Tuesday, January 2, 2018

My Mother's Diary (and a Meaningful New Year's Resolution for You to Consider)

When my sister and I were clearing out my mother's house after her death in 1999 at the age of 91, I came across my mother's diary and brought it back home with me, and though I dabbled in reading it back then, it's only been lately that I decided to actually read it all.






Mark Twain said:

"When I was a boy of fourteen, my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty-one, I was astonished at how much he had learned in seven years."

When we are young, we don't seem to give much thought to what is going on with our parents, who they are or whether or not they are happy.  We tend to take them for granted. Perhaps that is why we end up knowing so little about our parents. 

I actually don't think I gave my mother any credit for "learning" anything until I was in my 50's.  Oh, yes, I tried to talk to her from time to time and find out how she felt about things, but we were not only from very different generations but we were on a different wave length.

You see my mother was born in 1908 and she was 40 when I was born.  That puts me at 21 in 1969, at the height of the Vietnam War and the sexual, social and political revolution that was taking place around the world.  My mother had absolutely no idea what was going on with me and pretty much wanted me to stay her sweet little 1950's goody-two-shoes.  That wasn't going to happen.

But it wasn't all my fault.  I remember when I was in middle school, sitting on the edge of my parents' bed with my Dad and asking him why I didn't know him as well as my best friend.  Even then I was trying to make a connection between him as a Dad and him as a person. He said something about parents not wanting to worry their children, which looking back now, was an interesting comment.

I read something recently that said our children will never love us as much as we love them, and now that I have had children of my own, I understand that, and it actually gives me some strange comfort.  It's like it's not ME my children have rejected by not hanging on my every word or asking me if I am happy or not; it's the nature of things. Children just don't wonder if their parents are happy.  They are too busy wondering when they are going to be happy.  When we're young we take our parents for granted and don't really give them much thought unless they are getting in our way.  I literally know nothing about what really made my mother tick other than what she didn't like about ME.

Now as I near 70 I would give anything to have her here to ask her questions about her life and marriage.

But I have her diary.

The diary documents my mother's life from 1930 through 1933, age 22 to 25, which was also the time that my mother and dad were "courting (they married when they both were 26).




My mother's entries in her diary consist of mostly pretty mundane stuff.  Each entry was only a few lines per day, but I was able to glean some things I didn't know:

  • When I was growing up, my Dad was a musician and played trumpet in various bands right up until he died.  But I didn't realize how much he did that as a young man.  My mother is always mentioning in her diary that my Dad, Frederic, was playing this evening or that evening but it added up to quite a few evenings per week.  And he was also in college during that time.

  • My mother also talks about her friend, Rosella.  She is the person I am named after, and I didn't know anything about her because by the time I came along, she had moved away. Likewise, it was fun reading about my mother's other friends whom I only knew as old ladies.  I thought it was wonderful that my mother still had all of those friends all of her life.

  • I didn't realize how close my mother was to her own mother.  My mother's mother died when I was around five, so I don't remember her very well, but my mother talks lovingly of her in her diary.  I knew that her mother had gone back to Sweden to visit her family but had not realized it was for three months.  My mother writes in her diary, "Mother has been gone for a week and it seems like a year."  I think that was partly because my mother's older sister was married and no longer lived at home but her five brothers did, so looking after her Dad and her brothers probably fell to her.  I found it interesting that my mother had told me about an unsettling incident that had happened to her during that time her mother was away but no mention of it in her diary.



  • Reading my mother's diary, I was happy to see that my Dad was just as thoughtful a boyfriend as he was a Dad.  He was always writing her letters and giving her gifts and she called him "My darling" and "My Sweetheart" throughout the diary. That made me happy and sad at the same time.  It made me happy because they clearly loved each other when they were courting, but sad because it was clear to me growing up, that by the time I came along, my Mother and Dad were not that happy together.  Though their marriage lasted until my Dad's death - almost 60 years - something had gone wrong somewhere but I never found out what it was.

  • My Mother's diary had all kinds of little keepsakes in it and clippings from the newspaper: announcements about programs at the YWCA or the Women's Club that she was a part of but also pictures of things she liked and things she wanted to remember such as cards and notes.


  • Ironically, though reading someone's diary should be like reading their thoughts, just as she was in life, my mother's diary didn't reveal very much about her inner thoughts.  Her diary is mostly a few lines each day about what she did - she came home and took a nap, her friend came for dinner and she would describe what they ate, she went to a concert, she received a letter from my Dad-to-be or she didn't.  Nothing very revealing and very little about what she actually felt about her life.

And that is not surprising since my mother was never one to talk about her feelings and she didn't deem it an appropriate topic of conversation either.  I remember as a teenager saying to her, "Mom, I am feeling depressed," and her response was "What do you have to be depressed about!"  It wasn't a question.  It was a statement.  She probably added "Count your blessings," and that was the end of that conversation.  Isn't it funny and ironic that I was a teenager who actually wanted to talk to her mother, but, also ironically, unlike most mothers of teenaged girls who wanted their daughters to share with them, I had a mother who didn't want me to.  So that was that.

She was also very practical.  When I was having problems in my marriage, I remember calling my mother and saying, "Mom, he has been cheating on me and is in love with someone else," and she replied, "Well, you can't fight that."  And she was right.  I couldn't.  So that was that.

So my mother's diary very much reflects her reluctance to share feelings and her practicality.  Except for mentioning the occasional spat with her husband-to-be, my Dad, my mother's diary reveals little of her thoughts, no soul-searching, no sad stories, no doubts about herself, so if I was expecting revelations about her life, they are not there.

But I am comforted by the details of her life as a young woman, a young twenty-something who would one day marry her sweetheart, my Dad, and give birth to me. I enjoyed reading about her daily life: she was an active young woman who was the secretary to the president of the local bank; she read books and went to concerts and plays; she was active at the YWCA, and at her church and belonged to a young women's business club; loved her mother and her family and she was always on the go.  She didn't appear to have a bad word to say about anyone. In fact, she spoke lovingly of her nieces (her older sister had already married and had children) and friends. She would mention my Dad's parents or her brothers and sisters but never revealed how she felt about any of them which is odd, because later in life, she had plenty to say!  But in her twenties, she seemed happy and hopeful, with her whole life ahead of her.

I am glad I have my mother's diary and can spend some time with her as the young woman she was.  I just wish I had spent more time with her older self, when she was still alive, so that I could have found out more about her.  I wish I had let her little criticisms of me go over my head and not cloud our relationship.  I let those criticisms bother me and because I was busy living my life far away and raising my own children, I didn't make the effort to visit her much or talk with her on the phone more than once a week. 

But I loved my mother and I know she loved me.  When I finally did get a divorce and asked her to come and help me, at 74, she dropped everything and traveled by herself to California from Michigan to help me with my two-year-old son and to help me get back on my feet, and it was comforting to know she was always there for me - and she was.



Now that I have grown children too, and am in a position similar to my mother's, I have time to reflect and feel regret that I never had talks with her about her true feelings (though I can remember trying upon occasion), what drove her to do some of the things she did, how she felt about her 50+ year marriage at the end and if she had any regrets in life.  Though I am glad to have her diary and glad that she did share some important things with me over the years, I still have so many questions.  I wish my mother was still here to answer them.

But now it's too late.

Since my parents are both dead, it's too late for me to ask them questions that I have, but it's not too late for those of you whose parents are still alive.  I urge you to try to find out about them.  I'm not talking about their accomplishments or the family tree, I am talking about finding out why they raised you the way they did, why they married who they married, how they feel about getting old, what they have learned about life, what they regret.  All of those things that make them who they are.  You will learn about them but it also might shed some light on who you are too.

So here's an idea for a meaningful New Year's Resolution.

Make a resolution that in the coming year you will have some meaningful conversations with each of your parents to find out about who they really are and how they feel about their lives.

It's too late for me but it might not be too late for you.

Don't wait.  Do it now. 

Do it before all you have left is a diary.


Thanks for reading!



See you Friday 

for

"The Best and the Worst Movies of 2017:
 
Rosy the Reviewer's Top 10" 

 
If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook athttps://www.facebook.com/rosythereviewer 

Friday, December 29, 2017

Rosy the Reviewer's One Liners: One Line Reviews for Busy Folks Who Just Want to Netflix and Chill!

It's that time of year: the middle of the Holiday Season where there is too much to do and too little time to do it in. 

And Rosy the Reviewer is also busy, busy, busy, so I am making it easy on all of us by giving you some movie reviews that are short and sweet.  Short?  One line.  Sweet?  Not all of them.  

The shows are all streaming on Netflix so you can just Netflix and chill and enjoy the rest of the holiday season!

And I mean actually sit and watch Netflix and chill...not that other thing.


Enjoy...and you can thank me later.



Streaming on Netflix






Jerry Before Seinfeld (2017)



Rosy the Reviewer says...if you are a Jerry fan or really loved the TV show "Seinfeld," then you will enjoy this very funny yet poignant documentary where Jerry returns to the Comic Strip Club where he got his start; he does some stand up interspersed with reminiscences about his childhood and who he was before he was "Seinfeld."







Blue Jay (2016)





Rosy the Reviewer says...two high school sweethearts meet up 20 years later in this black and white (why?) very talkie two-hander romantic story (think a less successful "Before Sunrise" but still worth seeing) starring Sarah Paulson, who is an amazingly real actress and proves she can play someone other than a tough Marcia Clark ("American Crime Story: The People vs. O.J. Simpson") or a weird character in "American Horror Story" and writer/actor Mark Duplass, who I really liked in "The One I Love," but not so much in this.








The Watcher (2016)



Rosy the Reviewer says...this is one of those horror films about an unsuspecting couple who buy their dream home only to discover that some bad stuff happened in that house, and some bad stuff is going to happen to them too, but it's only Lifetime Movie kind of bad, and really over-the-top and campy bad, and actually so over-the-top and campy bad that it's on my list of possible camp classics which translates to lots of fun.







The Death and Life of Marsha P. Johnson (2017)



Rosy the Reviewer says...a fascinating documentary using never-before-seen footage and interviews that investigates the mysterious death of Marsha P. Johnson, a transgender activist and veteran of the 1969 Stonewall Riots in New York City, which was one of the most important events leading to the Gay Liberation Movement.




Big Family Cooking Showdown (2017)



Rosy the Reviewer says...if you loved "The Great British Baking Show" on PBS or, as it's known in the U.K, "The Great British Bake Off," you will love this new series that features sixteen British family teams who fight for the title Best Family of Cooks in this series presented by Zoe Ball and Nadiya Hussain (Hussain won "The Great British Bake-Off" in 2015).




And don't forget, "The Crown" which is now back for it's second season!



Thanks for Reading!

I hope you had a lovely holiday and continue to enjoy the holiday season. 

I wish you all a Happy New Year,

and I hope I will see you next year!

NOTE:

There will be a special
New Year's edition of
Rosy the Reviewer this coming Tuesday

"My Mother's Diary
(and a Meaningful New Year's Resolution for you to consider)"

 

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer

 
Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Friday, December 22, 2017

"Mudbound" and The Week in Reviews

[I review the Netflix original film "Mudbound (nominated for two Golden Globes) as well as the DVDs "Patti Cake$" and "Ghost in the Shell." I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Wild Reeds."  NOTE:  I'm sorry there is no Book of the Week this week - hey, it's the holidays!)




Mudbound


Two families living in the Mississippi Delta during the 1940's intertwine tragically in this film that explores race and class in the Jim Crow South.

More and more, Netflix and other home viewing companies are providing quality content that we can all watch at home.  That's probably why the movie industry is suffering.  People would rather watch at home than venture out to the movies.  So Netflix has taken advantage of that and provided original TV series and movies that would otherwise never get made or languish unreleased. 

And so because of Netflix, we are able to see this incredibly raw, but incredibly compelling epic of two poor families, one white, one black, trying to survive in the Mississippi Delta after WW II, a film considered by some to one of the best films of the year.

Henry (Jason Clarke) and Jamie (Garrett Hedlund) McAllen are brothers.  Henry, the older brother, is kind of a dud.  He is educated but socially inept.  On the other hand, Jamie might not be as smart but he is handsome and charming.

Henry and Jamie are first seen trying to bury their father during a rainstorm.  As they dig the grave, the two are almost buried themselves in the mud.  A wagon with an African-American family pulls up and Henry asks them to help.  He is met with angry stares and thus begins this story of two families at odds.

Flashback to 1939 when Henry meets Laura (Carey Mulligan), a 31-year-old virgin spinster living with her parents.  She doesn't exactly fall in love with Henry, and in fact when she meets his more handsome and charming brother, Jamie, you can feel her attraction to him, but she wants to get married and have her own life so she marries Henry and they are living happily in Memphis when Henry gets this bright idea to live out his dream to own a farm.

He uproots the family, including his Pappy (Jonathan Banks), and they all move to Mississippi where Henry thinks he has rented a nice house on the land he bought but when they arrive, they discover the house has been sold out from under him and they are forced to live in one of the sharecropper's cabins alongside the black sharecroppers who are working the land, something Pappy is not happy about. You see, Pappy is a racist who throws the "n-word" around liberally and has no problem making that clear and throwing his weight around when he encounters black people.

Henry is basically a city guy and is not prepared for the hardships of working a farm. The McAllens live near the Jackson family - Hap (Rob Morgan) and Florence (Mary J. Blige) Jackson and their children.  The Jacksons are black sharecroppers and, though they are poor, their experiences on the land are very different from Henry's.  Hap is a pastor and has hopes and dreams of moving up and owning his own land.  Henry seems to be on the way down having been swindled and forced to live where he feels is below his station.

Meanwhile, WW II has started and Jamie has gone to war as has the Jackson's son, Ronsel (Jason Mitchell).  Jamie is an Air Force pilot and Ronsel is a tank commander.  Both experience the war very differently.  Jamie comes home guilty and shell-shocked for having bombed so many people.  Ronsel comes home liberated freed from the racism he had experienced at home. Yes, he was in an all black military unit and was segregated as he was at home but the Europeans did not exhibit the kind of racism he faced in America.  In fact, he was in love with a white German woman and was living with her until the war ended and he needed to go home.

But when both Jamie and Ronsel return home, they both come home to a war of another kind - Jamie is shell-shocked and returns to nothing but a disapproving father and his own guilty dreams and Ronsel to a racist world that continues to try to beat him down.  Jamie and Ronsel find solace in their shared experiences of the war but their friendship also leads to murder and tragedy.

Based on the novel by Hillary Jordan and adapted by Virgil Williams and directer Dee Rees, the film is told from each of the main characters' different viewpoints throughout the film giving the film a poetic feel and insight into the inner workings of each character. 

Carey Mulligan is always good but I get her mixed up all of the time with Michelle Williams.  The two could be twins, and Mulligan, who is British, plays so many Americans that it doesn't help.  Here her part is quite small but a pivotal one. 

Mary J. Blige as Florence plays a mother who grieves for a favored son who has gone off to war and is a steady presence for her family as they live a hardscrabble life. She also helps Laura during childbirth, and the two share an uneasy bond of motherhood and womanhood. The singing diva is almost unrecognizable as she sheds her makeup to play the no-nonsense Florence.  She has been nominated for a Best Supporting Actress Golden Globe for this performance, and though she is good, the part is not really that meaty to give Blige a chance to really stand out, so I'm on the fence about whether or not that nomination was deserving.  The Golden Globes and the Academy seem to reward women when they take off their make-up and go au natural but is that acting?

Clarke and Hedlund are excellent as the brothers who love each other but struggle with their differences but the film belongs to Jason Mitchell as Ronsel, the African American man who goes off to war and experiences being treated like a man for the first time but returns home to the humiliation of the white supremacist and KKK South. Mitchell stunned as Eazy-E in "Straight Outta Compton" and he stuns here too.

Directed by Dee Rees"Mudbound" is a good title and metaphor for this story of two families stuck literally and figuratively in the muddy cotton fields of the Mississippi Delta and the racism of the Jim Crow South. The film reminded me of Terence Malick's "Days of Heaven." Not having heard much about this film, I decided to watch it on Netflix when I saw Carey Mulligan on "The Graham Norton Show (BBC America)" and later heard the buzz about Mary J. Blige's performance and her Golden Globe nomination for Best Supporting Actress, and I am glad I did.

I find as I watch these kinds of films about what black people in the United States have had to go through - holocaust films do the same - that I get so angry, so angry at the evil that men do.  The racism and horrors that African Americans have had to endure is shameful and should make us all mad.  No this isn't happy holiday fare.  You have the Lifetime and Hallmark channels for that. But the holiday season is a time to reflect on love for our fellow men and women, all of them, and if we all did that, not just during the holidays but all of the time, maybe we could end racism because racism is still alive and thriving in this country today.


Rosy the Reviewer says...stunning performances.  This film made me cry.  One of the best of the year!





***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!

On DVD





Patti Cake$ (2017)


An unlikely rapper sensation emerges - an overweight white girl from New Jersey.

Patti, AKA Patricia Dombrowski AKA Killa P. AKA Dumbo (Danielle McDonald) is a 23-year-old who dreams of being a rap queen.  She practices her raps in the mirror and dreams of stardom while living with her alcoholic mom, Barb (Bridget Everett), who likes to bring strange men home.  Actually Barb is a slut who is mean to Patti and an embarrassment to her, but Patti takes care of her, holding her hair back when she throws up in the toilet after a night of partying.  Patti also lives with her Nana (played by Cathy Moriarity who I never would have recognized in a million years had I not seen her name in the credits) who has medical issues but encourages Patti and is her biggest fan. 

Patti is a bartender in a karaoke bar and sometimes her Mom comes in to sing.  Her mother is actually a really good singer who had a sort of career in the past, but now she comes in and sings and gets very drunk much to Patti's chagrin.  Patti wants to have a connection with her mother but her mother blames her for her lost career by becoming pregnant with her.

Patti's friend, Jheri (Siddharth Dhananjay), who works at the drug store, has a crush on her and encourages her dreams.  She, however, has a crush on the handsome pizza guy.

Patti's life is dead end and bleak, but she gets through it by listening to rap music and pretending to be a rapper.  She attends street rap jams and wows her fellow jammers, though they disrespect her by calling her Dumbo. She also meets a strange black musician who calls himself Basterd the AntiChrist (Mamoudou Athie), and she begs him to collaborate with her.  He is a mysterious, withdrawn guy who lives off the grid in a tunnel he has labeled The Gates of Hell.

Now you may ask, "What's a 69-year-old woman doing watching a movie like this, about a 23-year-old wanna be rapper?"  She's watching an awesome ass movie, that's what!

This is one of those stories of making it despite the odds, and we all know how it is going to go, but it's the getting there that is so great.

McDonald is wonderful.  She is so real and believable as Patti and Bridget Everett, who so far has been known mostly as a rather raunchy standup comedian and pal of Amy Schumer wows, not only as an actress, but as a singer.  I hope to see more of these two.

Written and directed by Geremy Jasper, this is a feel good film that takes you on an original and mesmerizing ride that you don't want to miss.

Rosy the Reviewer says...a really wonderful little film... AKA killa!







Ghost in the Shell (2017)


In the near future, Major (Scarlett Johansson) is the first of her kind: a cyber-enhanced body with a human brain. 

I have been struggling lately with whether or not Scarlett Johansson is a good actress or not.  I am leaning toward not and this film didn't help.  Don't get me wrong.  She is a beautiful woman and has certainly paid her dues.  She has been around for a long time, first as a child actor who made a splash in "The Horse Whisperer" and has steadily progressed ever since, but when I look at her body of work, I feel like she is competent but plays most of her roles the same.  I almost gave up on her with "Under the Skin," a movie I hated. Here ScarJo is a cyborg police woman named Major and playing a cyborg doesn't really give her much opportunity to change my mind about her acting.  

Major was once a human named Mira Killian, but she was caught in a terrorist attack that killed her parents and left her body beyond repair. Only her brain survived.  In this futuristic world that Mira lives in, it is common for people to get cyber augmentation to give them greater vision or strength and Hanka Robotics is the leader in this industry.  They are involved in a secret project to create a "shell" that can house a human brain rather than using AI and Mira is their perfect subject, and the project is successful.  Her designer, Dr. Ouelet (Juliette Binoche) decides to use her as a counter-terrorist operative. Major is dedicated to foiling cyber-criminals and hackers including one whose goal is to destroy the technology responsible for her very existence.  

A year later, Mira has attained the rank of Major in Section 9, an anti-terrorist division led by Aramaki (Takeshi Kitano), but she is starting to experience hallucinations and to wonder about her past, and through a series of adventures and misadventures and lots of karate chopping and kicking on ScarJo's part, Major goes back to find her past, who she really was, and learns her real name and in so doing, the film explores that whole issue of what makes us human.  Does just having a brain make us human?

Watching this film, one can't help but think of a female version of "Blade Runner: 2049."  Same concept but not as good.  Directed by Rupert Sanders (who you may remember was in a bit of a cheating scandal with Kristin Stewart awhile back) with a screenplay by Ehren Kruger, William Wheeler, and Jamie Moss, this one is a very stylized film version of Masamune Shirow's Manga series and the set design is quite extraordinary.  It reminded me of the film "The Fifth Element."  But the film is also very cartoonish which made it difficult to care about the characters.  It just failed to grab me.  And I am not prejudiced against cyborgs.  I loved "Ex Machina."  Maybe ScarJo just doesn't have the acting chops to make me care about this cyborg.

Rosy the Reviewer says...this film is kind of a confusing mess and ScarJo is no Meryl Streep, but I have to say, she has "The It Factor."  You can't take your eyes off of her.




***My 1001 Movies I Must See Before I Die Project***




161 to go!

Have YOU seen this classic film?




Wild Reeds (1994)
(Les Roseaux Sauvages)


Boarding school students in 1960's France.  I wonder what they get up to?

This film, directed by Andre Techine, tells the tale of the sexual awakenings of three male students at a French boys boarding school in 1962 during the last throes of the French-Algerian War. They are all in their last year of school before heading out into the world.

Francois (Gael Morel), Serge (Stephane Rideau) and Henri (Frederic Gorny) couldn't be more different.  Francois thinks he is in love with Maite (Elodie Bouchez) but is sexually naïve and struggling with his sexuality.  Francois is actually in love with the street smart and straight Serge. Henri is a French Algerian obsessed with the Algerian War.

At the wedding of Serge's brother, Pierre (Eric Kreikenmayer), a soldier fighting in Algeria, Pierre asks his ex-teacher Madame Alvarez (Michele Moretti) to help him desert.  She is a known Communist and he has heard that the Communists help soldiers desert from the Army.  Madame Alvarez is a teacher at the boarding school and is also Maite's mother.  She refuses and, when Pierre is killed in Algeria, Serge seeks revenge on Madame Alvarez blaming her resistance to helping Pierre desert as the reason he died.

Meanwhile, Serge, who is a bit of a bad boy and who reminded me of a young Matt Dillon seduces Francois even though Serge is straight and really lusts after Maite. Francois must face his burgeoning feelings for Serge and his homosexuality.  Henri, who looks like a young Hugh Grant, is an Algerian French National who has been expelled from Algeria because of the war.  He isn't really attracted to anyone.  He's angry about the war and, well, angry about everything, though he, too, is eventually drawn to Maite, despite their political differences. 

While Serge, Maite and Francois represent the personal angst that young people go through as they come of age, Henri represents the political climate that they will also have to navigate, but since we Americans probably know absolutely nothing about the French-Algerian War, which was to France what the Vietnam War was to America (and I must confess I actually didn't know anything about it), the political side of this film doesn't really resonate.

It's all a strange little adolescent love triangle, or actually it's a quadrangle, with Serge in the middle.  There is a touching and telling scene when Serge and Francois take a motorbike to Toulouse, with Serge driving and Francois riding behind him with his arms grasped tightly around Serge.  It beautifully shows how much Francois loves Serge and how he is going to have to deal with his feelings about him.

There is a side plot where Madame Alvarez has a breakdown because she too blames herself for Pierre's death but I thought that side plot  was over dramatic and bogged things down.

Despite the fact that these were engaging young actors, I am getting tired of coming of age stories and this one was a bit self-indulgent for me and difficult to relate to.  It starts out as a story about Francois, Maite and Serge but the second half of the film morphs into the story of Henri, who is a right winger and Maite, who is a Communist, and their political odds vs. personal odds. The film ends with a scene where they all go swimming together in what could be seen as their last burst of childhood before the personal and political upheaval of adulthood will take over, which to me is a cliché scene used many times in films like this.

Why it's a Must See:  "[This film] was the winner of Cesar awards (the French equivalent of the Oscars) for Best Picture, Director, Screenplay and 'New Female Discovery' (for Bouchez)."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...yawn.
(In French with English subtitles)


Thanks for reading!



See you next Friday 


for

"Rosy the Reviewer's One Liners:
One Line Reviews for Busy Folks who want to just 
Netflix and Chill" 


  

If you enjoyed this post, feel free to copy and paste or click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at https://www.facebook.com/rosythereviewer

Check your local library for DVDs and books mentioned.


Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).