Friday, October 11, 2019

"Linda Ronstadt: The Sound of My Voice" and The Week in Reviews

[I review the documentary "Linda Ronstadt: The Sound of My Voice" as well as DVDs "Wild Rose" and "The Secret Life of Pets 2."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Targets."]

Linda Ronstadt: The Sound of My Voice

A documentary chronicling the life and career of singer, Linda Ronstadt.

One of life's cruel ironies would be a singer losing her voice.  And that is what has happened to Linda Ronstadt.

Ronstadt, of the full and throaty voice, was diagnosed with Parkinson's Disease, and in 2013 retired saying she could "no longer sing a note."  Well, that is not entirely true, but the perfectionist that she is, it might as well be true because she can no longer sing as she used to.

This documentary showcases Ronstadt's life and career, one that was stellar, indeed. She has earned 10 Grammys, three American Music Awards, two Academy of Country Music awards, and an Emmy, as well as Tony and Golden Globe nominations, the Latin Grammy Lifetime Achievement Award by The Latin Recording Academy and the Grammy Lifetime Achievement Award.  She was inducted into the Rock and Roll Hall of Fame in 2014 and was awarded the National Medal of Arts and Humanities.  She released over 30 studio albums and 15 compilation/greatest hits albums, has had 21 top 40 hits and a number one single with "You're No Good."

She also starred in "The Pirates of Penzance" and collaborated with Dolly Parton and Emmylou Harris. 

So what a career!

But her story is also a sad one, because she is only 73, and we could still be enjoying her voice if not for her Parkinson's, not to mention the money she could still be making performing.  Her age wouldn't have been a barrier.  I mean, look at Tony Bennett.  He is 93 and still singing.

Ronstadt narrates much of the film herself and she does it honestly and poignantly.  She seems to have no regrets and even sings at the end of the film. Music was such a part of her and her family that she had to sing and when she heard a certain song that spoke to her, she had to sing it, because as she says over and over in the film, she was compelled by the music. That is why Ronstadt has gone from folk to folk/rock to rock to country to standards to traditional Mexican music and had successes in every genre she took on.  

Ronstadt grew up in Tuscon, Arizona, in a musical household, the third of four children with a Mexican father who loved to sing.  Her mother was from Michigan of German/English/Dutch ancestry, and her mother's father was a prolific inventor who invented an early toaster and microwave oven. Ronstadt sang in a musical group with her brother and moved to L.A. when she was 18 where she hung out with the likes of Don Henley and J.D. Souther, who became her boyfriend (Henley was also later her boyfriend). After performing at The Troubadour with the Stone Poneys, the rest is history. 

The film takes a fairly linear approach on Linda's early life and career with the usual talking heads weighing in (Emmylou Harris, Dolly Parton, Don Henley, Bonnie Raitt), but what was especially satisfying about this film was seeing her early performances where we once again were able to bask in the sound of that full-bodied voice.  And I was also struck by her honesty.  At the end of the film, we see her in her living room singing with her family, or trying to sing.  Yes, she can still sing, but not as she once did, so her being a perfectionist, she will no longer put herself out there.

Directed by Rob Epstein and Jeffrey Friedman, one can't help but compare this film to the David Crosby documentary - "David Crosby: Remember My Name" - which I reviewed recently.  Where that one was mostly Cameron Crowe interviewing Crosby, and Crosby holding forth and pontificating with supporting footage and interviews, this one concentrates on chronicling Linda's career, highlighting just how successful she was, and showcasing those fantastic performances which, in turn, gives the film poignancy - that she and we have lost that voice.

However, if you go expecting to learn why Ronstadt never married or getting some insight into her personal life, you will be disappointed. This is foremost an homage.  But it's not surprising since Ronstadt plays such a big role in the film.  I'm sure she didn't want her personal stuff out there. 

And on a more technical note, there was a lack of continuity when it came to identifying the talking heads.  Early on in the film someone I didn't recognize at all talks and later he was identified as one of her producers.  Now, I can recognize a lot of people but music producers?  Not so much.  Later in the film he was identified.  Also there were a LOT of talking heads and once identified, often they wouldn't be identified again, so if I had forgotten who that person was, too bad, I probably wouldn't find out who he or she was again.

But that was a minor complaint in what was a lovely homage to a lovely performer.

Rosy the Reviewer says...happy to be in her presence again; sad that she won't sing again. Bring a hankie.  The ending brought tears to my eyes.

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Wild Rose (2018)

And now for something completely different as they say.  Here is the story of a singer on the rise, except she is a wannabe country singer from...wait for it...Glasgow, Scotland!

You can't get any more strange than a girl from Scotland who wants to be a country singer.  Well, in my eyes, anyway. The thought of Brits liking country music always seemed so incongruous to me, but I am the first to admit I was wrong. After watching Ken Burns' extraordinary "Country Music" series, I have learned that country music has had a great deal of influence all over the world, so it's no surprise it made it across the pond.

Rose-Lynn (Jessie Buckley) is just out of prison for a little thing like smuggling some drugs and is back in gritty Glasgow.  Her dream is to sing at the Grand Ole Opry, and despite the fact she has two young children, Lyle (Adam Mitchell) and Wynonna (Daisy Littlefield), who have been living with her mother (Julie Walters) and who barely know her, she has one desire and one desire only -- to make it as a country singer.  And did I mention she has anger issues?  As she leaves the prison, she gives it the finger and yells the F-word at it and then beats up a local manager of a club who refuses to hire someone just out of prison.  And that's just Day 1.  She is not a very likable young woman.

But she manages to get a housecleaning job for a rich family.  The mistress of the house, Susannah (Sophie Okonedo), takes a liking to Rose-Lynn and wants to help her.  Rose-Lynn is finally able to get her own apartment and move into it with her kids.  Susannah sends a tape of Rose-Lynn singing to someone she knows at the BBC and sets up a an audition for her.  But Rose-Lynn is kind of a screw-up, which might explain why she thought smuggling heroin was a good idea.   She doesn't make the audition but with the help of her mother gets to Nashville on her own. So she leaves her kids and goes to find her dream except she soon discovers it's everyone else's dream too.  I mean, her cab driver has a box of his own CD's in the trunk. When she discovers that her son has had an accident, she has an epiphany.  So does she get to sing at the Grand Ole Opry?  Sort of.

Written by Nicole Taylor and directed by Tom Harper, this is a simple story of dreaming big and finding redemption despite the odds but that simple story can be deceiving. There are some surprises along the way. Rose-Lynn's life is a country song, which explains why country music is so universal.  It's the story, it's the pain, it's about redeption and about emotions we can all relate to. And there is a moment when we see that Rose-Lynn's mother also had a dream unfulfilled.  That's why country music speaks to so many people.

Buckley is a power house of an actress and a power house of a singer.  I first encountered Buckley in 2017 when she starred in "Beast" and now she is all over the place.  She was in the highly rated series "Chernobyl" as well as "Judy (which I reviewed last week)" and has four films in post-production scheduled to come out next year, so remember her name.  She is a star on the rise.  And speaking of stars, veteran actress Walters can always be counted on to deliver and she does.

Rosy the Reviewer says...a satisfying country song of a movie!

They're baaack!  Those cute little pets of ours who are doing stuff they aren't supposed to be doing when we aren't home!

But despite how cute these little animated creatures are, THIS IS STILL A SEQUEL!!!  And you know how I feel about those.  And this film doesn't change my mind. Why can't I just be left with the happy memory of the first film which I enjoyed.  This one let me down.

Okay, so once again we have Max (except this time Max's voice is provided by Patton Oswalt instead of Louis C.K. and if you are up on your pop culture you know why Louis C.K. lost that gig) and Duke (voice of Eric Stonestreet).  Max loves guardian, Katie (voice of Ellie Kemper), but then Katie meets Chuck (voice of Pete Holmes).  They get married and then Liam comes along.  Max is not happy about playing second fiddle to a baby, but when Liam gets a bit older and tells him he loves him, he had Max at goo goo.  So Max is now on a mission to take care of Liam.

"I'm never going to let anything happen to him."

Sound familiar?  Like say, mmm, mumble, whisper - tttt-oy ssss-tory 4?

But poor Max.  Looking after Liam in NYC is a full time job with danger around every corner. He is so anxious about it that he scratches nervously, so much so that he is taken to the vet and fitted with the "cone of shame."

But Max is not our only star.  Remember fat cat, Chloe (voice of Lake Bell)?  She is still self serving and vain. And Snowball (voice of Kevin Hart), the bunny who was on the evil side in the first film has now mellowed considerably and, in fact, fancies himself a superhero.  

The family decides to go on a vacation to a farm which is going to make Max's life even more miserable.  Meanwhile, Max has asked Gidget (voice of Jenny Slate), the sweet Pom, to take care of his favorite toy, Busy Bee, but Busy Bee falls into another apartment by mistake.  Sadly, it's the apartment of an old cat lady, meaning it's full of cats, and Gidget is too intimidated to go in there and fetch Busy Bee.  Enter Chloe to teach Gidget how to impersonate a cat.

Yet another plot line involves Snowball and Daisy (voice of Tiffany Haddish). Daisy has discovered that a tiger baby is being abused by an evil Russian circus owner (voice of Nick Kroll), who looks suspiciously like the Wicked Witch of the West.  She enlists Snowball to help her save the baby tiger.

So back to Max, Duke and the family on vacation. Enter Rooster (voice of Harrison Ford), the proud farm dog, who teaches Max a thing or two in the way only Harrison Ford can. He is disgusted with these city slicker dogs and lets Max and Duke know it.  I mean, that dry humorless voice of Harrison Ford?  That's actually funny and one of the best things about a film that has some issues.

Those issues are those different and disparate story lines from writer Bryan Lynch and directors Chris Renaud and Jonathan del Val.  The film jumps around from one different and unrelated story line to another, and we see little interaction amongst all of the pets until they are finally brought together in a giant leap to try to save the baby tiger, and Max has to summon his inner Rooster to be the hero of the day.

There is nothing cuter than animated animals with big eyes, but those eyes can't save this film. There is nothing worse in filmdom than a sequel that doesn't live up to the first one.  This doesn't.  And the whole thing was surprisingly violent considering it's aimed at little kids.  I didn't like the mean witch-like circus owner and his brutality toward the baby tiger at all! It made me shudder and I'm a grown-up!

Rosy the Reviewer says...little kids might not be so critical, but if you have to watch it with them, talk them into watching the first one again instead. You will thank me.

***My 1001 Movies I Must See Before I Die Project***

59 to go!

Have YOU seen this classic film?

Targets (1968)

A boy next-door turned sniper meets up with an aging horror star.

This was director Peter Bogdanovich's first film before he blew the lid off with the highly successful "The Last Picture Show." Bogdanovich even stars in this film which affirms what I always say - a comic wants to be a dramatic actor, a dramatic actor wants to be a comic, an actor wants to be a director and a director wants to be an actor.  Yes, I do. I always say that.

Horror star Boris Karloff plays a version of himself, a horror star named Byron Orloff.  Can we get any closer to his real name than that?  He has decided that his kind of horror is an anachronism so he wants to retire, but he will do one last appearance at a drive-in that is showing one of his films.  Ah, drive-ins.  Remember those?  There are some winks at Karloff's career - a statement about his ending up in a wax museum, which is a jab at him because one of his horror rivals, Vincent Price, starred in "House of Wax;" and a quote from Edgar Allen Poe's poem "The Raven (Karloff starred in "The Raven").

Bobby Thompson (Tim O'Kelly) is a handsome boy next door type who is married, and he and his wife live with his parents.  But Bobby is also a nutter, who likes guns and owns an arsenal of them.  He kills his family and then goes on a sniper killing spree shooting people as they drive by on the highway. He is one of those white guy losers who can't solve his own problems so he takes it out on others.  Let's go kill some people. That will help. After killing his family, and shooting up the highway, he ends up at a drive-in by chance, but hey, good place to kill some more people. It just so happens to be playing a horror film by, you guessed it, Byron Orloff.  So Orloff thinks his kind of horror is an anachronism?  He's right.  Compared to the horror of real life, it is. But Orloff rises to the real life occasion and takes matters into his own hands.

What is telling about this film is how timely it is. 

It was made in 1968 and was possibly inspired by Charles Whitman, "The Texas Tower Sniper," who in 1966, after killing his mother, went to a bell tower at the University of Texas in Austin and started shooting. That was so shocking because nothing like that had ever really happened before.  But sadly, 53 years later, mass shootings are commonplace and nothing has really changed to try to stop it. Guns are still just as available as ever.

This was, unknowingly by Bogdanovich, a sort of bittersweet goodbye to Karloff who died a year later.  This was also a sad goodbye to Bogdanovich's wife, Polly Platt, who he married nine years before, with whom he had two children and who played a huge role in his carrer.  She co-wrote this script and was also the production designer.  Three years later, when she was once again working with him on what would be his defining directorial triumph, she recommended Cybill Shepherd for the part of Jacy Farrow in "The Last Picture Show," and there you go.  Bogdanovich ran off with Shepherd.  If it was any consolation to Platt, they didn't stay together and Bogdanovich's career was hit and miss after that.

Why It's a Must See:  "Coolly dissociative and intelligently mounted, [this film] is a sharp snapshot of America falling to a new, violent age."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...a chilling foreshadowing of the world we live in now.

Thanks for reading!

See you next Friday




The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

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Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, October 4, 2019

"Judy" and the Week in Reviews

[I review the Judy Garland biopic "Judy" as well as DVDs "The Sun is Also a Star" and "The Happy Prince." The Book of the Week is my new favorite cookbook "Half Baked Harvest Cookbook: Recipes From My Barn in the Mountains" by Tieghan Gerard. I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Europa Europa."]


Except for just a few films in recent years, Renee Zellweger has been pretty much out of the public eye since 2010, but now she is back with a vengeance as the tragic superstar Judy Garland during the last year of her life.

For those of you who don't know who Judy Garland was (and that's another tragedy, if you don't), she was an acclaimed actress and singer whose career spanned 45 years. Though she was in over two dozen films at MGM before starring as Dorothy in "The Wizard of Oz" at the age of 17, and later starred in iconic musicals such as "Meet Me in St. Louis" and "A Star is Born (the second and best one)," Dorothy in "The Wizard of Oz" is probably the role for which she is most remembered today.  Dorothy had a happy ending, but there was no happy ending for Judy who struggled in later years with finances and drug and alcohol issues and died at the age of 47 of a barbituate overdose.

In the winter of 1968, Garland was alone and lonely having just divorced her fourth husband.  She was also broke and unable to pay her hotel bills or care for her young children, and her abuse of alcohol and drugs had made her an insomniac and a liability to the film industry.  So when she was offered some nightclub dates in London, she reluctantly agreed to take them on despite the fact that she was in such a fragile state it was unclear whether or not she would be able to perform.  When she arrived in London she was assigned a minder, Rosalyn (Jesse Buckley), and it was a good thing too, because it was touch and go for Judy. But when she was able to perform, she was still amazing.  She was the consummate performer who heartbreakingly gave everything she had to the audience.

The film follows Garland as she tries to meet her performance obligations while at the same time struggling with sleep and addiction issues. We also meet her ex-husband, Sid Luft (Rufus Sewell), who perportedly gambled away much of her money, and we also meet her soon-to-be new husband, a much younger, Mickey Deans (Finn Wittrock), who appears to also be on the road to using poor Judy, who can never seem to find happiness. 

But Zellweger is able to not only show Garland's demons, but also her vulnerability, charm and sweetness, her endless desire to please, and when it comes to performing, Zellweger channels Garland beautifully.  She has the mannerisms down and does her own singing, which was taking a risk because Garland's voice was big and magnificent, but Zellweger is believable, because even though she doesn't sing exactly like Garland, we can believe that all of that abuse Garland put herself through would have certainly affected her voice. And that's not saying Zellweger is not a good singer.  She is.  But what she does best is replicate the energy and excitement Garland brought to the stage.  

Garland was also a gay icon, partly because the gay community likened her personal struggles to theirs, and the film portrays this in a very poignant scene when a lonely Judy is met at the stage door by a gay couple, Stan (Daniel Cerqueira) and Dan (Andy Nyman), fans who have been at every one of her shows.  So they can't believe their luck when Judy asks them if they want to grab a bite.  Unfortunately it's after midnight and this is London in the 1960's. Nothing is open so they take Judy to their apartment and make a very bad omelet but have some laughs giving them a wonderful memory of a lifetime.  And Judy is happy to be there, happy to be loved and appreciated.

And that was the amazing thing about Judy Garland.  Despite all of her issues and woes, she had a beautiful heart and spirit, and that's the amazing thing, too, about Renee Zellweger in this role.  She not only embodies Garland in looks and talent, but she captures Garland's charm and optimistic spirit.  This is the role of a lifetime for Zellweger and she plays it to perfection.  Never once did I think I was watching Renee Zellweger playing Judy Garland.  I was watching Judy Garland come to life.

So that's the good news.

The bad news is that the film itself is a bit clumsy, especially the way it uses flashbacks to explain to the audience why Judy was such a mess, and it plays a bit fast and loose with the facts.  

At the beginning of the film, we have L.B. Mayer, the head of MGM, literally walking with Judy on the Yellow Brick Road, reminding Judy that she is lucky to have the role of Dorothy in "The Wizard of Oz," as if she was just starting out as an actress.  Yet by the time she was 17, she had already starred in over two dozen MGM films.  He also demeans Judy's looks and threatens her with the idea he can replace her at any time with Shirley Temple if she screws up. That is only partially true. Shirley Temple had already turned down the role, as had Deanna Durbin, another young, hot singer/actress of her day. And yes, Judy was insecure about her looks, especially her weight in a world where glamour was the operative word and yes, the studio supposedly gave her diet pills and kept her on a diet, but one wonders if they were quite as Machiavellian as portrayed in the film. I found those flashbacks to Judy's early life over dramatic and kind of jarring when compared to Zellweger's more finely tuned scenes as the older Judy, despite the fine work by the young actress (Darci Shaw) playing her in the flashbacks.

Adapted by Tom Edge from the stage play "The End of the Rainbow" and directed by Rupert Goold, I would have preferred a montage at the beginning of the film, one of those old-fashioned ones with headlines and photographs that ran us through Garland's life and early success, so those of you who have been living under a rock would know who she was, and then let her explain her early life and what led to the drinking, drugs, divorces and insomnia by way of her talking to her therapist rather than those unwieldy flashbacks.  But that is a minor concern when pitted against Zellweger's performance.  This is a tour de force for Zellweger who is sure to win an Oscar for this performance.  Don't miss it.

Rosy the Reviewer says...ring! ring! Ms. Zellweger, Oscar calling.  We have your statue all ready to go!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


The Sun is Also a Star (2019)

A star-crossed teen love story.  At least one of them isn't dying!

If you are familiar with Richard Linklater's "Before Trilogy," where Ethan Hawke and Julie Delpy walk around beautiful European locations and talk about love and life, then you will have some idea what this film is like.  It's a kind of teen version of that.

Natasha (Yara Shahidi) is a Jamaican girl who is about to be deported.  Like tomorrow.  Despite the fact that Natasha grew up in New York City, her parents did not arrive in the U.S. through the proper channels so her whole family is getting sent back to Jamaica.

But then she meets Daniel (Charles Melton), a young Korean guy whose parents want him to be a doctor. He wants to be a poet. Daniel is getting ready for an interview to get into Dartmouth to start that path to doctorhood, but serendipity brings our young lovers together, two cultures collide and Natasha and Daniel will never be the same again.

In Grand Central Station, Daniel is with a friend.  Daniel is obsessed with "Deus ex machina" which for some reason means to Daniel "Open up your heart to destiny." That's not exactly what I thought that meant.  Anyway, he even has it posted in his room. When he sees Natasha looking up at the constellations painted on the ceiling of Grand Central Station, he is fascinated because he has never, ever seen anyone look up at the ceiling in Grand Central Station.  And then when he sees "Deus ex machina" on the back of Natasha's sweatshirt, that's it.  He sees that as a sign and has to get to know her. He chases after her and eventually sees her on his train, follows her and saves her from getting hit by a car.  You can't get any more "meet cute" than that!

But Natasha is a pragmatist who is fascinated by astronomy, doesn't believe in love, only things she can measure.  And like I said, Daniel is a poet and, of course, he believes in love. Daniel bets Natasha that if she gives him 24 hours, he can make her fall in love with him. With his Darmouth interview postponed to tomorrow and Natasha leaving the country tomorrow, the two embark on a day long odyssey around the city, and it is an odyssey with all kinds of synchronicities, some of which I saw coming a mile away. Are these two destined to be together?

Directed by Ry Russo-Young, the film sports a meager plot and the dialogue could be better, but that's okay.  The poignant ending made up for that, and, hey, I like love stories starring beautiful people - Shahidi and Melton are attractive and engaging young actors - and I like the idea of destiny.  And though Tracy Oliver's screenplay leaves out some of the nuances of the YA book by Nicola Yoon on which this film is based, she does a good job of capturing the two characters as well as making a timely comment on the immigrant experience in the U.S.

Carl Sagan said, "We are like butterflies who flutter for a day and think it's forever." But sometimes a single perfect day is enough.

Like I said, the film is reminiscent of Linklater's "Before Sunrise" trilogy but aimed at the teen market.  Head to head, it doesn't measure up to those films, so if you are over the age of 20 and you haven't yet seen them, get thee to Netflix immediately! But if you are a teen or the parent of a teen, you can start with this one.

Rosy the Reviewer says...a sweet story that reminds us that sometimes one perfect day can be enough.

The Happy Prince (2018)

Another biopic about the sad last years of a famous person - this time it's Oscar Wilde.

And he was not a happy prince.

This film depicts Wilde's last three years of life.  It's difficult to believe there was a time when being homosexual was a crime.  In 1895 Oscar Wilde (Rupert Everett) was the most famous man in London but by 1900 he was a pariah.  When his lover's father accused him of being a sodomite and Wilde sued him for libel, it was Wilde who ended up in prison for "gross indecency."

It helps to know something about Wilde's life before seeing this, because the film skips all around, which I decided while watching "The Goldfinch," that I didn't like. Wilde's life is presented here in a confusing way. Though the film concentrates on Wilde's life post-prison, it gives glimpses of his earlier life in flashbacks.  I would have preferred a more linear approach - Oscar's early, successful life, his affairs, his trial, his imprisonment and then death.  But Everett, who also wrote and directed, must have decided that was too boring.  But though I didn't like the screenplay, the acting can't be faulted.  Like Renee Zellweger in "Judy (see review above)," this is a tour de force for Everett.

Now out of prison, Wilde is broke and lonely, living in Paris under an alias and abusing absinthe and cocaine.  He has lost everything except his sarcastic wit which he was known for.  But it's a sordid story and about as far from "happy" as one can get. Wilde never recovered from his stint in prison and it was all downhill for him after that.

Emily Watson also stars as Wilde's estranged wife and Colin Firth as Wilde's friend, Reggie.

Rosy the Reviewer says...a sad and depressing tale and a reminder of what homosexuals have had to endure.

***My 1001 Movie I Must See Before I Die Project***

60 to go!

Have YOU seen this classic film?

Europa Europa (1990)

The true story of how a young Jewish boy survived the Holocaust by posing as an Aryan German.

Salomon Perel (Marco Hofschneider) was born in Germany to a Polish-Jewish family and was a teenager when the Nazis came to power. He and his family fled Germany to Poland, only to have Hitler invade Poland, so Salomon, called Sally, and his brother, Isaak (Rene Hofschneider), were sent away but the brothers were separated and Sally found himself alone.  He ended up in a Russian orphanage where he was on his way to becoming a good Communist, when Hitler attacked Russia, leaving Sally a refugee once again.  

When he is captured by the Germans and they discover he can speak Russian and can be useful to them, he avoids discovery as a Jew.  Now he is a German soldier and he's only 16.  A German officer takes a liking to Sally and wants to adopt him so he sends Sally to an elite military school for Hitler Youth where he meets the anti-Semitic Leni (Julie Delpy in an early role) and falls in love with her.  All seems to be working out for our hero.

But here is the problem. 

Circumcision is the custom in the Jewish religion but not so for other men in Europe.  So the Nazis would make prisoners undress so they could inspect their penises.  Circumcision marked the prisoner as Jewish so for the entire span of Sally's odyssey during the war, from 1938 to 1945, Sally is tortured trying to keep his penis to himself, so to speak.  

When Sally is befriended by a Nazi soldier who was once an actor, Sally asks him, "Isn't it hard being someone else?" to which the actor replies, "It's harder to play yourself."  Quite the irony since Sally has become someone else in real life. He bends his persona to every situation he finds himself in. He is willing to deny who he really is to survive, and being a young teen he also is desperate to fit in. And through a series of lucky and sometimes absurd circumstances, Sally is able to fit in and survive. No matter what comes his way, he is able to blend in, but in so doing, he denies who he really is. 

And then there is that troublesome penis.  If anyone sees it, his true identity will be discovered, his penis a symbol of the fact that we can never really escape who we truly are.  But as director Agnieszka Holland said to film critic Amy Taubin in an interview in 1991, "His penis saved his soul. Otherwise, he might have become a total Nazi."

Perel eventually emigrated to Israel and never denied his Jewish heritage again, but he didn't tell his story until 40 years later.

Why It's a Must See: "[Director] Holland refrains from passing judgment on her chameleon-like protagonist as she represents unspeakable psychological tortures and miraculous escapes from a matter-of-fact distance, not dwelling on agony or bloodbath.  This is waht renders his incredible story so shockingly believable and separates it from other films about the Holocaust."

---"1001 Movies You Must See Before You Die"

The film won a Golden Globe for Best Foreign Language Film and an Oscar for Holland for best screenwriting. Germany did not submit the film for consideration for a Best Foreign Language Oscar, because the film was not well received in Germany and was controversial on all sides, some thinking that Holland was mocking the Holocaust, others that she made a mockery of European nationalism of both the left and the right... and then there is that whole penis thing. Well, I guess it was just too much!

Rosy the Reviewer says...a fascinating take on identity and an original take on the Holocaust, that horrible part of human history.

***The Book of the Week***

Half Baked Harvest Cookbook: Recipes from My Barn in the Mountains by Tieghan Gerard

My new favorite cookbook!

One of seven children, Tieghan Gerard grew up in Ohio but moved to a Colorado mountain with her family when she was in high school.  At age 15 she started doing the cooking and found freedom, creativity and a haven from the chaos of her big family.  She began a blog called "Half Baked Harvest" where she shared her fresh takes on classic recipes and her blog took off, with millions of people taking her cooking advice.

This beautifully produced cookbook will charm even the fussiest cookbook connoisseur and her recipes are out of this world.  I mean, putting a poached egg in soup?  I'm there!

Gerard shares her and her family's story in the first pages of the book, and we find out how she came to write the cookbook.  And then she shares her recipes for breakfast dishes, appetizers, pasta and grains, meat, poultry and seafood dishes as well as some vegetarian options and, of course, dessert. Each recipe is accompanied by a paragraph by Gerard explaining how and why the recipe came about as well as some cooking tips, such as how to clean a leek or a possible ingredient substitution.

In addition to "Dad's One-Pan Friday Night Pasta" - I love anything I can make in just one pan - and a "30-Minute Healthier Chicken Parmesan: - what makes it healthier?  It uses zucchini noodles - here are my two current favorites:

"Spring Chicken Soup with Ravioli & Poached Eggs"


"Dad's Simple Pasta Salad."

I mean, c'mon, a chicken soup with plump raviolis and a poached egg floating in it?  Yum!  And though I wouldn't say the salad is particularly easy, because it has 14 different ingredients, many of which need to be chopped, it is absolutely delicious tossed with a basil pesto and full of sun-dried tomatoes, pickled pepperoncinis and pepperoni, ingredients not usually found in pasta salads. It even has some nectarines!

I have tried both of those recipes and they are winners!

I am intrigued by Gerard's use of interesting tastes such as miso paste, sun-dried tomatoes and other unusual ingredients.  Can't wait to try more!

Now on to the "Thai Butternut Squash and Peanut Soup" and the "Braised Pork Tamale Burrito Bowls!"

Rosy the Reviewer says...Gerard's story is an interesting one, her recipes are unusual and delicious and her tips are enlightening!  Bon appetit!

Thanks for reading!

See you next Friday


"Linda Ronstadt: The Sound of My Voice"


The Week in Reviews
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Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.