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD





Collateral Beauty (2016)


A guy loses his daughter, can't deal with it, has a bit of a breakdown that is manifested by his writing letters to Love, Time and Death.  Yes, you heard me, he writes letters to Love, Time and Death, and he actually mails them.

I know.  Sounds awful, doesn't it? This film did not do particularly well at the box office and the reviews were not good either, which is not surprising since the premise is way out there, but hear me out.

Howard (Will Smith) runs an advertising company and is supposedly brilliant at it.  As the film begins we see him rallying his staff with a speech about how all humans are connected:

"We long for love, we wish we had more time, we fear death."

I guess according to him, those precepts are the backbone of good advertising.

But that was then, this is now - three years later.

After the death of his daughter, Howard is a shadow of his former self and his co-workers, Claire (Kate Winslet), Simon (Michael Pena) and Whit (Edward Norton) are worried about him. Whit is particularly worried, more about the fact that the company is going down the tubes and he is Howard's partner. And he should be worried, because Howard spends his days making elaborate domino structures and then knocks them down. That's about it for his day.

Whit doesn't see Howard coming out of this any time soon, so he wants Howard to sell his share of the company. When the three discover that Howard has written letters to Love, Time and Death, they decide, "Yikes. Ok, that's it.  We have to do something!" And that's when the three come up with an elaborate plot to gaslight Howard so he will question his own mental capacity and sell, or they can legally question his competence and get control of the company. Now, my first question is, "Um, are you guys his friends?"

Whit meets Amy (Keira Knightley) when she appears for try-outs for an advertising campaign. She is an off-off Broadway actress and through her Whit meets Brigitte (Helen Mirren) and Raffi (Jacob Lattimore), two other actors.  They need money to put on a play and so when Whit proposes to them that they play the parts of Love, Time and Death and approach Howard, they eventually agree.  The idea is that if Howard is forced to confront the actual manifestations of Love, Time and Death, he will come out of his funk and Whit will be able to reason with him and get him to sign over his shares of the company to him. Or meeting the actual manifestations of Love, Time and Death will send him all of the way around the bend and Whit can force him to sell.  Either way, it's a win-win for Whit.

However, naturally as the three are dealing with Howard's issues, it becomes apparent that they have their own issues.  Whit has a daughter who doesn't want to spend Christmas with him because he cheated on her mother; Claire is running out of time to have children; and Simon is dying.  So instead of plotting against Howard, those three need to check themselves, doncha think?

First Death (Brigitte) shows up in a blue beret and a feather boa.  She quotes from his letter to her and actually manages to convince Howard that only he can see her.  Likewise, Amy as Love and Raffi as Time are able to do the same thing and Howard starts to believe and question his own sanity. 

So Howard joins a support group for parents of dead children and he meets Madeline (Naomie Harris). Madeline shares her story with the group.  She, too, has lost a child, and at the hospital after her child had died, she met a woman who told her about collateral beauty - Collateral Beauty - what we learn from devastation. 

You've heard of collateral damage, right?  It's that thing that happens when a bomb goes off and kills the intended target but also innocent bystanders.  If it kills some innocent people along the way, well that's collateral damage, sometimes that happens. Here we have collateral beauty, that thing that can happen after something terrible happens, when something good comes from it.  Or at least, I think that's what this movie is trying to say.

So does collateral beauty emerge out of tragedy for Howard?  And from this nasty little plot to ruin Howard, are Claire, Simon and Whit redeemed by collateral beauty? Geez, I wonder...

After seeing all of those cheesy trailers that were all over the place at Christmas time and now hearing about the plot, are you thinking what I thought?  This sounds terrible! And what are all of those A-list actors doing in a movie like this? Do they know something I don't?  Because after seeing this film, I am still wondering what attracted them all to this.

But here's the twist. 

There actually is a twist, and I didn't see it coming at all and that twist ALMOST saved this movie for me. I said almost. Let's just say it had a bit of a "Sixth Sense" vibe. Written by Allan Loeb and directed by David Frankel, I liked this film much more than I thought I would, though it was a bit of a slog to get to the part I liked. Yes, it's sentimental and schmaltzy - and it even takes place over Christmas so there is snow and Christmas lights and Salvation Army bellringers, all meant to make you feel warm and fuzzy - but I have to admit that by the end of the film, it did eventually get to me. 

I had new respect for Smith when I saw him in "Concussion (I gave him a good review)," but I detect a wee bit of overacting here if gnashing of teeth and clenched fists can be construed as over-acting, but Smith is also able to convey a certain tenderness that comes through, so I will give him a pass.  Likewise, it's interesting to see Michael Pena in a dramatic role (please tell me you didn't go see "CHIPS"), and though Mirren is a bit too cutesy, she makes it work and Norton and Knightley do the best they can with what they've got to work with.

Rosy the Reviewer says...pure schmaltz but I like schmaltz. 






Desierto (2015)


As a group of people try to cross the border from Mexico into the United States, they encounter a man who has taken patrolling the border into his own deadly hands.

This film shows the plight of those seeking a new life in the United States.  When people are willing to be crammed into the back of a truck in blazing heat and cross deserts on foot, you know they are desperate.

A truck with what appears to be Mexicans trying to get into the United States breaks down in the middle of the desert.  At that point the driver points, says "The United States is that way," and abandons them.

Next we meet Sam (Jeffrey Dean Morgan), who appears to just be a good old boy cowboy in a truck, but we soon learn he has a mission and suddenly this film changes from a movie about Mexicans crossing the border and trying to avoid the border patrol to a horror film where a self-proclaimed border patrol vigilante feels compelled to keep others out by any means possible, and that means tracking them down with this vicious dog and picking them off with his rifle.

Right away, five members of the group get separated from the rest and that's a good thing because those who had gone ahead are mercilessly shot and killed.  And when you are crossing a desert, there is nowhere to hide.  The five who were left behind watch in horror as their comrades are gunned down.  After killing them, Sam put his cigar back in his mouth, puts his cowboy hat on and says, "Welcome to the land of the free."

When the dog, fittingly named Tracker, alerts Sam to the others who had fallen behind, the film becomes a cat and mouse game.  I am a dog lover but now I know why I don't particularly like other peoples' dogs - Tracker is one mean mutt, mean as in ripping people's throats out.

About halfway through the film, we get some background on the people who are still alive and why they wanted to come to the U.S.  And in all of this current controversy about illegal immigrants, we forget that these are our fellow human beings who are not murderers and rapists but just people who want a better life.  Sam is representative of those who hate immigrants, those who see the U.S. being overrun by people they don't understand.

Sam is an exaggerated, deadly version of Trump's Wall.

Gael Garcia Bernal is the other star - I first saw him in the 2000 film "Amores Perros," a Mexican film he made before he could even speak English.  He was so good in that and had such movie star looks that he broke out, learned English and has been starring in English language films ever since but has not really gained the stardom that was predicted.  I know who he is and always recognize him in films, but I can never remember his name.  I always have to say to Hubby, "You know, that guy with the three names who was in that dog movie."  Hubby can always read my mental shorthand.  But maybe that's why Bernal is still toiling in indie films like this one. The biggest mainstream film he has been in appears to be "Babel (2006)" though he stars in the web-TV series "Mozart in the Jungle" and is currently in pre-production of a Zorro film where he will star as Zorro (does anyone remember Zorro anymore)?  Perhaps that will be the film to cast him into the world of celebrity.

Morgan has mostly been a TV star ("The Good Wife," "The Walking Dead"), but his evil, steely and believable performance here should bode well for his future in feature films.

Written by Jonas Cuaron and Mateo Garcia and directed by Cuaron, this is an indictment of racial hatred and showcases the nightmare for some who just want to be a part of the American Dream. It's also one taut, scary movie. (Cuaron is also the writer and director of the aforementnioned up-coming Zorro film, and he is the son of director Alfonso Cuaron who won a Best Director Oscar for "Gravity" in 2014), 

Rosy the Reviewer says...a  sad commentary on extreme racism and man's inhumanity to man.  It's also a heart-pounding horror film that could actually be true and which reminded me why I hate the desert.




***My 1001 Movies I Must See Before I Die Project***



204 to go!

Have YOU seen this classic film?
(OK, don't answer that.  I know you have and you don't need to remind me that I hadn't)!




Scarface (1983)


From Cuban immigrant to drug lord.

Save your intake of breath and your "YOU HAVEN'T SEEN SCARFACE???" exclamation.  I know...but sometimes movies slip through the cracks even for a seasoned movie-goer like myself.  I think I was boycotting violent movies at the time, but I'm here now so let's move on.

I don't agree with anything Trump said about Mexicans or immigrants in general, but according to this film, Castro did empty out his jails and did send us those he didn't want. The film begins by saying that there were 125,000 refugees who escaped Castro's Cuba or were kicked out by Castro and of that number, 25,000 had criminal records.  Maybe this movie is where Trump got that idea about Mexican immigrants. But as depicted in the film "Desierto (reviewed above)," most immigrants have come to the U.S. for a better life for themselves and their families.

And Tony Montana (Al Pacino) was no different, though I think he was in a bit of trouble back in Cuba and his idea of making a better life for himself involved murder and some criminal activity.  When he arrives, the immigration guys want to send him back, so Tony gets to do an Al Pacino speech right at the beginning of the film as he talks his way in the U.S.  A month later, Tony and his friend, Manny (Stephen Bauer) are in a refugee camp under a highway in Miami, Freedom Town, and before we know it, Tony has a gig to kill a politico from Cuba.  Tony knifes him during a riot and in so doing finds himself and Manny out of the refugee camp and proud owners of a couple of green cards.

The two start out working in the kitchen of a sandwich shop across from a posh nightclub called Little Havana.  They envy the rich clientele they see coming and going from the nightclub and plot how they will get there themselves.  It's not long before they are recruited by Omar (F. Murray Abraham), one of Frank Lopez's (Robert Loggia) goons.  Lopez is the current drug lord and he wants Tony and Manny to pick up some cocaine from some Colombians for $5000.  So Tony and Manny quit the restaurant and thus starts their lives of crime.

The drug deal goes wrong, very wrong.  It becomes clear that the Colombians have no intention of handing over the cocaine.  In fact they are planning to not only keep the cocaine but take the money as well.  They tie Tony and his cohort up and then threaten the two with a chainsaw. Give up the money or it's chainsaw time. As soon as the guy pulled out the chainsaw, I remembered why I didn't want to see this movie.  Ew.

This scene sets the stage for what a bad guy Tony really is.  He sees his buddy chopped up with a chainsaw and still he doesn't turn over the money.  He just gets mad and madder.  When Manny and another guy finally stop flirting with a girl in a bikini out on the street and come into the apartment, they rescue Tony, and now Tony has the money and the coke and Frank has to negotiate with Tony.  Naturally Frank is impressed with Tony's balls and honesty so he earns a place in the Cuban mafia.

And then Michelle Pfeiffer shows up, or should I say, Elvira, Tony's dream of a woman and Tony's Achilles Heel.  He lusts after Elvira, even though she is Frank's girl, and you can see where that's headed.

Tony's mantra is you need to make the money first, then you get the power and then you can have whatever you want.  And of course he does, but once he gets it, it's not what he had hoped for.  My mantra is, "Be careful what you wish for?"

There is a side story involving Tony's sister and mother.  Tony sees his sister, Gina (Mary Elizabeth Mastrantonio whose accent sounds more Eastern European than Cuban), as a virginal girl to be protected and he is not happy when he sees her partying in a club, doing cocaine, and eventually falling for Manny.  She is another Achilles Heel for Tony and helps to lead to Tony's ultimate downfall. 

Directed by Brian De Palma with a screenplay by Oliver Stone and wonderful score by Giorgio Moroder, neither De Palma nor Stone are known to pull any punches when it comes to violence and gore and this film is no exception.  It's full of it.  And it's full of really good filmmaking.  The sign of brilliant filmmaking is creating a horror scene like the one with the chainsaw and scaring the crap out of the audience without really showing anything. Well, there was blood, but you know what I mean.

Pacino, was well, Pacino.  His accent came and went from time to time, but he was what we have come to expect from Pacino: over-the-top, scenery-chewing and absolutely riveting. He had just come out of success with a more low-key performance in "The Godfather" and was already on his way to superstardom.

This was a seminal film and a very original and different kind of movie for 1983. Today, we have come to accept gangsters, drugs and violence in movies (and Al Pacino's over-the-top acting), but then it was shocking.  It set the stage for movies to come and set the stage for success for many of those involved. The screenplay by Oliver Stone was only his 4th feature film screenplay and before his successes as a director. Michelle Pfeiffer had just come out of "Grease 2," which was hardly Academy Award material, and these were Stephen Bauer's, Mary Elizabeth Mastrantonio's and F. Murray Abraham's first big roles.  All went on to have successful movie careers (Abraham went on to win an Academy Award for his role in "Amadeus)."

Why it's a Must See: "Brian De Palma's updated remake of Howard Hawks's 1932 gangster classic...is bloody, excessive, outrageous, and brilliantly crafted --and it sports an unforgettably histrionic performance from Al Pacino...De Palma's controversial masterpiece gives us the subversive thrill of seeing a social microcosm explode into a thousand fragments -- and all the while, a blimp flies above, heralding a bitterly mocking slogan in neon: 'The World is Yours."
---"1001 Movies You Must See Before You Die"

At almost four hours, "Scarface" is an epic film that has achieved cult status.  Who among us hasn't said at least once, "Say hello to my little friend!"

So, if like me, you missed this one, go say hello to your little friend, the DVD player!

Rosy the Reviewer says...it's an epic film about unscrupulously fighting to get what you want and then finding out it doesn't make you happy.  And now I can say I've seen 'Scarface."  So be quiet.




***Book of the Week***





An American Girl in London: 120 Nourishing Recipes for your Family from a California Expat by Marissa Hermer (2017)

 
 

Classic British recipes with an American twist.

Just the title makes me green with envy. I want to be an American girl living in London. That's what drew me to this cookbook, that and the fact that I love cookbooks (are you following me in my "Test Kitchen?)"

However, when I requested this book from my library, I didn't realize that Marissa Hermer is one of my "Ladies of London," which is a British version of "The Real Housewives," and as you probably know, the "Real Housewives" franchise is one of my guilty pleasures. So that made it even more fun and actually, this is a really good cookbook.

Hermer grew up in Southern California (Newport Beach), moved to New York City and eventually found herself working in London where she met her future husband, who was a restaurateur.  Now ten years later, she is still in London helping to run her husband's restaurants, has three children and is starring in a Bravo TV show.  Not bad. And now she has added a cookbook to her resume.

She shares breakfast recipes, soups, salads, sides, comfort food, roasts, party foods, what to serve for tea and pudding (that's desserts to us Americans).  There are traditional British classics included such as Bubble and Squeak and Kedgeree, but she puts a California twist on some British classics e.g. using sweet potatoes in a shepherd's pie or salted caramel sauce for her sticky toffee pudding.

It's a nicely presented cookbook with large colored pictures for most of the dishes and Hermer comments with tips and substitutions. 

"I've never thought of myself as a chef -- I'm not one.  I'm a working mother who cooks easy recipes and keeps a growing family well fed...However, I do have a few tricks to keep my British husband happy, my picky children nourished, and my California soul satisfied."

And I found her recipes to be satisfying too.

Rosy the Reviewer says.. you don't have to be an Anglophile to enjoy this cookbook but if you are one, you will love this!

 
 
Thanks for reading!


 
See you next Friday 

 
for my review of


"The Circle"

and

 
The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


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