Friday, February 3, 2017

"A Dog's Purpose" and the Week in Reviews

[I review the new movie "A Dog's Purpose" as well as DVDs "Snowden" and "Anthropoid." I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "The Exiles." The Book of the Week is "Where'd You Go, Bernadette?" ]





A Dog's Purpose


A dog, who keeps being reborn, remembers each life he has lived and wonders about his purpose for being alive.

Based on the 2010 novel by W. Bruce Cameron, the story follows Bailey the dog through his various incarnations. Bailey starts out first in the 1960's as a feral puppy who is quickly caught by the dog catcher and whisked off to that dreaded doggy place - The Pound.  And since we know what happened to dogs who went to the pound back then, Bailey is soon reincarnated and wakes up, this time as a different puppy, a Golden Retriever, who appears to be the product of a puppy mill.  But he escapes, is picked up by a couple of brutes who leave him in a hot car where he is close to death.

OK, OK - don't call PETA. It gets better after that.

He is rescued by eight-year-old Ethan (Bryce Gheisar) and his Mom (Juliet Rylance), and they adopt Bailey.  Except for a drunken Dad (Luke Kirby) and a big disappointment for Ethan later in life, Bailey lives a happy life to a ripe old age and a teenaged Ethan (K.J. Apa) is there for him at the end.

When Bailey wakes up again, this time he is a....YIKES! ... a girl!  But a brave and beautiful girl named Ellie who becomes a police dog and saves a life.

Next he finds himself as Tino, a Corgie, who comes into the life of Maya (Kirby Howell-Baptiste), a lonely young woman.  He gives her the love she needs until she finds a husband and has a family.

And finally Bailey comes back as some kind of hound and is adopted by a woman of dubious background.  We know this because she is pierced, wears a denim jacket and lives in a house strewn with garbage.  The woman's live-in boyfriend doesn't like Bailey and makes him stay outside in all kinds of weather and the woman appears to either have lost interest in him or is fearful of the boyfriend.  Either way, Bailey's latest incarnation doesn't look good especially when that mean boyfriend takes him out into the country and abandons him.

But lest you think this is a sad movie, think again.  Bailey is just starting to work his magic.

There has been controversy surrounding this film:

1) That it is not a family film because of a puppy taken to the pound early in the film (and we know what happens to dogs that end up at the pound) and a dog left outside all of the time and eventually abandoned.  Well, those things do happen, but they are not overt and children will not even get the puppy going to the pound allusion nor does the film dwell on the abandoned dog. If anything, it's the adults who will be most affected by all of that, so, yes, this is very much a family film.

2) Some allegations of dog abuse because of some footage supposedly taken by someone working on the film showing a German Shepherd being forced into roiling water that was shown by TMZ right before the premiere of the film.  Considering this footage wasn't leaked until almost two years after the incident supposedly happened, it is suspicious.  If the person who leaked the footage to TMZ felt so strongly about dogs being abused during the making of this film, why wait two years to let anyone know?  According to actor Dennis Quaid, who stars as the adult Ethan, the dog in question was being asked to do a trick he had been doing successfully for several takes and was just tired of doing it. The dog might have been freaked out but was never in any danger and when he refused the trick, the shoot ended. I believe him. It is clear from this film that it was made by people who love dogs. And after seeing the film, I believe that.

Director Lasse Hallstrom, who gave us "My Life as a Dog (fitting)," "The Cider House Rules" and "Chocolat," uses that dreamy cinematography we have come to expect from him.  He also uses music, cars and clothing to help us see time passing (remember "Mom jeans?).  The screenplay by Cameron and others provides some humor in Bailey's observations about life amongst humans, but the vignettes themselves, the stories of each of Bailey's incarnations are simplistic and hokey. Think Nicholas Sparks meets Lifetime Movies.  But that's OK, because this is really all about the dogs, and if you are a dog lover, I defy you to keep dry-eyed through this thing. 

Josh Gad provides the voice of Bailey and Brit Robertson the love interest for the teen Ethan, which is kind of a stretch considering she is 27.  Along with Dennis Quaid, those are probably the only names you will recognize but all of the other actors are excellent, including the dogs! 

As you probably know if you have been reading me for very long, I too am a dog lover and have been known to wax poetic from time to time about them ("Do Dogs Ever Retire?), not to mention dressing them up in costumes ("How Well Do You Know The Classics?")

In these crazy times we live in, we can learn from dogs and practice some of that unconditional love they give us. 

We can also practice some of those things Bailey said he learned about his purpose: have fun, find someone to save, lick the ones you love, and be here now.  Good advice for us humans.

Rosy the Reviewer says...pure, unadulterated schmaltz...and I loved every minute of it, and if you love dogs, you will too!


After the movie, I went right home and gave my dogs a lick.  I looked them right in their eyes and wondered what they would say if they could talk.

I am sure they would say how much they love me!



"Mildred, Tarquin and Freddy here, and here is what we would say..."

 

What's that crap you are feeding us?
Why do you always have a wine glass in your hand?
Why do you call Daddy an idiot?
Stop talking baby talk to us!  We are dogs, not morons!
And quit dressing us up in costumes!





 






You are thinking about how much you love me, right?



***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD




 
Snowden (2016)


A docudrama about Edward Snowden, an employee at the NSA, and his leaking of documents to the press about their illegal surveillance practices.

The film begins on June 3, 2013 as Edward Snowden (Joseph Gordon-Levitt) meets in a Hong Kong hotel room with journalists for The Guardian (Zachary Quinto and Tom Wilkinson) and filmmaker-activist Laura Poitras (Melissa Leo), who went on to make 2014’s Oscar-winning Snowden documentary "Citizenfour."  Snowden has fled to Hong Kong and is ready to turn over documents to them that would blow the lid off of the NSA and shed light on America's surveillance of its citizens.  Then the film goes to flashback. 

How did Snowden end up in a hotel room in Hong Kong with journalists, a filmmaker and hijacked classified documents?

Edward Snowden was a private contractor for the NSA and CIA.  Before that he was an Airborne Ranger but he messed up his leg and had to give that up.  So what do you do when you wanted to be an elite military guy but you mess up your leg?  Why you go to work for the CIA, of course.  It helps that Snowden was also a very smart guy.

On his first day at the CIA, Edward meets Ed Forrester, played by Nicolas Cage. You know it's Cage before you even see him because of THAT VOICE.  Very recognizable. Likewise, Cage also has such actory mannerisms and his  slow, lethargic delivery... OK, don't get me started.  Anyway, Forrester doesn't really figure very prominently in the film so you might also wonder what Cage is doing here.  

Anyway, Snowden is hired by the NSA to do cyber spying to ensure that there is not another 9/11.  He's a wunderkind of computer spying.  He's also a patriot and a conservative who believes in his government. Naturally he meets a girl, Lindsay (Shailene Woodley) who is a liberal so we can have that spunky give-and-take that happens between a conservative and a liberal, I guess. But she's also a geek (they meet on geek.com) so that is appealing to Snowden too.

However, as time goes by, Snowden realizes that he is not just spying on possible terrorists, he is spying on EVERYONE!  He is reading our emails, seeing our posts on Facebook, listening to our phone calls and even watching us through our laptops.  His disillusionment about the government leads him to want to expose it. 

But, OK, now I have to ask. 

Since we already know that everyone is spying on everybody, why is Snowden's revelation so shocking?  Is it because America is supposed to be above such things?  However, I will say that all of this spying stuff is quite fascinating (and frightening), and the film does a good job of showing how it all works.  It makes the Six Degrees of Kevin Bacon Game look very real indeed (if you want to play the game, here is The Oracle of Bacon).  Basically, in case you think I have lost my marbles bringing Kevin Bacon into this, here is how that relates to spying and what Snowden uncovered: people even slightly related to someone who even slightly might be a terrorism suspect also becomes a suspect. Get it? Fun, huh?

"Most Americans don't want freedom, they want security." 

This is a statement in the film that supposedly justifies the spying, and Snowden justified what he did by saying in the film "I think the greatest freedom that I have gained is the fact that I don't have to worry about what happens tomorrow, because I'm happy with what I've done today."

Directed by Oliver Stone, who has made a name for himself embracing conspiracy theories, surprises us here because this is almost a puff piece. Written by Stone and Kieran Fitzgerald, it lacks the usual over-the-top drama that we have come to expect from him.  It is almost restrained in its delivery, but Stone doesn't let us down by not having a point of view.  His films always do and this is no exception. He is clearly a Snowden fan.

Joseph Gordon-Levitt does what I would expect is a faithful representation of Snowden, but these kinds of biopics don't really allow an actor to do much and Snowden himself isn't portrayed as a very dramatic guy. He is joined by an all-star cast, but the film  doesn't have much punch.  It was a two hour and fifteen minute story that could have been told in half the time.

Is Edward Snowden a hero/whistleblower or a treasonous villain? 
You decide. 

Stone, however, already has. The final shots of the film show the real Edward Snowden, and the reverence of the shots depict him practically as the second coming of Christ.

But the film does raise an important question in this turbulent times.

Do we Americans care more about our security than our freedom and privacy?  And just how much are we willing to give up to feel safe?

Rosy the Reviewer says...a prescient and important reminder of what is really going on, but not a very dramatic film that could have been told in half the time.






Anthropoid (2016)


Operation Anthropoid - the plot to assassinate SS General Reinhard Heydrich, Hitler's third in command, and the architect of The Final Solution dubbed "The Butcher of Prague" because of his iron rule of Czechoslovakia.

Hitler really, really needed the Czech factories to help him take over the world, but unfortunately the Czechs didn't want to help him. There was resistance so Hitler sent in his third in command, Reinhard Heydrich, to get the Czechs to comply, to fight the Czech resistance, and to rule the Czechs with a heavy hand.

Enter Jan Kubis (Jamie Dornan) and Josef Gabchik (Cillian Murphy) who on behalf of the Czech government house in London parachute into Czechoslovakia.  Their mission?  Assassinate Heydrich.  But you know how these things go.

Kubis and Gabchik make a connection in Prague with the Czech Resistance led in part by Uncle Hajsky played by Toby Jones.  Jones is a wonderful actor but he will forever be in my consciousness as Truman Capote, so maybe he should lose the Truman glasses.  Anyway, our heroes connect with the Resistance in Prague, stay with a sympathetic family (the mother is played by Alena Mihulova and her character is particularly moving and heroic) and have some romantic connections with Marie (Charlotte Le Bon) and Lenka (Anna Geislerova).  The first half of the film involves those relationships and the planning of the assassination.  It moves at its own pace as in slowly.  But hold on to your hats.  Part 2 takes on a life of its own and is tense, exciting and ultimately poignant with a finish that is right up there with some of the most powerful and poignant last stand bloodbaths I have ever seen ("The Magnificent Seven" and "Gallipoli").

Based on true events and directed by Sean Ellis with a script by Ellis and Anthony Frewin, the story unfolds slowly as our heroes plot the assassination, make the attempt and then have to deal with the aftermath.  There is cowardice, betrayal, heroism and sacrifice as the film culminates in a shoot-out to end all shoot-outs, one that shows the bravery of the Czech freedom fighters. 

Because so many of the movie-goers these days are young people and families who prefer horror or animation over adult themes, movies like this sometimes get buried. They either don't get wide release or go straight to DVD.  Such seems the case with this film, and it's a shame because it's a wonderful movie.  It's difficult to see how this film is any less important or well-done than films like "Schindler's List" or "Saving Private Ryan," and yet it isn't seen.  Perhaps it's because it's not directed by a Spielberg or perhaps the title is off-putting because who knows what an anthropoid is?  In any case, this is a powerful film that deserves to be seen.

Cillian Murphy is the courageous badass, which is a departure from the usual sensitive and quirky characters he has played in the past, whereas handsome young Dornan plays a guy with some courage issues. This is what Jamie Dornan has been doing between "Fifty Shades of Grey" and the upcoming "Fifty Shades Darker," and I like it.  He and Cillian are wonderful actors.

Rosy the Reviewer says...a powerful film about the bravery of the Czech Resistance - a film that deserves to be seen...and one that reminds us all, that when we are oppressed- RESIST!






***My 1001 Movies I Must See Before I Die Project***



216 to go!

Have YOU seen this classic film?





The Exiles (1961)



A day in the life of some native Americans living in Los Angeles in 1961.

The film begins with some iconic pictures of Native Americans and a short narration about Native American history before it seques to the present where this documentary follows some urban Native Americans for twelve hours.  These twenty-somethings left the reservation for a new life in the Bunker Hill area of Los Angeles, an area that would become a place that lured many Native Americans who wanted to give up life on the reservation. The camera follows them around as they live and comment on their assimilation juxtaposed with scenes of life back on the reservation.

There is Yvonne, who is pregnant, and who comments on her life as she goes about her day. Homer is her husband and goes off in the evening with his friend, Tommy, and his other pals to go bar hopping, play some poker and drink.  Yvonne is lonely and let down by Homer.  During the night, the men pick up women, gamble and drink and the women left at home are seen as lonely and long-suffering.  Homer reflects on life in the city versus life on the reservation.

Director Kent MacKenzie only made two films, but this one cemented his reputation. He also lived in Bunker Hill and his friendships there gave him access to these men's and women's lives.  They are exiles living in Los Angeles ,but the title is also a metaphor for the Native Americans who became exiles from their own country as their land was taken away and they were relegated to reservations.

The film doesn't really make any points about how moving to a city from a rural location like a reservation would be any different from any other transplant but it does show the contrast between life on the reservation for the young people left behind and life for our subjects in Los Angeles. It also is an honest representation of Native American life and attempts to break the "cowboys and Indians" stereotypes that were exploited in so many movies and television shows.

Why it's a Must See:  "Unreleased theatrically until 2008, [this film] nevertheless broke down barriers in the representation of Native Americans.  It preceeded the shift that Hollywood witnessed with films such as Soldier Blue (1970) and Little Big Man (1970), and is a precursor to more recent -- and fairer -- representations of Native American life, such as Smoke Signals (1998)."
---"1001 Movies You Must See Before You Die"

I can appreciate the time period, the view into a culture at a particular time and place. It is a fascinating picture of a Los Angeles in the early 1960's that is almost unrecognizable.  But some of the film seemed staged and stiff and because of that it read like a 1950's "B" movie and not a very good one.

I can see that this might have been a daring movie for its day, and I appreciate wanting to show Native Americans in their real life, but looking at it today, I am not sure this film stands up or has helped raise the view of Native Americans since most of these guys are alcoholics mistreating their wives and seeming to be headed nowhere. As Yvonne reflects about her unborn child and wishing he or she could go to college, she realizes he probably won't.  These people all seem to be in a dead end and one can't help but wonder what was the point of this?

Rosy the Reviewer says...I appreciate the attempt to dash the Native American stereotype, and this is a one-of-a-kind fly-on-the-wall view, but it is also a rather grim depiction of Native American life in Los Angeles c1960.  I question how it furthered the cause of Native Americans in the United States, and I question this being one of the "1001 Movies You Must See Before You Die," because I found it to be a grim depiction.
(b & w)



***Book of the Week***





Where'd You Go, Bernadette?: A Novel by Maria Semple (2013)



Bernadette Fox, an ex-architect with a once promising future, moved to Seattle from California and, despite a smart young daughter and a husband with a thriving career at Microsoft, Bernadette isn't coping very well.  And then she disappears.

Bernadette is what Washingtonians call a transplant - that slightly demonic human being, someone who has moved from California to Seattle.  And the feeling is mutual.  Bernadette doesn't like Seattle much either or Seattleites, finding them unfashionable, passive-aggressive, bad drivers and she finds all of the homeless people having pit bulls particularly irritating.  Five-way intersections are a particular peeve of Bernadette's, and she doesn't much like Canadians, either.  And then there is the rain.

Bernadette peevishly writes to an old friend back in California:

"Greetings from sunny Seattle, where women are 'gals,' people are 'folks'...when the sun comes out it's never called 'sun,' but always 'sunshine,' boyfriends and girlfriends are 'partners,' nobody swears but someone might occasionally 'drop the f-bomb,' you're allowed to cough but only into your elbow, and any request, reasonable or unreasonable, is met with 'no worries."

Bernadette was once an architectural genius who designed an iconic house in California, but now having given up architecture after her house had a horrible fate and moving to Seattle where her husband works for Microsoft, Bernadette is having a meltdown.  She is agoraphobic and angry, taking out her anger on the other moms at her daughter, Bee's, private school, moms who Bernadette feels are uptight and expecting her to do her part volunteering at the school, which she is not planning on doing any time soon. Bernadette's situation reminded me a bit of a literary version of the movie "Bad Moms."

So when Bee wants to go to Antarctica for her birthday and as her reward for her school achievement, Bernadette is in a tailspin.  Then Bernadette disappears, and fifteen-year-old Bee takes it upon herself to find her Mom.

Through a series of letters and emails with some narration by young Bee, Semple weaves a fascinating and hilarious story that highlights the mores of Seattle life and the love between a mother and a daughter with the mystery of Bernadette's disappearance thrown in to spice things up.  Semple throws around names and places that Seattle folks will recognize and exposes the foibles of Seattleites, but she does it with humor.  And she can.  She lives here.

Semple's observations about life in Seattle are right on and very, very funny.  She happily skewers just about everything, but also muses that no one who lives here wants to leave. But you don't need to be from Seattle to enjoy this book.  Seattle may have its "things," but they are all very relatable, and the story is fun and inventive as she weaves the tale through the eyes of the characters as they write letter and emails. 

Semple is also a skilled writer:

"The sky in Seattle is so low, it felt like God had lowered a silk parachute over us."

That's good stuff!

I can't believe it has taken me this long to read this book. 

Ever since I move to Seattle people have been telling me how much I would enjoy this book.  It's probably because I don't read that many novels but I finally got around to this one and I am glad I did. 

I, too, am a transplant from California and agree with what Bernadette's husband, Elgin, says:

"People say Seattle is one of the toughest cities in which to make friends.  They even have a name for it, the "Seattle freeze." I've never experienced it myself but coworkers claim it's real and has to do with all the Scandinavian blood up here.  Maybe it was difficult at first for Bernadette to fit in.  But eighteen years later, to still harbor an irrational hatred of an entire city?" 

It's true.  When I first moved here, I heard from other transplants that people in Seattle were friendly but they were unlikely to invite you over for BBQ.  Since inviting people over for BBQ is a big thing in California, that was unsettling.

And let me say something about the rain. 

Before I moved here, I visited a couple of time at different times of the year and both times the weather was delightful.  So I got it in my head that rainy Seattle was a myth created by Seattleites to keep Californians from moving there.  I was so certain of this that I moved to Seattle.  And then...October came along, the time changed, it got dark at 4:30 and it started to rain...and the darkness and rain didn't stop for three months.  So I was wrong.  It really does rain a lot. But despite that, like most people around here, I didn't want to leave.

As Bernadette says at the end of the book:

"All those ninnies had it wrong.  The best thing about Seattle is the weather."

Rosy the Reviewer says...a must read for Seattleites but a must read, too, for everyone who enjoys inventive, humorous and great writing.

 
 
 

 
Thanks for reading!

 
See you next Friday 

 
for my review of


"Passengers"


 
and
 
 
The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


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Check your local library for DVDs and books mentioned.


Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to IMDB.com, find the movie you are interested in.  Once there, click on the link that says "Explore More" on the right side of the screen.  Scroll down to External Reviews and when you get to that page, you will find Rosy the Reviewer alphabetically on the list.

NOTE:  On some entries, this has changed.  If you don't see "Explore More" on the right side of the screen, scroll down just below the description of the film in the middle of the page. Click where it says "Critics." Look for "Rosy the Reviewer" on the list.

Or if you are using a mobile device, look for "Critics Reviews." Click on that and you will find me alphabetically under "Rosy the Reviewer."


Friday, January 27, 2017

"Split" and The Week in Reviews

[I review the new movie "Split" as well as DVDs "The Babadook" and "Queen Mimi." The Book of the Week is "Kathy Griffin's Celebrity Run-Ins."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Old Boy (the original Korean version not the Spike Lee version)"]



Split


Kevin (James McAvoy) has 23 different personalities. He kidnaps three teenage girls and we soon learn the diabolical reason why.

Actually, Kevin isn't the one who kidnaps the girls.  It's actually Dennis, one of Kevin's "take charge" personalities who, along with Miss Patricia, a turtle-neck-wearing, prissy English woman personality, believe in the coming of "The Beast," and they hint at needing some "sacred food."  Right about this time, I am starting to think "Ew."

But let's back up a bit. Three young girls, Claire (Haley Lu Richardson), Marcia (Jessica Sula) and Casey (Anya Taylor-Joy), are on their way home from a party at the mall when they are car-jacked and sprayed with something that knocks them out.  When they wake up, they find themselves locked up in a bunker-like room. They soon learn that their jailer is Dennis, a buttoned-up young man with a heavy dose of OCD.  One by one, the girls  meet some of the other personalities, the aforementioned Miss Patricia, and Hedwig, a nine-year-old boy who likes to dance to Kanye West and says etc. etc. a lot.  As the girls try to escape, Dennis separates them. Casey is the calm plucky one. She is an outcast at school and was only reluctantly included in the party with Claire and Marcia.  They think she is strange, and through a series of flashbacks, we see the split in her life and why she is always getting into trouble at school.

Meanwhile, another personality, Barry, meets with his psychiatrist, Dr. Fletcher, played by Betty Buckley.  Barry is a flamboyant fashion designer and the personality that most often "takes the light" to meet with Dr. Fletcher, though Dr. Fletcher begins to worry that the personality meeting with her is really Dennis pretending to be Barry.  She feels she understands Kevin and his many personalities and is sympathetic. She also believes that people with multiple personalities can completely change their body chemistries as they move from personality to personality and much of the film hinges on that concept which we soon see as the film builds to its climax.

Written and directed by M. Night Shyamalan, the film is very tense most of the way through as you try to figure out why the girls were kidnapped and what is going to happen to them.  The setting is ominous and the music is dramatic as the film builds to its big reveal.  Shyamalan had huge success with his early film, "The Sixth Sense," but then some disappointing films followed.  Has Shyamalan gotten his groove back?  He has up to a point, but, unfortunately, the big reveal lets the film down a bit.

Shyamalan is known for his twist endings, and I have to admit that at the end of "The Sixth Sense," I was  sitting in the movie theatre shaking my head, wondering what just happened.  I looked quizzically over at my daughter and she mouthed "He's dead."  Ahh, then I got it.  And sorry if I just spoiled that film for you, but if you haven't seen "The Sixth Sense" yet, you can expect to be spoiled.  Well, anyway, I have to admit I didn't get the ending of this film either, though after a bit of research, I discovered why, which made me feel better because I was starting to think I wasn't very smart.  The ending is really not a twist and not really related to this movie, either (I don't think), but rather a bit of an homage to another film and possibly a tease for a sequel to this one.  And I thought it was a bit cheesy.

But all of that aside, this movie is all about James McAvoy's performance. I can't tell you how many previews I saw for this film before I realized it was he.  In close-ups, you can see his face and eyes slowly change as he turns into another personality.  It's a tour de force of acting genius, and I hope that it's not too early in the year for an Oscar nomination.  Often films that open in the early part of the year are forgotten by Oscar time but he certainly deserves a nomination for this performance.

Buckley is a warm presence in the film.  It's good to see her again.  I always loved her in "Eight is Enough, never realizing she was a gifted singer who had already been a big Broadway star who would go on to star in "Cats" and "Sunset Boulevard" on Broadway.  Here her character of Dr. Fletcher is a sympathetic one, though a bit naïve.  She played a similar character in "Carrie," and I couldn't help but wonder if Shyamalan was playing with us a little bit by casting her here, especially in how the film played out.

Taylor-Joy, who made a big splash in "The Witch" and later in the little-seen film "Morgan," also brings her acting abilities to bear, and is a good foil for McAvoy, though in a much less flashy way.  Her character, Casey, is also tortured and Casey has chosen to deal with it by acting out, thus explaining her lack of popularity in her school.  But once tested, she brings a steely drive to her situation, both in captivity and in her personal life.

Rosy the Reviewer says...I'm split on this.  Sorry.  Couldn't resist.  McAvoy is amazing, the story is tense and exciting up to a point but the ending kind of smells like cheese.





***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD






The Babadook (2014)


A single mother, whose husband has been dead for seven years, is struggling with raising her very precocious and difficult little boy who is certain monsters are out to get them. He's actually right.

Amelia (Essie Davis) is a single mother struggling to bring up her six-year-old son, Sam (Noah Wiseman).  Her husband was killed in a car accident when he was taking Amelia to the hospital to have Sam.  She has never gotten over her husband's death and he haunts her in her dreams.

She works in an old people's home and struggles to care for Sam.  Part of the problem is that Sam is a difficult little kid, waking her up at night scared of monsters.  I question her reading him scary books like "The Three Little Pigs."  The Big Bad Wolf would scare anyone.

One night, Sam chooses the book to read.  It's a pop-up book called "Mister Babadook," and though Amelia doesn't recognize the book, she starts to read it only to realize it is a really scary book.  Not scary in "The Three Little Pigs" way but REALLY scary in the "You are going to die" way, in the "You can't get rid of the Babadook" way.  The book warns that once Mister Babadook comes knocking (he knocks three times - "dook, dook, dook"), and you let the Babadook in, you can never get rid of him. She quickly closes the book and puts it high up on a shelf.

Amelia is not only coping with Sam, who is a rambunctious little kid, but she is also haunted by sounds and hallucinations and can't get any sleep. Her house is dark and ominous. The book somehow finds its way back into Sam's room and even after she tears it up and puts it in the trash, it appears again all pasted back together. Slowly but surely it looks like she is going mad.  And then we see The Babadook himself, a tall dark creature with a cloak, a top hat and talons, and the prophecy of the Babadook starts to come true.  But is The Babadook real or a psychological terror?

OK, I am torn about this.  On the one hand, I really don't like child actors in movies, especially when they are, let's say, extremely precocious and also "difficult," like this little kid.  This is a horror film, but if you ask me, it's that little kid who is the horror. Think that little kid in "The Omen." However, on the other hand, things get a bit out of hand, shall we say, and then he becomes a child in danger, which is always a heart-string-puller for me. When the mother starts to go nuts, I am certainly on the kid's side.  So what is a reviewer to do?

Essie Davis is miraculous as the overworked, sleepless and grieving Amelia.  Is she going crazy?  Is she a child abuser?  Is she really being tormented by a monster or is it all in her mind?  Davis draws us in and makes us feel all of the changing emotions that she feels.  Little Noah is perfect as the perfectly horrible little kid who you start to worry about.  It's a scary mother-son two-hander.

Written and directed by Jennifer Kent in her feature film debut, this Australian film was financed through Kickstarter.  I am glad it was, because it's a wonderful film.  It is a searing look at madness caused by grief and a scary metaphor for victims of child abuse and their abusers.  Or is it?  Maybe there really are monsters under our beds.

Rosy the Reviewer says...one of the best horror films of late. Moral of the story? Don't read scary stories to your little kids.





Queen Mimi (2015)


A documentary about a homeless woman who has taken up residence in a Santa Monica Laundromat.

When you see homeless people, do you ever wonder what their stories are?  Most of us will never know, but here director Yaniv Rokah profiles a 90 year old homeless woman who basically set up shop in a laundromat and made a life for herself there. 

Mimi had lived on the streets of Santa Monica for years, but when she found the warmth of a laundromat on Montana Street, she decided that was a good place to hang out.  One night when it was really cold, the owner didn't have the heart to kick her out, so he let her spend the night in the Laundromat, and she just never left.  All of a sudden it was 18 years later!

During the day Mimi helps people fold their laundry and makes sure other homeless people don't camp out there - an interesting irony - and at night she sleeps in a chair.  She has been doing this for almost 20 years and has become a Santa Monica fixture and local personality.  She was befriended by actors Zach Galifianakis and Renee Zellwegger, both of whom who have taken her as their dates to red carpet events, and Zach finally set her up in her own apartment.

The heart of this film is the question that you will asking yourself.  How did Mimi become homeless?  And the film finally addresses that in a story that makes one think it could happen to anyone.

Mimi's real name is Marie Elizabeth Heist, and she was born in Los Angeles in 1925.  She had a sister and a brother who died of the measles when he was 5.  She had a job and married a man who made her quit her job, and she says, treated her like a slave.  When she discovered he also had a mistress, she left him after 20+ years of marriage. But she was in her 50's with no job experience and no social security to look forward to so she ended up living in her car.  But as the film progresses, and we learn more about Mimi, her road to homelessness becomes murky and then there is a big surprise that is not really explained.  Perhaps that's the point.  When it comes to peoples' lives in general and homelessness in particular, some things just can't be explained.

Mimi was never into drugs, though she likes to drink, and she looks down on those kinds of homeless people.  That's why she preferred living on the streets to living in a shelter until she found the Laundromat.  She considered herself a step above most homeless people.

Mimi has lots of opinions:

"Men are God's most beautiful creatures.  I love young men, not these old crawdads."  She has a crush on Chris Hemsworth (who doesn't)?

She doesn't want to get married again because "I like being happy. I like being free.  I don't like some guy over me telling me what to do and what not to do."

"As you get older, people don't want you."

Mimi exhibits resilience and zest for life despite her circumstances.  And as of this writing, she is still with us at 92.

I can only hope that when I am old and eccentric (OK, really old and really eccentric) and who knows, living in a Laundromat, I will be as beloved as Mimi (however, I don't plan to be toothless).

Rosy the Reviewer says...A fascinating look inside the world of homelessness.  You will come away from this film still asking questions because all of our lives are not easily explained nor is homelessness.  But you will also come away from this film appreciating what's important in life.


 
 
***My 1001 Movies I Must See Before I Die Project***



217 to go!

Have YOU see this classic film?




OldBoy (2003)


Seoul businessman, Dae-Su (Min-sik Choy), is inexplicably imprisoned for 15 years, and when he is inexplicably released, he discovers he must find his captor in five days.

No this is not the Spike Lee movie from a few years ago that starred Josh Brolin.  This is the original one and Spike's was a remake (and you know how I feel about those).

Dae-su is an ordinary, paunchy Seoul businessman with a wife and a little daughter.  After a drunken night on the town, he is abducted and locked up in a strange, private "prison," and no one will tell him why he is there. His prison is a room that looks like a seedy motel room.  Each day he is fed restaurant take-out food through a small opening in his door and sometimes he is put to sleep with valium gas so his jailers can clean his room and groom him. He watches TV, where he learns that his wife has been killed and, since he has disappeared, he is the prime suspect. His daughter has been adopted by someone in Sweden. As the days become years, he works out incessantly and verges on madness.

Fifteen years go by until one day he wakes up in the outside world in a new suit, with some cash and a cell phone.  The cell phone contains a warning that he has five days to discover who imprisoned him. When he goes to a sushi bar, he eats a live squid (in an incredibly vivid and humorous scene) and then faints.  He is befriended by the sushi chef, a pretty young girl (Hye-jeong Kang), and they work together to try to solve the mystery of his imprisonment.  He goes to restaurant after restaurant to try to find the food he was fed while imprisoned.  When he does, he follows a delivery boy and discovers where he had been kept and eventually who imprisoned him.  But why? 

Well, let's just say, maybe there really isn't life after high school.

Even though I had seen the Spike Lee remake and knew the basic story, this one is mesmerizing.  It is much more tense than Spike's and this one even had some dark humor (Spike doesn't really do humor).  I am not Korean, but when comparing the two films, it seems in redoing the film for American audiences, it lost its uniquely Korean ethos, angst and humor.  That scene where he eats the live squid is very funny, and there are some fight scenes where Dae-su takes on ten men that resemble Asian animation, which is not an accident because the film itself was based on a Japanese manga cartoon. Also Dae-Su can finally put to use all of that working out he did while imprisoned. He is no longer a paunchy businessman but a fighting machine bent on revenge.

Directed by Chan Wook-Park, who directed last year's highly acclaimed "The Handmaiden," has clearly been influenced by Alfred Hitchcock - the music, a scenario involving a man trying to make sense of a confusing environment, tense situations based on finding the answer in a finite amount of time.

Why it's a Must See: "...this breakthrough film - part action, part drama, part psychological thriller - has introduced Korean cinema to more viewers than any other film...[It's a] violent, elegiac masterpiece..."
---"1001 Movies You Must See Before You Die" 

Rosy the Reviewer says...The film is riveting.  You won't be able to take your eyes off of it.  It's fast-paced and quite brilliant.  Proof again that the original is always the best one.
(in Korean with English subtitles)




***Book of the Week***





Kathy Griffin's Celebrity Run-Ins: My A-Z Index by Kathy Griffin (2016)


Comic Kathy Griffin dishes on celebrities she has met.

Of course I was going to read this.  Did you have any doubts?  I love Kathy.  I have seen her in concert a couple of times.  She is shocking and has no shame whatsoever, which is what I love about her.  However, I realize that many people not only do not like that kind of humor, they don't like her. She herself says she is an acquired taste.  She also says that many people get her mixed up with Kathy Lee Gifford.

So when I sat down with this (or rather hauled my ass up on the elyptical which is my primary place where I read), I was expecting some total smack downs of famous people.  And guess what?  Compared to her live act, this was a love fest.  This was more of an A-Z of all of the people Kathy approves of from Woody Allen to Warren Zevon.  Hardly an insult in the whole thing, except she does throw a little smack at Selena Gomez, Gwyneth Paltrow, Harry Styles, Taylor Swift, Uma Thurman, and yes, Donald Trump.  But nothing even close to what she throws down in her live act.  You would think she was the new Roddy McDowell of Hollywood (look him up)!

But that's not to say this book is not funny.  It is - she is always funny - but I sure wish she had more juicy stuff to say about Zac Efron, Bruno Mars or even Beethoven, the Dog (yes, he's in there too, under "Dog, Beethoven The).

If you like to stalk celebrities as she does, she also offers advice on how best to do it:

  • Consider your surroundings - best to catch them while walking, not mid-bite while eating
  • Don't stare - use her "Look-and-Blink-Away-System"
  • Picture versus mental pictures?  - they are ready for a selfie with you especially if it's a Kardashian
  • Do I say anything? - Saying "Congratulations" to them will instantly put them in a good mood
  • Exit strategy - Smile and walk away 

Rosy the Reviewer says...this is one of those books you can read a little at a time, when you have a few minutes and need a laugh, like in line at the supermarket or on the toilet!



Thanks for reading!

 
See you next Friday 

 
for my review of


"A Dog's Purpose"


 
and
 
 
The Week in Reviews
(What to See or Read and What to Avoid)


 and the latest on



"My 1001 Movies I Must See Before 

 I Die Project." 


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