Friday, October 4, 2019

"Judy" and the Week in Reviews

[I review the Judy Garland biopic "Judy" as well as DVDs "The Sun is Also a Star" and "The Happy Prince." The Book of the Week is my new favorite cookbook "Half Baked Harvest Cookbook: Recipes From My Barn in the Mountains" by Tieghan Gerard. I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Europa Europa."]


Except for just a few films in recent years, Renee Zellweger has been pretty much out of the public eye since 2010, but now she is back with a vengeance as the tragic superstar Judy Garland during the last year of her life.

For those of you who don't know who Judy Garland was (and that's another tragedy, if you don't), she was an acclaimed actress and singer whose career spanned 45 years. Though she was in over two dozen films at MGM before starring as Dorothy in "The Wizard of Oz" at the age of 17, and later starred in iconic musicals such as "Meet Me in St. Louis" and "A Star is Born (the second and best one)," Dorothy in "The Wizard of Oz" is probably the role for which she is most remembered today.  Dorothy had a happy ending, but there was no happy ending for Judy who struggled in later years with finances and drug and alcohol issues and died at the age of 47 of a barbituate overdose.

In the winter of 1968, Garland was alone and lonely having just divorced her fourth husband.  She was also broke and unable to pay her hotel bills or care for her young children, and her abuse of alcohol and drugs had made her an insomniac and a liability to the film industry.  So when she was offered some nightclub dates in London, she reluctantly agreed to take them on despite the fact that she was in such a fragile state it was unclear whether or not she would be able to perform.  When she arrived in London she was assigned a minder, Rosalyn (Jesse Buckley), and it was a good thing too, because it was touch and go for Judy. But when she was able to perform, she was still amazing.  She was the consummate performer who heartbreakingly gave everything she had to the audience.

The film follows Garland as she tries to meet her performance obligations while at the same time struggling with sleep and addiction issues. We also meet her ex-husband, Sid Luft (Rufus Sewell), who perportedly gambled away much of her money, and we also meet her soon-to-be new husband, a much younger, Mickey Deans (Finn Wittrock), who appears to also be on the road to using poor Judy, who can never seem to find happiness. 

But Zellweger is able to not only show Garland's demons, but also her vulnerability, charm and sweetness, her endless desire to please, and when it comes to performing, Zellweger channels Garland beautifully.  She has the mannerisms down and does her own singing, which was taking a risk because Garland's voice was big and magnificent, but Zellweger is believable, because even though she doesn't sing exactly like Garland, we can believe that all of that abuse Garland put herself through would have certainly affected her voice. And that's not saying Zellweger is not a good singer.  She is.  But what she does best is replicate the energy and excitement Garland brought to the stage.  

Garland was also a gay icon, partly because the gay community likened her personal struggles to theirs, and the film portrays this in a very poignant scene when a lonely Judy is met at the stage door by a gay couple, Stan (Daniel Cerqueira) and Dan (Andy Nyman), fans who have been at every one of her shows.  So they can't believe their luck when Judy asks them if they want to grab a bite.  Unfortunately it's after midnight and this is London in the 1960's. Nothing is open so they take Judy to their apartment and make a very bad omelet but have some laughs giving them a wonderful memory of a lifetime.  And Judy is happy to be there, happy to be loved and appreciated.

And that was the amazing thing about Judy Garland.  Despite all of her issues and woes, she had a beautiful heart and spirit, and that's the amazing thing, too, about Renee Zellweger in this role.  She not only embodies Garland in looks and talent, but she captures Garland's charm and optimistic spirit.  This is the role of a lifetime for Zellweger and she plays it to perfection.  Never once did I think I was watching Renee Zellweger playing Judy Garland.  I was watching Judy Garland come to life.

So that's the good news.

The bad news is that the film itself is a bit clumsy, especially the way it uses flashbacks to explain to the audience why Judy was such a mess, and it plays a bit fast and loose with the facts.  

At the beginning of the film, we have L.B. Mayer, the head of MGM, literally walking with Judy on the Yellow Brick Road, reminding Judy that she is lucky to have the role of Dorothy in "The Wizard of Oz," as if she was just starting out as an actress.  Yet by the time she was 17, she had already starred in over two dozen MGM films.  He also demeans Judy's looks and threatens her with the idea he can replace her at any time with Shirley Temple if she screws up. That is only partially true. Shirley Temple had already turned down the role, as had Deanna Durbin, another young, hot singer/actress of her day. And yes, Judy was insecure about her looks, especially her weight in a world where glamour was the operative word and yes, the studio supposedly gave her diet pills and kept her on a diet, but one wonders if they were quite as Machiavellian as portrayed in the film. I found those flashbacks to Judy's early life over dramatic and kind of jarring when compared to Zellweger's more finely tuned scenes as the older Judy, despite the fine work by the young actress (Darci Shaw) playing her in the flashbacks.

Adapted by Tom Edge from the stage play "The End of the Rainbow" and directed by Rupert Goold, I would have preferred a montage at the beginning of the film, one of those old-fashioned ones with headlines and photographs that ran us through Garland's life and early success, so those of you who have been living under a rock would know who she was, and then let her explain her early life and what led to the drinking, drugs, divorces and insomnia by way of her talking to her therapist rather than those unwieldy flashbacks.  But that is a minor concern when pitted against Zellweger's performance.  This is a tour de force for Zellweger who is sure to win an Oscar for this performance.  Don't miss it.

Rosy the Reviewer says...ring! ring! Ms. Zellweger, Oscar calling.  We have your statue all ready to go!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


The Sun is Also a Star (2019)

A star-crossed teen love story.  At least one of them isn't dying!

If you are familiar with Richard Linklater's "Before Trilogy," where Ethan Hawke and Julie Delpy walk around beautiful European locations and talk about love and life, then you will have some idea what this film is like.  It's a kind of teen version of that.

Natasha (Yara Shahidi) is a Jamaican girl who is about to be deported.  Like tomorrow.  Despite the fact that Natasha grew up in New York City, her parents did not arrive in the U.S. through the proper channels so her whole family is getting sent back to Jamaica.

But then she meets Daniel (Charles Melton), a young Korean guy whose parents want him to be a doctor. He wants to be a poet. Daniel is getting ready for an interview to get into Dartmouth to start that path to doctorhood, but serendipity brings our young lovers together, two cultures collide and Natasha and Daniel will never be the same again.

In Grand Central Station, Daniel is with a friend.  Daniel is obsessed with "Deus ex machina" which for some reason means to Daniel "Open up your heart to destiny." That's not exactly what I thought that meant.  Anyway, he even has it posted in his room. When he sees Natasha looking up at the constellations painted on the ceiling of Grand Central Station, he is fascinated because he has never, ever seen anyone look up at the ceiling in Grand Central Station.  And then when he sees "Deus ex machina" on the back of Natasha's sweatshirt, that's it.  He sees that as a sign and has to get to know her. He chases after her and eventually sees her on his train, follows her and saves her from getting hit by a car.  You can't get any more "meet cute" than that!

But Natasha is a pragmatist who is fascinated by astronomy, doesn't believe in love, only things she can measure.  And like I said, Daniel is a poet and, of course, he believes in love. Daniel bets Natasha that if she gives him 24 hours, he can make her fall in love with him. With his Darmouth interview postponed to tomorrow and Natasha leaving the country tomorrow, the two embark on a day long odyssey around the city, and it is an odyssey with all kinds of synchronicities, some of which I saw coming a mile away. Are these two destined to be together?

Directed by Ry Russo-Young, the film sports a meager plot and the dialogue could be better, but that's okay.  The poignant ending made up for that, and, hey, I like love stories starring beautiful people - Shahidi and Melton are attractive and engaging young actors - and I like the idea of destiny.  And though Tracy Oliver's screenplay leaves out some of the nuances of the YA book by Nicola Yoon on which this film is based, she does a good job of capturing the two characters as well as making a timely comment on the immigrant experience in the U.S.

Carl Sagan said, "We are like butterflies who flutter for a day and think it's forever." But sometimes a single perfect day is enough.

Like I said, the film is reminiscent of Linklater's "Before Sunrise" trilogy but aimed at the teen market.  Head to head, it doesn't measure up to those films, so if you are over the age of 20 and you haven't yet seen them, get thee to Netflix immediately! But if you are a teen or the parent of a teen, you can start with this one.

Rosy the Reviewer says...a sweet story that reminds us that sometimes one perfect day can be enough.

The Happy Prince (2018)

Another biopic about the sad last years of a famous person - this time it's Oscar Wilde.

And he was not a happy prince.

This film depicts Wilde's last three years of life.  It's difficult to believe there was a time when being homosexual was a crime.  In 1895 Oscar Wilde (Rupert Everett) was the most famous man in London but by 1900 he was a pariah.  When his lover's father accused him of being a sodomite and Wilde sued him for libel, it was Wilde who ended up in prison for "gross indecency."

It helps to know something about Wilde's life before seeing this, because the film skips all around, which I decided while watching "The Goldfinch," that I didn't like. Wilde's life is presented here in a confusing way. Though the film concentrates on Wilde's life post-prison, it gives glimpses of his earlier life in flashbacks.  I would have preferred a more linear approach - Oscar's early, successful life, his affairs, his trial, his imprisonment and then death.  But Everett, who also wrote and directed, must have decided that was too boring.  But though I didn't like the screenplay, the acting can't be faulted.  Like Renee Zellweger in "Judy (see review above)," this is a tour de force for Everett.

Now out of prison, Wilde is broke and lonely, living in Paris under an alias and abusing absinthe and cocaine.  He has lost everything except his sarcastic wit which he was known for.  But it's a sordid story and about as far from "happy" as one can get. Wilde never recovered from his stint in prison and it was all downhill for him after that.

Emily Watson also stars as Wilde's estranged wife and Colin Firth as Wilde's friend, Reggie.

Rosy the Reviewer says...a sad and depressing tale and a reminder of what homosexuals have had to endure.

***My 1001 Movie I Must See Before I Die Project***

60 to go!

Have YOU seen this classic film?

Europa Europa (1990)

The true story of how a young Jewish boy survived the Holocaust by posing as an Aryan German.

Salomon Perel (Marco Hofschneider) was born in Germany to a Polish-Jewish family and was a teenager when the Nazis came to power. He and his family fled Germany to Poland, only to have Hitler invade Poland, so Salomon, called Sally, and his brother, Isaak (Rene Hofschneider), were sent away but the brothers were separated and Sally found himself alone.  He ended up in a Russian orphanage where he was on his way to becoming a good Communist, when Hitler attacked Russia, leaving Sally a refugee once again.  

When he is captured by the Germans and they discover he can speak Russian and can be useful to them, he avoids discovery as a Jew.  Now he is a German soldier and he's only 16.  A German officer takes a liking to Sally and wants to adopt him so he sends Sally to an elite military school for Hitler Youth where he meets the anti-Semitic Leni (Julie Delpy in an early role) and falls in love with her.  All seems to be working out for our hero.

But here is the problem. 

Circumcision is the custom in the Jewish religion but not so for other men in Europe.  So the Nazis would make prisoners undress so they could inspect their penises.  Circumcision marked the prisoner as Jewish so for the entire span of Sally's odyssey during the war, from 1938 to 1945, Sally is tortured trying to keep his penis to himself, so to speak.  

When Sally is befriended by a Nazi soldier who was once an actor, Sally asks him, "Isn't it hard being someone else?" to which the actor replies, "It's harder to play yourself."  Quite the irony since Sally has become someone else in real life. He bends his persona to every situation he finds himself in. He is willing to deny who he really is to survive, and being a young teen he also is desperate to fit in. And through a series of lucky and sometimes absurd circumstances, Sally is able to fit in and survive. No matter what comes his way, he is able to blend in, but in so doing, he denies who he really is. 

And then there is that troublesome penis.  If anyone sees it, his true identity will be discovered, his penis a symbol of the fact that we can never really escape who we truly are.  But as director Agnieszka Holland said to film critic Amy Taubin in an interview in 1991, "His penis saved his soul. Otherwise, he might have become a total Nazi."

Perel eventually emigrated to Israel and never denied his Jewish heritage again, but he didn't tell his story until 40 years later.

Why It's a Must See: "[Director] Holland refrains from passing judgment on her chameleon-like protagonist as she represents unspeakable psychological tortures and miraculous escapes from a matter-of-fact distance, not dwelling on agony or bloodbath.  This is waht renders his incredible story so shockingly believable and separates it from other films about the Holocaust."

---"1001 Movies You Must See Before You Die"

The film won a Golden Globe for Best Foreign Language Film and an Oscar for Holland for best screenwriting. Germany did not submit the film for consideration for a Best Foreign Language Oscar, because the film was not well received in Germany and was controversial on all sides, some thinking that Holland was mocking the Holocaust, others that she made a mockery of European nationalism of both the left and the right... and then there is that whole penis thing. Well, I guess it was just too much!

Rosy the Reviewer says...a fascinating take on identity and an original take on the Holocaust, that horrible part of human history.

***The Book of the Week***

Half Baked Harvest Cookbook: Recipes from My Barn in the Mountains by Tieghan Gerard

My new favorite cookbook!

One of seven children, Tieghan Gerard grew up in Ohio but moved to a Colorado mountain with her family when she was in high school.  At age 15 she started doing the cooking and found freedom, creativity and a haven from the chaos of her big family.  She began a blog called "Half Baked Harvest" where she shared her fresh takes on classic recipes and her blog took off, with millions of people taking her cooking advice.

This beautifully produced cookbook will charm even the fussiest cookbook connoisseur and her recipes are out of this world.  I mean, putting a poached egg in soup?  I'm there!

Gerard shares her and her family's story in the first pages of the book, and we find out how she came to write the cookbook.  And then she shares her recipes for breakfast dishes, appetizers, pasta and grains, meat, poultry and seafood dishes as well as some vegetarian options and, of course, dessert. Each recipe is accompanied by a paragraph by Gerard explaining how and why the recipe came about as well as some cooking tips, such as how to clean a leek or a possible ingredient substitution.

In addition to "Dad's One-Pan Friday Night Pasta" - I love anything I can make in just one pan - and a "30-Minute Healthier Chicken Parmesan: - what makes it healthier?  It uses zucchini noodles - here are my two current favorites:

"Spring Chicken Soup with Ravioli & Poached Eggs"


"Dad's Simple Pasta Salad."

I mean, c'mon, a chicken soup with plump raviolis and a poached egg floating in it?  Yum!  And though I wouldn't say the salad is particularly easy, because it has 14 different ingredients, many of which need to be chopped, it is absolutely delicious tossed with a basil pesto and full of sun-dried tomatoes, pickled pepperoncinis and pepperoni, ingredients not usually found in pasta salads. It even has some nectarines!

I have tried both of those recipes and they are winners!

I am intrigued by Gerard's use of interesting tastes such as miso paste, sun-dried tomatoes and other unusual ingredients.  Can't wait to try more!

Now on to the "Thai Butternut Squash and Peanut Soup" and the "Braised Pork Tamale Burrito Bowls!"

Rosy the Reviewer says...Gerard's story is an interesting one, her recipes are unusual and delicious and her tips are enlightening!  Bon appetit!

Thanks for reading!

See you next Friday


"Linda Ronstadt: The Sound of My Voice"


The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

If you enjoyed this post, feel free to click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at 

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, September 27, 2019

"Downton Abbey" and The Week in Reviews

[I review the new movie version of "Downton Abbey" as well as the DVD "The Last Black Man in San Francisco" and "Hello, Privilege. It's Me Chelsea," a documentary now streaming on Netflix. The Book of the Week is rocker Roger Daltry's memoir, "Thanks a Lot Mr. Kibblewhite." I also bring you up-to-date with "My 1001 Movies I Must See Before I Die" with "The Asthenic Syndrome."]

Downton Abbey

"Downton Abbey" - the story continues!

"Downton Abbey" fans rejoice! It's back.  And this time the popular TV show returns as a feature film with all of your favorite characters: The Crawleys AKA The Earl (Hugh Bonneville) and Countess of Grantham (Elizabeth McGovern), Lady Mary (Michelle Dockery), Tom Branson (Allen Leech), Lady Merton (Penelope Wilton), and, of course, the Dowager Countess, Violet Crawley (Maggie Smith), all living upstairs while Mrs. Hughes (Phyllis Logan), Mr. Bates (Brendan Coyle) and his wife, Anna (Joanne Froggatt), Mrs. Padmore, Daisy (Sophie McShera), Andy (Michael Fox) and Barrow (Robert James-Collier) hold forth downstairs.  Lady Edith (Laura Carmichael), who has married and moved away, arrives; Molesley (Kevin Doyle) makes an appearance; and even Carson (Jim Carter), who had retired, is called back.

It's 1927 and everyone at Downton Abbey is all aflutter.  The King and Queen are coming to spend the night.

At first I thought this was going to be silly and a bust.  I was a huge "Downton Abbey" fan, but my experience with feature films trying to capitalize on the popularity of a beloved television series was not good.  So I didn't go to the theatre with optimism.  I mean, c'mon, a whole movie about getting ready for a visit from the King and Queen?  I wondered how a slight plot like that could sustain a 122 minute film.

But my fears were unfounded.

That little plot line led to all kinds of other juicy storylines: There's a plot to kill the King, a love interest for widower Tom, a new member of the family emerges, Barrow comes out (sort of), and Violet makes a statement about the fate of Downton. There are also a couple of other minor plots involving Princess Mary (Kate Phillips) and her cold husband, Lord Grantham's cousin, Lady Bagshaw (Imelda Staunton), and her will, Daisy's relationship with Andy, some missing household items, and Edith's husband, Lord Hexam (Harry Hadden-Paton) going away on some business for the King at a time very inconvenient for Edith. Those stories could have been fleshed out a bit more, but trying to give all of those characters a lot of screen time would have made this film an epic (epic: usually means a really, really long movie), but all of the characters had a chance to shine, if some only briefly.

But the major story is the visit from the King and Queen and how that affects the household.

Lord Grantham and Lady Cora are honored to have King George (Simon Jones) and Queen Mary (Geraldine James) come to stay.  There will be a dinner and they will spend the night, so the household is full of activity as everyone prepares for their arrival. Mary asks Carson to come out of retirement this once to help run the house, much to Barrow's displeasure, who has been in charge since Carson retired.  And Barrow does not hide his displeasure much to Lord Grantham's irritation. Moseley has come back begging to be allowed to serve the king (he's a huge fan!) and when he is given the go ahead, he can't believe his luck. 

However, when the Royal staff arrive, it becomes clear that the household staff will have little do.  In fact, Mr. Wilson (David Haig), the Royal Page of the Backstairs, with his over-the-top title and arrogant attitude, who has come in to handle everything, tells the staff to make themselves scarce and go read a book because they won't be needed.  Well, we will see about that.

Meanwhile, a Major Chetwode (Stephen Campbell Moore) arrives in town and seeks out Tom, who suspects that Chetwode is a royal detective sent to make sure Tom doesn't cause any trouble because of his sympathies for the Irish Republicans. Well, we will see about that too.

Directed by Michael Engler and written by Julian Fellowes, who wrote and produced the TV series and also produced this film, every single character from the TV series is back.  The TV series ended in 2015 after 52 episodes and there were those who felt that some of the storylines were left hanging.  Well, fear not, fans. It all comes together nicely, everything wrapped up in a tidy little Christmas cracker (and if you don't know what a Christmas cracker is, you can't call yourself an Anglophile)!

And the actors don't disappoint either.  Naturally, Maggie Smith as the Dowager Countess Violet gets all of the best and funniest lines.  But we expected that and would have been disappointed had she not. We love her and Lady Merton duking it out with their snarky comments to each other.  Lady Mary is just as haughty, but vulnerable as ever, as she worries about the fate of Downton in a world where it is becoming more and more difficult to maintain a manor house. Tom is handsome and lonely - will he find love? - and then there's Carson, a favorite.  We all love Carson and it's fun seeing Imelda Staunton in this, as she is married to Jim Carter in real life.

So now here is my bit of pesonal stuff (wouldn't be a Rosy the Reviewer review without that, now, would it)?

As I said in my post "Why Movies Matter," movies create memories.  After watching this film, I want to go one step further and add that movies also revive memories.  As I was watching, I was taken back to one of my favorite trips to England.  We were staying with some friends in May and were told that Highclere Castle, where Downton Abbey was filmed and which is usually only open for touring in July and August, was also open in May on two holiday weekends.  Well, folks, we were there for one of those weekends!  And because it wasn't the height of the summer vacation season, we practically had "Downton Abbey" to ourselves.  I touched everything in that drawing room, stood at the window pretending to be Lady Mary, walked through Lady Edith's bedroom, stood in the great hall looking up at the balcony above and wandered the grounds. It was a dream come true. And watching the film, I remembered standing right outside the front door where Lord and Lady Grantham, the family and the staff stood to greet the King and Queen (pictures inside the house not allowed). 

So the film was a double whammy for me.  It was a fun and satisfying film experience, but it also brought back so many happy memories.  That's why movies are important. They have the power to evoke so much in us.

So why was and is Downton Abbey so popular with us Yanks? 

It's difficult for me to be objective, because I am an unabashed Anglophile, but I think we love these costume dramas about rich people in England because they evoke a time gone by that perhaps we fantasize was a better time (it wasn't - way more poor people), but I think Downton Abbey is probably most popular because it's just plain good storytelling with engaging characters we can relate to.  Even the rich folk have money worries and tragedy.

Rosy the Reviewer says...if you were a Downton Abbey fan, you won't be disappointed, and even if you weren't a fan, this film stands alone nicely as a wonderful example of a British costume film, something the Brits do so well (but you might want to bone up on the characters because the character relationships - and there are a lot of them - might be confusing to you if you have never seen the TV show).

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


The Last Black Man in San Francisco (2019)

A powerful film about the gentrification of cities and how that leaves so many people behind.

Jimmy Fails
(who plays himself) is a young African American man living in San Francisco with his friend, Montgomery (Jonathan Majors), and Mont's grandfather (Danny Glover).  Jimmy skateboards around a very changed San Francisco and often visits a Victorian in the Fillmore District, a house where his family once lived and that he believes his grandfather had built.  The house is now owned by a white couple who Jimmy thinks are not taking care of the house properly.  Likewise, they are not too happy about the fact that Jimmy comes over and works on their house without their permission.

One day, Jimmy arrives and finds that the couple is moving.  The woman's mother has died and she is fighting with her sister, so in the meantime, with the house empty, Jimmy moves in and invites Mont to join him.  Jimmy also gets furnishings from the house that his Aunt Wanda had in storage and basically Jimmy and Mont are squatters.  Will Jimmy regain the house which represents his past?

This film was written by Fails and director Joe Talbot, who also directs in his directorial debut, and based in part on their own lives.  Fails and Talbot grew up together in San Francisco and planned to make a movie like this since they were teens.  They eventually started a Kickstarter campaign which raised more than they had hoped and got them the notice they needed to make this film.

The actors are wonderful and the film almost feels like an improvisation - it's that real.  But what is most real is San Francisco and the many changes that have taken place there. Talbot's direction captures San Francisco in its vivid beauty but also the changes that have displaced its long-time residents.

As Jimmy wanders around the many neighborhoods of San Francisco, one can't help but see the changes, especially if one has lived there.  And I did during the early 70's. It was a diverse city and an affordable city then.  Today, the only people who can afford to live there are young techies.  It's a city where landlords burn down rent-controlled buildings so they can rebuild and jack up the rent. It's a city where African Americans have been disenfranchised, their neighborhoods taken over by young rich white folks.  It's a San Francisco that many of us who lived there in the past no longer recognize. Alexandra Pelosi (Nancy's daughter) made a documentary about this issue of gentrification and disenfranchisement back in 2015 called "San Francisco 2.0" which showed the intellectual side of this issue.  This film shows the emotional side.

Rosy the Reviewer original and sad statement about what is happening in many of our cities to their long time residents.

Streaming on Netflix

Hello, Privilage. It's Me, Chelsea (2019)

Is "White Privilege" real?  Chelsea Handler takes that question on.

Whatever you may think of Chelsea Handler, you have to give her credit for taking on this issue.  She has had an epiphany - about all of the advantages she has had because she is white.  But this film is mostly not about her. In this documentary she steps out of the spotlight to interview people and shine a light on this issue.

Though she uncharacteristically steps away from the spotlight, the film does begin with some footage of her stand-up act where she talks about being a poor Jewish girl and how hard she had to hustle to make it.  She made it but she also realized she was the beneficiary of "white privilege."  So now she wants to be a "better white person."

So she starts the film interviewing fellow comics Kevin Hart and Tiffany Haddish.  Did she, Chelsea, have a better chance of getting ahead as a comic because she was white?  In a nutshell...duh.  Tiffany talks about having had to do over 500 bar mitzvahs before she made it.  

Chelsea also attends a white privilege meet-up consisting of mostly African Americans and she gets attacked by the attendees.  One woman says that Chelsea even attending the meeting was the biggest example of white privilege you can make. And here's what I admired about Chelsea.  No matter what someone said to her, she said not a word in her own defense. She really wanted to understand.  And I thought, can't we all learn from that in our own lives?  When people point out something about you that they don't like, what do you do?  Do you argue?  Or do you listen and really want to know why someone has a problem with you? You can change and you can be a better person, but to do that, it's necessary to listen non-defensively and that's what Chelsea does in this film.  It's admirable.

Handler also interviews Carol Anderson, a historian at Emory College, who talks about voter suppression; she attends an Oktoberfest celebration in Georgia where no one seemed to think white privilege was a thing; she interviews three white women from Orange County and none thought white privilege existed but when Chelsea asked "Do you notice being white?"  Crickets.

I especially loved the title.  It's a play on the title of her book "Are You There, Vodka, It's Me, Chelsea," one of her humor books so the title of the film is even more ironic because this film is not humorous at all. In turn, the title of her book was also a play on words from Judy Blume's young adult book called "Are You There, God, It's Me, Margaret," a controversial book that is still banned from some school libraries. 

Sadly, I think this film will also be controversial.

Toward the end of the film, we learn that Chelsea had had a black boyfriend when she was in high school.  She was a bit of a bad girl and when the two would get stopped for drugs she would always be let go while her boyfriend was arrested. It never occurred to her that she was let go because she was white. She goes to see him in a particularly poignant segment.  He was just out of prison and the contrast of those two lives made me cry. Very clear how our system has created opportunities and resources for some while leaving others behind. It's a society of winners and losers.

Someone says in the film, "Racism is not a feeling," which to me was brilliant.  No wonder white people don't "feel" like they are racists.

So is white privilege a thing?  Duh.

Rosy the Reviewer says...this movie should upset everyone especially white people and that's a good thing.  We need to be upset. Where we are after 100's of years is abominable.  We need to do better.  So Hello, Chelsea, it's me Rosy.  Thank you.

***My 1001 Movies I Must See Before I Die Project***

61 to go!

Have YOU seen this classic film?

The Asthenic Syndrome (1989)

Two stories:  one about a woman doctor who can't get over the death of her husband and responds to everyone aggressively and the other about a teacher who is so passive he can't stay awake.

The title alludes to a form of weakness that encompasses both the aggression and the passivity that the filmmaker, Kira Muratova, has dubbed "The Asthenic Syndrome." After seeing this film, I dub the condition as "Who cares?"

Natalia (Olga Antonova) has just lost her husband, a man who looks surprisingly like Stalin, and she is not only grieving him, she is downright angry about his death.  She is so angry in fact that she literally pushes people away from her as she walks down the street and pummels anyone who gets in her way. That's about it.  She is unhappy and we watch 45 minutes of her being unhappy. 

The first 45 minutes are in a sort of sepia black and white and then the film changes to color, and we realize that this is a movie within a movie.  We and people in an auditorium have been watching a movie about Natalia.  When the film goes to color, we are in "real life," with Nicolai (Sergei Popov) and his issues with narcolepsy.  He can't stay awake.  He had fallen asleep in the theatre and even falls asleep on the floor of the subway. Nicolai is a teacher and failed novelist and never seems to get anywhere and his real life is even more strange and surreal than the "movie" we just saw.

Why it's a Must See: "A great movie about the contemporary world, but far from an easy one...the 'only masterpiece of glasnost'...Though this epic has plenty to say about postcommunist Russia, it is also one of the few recent masterpieces that deal more generally with the demons loose in today's world."
---"1001 Movies You Must See Before You Die"

But of couse when a movie is "far from easy," we know it must be deep so both of those stories are supposedly metaphors for glastnost, post Communist Russia, and seem to be saying that whether people are aggressive or passive, nothing seems to change their circumstances. We are slaves to the lethargy produced by mass media, religion and politics. 

All in all, I have no idea what this film was really about and one wonders if the director even knows.  When Muratova was asked what the film meant she said, "Every time I am asked what the film is about, I reply quite honestly, 'It's about everything."

Rosy the Reviewer says...well, whatever. I never really knew what was going on and it sounds like the director didn't know either!
(In Russian with English subtitles - available on YouTube)

***The Book of the Week***

Thanks a Lot Mr. Kibblewhite: My Story by Roger Daltrey (2018)

Roger Daltrey of The Who shares his life story.

If you read my blog, it should be no surprise that I like biographies about and autobiographies by rock stars.  But some biographies and memoirs are better than others, and I am happy to report that this one is definitely one of the better ones.  Daltrey has a very conversational writing style that is engaging, self-deprecating and fun.  

Daltry thanks Mr. Kibblewhite in his title because Mr. Kibblewhite was a teacher who told Daltrey he would never amount to anything.  We know where Roger ended up.  One wonders about Mr. Kibblewhite.

Daltry grew up in West London with his Mom, Dad and two siblings.  He was a good student but school wasn't his thing. He was expelled from school for smoking and then music became his obsession.  He made his first guitar himself out of a block of wood. Though he played in a few other bands, it wasn't long before he met up with Pete Townshend and John Entwhistle and they formed a skiffle band called The Detours but when they discovered there was another band with that name they became The Who.

Daltrey tells his story with all of the rock and roll gory details as well as covering his growing up years, his first marriage, meeting the love of his life, the making of the movie "Tommy" and all of those iconic records and the untimely death of Keith Moon.  There are some surprises too. Who knew that Daltrey would be the stable family man and that Townsend dabbled with heroin?

Speaking of Keith Moon...One thing I could not fathom while reading this book was how the band members put up with him. I know he was considered one of the greatest drummers of all time, but, my god.  What a pain in the arse. He was a drunk and drug addict who manifested his addictions by impossibly crazy antics like driving a Cadillac into a swimming pool or putting super glue on everything in his hotel room. The Who was banned from more hotels than one can count and Moon often cost them as much as they made performing because they had to pay for all of that damage. And that's not counting the times he passed out on stage with his face in the snare drum! Yes, he was a good drummer but it's unbelievable that they put up with all of his shenanigans.  And was he repentent?  No! 

I had the pleasure of seeing The Who in 2016.  It was supposed to be in 2015, but Daltrey came down with meningitis so the tour was canceled so we had to wait a year, but it was worth the wait.  These guys are senior citizens but they can still rock!  But see them and those other "elderly" rock bands while you can!  They won't be around forever!

"In the end when you come to think of it, when we're all gone and dust, the music will live on.  And I hope people will say about us that we held it to the end.  And that will do for me.  I've been lucky.  I've had a lucky life.  Thank you very much, Mr. Kibblewhite."

Rosy the Reviewer says...if you like rock & roll autobiographies, you will love this one!

Thanks for reading!

See you next Friday




The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

If you enjoyed this post, feel free to click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at 

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). 

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.