Showing posts with label Horror films. Show all posts
Showing posts with label Horror films. Show all posts

Friday, January 26, 2018

"I, Tonya" and The Week in Reviews

[I review the movie "I, Tonya" as well as DVDs "Marshall" and "Kingsman: The Golden Circle."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Stalker."  The Book of the Week is a novel: "The Lying Game" by Ruth Ware. and there is a bonus feature this week: "TV - What I'm Watching!"]





I, Tonya


A pseudo-documentary on the notorious attack on figure skater, Nancy Kerrigan, at the 1994 National Figure Skating Championships.

When she first heard this story of the attack on figure skater Nancy Kerrigan at the 1994 National Figure Skating Championships, Margot Robbie, who plays figure skater, Tonya Harding in this film, thought it was a fairy tale.  She couldn't believe something like this could happen in real life, but it did.

As those of you who have been following this blog for awhile must know, I am a huge fan of figure skating.  I even wrote a blog post a few years ago that highlighted the parallels between figure skating and my life so of course I knew it happened.  I knew all about the Tonya Harding/Nancy Kerrigan "incident."

But in case you aren't a fan of figure skating or are too young to remember it, here's a recap.

Nancy Kerrigan and Tonya Harding were figure skating rivals and polar opposites.  Nancy Kerrigan represented the perfect little ice skating princess with her New England up-bringing and her Vera Wang skating costumes.  Tonya Harding came from a poor Oregon background, had to make her own costumes, swore like a truck driver, had a husband, and smoked.  Her coach said to her mother that Tonya looked like she chopped wood every morning to which her mother replied, "She does!"  But Tonya could also really skate.

Tonya Harding was the first woman to complete a triple axel in the short program; the first woman to successfully execute two triple axels in a single competition; and the first ever to complete a triple axel combination with the double toe loop.  She was also the 1991 National Champion, won a silver medal in the 1991 World Figure Skating Championship, won Skate America twice and was a two-time Olympian.

But the story doesn't end there. 

At the 1994 National Figure Skating Championships, a step closer on the road to becoming a member of the 1994 Olympic Figure Skating Team, someone (later identified as Shane Stant) attacked Nancy Kerrigan as she stepped off the ice after a practice session, hitting her in the knee with a baton.  It came to light that Tonya's husband, Jeff Gillooly and his side-kick, Shawn Eckhart, masterminded the hit in hopes of injuring Kerrigan badly enough that she would not be able to skate in the Nationals and thus get her out of competition for the Olympics leaving the road open to Tonya.  After the attack, Tonya went on to win Nationals, but Kerrigan was not seriously injured and, ironically, they both went to the Olympics where Kerrigan won a Silver Medal and Tonya finished eighth. 

When the conspiracy was discovered, Gillooly was offered a plea deal to implicate Tonya, which he accepted.  However, Tonya has always maintained her innocence but pleaded guilty to hindering prosecution, meaning once she knew what her husband and his cohorts did, she said nothing.  Now here's the rub.  The guys got 18 months and Tonya got probation BUT she was banned for life from the United States Figure Skating Association meaning that even though Tonya was not one of the attackers, she  actually got something worse than the prison sentence that the actual attackers received.  She could never compete as a skater again.

So the story at face value paints a picture of Tonya Harding as a villain picking on poor little Nancy Kerrigan, and today there are still people who feel that way about Tonya and refuse to see this movie.  But this film brings to light the true story of Tonya's life, something that was not widely known.

The film concentrates on Tonya's personal life, and according to this film, she grew up with her mother, LaVonna (Allison Janney), an abusive mother who beat her and never had a kind word to say to her.  Tonya fell in love at 15 with Jeff Gillooly (played by an oily Sebastian Stan), the first guy to tell her she was pretty so what do you do when you are insecure, wearing braces and a guy tells you that you are pretty?  Well, I guess you marry him...and she did.  And then she went from an abusive relationship with her mother to an abusive marriage. 

Because of her upbringing, Tonya grew up to be a tough cookie. She drank and smoked and drove a truck and because she didn't fit the mold of the pretty skating princess, her component scores (those are the artistic scores for a skater) supposedly suffered and she became more and more angry at her treatment.  But Tonya was already an award-winning skater, so we will never know why Gillooly thought he needed to cut down Tonya's competition or whether or not Tonya knew about it, and this film doesn't really attempt to answer that question.  You will have to decide for yourself. 

And lest you think this is a dark tragic story, you would be wrong. 

It's dark alright, and possibly a tragedy, but it plays as a dark comedy. 

Filmed like a pseudo-documentary or an episode of "Dateline," the characters break the fourth wall and talk directly to the camera, each telling their side of the story, and much of the film is "in their own words."  I recently watched an ABC special - "Truth and Lies: The Tonya Harding Story" - and recognized that much of what was said in the film came directly from interviews with Tonya and LaVonna. 

Margot Robbie is an unlikely Tonya, but believable, though I couldn't quite buy her as a 15-year-old, despite the braces.  Though Robbie is the star and in practically every scene, Allison Janney as Tonya's mother steals the show.  She makes Mommy Dearest look like Mother of the Year.  But both actors have deservedly been nominated for an Oscar for their wonderful performances.

Gilooly's friend, Eckhard, who fancied himself Tonya's bodyguard and was delusional about his role in international espionage and who stupidly screwed up the whole plot is wonderfully and hilariously played by Paul Walter Hauser and the rest of the ensemble are also all first rate.

This was a sordid little piece of figure skating history brilliantly adapted by Steven Rogers and directed by Craig Gillespie.  But it's also the story of class consciousness and a young girl with a brutal history who wanted to beat the odds and be somebody, but because she didn't fit the mold or have the tools to move forward, was beaten down.  If Tonya was involved in the attack on Nancy Kerrigan, then she deserved to go to jail. But if she wasn't, then this story is indeed a tragedy because she was given what could only be defined as a life sentence for a skater - she could never skate in competition again.

The way the film incorporated Robbie into actual footage of Tonya was also brilliant, though Robbie said she took skating lessons and did much of the skating herself, though I doubt she was pulling triple axels. 

However, there was one little thing that I noticed that grated:  In one of Tonya's competitions she skated to a ZZ Top song - with lyrics!  Now I know the filmmakers probably did that to show that Tonya was a rebel and a sort of wild child, to skate to a rock song instead of a classical piece as most of the skaters were doing.  But the filmmakers should have done their homework.  Skaters were not allowed to use music with lyrics until 2014!

But that was a small thing in an otherwise funny, sad and quite wonderful film!

Rosy the Reviewer says...an enlightening and original take on this little bit of history with stellar performances by Robbie and Janney, who are both deservedly nominated for Oscars. 




***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD







Marshall (2017)


A biopic about Thurgood Marshall, who became the first African American Supreme Court Justice.

This film concentrates on Marshall's (Chadwick Boseman) early career starting in 1941 when he was only 32 and the head of the Legal Defense Fund for the NAACP and part of one particular trial.  He is approached by Sam Friedman (Josh Gad), a Jewish civil lawyer from Connecticut, to help him with a case where Eleanor Strubing (Kate Hudson), a rich white woman has accused Joseph Spell (Sterling K. Brown), her black chauffeur, of rape and attempted murder.  The pairing of these two lawyers, seemingly opposites, is an interesting one as they work together to defend their client, but it becomes clear that both men have faced their share of racism.

This is a classic "To Kill a Mockingbird" type courtroom drama except this is real. 

It also happened during Jim Crow when a black man accused of rape could be depicted in the newspaper as a gorilla.  So it was in that atmosphere that Marshall was involved in this case, but even though he had already argued a case in front of the Supreme Court, because he had not passed the bar in Connecticut, the white and probably racist judge (James Cromwell) would not give him a special dispensation to practice in Connecticut and told Marshall he could not speak, argue or examine witnesses during the trial.  That made it a bit difficult for Friedman, who was a civil lawyer with his life and practice on the line for taking this controversial case.  He had to conduct the trial with Marshall in the background, providing support and information behind the scenes and from the sidelines.

But the film is not just a courtroom drama.  It's also a mystery.  Did Joseph rape and try to kill Eleanor?  And if not, why did she accuse him?

Chadwick Boseman is wonderful as Marshall and is a versatile actor when you consider that his next movie is the superhero film "Black Panther!" And Gad, who often plays portly comic characters, pulls his dramatic weight against Boseman and creates a sympathetic character in Friedman who has his own battles to wage.

I am a big fan of the TV show "This is Us," which stars Sterling K. Brown, who plays Joseph Spell in this film, and I have to admit I have not been a big fan of his because of his character, Randall, on that show.  Despite all of the awards Brown has received for playing that character, I find Randall to be annoying in his intensity.  I was never sure if Brown was playing Randall or Randall was playing Brown. So here I kept waiting to see little signs of Randall in Brown's performance, and I have to say I didn't detect any, so kudos to Brown.  He really is a good actor.  I like him now.

Written by father-son writers Jacob and Michael Koskoff and directed by Reginald Hudlin, the film has been sited as an accurate depiction of Marshall and this trial and is an inspiring reminder of what Black Americans have had to endure to not just succeed but to exist.  When Marshall comes out of the courtroom after hearing he and Friedman had won their case (and you knew they would so I'm not spoiling anything here - this film is not about the outcome but about the journey), he is confronted with a "Whites Only" drinking fountain.  He drinks anyway.  Hello Supreme Court Justice Marshall.

Marshall went on to win many civil rights cases in front of the Supreme Court, most famously Brown v. the Board of Education.  Keep watching the credits to hear the real Marshall speak.

"You know, there are so many people, indeed my own sons at times, look at me with an expression on their face that they don’t believe what happened in the past.”

Rosy the Reviewer says...this is a movie that needs to be seen to remind us of what has happened in the past so we won't repeat it.  We have come a long way, but not far enough.






Kingsman: The Golden Circle (2017)


Another one of those spy films where an evil organization holds the world hostage.

Spy movies and I don't usually get along. 

Even as far back as the James Bond films, whenever I watched a spy movie, I never seemed to know what was going on.  Now, I am an educated woman who has managed to get through life without screwing up too much, but for some reason, I don't seem to be smart enough when watching these spy films to figure out who the bad guys are, who the good guys are and what the hell is going on.  For some reason, the screenwriters of these things feel the need to  write convoluted plots that take every twist and turn possible - agents, double agents, double-crossing, triple-crossing, all of whom are looking for something - until it all makes no sense, I have no idea what they are looking for (though often it's a list) or why.  And then there's that whole question of why the bad guy doesn't kill the good guy when he has a chance - this happened all of the time in the Bond movies.  Bond is trussed up like a turkey and the bad guy only has to shoot him to get rid of him once and for all, but no...he wants to torture Bond, so he leaves him in the room with a ticking time bomb and, of course, Bond figures out a way to save himself.

But hey, I am here to report that I actually could follow what was going on here and the film is campy and fun!

This is round 2 of the Kingsman franchise based on the comic book "The Secret Service," and knowing how these things work, I would imagine there will be more.  Colin Firth starred in the first one and played a bigger role than he does in this sequel, especially since we thought he was dead (he got shot in the first film), but though Firth is in this one too, Taron Egerton, who we met in the first film, is the star as Eggsy, a street kid by day and dapper Kingsman by...well, day and night when needed.  When he dons his Kingsman duds, he could be a young Colin Firth, and I suppose that's the whole point.

The Kingsman Headquarters is under attack by evil drug kingpin, Poppy Adams (Julianne Moore), who dresses like a 1950's housewife and oversees a 50's style amusement park called Poppyland in Cambodia.  Why Cambodia?  We will never know. Despite her sweet façade, she is prone to putting her enemies in meat mincers head first.  Not pretty.  Poppy also oversees the Golden Circle, a drug cartel, and she wants to force the world to legalize drugs.  If they don't, she is going to poison all drugs with a virus that will cause the victims to first go through a manic stage, then become frozen and then they die.  However, if the world succumbs to her demands, she will pass out the antidote and save the world.  But Poppy also wants fame.  It's not enough to take over the world.  She wants the world to know that SHE, Poppy, is the one taking over the world.

Poppy's slogan is "Save lives/Legalize!"

Because this is a worldwide issue and the Kingsman Headquarters has been blown to smithereens, Eggsy and his sidekick, Merlin (Mark Strong), are forced to team up with some Americans in Kentucky - the Statesman, a group of agents that includes Jeff Bridges as Champagne (AKA Champ), Channing Tatum as Tequila and Pedro Pascal as Whiskey. As you can probably tell from their names, just as the front for the Kingsman organization is the bespoke tailoring, the front for the Stateman is Kentucky Bourbon and they certainly don't want drugs to be legal since they sell alcohol!

See?  I figured this thing out. 

The film has the usual spy movie fights, car chases and spectacular disaster sequences, most notably a tram careening wildly down a mountain toward an old people's home that ends with one of the funniest lines in the film - I actually laughed.

As I said, Mr. Darcy, er, I mean, Colin was more in evidence in the first film.  He doesn't show up until the last hour in this one, and when he does he is wearing sweats.  Colin Firth wearing sweats is not quite the same as Colin Firth in full gentleman drag but I was glad to see him.  Edgerton is a sweet-faced young man who could pass as a young Colin Firth, and he is joined by Halle Berry as Ginger Ale (in case you haven't noticed, everyone has catchy James Bond kinds of names), but she doesn't do much except look dowdy. Julianne Moore overacts like mad - well, actually everyone overacts like mad - making this film one big campy romp.  I mean, Elton John is even in this.  He has been captured by Poppy and must dress like the old Elton, wear the flashy costumes and sing his old songs on demand but he gets a big moment at the end.

Directed by Mathew Vaughn with a screenplay by Vaughn and Jane Goldman, this is a comic spy film that is also a sort of satire on the pharmaceutical industry and the war on drugs with a bad American President who gets impeached.  Mmmm.  There is some fun to be had but at two hours and 21 minutes, it's too long.

Rosy the Reviewer says...silly and dumb but kind of fun.  It grew on me.




***My 1001 Movies I Must See Before I Die Project***




158 to go.

Have YOU seen this classic film?





Stalker (1979)



It's post-apocalypse and aliens supposedly reside in an area known as The Zone, but if you can make your way into The Zone, there is supposedly a room where wishes can be granted.

I know, it sounds weird and it is, but this film is a kind of weird gem.  And it's also Russian which explains a lot.  The Russians make some weird films.

It's the future and life is bleak.  The Zone is an area where it is rumored that some aliens have landed and taken control.  The laws of physics and geography have been suspended and power and transcendence are rumored to exist inside The Zone, a place where wishes can come true, so a cynical writer (Anatoliy Solonitsyn) and a renegade scientist (Nikolay Grinko) hire Stalker (Aleksandr Kaydanovskiy, who looks like a Russian Woody Harrelson) to take them there.  The Zone is patrolled by police to keep the unwary out and only stalkers can navigate the treacherous but magical space known as The Zone.

The scientist wants to go to The Zone to see reason triumph over faith and the writer seeks inspiration that the grim world of the future no longer provides.  The stalker also has his reasons.  Something bad has happened to his daughter and he wants to make that right.  Those three things - science, faith and feeling come together to produce an ending considered one of the most enigmatic in film history.

"The Zone is a series of traps and they are all deadly."

And so is life. The Zone is also a metaphor for life and a treatise on the human spirit and the will to live.

Directed by Andrei Tarkovsky ("Solaris"), and adapted from a science fiction novel - "The Roadside Picnic" by Arkadi and Boris Strugatsky - this is one of those movies that is all about the visuals, all sepia and shadows, a chiaroscuro.  The world is in black and white and The Zone is in color, kind of like Oz, and we certainly aren't in Kansas anymore or any other place you would recognize.  The film is a kind of horror film but without the usual components of horror. It's more of a moody horror film with lots of philosophizing about the meaning of life.

Why it's a Must See: "The Zone is one of cinema's great magical places: damp green and sylvan above-ground giving way to watery, muddy, uninhabited recent ruins as the party nears the perhaps-mythical Room."
---"1001 Movies You Must See Before You Die"

Be forewarned.  It's REALLY long.  It's so long it comes in two DVDs, and I usually don't like that, but this film is mesmerizing.  Strange, yes, but mesmerizing.  If you can make it through the set-up, the first hour, you will be rewarded.

Rosy the Reviewer says...very eerie and compelling.  It creates a mood that envelops you - you get into The Zone.




***Book of the Week***

 

 
The Lying Game by Ruth Ware (2017)



Four young girls at an English boarding school create "The Lying Game," where they tell elaborate lies to their teachers and fellow students as a lark, not realizing that one day they will need to perpetuate a really big lie.
 
Isa, Kate, Thea and Fatima all meet in their teens at boarding school in the picturesque village of Saltern.  They form a clique and have fun with a game they call "The Lying Game," where they tell lies large and small.  Kate kept the score with a tally sheet she kept above her bed: points for a new "victim;" points for getting someone to completely believe; plus extra points for elaborate details or for being able to reel someone back in after almost calling their bluff. 
 
"The Lying Game," like "The Fight Club," had its rules:
 
  1. Tell a lie
  2. Stick to your story
  3. Don't get caught
  4. Never lie to each other
  5. Know when to stop lying
However, now the girls are grown women with lives of their own.  Isa is married with a baby, Fatima is now a practicing Muslim and a doctor and Kate is an artist and has stayed behind in Saltern at the family home where she had lived with her artist father, Ambrose.  Thea was always the wild beautiful one and is still wild and beautiful.  The four haven't seen each other in years.

But when Kate sends them all a mysterious text:  "I need you," they all make their way back to Saltern to face the really big lie that they have all kept for over 15 years.
 
Ware is the author of "The Woman in Cabin 10," a novel I reviewed back in 2016, and like that first book, she has a way with dialogue.  And because of that, as you read you can imagine a movie.  But this is one of those novels with a mystery where the mystery is leaked slowly in bits and pieces and that became irritating after awhile. I kept thinking, "Get to the story!"  She did a similar thing in "The Woman in Cabin 10," but it worked better there. Though I was initially pulled in and liked the characters, I found myself scanning the pages to get to the end rather than really immersing myself in the story.

Rosy the Reviewer says...didn't like this one as much as "The Woman in Cabin 10," but if you like novels that read like movies, this one has its moments.


 
***TV - What I'm Watching!***

Yes, because I am a reality TV junkie, I am watching my usual favorites "The Amazing Race, "Project Runway All-Stars," "The Bachelor," "America's Next Top Model," "Catfish, "Married at First Sight" and "Ru-Paul's All Star Drag Race," but I also want you to know that I have other interests so I thought I would share with you some TV shows I am currently watching that you might like and might not know about.



Victoria on Masterpiece - Season 2


Miss "The Crown?"  I know I do but until the next season, this one fills the niche, though on a more melodramatic level.

On PBS.

(You don't need to see Season 1 to enjoy this but I recommend that you do - catch it On Demand or your favorite catch-up source or check out the DVD from your local library).





Grace and Frankie - Series 4


I mean, c'mon, women of a certain age starting a vibrator business?  That's FUNNY!

And you ladies will also find inspiration watching now 80-year-old Jane Fonda and still very funny Lily Tomlin do their thing.

This one and earlier seasons available on Netflix.

 




American Crime Story: The Assassination of Gianni Versace



From Ryan Murphy and the folks who brought us the amazing "American Crime Story: The People vs. O.J. Simpson" comes this new crime story, the murder of fashion designer Gianni Versace.  It was filmed in Versace's actual home, which is enough reason to watch but this is another brilliant mini-series. Just like the O.J. story, this 10-part story will pull you in and expect it to capture many awards.  It's riveting.

On FX.



The Great British Baking Show


Who knew watching regular people like you and me bake could be so relaxing and yet so riveting at the same time. It's like a baking meditation but you get involved with the bakers and root for them too.  It's all very British and lovely and not a cross word is spoken.

I just finished bingeing Season 2 on Netflix.  There are four seasons there and this is also showing on some PBS stations.

Sadly, stars Mary Berry and Paul Hollywood have parted ways and Paul has a new show which is ostensibly the same as this but on a different UK station. Not sure if Mary will get her own show or not.

On Netflix and PBS.



Stripped




I know, I wouldn't be me if I didn't include at least one low-brow reality show and this one fits the bill perfectly.  I couldn't help it.

People give up everything they own and I mean everything.  Even their clothes.  And all of their belongings are kept in a locker a half mile away.  Each day they can go to the locker and choose one item.

It's fun to see what their priorities are and yes, people, they learn from the experience!

What would your priorities be if you were stripped of everything?

On Bravo

And on that note...


Thanks for reading!

 
See you TUESDAY

 
with a special edition of

 
"Rosy's Test Kitchen"

 
where I will be testing various methods for cooking eggs and sharing some yummy recipes!

 
See you then!


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Check your local library for DVDs and books mentioned.
Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list. 

 



Friday, January 19, 2018

"The Greatest Showman" and The Week in Reviews

[I review the movie "The Greatest Showman" as well as DVDs "Battle of the Sexes" and "Friend Request."  The Book of the Week is "The Futilitarians" by Anne Gisleson.  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with Vittorio De Sica's "Umberto D."]




The Greatest Showman


A musical version of the life of P.T. Barnum with songs by the guys who brought us "La La Land."

But that is where the comparison ends.  This is no "La La Land."

Over the holidays I decided that I wanted to watch "White Christmas" starring Bing Crosby and Rosemary Clooney.  I had seen it many times over the years, but had not seen it lately and was just delighted to be reminded how much I loved those old musicals from the Golden Age of Hollywood.  It just left me feeling happy and all warm and fuzzy.  It made me wish that more musicals were being produced today so you can imagine that I was really looking forward to this film especially when I discovered the songs were written by the same guys who brought us the songs from "La La Land.  I absolutely adored "La La Land."

But sadly I found this film very disappointing.

According to this film, P.T. Barnum (Hugh Jackman) wasn't just the guy whose name became synonymous with the circus. He also supposedly invented the term "show business," and he was a really nice guy with a rags to riches story who just wanted to entertain and make people happy.  Pretty sure he was more of a con man who exploited people to make a buck, but OK.  I can suspend disbelief.  This is a musical, after all.  I usually don't have too much trouble suspending my disbelief especially when it comes to musicals which always requires that.  I mean, how often do we break into song when telling our loved ones what we plan to do with our lives?

According to this film, Barnum started out poor but had a childhood sweetheart who believed in him, and you know about the power of love especially when it's set to music, right?  He lost his boring job as an accountant and was on his last dime when he got the idea to open a "freak show," though this film is too politically correct to call it that because this film wants to sugar coat the shadier sides of Barnum and to be about celebrating differences, which is kind of ironic when you consider Barnum had a bearded lady, the fattest man on earth, conjoined twins, etc. and exploited them and treated them like freaks by putting them on show to make money.  Despite the fact that the film tries to not go there, you can't deny that is what he did and that gave me an uncomfortable feeling while watching this film.

But getting the facts of P.T Barnum's life right wasn't particularly the problem for me here.  The problem was the movie just tried too damn hard.  It had too much of that "let's put on a show and save the farm" feel.  That worked in "White Christmas," but it didn't work here.  And when I say trying too hard that 
is actually my way of saying that Hugh was trying too hard. I know Hugh Jackman is a Broadway musical kind of guy (except for when he is Wolverine) but geez.  What works on Broadway doesn't necessarily work on film.  If you have seen him on talk shows recently promoting this film, he seems like a very nice, genuine guy, but he is just always ON and this film is no exception.  He wore me out.

I could forgive this film because of the handsomeness that is Zac Ephron.  I never get tired of looking at him but then it hits me...he's not a very good actor.  He is fine in comedies like "Mike and Dave Need Wedding Dates" and the "Neighbors" franchise, but when it comes to dramatic acting, which he is required to do here, his lack of skills comes out. 

Michelle Williams, who was wonderful in "All the Money in the World (see last week's review)" has absolutely nothing to do here except sing a little and act supportive and comforting to P.T./Hugh when he's feeling down.  She's the kind of wife that even when he ditches her and runs off with Jenny Lind (Rebecca Ferguson), she forgives him.

And speaking of Jenny Lind.  I am assuming that the writers and director didn't think we would know who Jenny Lind was considering they had her singing what could only be called a 21st century pop song when in fact she was a 19th century OPERA star!  I know this is a 21st century musical but can we at least have an opera singer sing an operatic song?

And the songs by the "La La Land" guys, John Debney and Benj Pasek -  Sorry, guys, not memorable this time, though I enjoyed the opening sequence with the young Barnum (Ellis Rubin) and the young Charity (Skylar Dunn) singing "A Million Dreams."

Directed by Michael Gracey with a screenplay by Jenny Bicks and Bill Condon, this film is doing well at the box office which tells me people are thirsting for wholesome entertaining musicals that the whole family can enjoy.  This is certainly wholesome family entertainment (if you don't think too hard about the real life of P.T. Barnum), but somehow it left out the entertaining part. 

Rosy the Reviewer says...I really wanted to love this but I didn't.  I didn't even like it.



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD







Battle of the Sexes (2017)



A dramatized version of the 1973 tennis match between the then top-rated female tennis player, Billie Jean King, and ex-champ and much older hustler, Bobby Riggs.

If I'm already not a fan of Steve Carell, will his playing a famous chauvinist pig help?  No.

Though I was around when this so-called "Battle of the Sexes" match came down, and it was a big deal because it was at the height of the Women's Liberation Movement and Bobby Riggs was the epitome of male chauvinism, I wonder who remembers this today.  However, I do. From a personal standpoint, my older sister was a tennis professional and a big fan of Billie Jean King's, so I remember this vividly, but I can't help but wonder if anyone cares about this anymore except possibly tennis fans and those of us who lived it.

To give you a little background, Billie Jean King (Emma Stone) was the top-rated female tennis player in the 70's, but there was a huge inequity in the amount of prize money women tennis players could earn from their tournaments compared to the men.  The men made eight times as much.  Billie Jean appealed to Jack Kramer (Bill Pullman) at the then U.S. Lawn Tennis Association (now the U.S. Tennis Association) and when she was told that the men needed to earn more because they were the breadwinners for their families (yawn) and that men's tournaments were better attended and just more exciting than the women's, Billie Jean decided to leave the U.S.L.T.A. and form her own Women's Tennis Association.  She did and it was backed by Virginia Slims cigarettes (Remember "You've come a long way, baby?").

Then there was Bobby Riggs.  He was a top-rated men's tennis player back in the day, but was now in his 50's and working a boring desk job for his father-in-law.  He also had a wee bit of a gambling problem.  Let's just say he was a hustler and it wasn't helping his marriage any (his wife is played by Elizabeth Shue - I wondered what happened to her). He was a washed up tennis player who made a few bucks playing his friends for money with one hand behind his back or holding two dogs on a leash.  

But Billie Jean's winning the Grand Slam, her fame and her feminism gave Riggs the idea to have a tournament between him and Billie Jean to prove once and for all that men could outplay women, and of course, so he could also make a few bucks. However, Billie Jean refused so, when up-and-coming Australian player, Margaret Court, beat her, Riggs approached Court.  She consented to a tournament, only to be humiliated by Riggs. He said that women players couldn't handle the pressures of the game and that's why they shouldn't earn as much as men.  He even went so far as to put out a challenge - $100,000 to any woman who could beat him. That did it. Billie Jean couldn't stand the idea that Riggs could gloat about the inferiority of women tennis players.  

So Billy Jean decided she had to play him to prove that a woman can beat a man and the tournament became a cause celebre. It was played at the Houston Astrodome and was watched by over 90 million people.

People today might have a hard time getting their heads around how important this match was in the real life battle of the sexes considering all that has happened since.  

I even thought the film was going to be corny and all rah-rah, especially since I knew the outcome but the film actually went deeper.  It certainly resonates today, considering the continuing pay inequity and sexual harassment that continues to haunt women, but the film also sensitively explores Billie Jean's burgeoning feelings about her sexuality thanks to a stellar performance by Emma Stone who just oozes vulnerability.  Though Billie Jean was married, seemingly happily so, she was starting to have feelings for women. 

In the film, Billie Jean meets Marilyn, a hair dresser, and Marilyn (Andrea Riseborough, in a very sensitive performance) gives Billie Jean a haircut in what could only be called the most sensuous scene of hair cutting I have ever seen.  The two embark on a relationship and Billie Jean has to come to terms with that side of herself.  Despite the build-up to the epic tennis match, the film is really about Billie Jean King herself, what she was going through in her personal life and her fear that it would be found out.

The film doesn't really do much to enlighten us on what made Riggs tick other than him just being a jerk with a gambling problem.  I mean, what hubris for a 55-year-old man to think he could beat a 29-year-old woman at the top of her tennis game!  But Carell does a good job with that and there is a bit of an inkling about Riggs battling ageism and feeling irrelevant.

Sarah Silverman is making a dramatic name for herself playing wise-cracking side-kicks - she's good - and I couldn't help but notice Fred Armison in a non-speaking role as Bobby's trainer - if you blink you will miss him.

Directed by Jonathon Dayton and Valerie Faris with a screenplay by Simon Beaufoy, the film has a delightful 70's soundtrack and the tennis footage from the match is well-integrated into the film to give us an exciting finale.  Speaking of integrating footage, tennis player Rosie Casals (Natalie Morales) called the match along with Howard Cosell.  The footage of Cosell and Casalls was so good I couldn't tell if that was actual footage of Casalls and Cosell or the actress CGI's in, but I have to say, in light of the #Metoo and Times Up movements, I couldn't help but notice how discomforting it looked to see Cosell reporting while towering over Rosie with his arm tightly wrapped around her, literally talking down to her and treating her like a child.  Yuck.  Thank goodness, he wouldn't have been able to get away with that today.

The epilogue shows the real Billie Jean who was awarded the Presidential Medal of Freedom in 2009 for her work on behalf of Title IX and LGBQ rights.

My one complaint about the film is that it was shot in digital and you know how I feel about that.  I don't like it.

Rosy the Reviewer says...despite my fears that this film wouldn't resonate in today's world, it's a powerful reminder that we actually haven't come a long way, baby.






Friend Request (2016)



A cautionary tale about accepting friend requests.

I think there was a time when Facebook was new when we all accepted every friend request we received. I think that's how so many became vulnerable to catfishing.  I still get friend requests from handsome guys in military uniforms who, when I click on their profiles, have no friends.  That tells me immediately that he's a catfish, probably some guy in a Nigerian call center. I think I must be on some list of lonely old ladies.  I never fall for it, even though I have always been a sucker for a guy in a uniform, but hey, it only takes one to say OK and those guys are off and running.

However, this film isn't about lonely old ladies.  It's actually about Laura Woodson (Alycia Debnam-Carey), a very popular young college girl with over 800 friends on Facebook (though Facebook is not actually named in the film), who was just trying to be nice when she friended Marina (Liesl Ahlers), an outcast girl in one of her classes.  We know that Marina  is an outcast because she wears a hoodie with the hood up, doesn't say much and draws witchy art on her page. Unfortunately Marina is also a bit of a nutter and got carried away (Laura is her only friend) and started bombarding Laura with PM's and liking and commenting on every post that Laura put out.  Laura is not a mean girl but she eventually gets a bit weirded out by Marina, and when Laura excludes Marina from a party, Marina goes off on her.  Soooo Laura unfriends her. Uh-oh. 

Now we have a girl-stalking-girl movie, that is, until Marina hangs herself live online, it gets posted on Laura's page and Laura can't get rid of it.  The video also somehow goes viral and turns up on her friends pages as if it's coming from Laura.  Now everyone thinks Laura is twisted so they start unfriending HER.  Laura can't delete the video, can't unfriend Marina, can't get rid of that damn video and can't delete her account.  

And if that's not bad enough, Laura's friends start dying.

Did Marina really kill herself?  And why can't anybody delete those posts that keep appearing?  Who was Marina?  And what are Black Mirror Cults?

This is a perfectly good thriller/horror film starring young unknowns that I call "Horror Light."  I like the occasional horror film, but I lean toward the Lifetime  Movie type horror film or films like "It" or "Split," not gory ones like "Jigsaw" or "Hostel," hence my "light" appellation.  "Horror Light" still employs the usual horror tropes but is not so gory and brutal as to leave you speechless.  "Horror Light" includes the kind of horror films where things go bump in the night, images flash on the screen to make you jump, ominous music plays when our heroine opens a refrigerator door and when she closes it someone is standing there, or she goes down a dark hall even though the light switch doesn't work, or someone says, "Did you check the basement?" These are all opportunities for you to shout at the screen, "Don't go down there!"  If the movie is too graphic and gory and you are left speechless, you can participate or you might have your hands over your eyes and what fun is that?

And actually, this film, directed by Simon Verhoeven (screenplay by Verhoevan, Matthew Ballen and Philip Koch) is more silly than scary, though it makes a statement about technology, or at least I think that's what it was doing. It seems that bad things happen when people look at their computer screens too long, so I kept yelling at the TV: STOP LOOKING AT YOUR COMPUTER!  But you know in this day and age, telling young people to stop looking at their computer is like telling them to stop breathing.

Rosy the Reviewer says...moral of the story:  Be careful who you friend - and if you stare at your computer long enough you might be communicating with demons...but, geez, we already knew that! 




***My 1001 Movies I Must See Before I Die Project***




159 to go!

Have YOU seen this classic film?





Umberto D. (1952)


An old man who lives alone with his little dog struggles to live on his small pension in Rome.

Umberto D. (Carlo Battisti) is a lonely old man living in an apartment he can't afford.  He worked for the government for 30 years but his pension doesn't cover his living expenses. His landlady is disrespectful, threatens to throw him out and even rents out his apartment by the hour to illicit lovers when he is not home.  His only companion and source of comfort is his little dog, Flike, and Maria (Maria Pia Casillio), a young girl who is the cleaner for the building, is the only human who is kind to him.  He can't pay his rent and is so desperate he fakes an illness so he can go to the hospital to get some sleep and food.  When he returns, the house is being renovated, his room is all torn up and little Flike has run away.  They are eventually reunited but Umberto is desperate and decides to kill himself.

This film shows that no matter what country you are in or time period - even 66 years later (this film was released in 1952) - some things never change.  We still don't respect or care for the elderly.  Old people become invisible.  It's a cruel world for seniors with little money.

Director Vittorio De Sica, an early proponent of the Italian Neorealism Movement, who also directed the highly acclaimed film "The Bicycle Thief," has captured the world of the old and forgotten in this story of an old man's desperation, and 66 years later it still resonates today.  De Sica avoids any sentimentality in a story that could easily fall into that trap, especially when one of the stars is a darling little dog.

And it still resonates with me. I can't stop thinking about it.  I loved it.

Neorealism was an Italian movement that started during WW II and continued through the 50's.  One of the tenets was that films should embody everyday life and the characters should be played by non-professionals. "Umberto D" is one of the most successful demonstrations of that theory, and it is amazing that Umberto is played by a 70-year-old university lecturer who had not acted before.

Battisti has a face that just demands empathy, and Maria Pia Casillio was delightful and looked like a young Debbie Reynolds.  And Flike?  What can I say.  He was so adorable I am calling my little dog Flike.

Why it's a Must See: "With it's unapologetic tragic story of an old man's despair and love for his pet, and its pointed observations of social injustice, [this film] provides the perfect opportunity for the viewer to consider this question...De Sica leaves us wondering whether Umberto's love for his dog, who depends on him alone, is redemptory or futile."
---"1001 Movies You Must See Before You Die"

I choose to think that little Flike was redemptory and gave Umberto something to live for.  Dogs are like that.

Rosy the Reviewer says...as part of my "1001 Movies I Must See Before I Die Project," I have to watch a lot of films that I sometimes don't really enjoy but all of that is worth it to discover a gem of a film like this. This film will stay with you.
(b & w, in Italian with English subtitles)




***Book of the Week***





The Futilitarians:  Our Year of Thinking, Drinking, Reading, and Grieving by Anne Gisleson (2017)



A search for meaning in the face of tragedy and grief.

Anne Gisleson knows tragedy.  Her twin sisters killed themselves a year apart, she had to flee from Hurricane Katrina, and her beloved father died of cancer. Anne's husband, Brad, was a widower and had also had his share of heartbreak.

Anne and Brad wanted to make sense of all of that and, realizing that their friends had their own issues, came up with the idea of the Existential Crisis Reading Group, which they jokingly dubbed "The Futilitarians." From Epicurus to Tolstoy, from Cheever to the Bible, each month they read and talked about the meaning of existence in post-Katrina New Orleans.


Anne's father had forbade her to ever write about the deaths of her twin sisters, but now that her father was gone, Anne felt she could take on that task so this book is part-memoir and part existential musings but mostly it's about how talking about great literature and philosophy can help you understand life and its many challenges.

Epicurus wrote (and no, it's not about food) in "The Importance of Studying Philosophy:

"So, both for young and old, it is imperative to take up the study of philosophy.  For the old, so that they may stay youthful even as they are growing older by contemplating the good things of life and the richness of bygone events. And, for the young, so that they may be like those who are advanced in age in being fearless in the face of what is yet to come."

Rosy the Reviewer says...an interesting story with a message: literature can heal.


Thanks for reading!


See you next Friday 


for my review of 


"I, Tonya"



 and
  
The Week in Reviews
(What to See or Read and What to Avoid)



 and the latest on


"My 1001 Movies I Must See Before 



 I Die Project." 


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Check your local library for DVDs and books mentioned.
Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.