Friday, December 13, 2019

"The Irishman" and The Week in Reviews

[I review the new Martin Scorsese movie "The Irishman" as well as DVDS "Aladdin," the 2019 Disney live action remake and "Drunk Parents."  The Book of the Week is Julie Andrews' continuation of her autobiography with "Home Work: A Memoir of My Hollywood Years."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Ceddo."]

The Irishman

A mob hitman reflects on his life and his involvement with Union Leader Jimmy Hoffa.

It's difficult to believe that Martin Scorsese has never put the gangster triumverate of Robert DeNiro, Al Pacino and Joe Pesci together in one of his films. DeNiro has been one of Scorsese's darlings, starring in eight of his films, likewise Scorsese has worked with Pesci but Scorsese has never worked with Pacino before now. Boy, have we been missing out! But no longer, because here they all are in a story that attempts to explain what happened to Jimmy Hoffa. I was all in from the very first frame. And that is saying a lot for me because the film is three and a half hours long!

And can I give a shout out to Netflix?  When there is nothing on at the theatres that you are willing to go out in bad weather to see, there is Netflix with some wonderful offerings.  In this case, the film opened in the theatres and on Netflix almost simultaneously so you can see this amazing film in the shelter of your own home.

DeNiro plays Irishman Frank Sheeran, an old man in a nursing home, who in a series of flashbacks recalls his life as a mafia hitman. But he didn't start out that way.  He started as a petty crook stealing meat from the trucks he was driving and then reselling it. However, when he is caught, union lawyer Bill Bufalino (Ray Romano, who by the way has been doing a good job these days with dramatic roles) gets him off when he shows his loyalty by not giving out names.  Bufalino introduces Frank to his cousin, Russell Bufalino (Pesci), the head of a Philadelphia crime family.  Frank starts out doing small jobs for Russell, but he quickly moves up to "house painting," a euphemism for a hitman, as in "painting" the house with the blood splatter of his victims.  When Russell introduces Frank to Jimmy Hoffa (Pacino), the head of the Teamsters Union, they become close and Frank acts as his bodyguard.

But Hoffa has problems, not just in holding off a fellow Teamster who wants his job, but the election of JFK also poses a problem.  According to this film, the mafia got John F. Kennedy elected, but they didn't expect that his brother, Bobby, the new Attorney General, would go after organized crime with a vengeance and he particularly didn't like Hoffa. He eventually got Hoffa for jury tampering and Hoffa went to jail. Meanwhile, all kinds of machinations are taking place within the Union so that when Hoffa gets out of jail he has a lot of problems to overcome if he is to take back his place as head of the Union.  Worse, the heads of the various crime families are not happy with Hoffa.  A perfect storm is brewing and Frank is right in the middle of it.

The death of Jimmy Hoffa has remained a mystery for almost 40 years, but author Charles Brandt wrote what is arguably considered the definitive book on the subject, "I Heard You Paint Houses," one in which the real life Sheeran says he killed Hoffa (though some historians have debunked his claims), and it is upon that book that this film is based with a screenplay adapted by Steven Zaillian.

All of your favorite mafia actors are here: along with DeNiro, Pacino and Pesci (who are miraculously digitally de-aged for the flashbacks), we have Harvey Keitel, Bobby Cannavale, Jack Huston, and all kinds of other gangster actors whose faces you recognize but you don't know their names.  And everyone is terrific, especially DeNiro, Pacino and Pesci. 

Much like "The Sopranos," the story centers around the grisly nature of life in the mob, but also counters with the seeming ordinariness of their regular lives.  Gangsters get married, go on road trips with their wives, like ice cream, chili dogs and children, and argue how long one should wait for someone who is late, just like the rest of us.  They just happen to murder people from time to time.

Pacino chews the scenery in true Pacino fashion. I mean, hey, he's Al Pacino! But he's actually quite wonderful.  

And so good to see Pesci again. He hasn't been on the big screen since 2010 (who can forget him in "Goodfellas" - "Waddaya mean I'm funny...I'm funny how, I mean funny like I'm a clown?  I amuse you?)" Here he is toned down and quiet, but just as tense and scary.  Both Pacino and Pesci have been nominated for Golden Globes for their performances.  

Sadly, DeNiro was not nominated, which is a terrible snub. But perhaps it was because DeNiro's character, Frank, was the mostly passive Zelig of the film, except for the occasional hit, saying little and bearing witness to the machinations of politics and fighting taking place around him. DeNiro's performance was understated by design.  He makes it look too easy, which as an actor is a blessing and a curse.  It's a blessing because it's the sign of a great actor that his acting seems so effortless, but also a bit of a curse because he might be overshadowed by the more showy roles. DeNiro may be understated, but he is the heart of the film.

There is an epilogue at the end of the film that shows all of the players and how they ended up in real life, most them gunned down or having died in prison, all except Frank who made it to a nursing home by remaining loyal and keeping his mouth shut.

I don't think it's a coincidence that Scorsese has made this film now.  Though the film focuses on Hoffa and the mob, there is an underlying political tone. In this film, Watergate has happened and Nixon is facing impeachment and one can easily draw parallels to today. That's all I am going to say about that.

Rosy the Reviewer extraordinary achievement and a worthy addition to Scorsese's impressive body of work that includes some of my all-time favorite films. At 77, Scorsese's still got it!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Aladdin (2019)

One of those live action Disney remakes.

Okay, I hate to say this but I am going to have to eat my words.  I know I have ranted and raved about how much I hate the Disney remakes of our beloved animated classic films.  They ruined "Dumbo when they remade it and that original was one of my all time favorite Disney films, and "The Lion King" remake wasn't much better because how can it be live action when you have animals talking?

But I have to say, despite myself, I loved "Aladdin."

You know the story, Aladdin (Mena Massoud, who actually looked very much like the animated character) is a bit of a petty criminal who roams the city of Agrabah with his pet monkey, Abu.  Princess Jasmine (Naomi Scott) has been kept a virtual prisoner in the palace ever since her mother, the Queen, was murdered, but has escaped the palace and is roaming the city incognito when she runs into a bit of trouble and Aladdin rescues her. Meanwhile, Jafar (Marwan Kenzari), the grand vizier, is plotting against Jasmine's father, the Sultan (Navid Negahban), but needs the magic lamp that he knows resides in the Cave of Wonders so that he can gain ultimate power.  The lamp will grant him three wishes, but he can't get it because only a "diamond in the rough" can get into the cave. So Jafar comes upon Aladdin and entices him to retrieve the lamp for him.  While in the cave, Aladdin just happens to find a magic carpet along with the lamp, but the cave collapses on them, trapping them in the cave at which point Aladdin rubs the lamp and meets the Genie (Will Smith).  

Aladdin manages to trick the genie into getting them out of the cave without having to use one of his wishes.  Wish #1 - to become a Prince so he would be worthy of Princess Jasmine, but he also promises the Genie that he will use one of his wishes to free him from the lamp.  In the meantime, though, Jafar has other plans.

This movie really worked well as a live action film.  In fact, it had all of the components of a classic musical, and I am a sucker for classic musicals.  It had a beautiful leading lady, handsome leading man, villanous villain, a funny genie, big flashy production numbers, great songs and the cutest little monkey ever.  What's not to like?

Directed by Guy Ritchie, who is more known for British hard man movies than musicals, his screenplay with John August sticks to the story we know and love, while at the same time is fresh and fun and he directs with a deft hand. Massoud and Scott are engaging actors and Will Smith was perfect for the genie, despite much controversy when he took over the role meant for Robin Williams. I liked him in the role.  His smart ass "Fresh Prince of Bel Air" persona worked great for the role. I really enjoyed this film!

Rosy the Reviewer says...Disney, I forgive you for that awful "Dumbo" remake.

Drunk Parents (2019)

Two parents try to hide their financial situation from their daughter and their neighbors and they are not helped by the fact that they are drunk all of the time.

Here is my first question - Why?

Here is my second question - Why me?

Frank (Alec Baldwin) and Nancy (Salma Hayek) Teagarden have just dropped their daughter off at school only to return home to find their car being repossessed.  You see, Frank and Nancy have financial problems.  They also each have a drinking problem which doesn't help them make good decisions.  For example, they are watching their neighbor's house while he is in London and decide that it's a good idea to put an ad in Craig's list and rent it out for some extra money.  And who should rent it from them?  Why, Carl, a sex offender (Jim Gaffigan).  And on and on it goes like that. The only reason I kept watching was to see if there was a reason to keep watching.

I think this film was supposed to be funny but are drunk people funny?  Remember that comedian, Foster Brooks, whose entire schtick was playing a drunk guy?  Well, in our PC age, that kind of thing doesn't fly anymore. And sex offenders?  Are they funny?

Alex Baldwin has made a career out of playing unpleasant guys.  I mean, look what a great job he does on SNL playing our President! But Salma, comedy is not your thing.  You are playing Nancy for laughs and it doesn't work.  Didn't you learn in acting school that you get the most laughs by playing it straight? Acting funny is not the same as being funny.  Play it straight and let the funny lines do the work. Oh, right, the lines aren't funny either.

Written by Fred Wolf and Peter Gaulke and directed by Wolf, while watching this film, I couldn't help but wonder how junk like this gets a green light.

Rosy the Reviewer says...I watched this film much as I would a train wreck, horrified but wondering just how much worse it could get.  And it did.

***My 1001 Movies I Must See Before I Die Project***

 50 to go!

Have YOU seen this classic film?

Ceddo (1977)

When a local Senagalese king converts to Islam, members of the Ceddo, or "commoner class," protest, wanting to retain their traditional religion, so they kidnap the king's daughter and civil war erupts.

In an unspecified time in African history, but pre-colonialism, the Ceddo, the common people, basically slaves, fight against the onslaught of Islam and Christianity, wishing to retain their traditional culture.  So when the village King sides with the Muslims, the Ceddo abduct Princess Dior Yacine in protest. She is eventually rescued but is it too late?

Directed by Sengalese director, Ousmane Sembene, I didn't get this one at all, though it definitely makes a statement about the encroachment of colonialism and presents a negative view of Muslim influence in Senegal. However, not my kind of film.  Not a lot for me to relate to in story, characters or production. But worse, the story and characters lacked depth and the production values were very basic.
Even if a film has worthy intent, it must be watchable.  For me, this wasn't. Interestingly, though, the film was banned in Senegal, not because of the film's content but because Sembene spelled "ceddo" with two d's whereas the government insisted that it be spelled with one.  Strange.

Why it's a Must See: "Limpid, elegant, and direct, the film eliminates inessentials..."

--"1001 Movies You Must See Before You Die

Not sure what the reviewer meant about "inessentials?"  Maybe a plot was considered inessential?  Because there really wasn't one.  Mostly a lot of chanting, posturing and talking...all by men.  If this is the best that can be said about this film in the "1001 Movies You Must See Before You Die," one must ask why in hell it's in there. 

Rosy the Reviewer says...not a good film experience for me.
(If you care, can be found on YouTube)

***The Book of the Week***

Home Work: A Memoir of My Hollywood Years by Julie Andrews (2019)

Singer/Actress Andrews gives us Part II of her life story.

Who didn't adore Andrews as Mary Poppins?  And seeing her on talk shows, she just seems to be the nicest, most optimistic and grateful person.  And if this second autobiography is any indication, she really, really is the nicest, most modest and grateful person.

And you needn't have read the first book to enjoy this one.  

Andrews very nicely brings the reader up to where this book begins, which is Julie heading to Hollywood for her first film role, that of Mary Poppins.  Before that, she had a very Dickensian childhood, surviving the war, her parents divorcing and remarrying and then, when Julie's extraordinary voice was discovered at a very young age, she was paraded around the Vaudeville circuit with her mother and alcoholic and sometime abusive stepfather.

But her positive attitude led her to the West End in London where she starred on the stage and was called to Broadway to star in "The Boyfriend."  Later she originated the role of Guinevere on Broadway in "Camelot" and Eliza Doolittle in "My Fair Lady."  However, she was passed over to star in the film of "My Fair Lady," Jack Warner, the head of Warner Brothers, preferring Audrey Hepburn, a bigger name. But Walt Disney wanted her for "Mary Poppins," and Andrews went on to win a Best Actress Golden Globe and an Academy Award for her performance.  In her acceptance speech at the Golden Globes, she got the final word, thanking Jack Warner for passing her over for "My Fair Lady," so she could star as Mary Poppins.

Andrews shares behind the scenes information on the making of "Mary Poppins," as well as her later films "The Americanization of Emily," her first dramatic role, "The Sound of Music," which cemented her place in the echelon of the greatest film musicals and her later collaborations with husband, Blake Edwards.  In addition to her Academy Award, Andrews' extraordinary career garnered her a BAFTA, five Golden Globe Awards, three Grammys, two Emmys, the Screen Actors Guild Lifetime Achievement Award, the Kennedy Center Honors Award and the Disney Legends Award.  In addition to her two autobiographies, she is also the author of childrens' books.

In addition to her career, Andrews also candidly shares her personal story, how tough it was to be a new mother, the end of her first marriage, meeting and collaborating with second husband, Blake Edwards, and, the adoption of two Vietnamese orphans and the blending of their two families from earlier marriages. Throughout it all, she maintained and optimism and grace. 

On a sad ironic note, the woman with the golden voice can no longer hit those high notes due to a botched operation on her throat. However, she doesn't touch on that here, since this book only goes up to 1986. So looks like yet another memoir is in the offing. I can't wait to hear more from her.  Despite the ups and downs of her life, she is still that wonderfully nice, modest and grateful person we have come to love.

Rosy the Reviewer her, loved this book.

Thanks for reading!

See you next Friday


"Marriage Story"


The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

If you enjoyed this post, feel free to click on the share buttons to share it on Facebook, Twitter, Pinterest and LinkedIn, email it to your friends and LIKE me on Facebook at 

Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.

Friday, December 6, 2019

"Knives Out" and The Week in Review

[I review "Knives Out" as well as DVDs "Scary Stories To Tell in the Dark" and the 2018 "Halloween."  The Book of the Week is Debbie Harry's memoir "Face It."  I also bring you up-to-date with "My 1001 Movies I Must See Before I Die Project" with "Downfall."]

Knives Out

Best-selling mystery writer, Harlan Thrombey (Christopher Plummer), is found dead in his study, with his throat slit.  Was it suicide....or MURDER?

A star-studded cast graces this Agatha Christie-like murder mystery with Daniel Craig as Benoit Blanc, a modern day Poirot except with a southern drawl instead of a French accent.  Harlan Thrombey is found dead on his 85th birthday by his housekeeper, Fran (Edi Patterson), lying on a couch in his study with a knife in his hand. Everyone thinks it was suicide but a couple of cops arrive to make sure there are no loose ends and they are accompanied by super detective Benoit (pronounced Ben-Wa, which I find hilarious) Blanc.  Blanc has been hired by an anonymous person to find out exactly how Harlan died.

And if it was murder, all of Harlan's dysfunctional and pretty awful family members certainly had motives to kill Harlan: His son Walter (Michael Shannon), who runs Harlan's publishing company, has just been fired by Harlan; Harlan has found out that Richard (Don Johnson) is cheating on his wife, Linda (Jamie Lee Curtis), Harlan's daughter, and Harlan plans to tell Linda if Richard doesn't; Harlan has discovered that Joni (Toni Collette), his daughter-in-law, has been embezzling money from him so Harlan has cut her off completely; and Harlan has told Ransom (Chris Evans), his grandson, that he has been cut out of his will.  All of that took place at Harlan's 85th birthday party after which he was found dead.

There is also Harlan's young Latina immigrant nurse, Marta (Anna de Armas); Meg Thrombey (Katherine Langford), Joni's daughter; and Jacob (Jaeden Martell), Walter and Donna's Nazi-leaning son, all of whom were also at the party.

Enter Benoit Blanc and a couple of police detectives (LaKeith Stanfield and Noah Segan) and a whole lot of twists and turns ensue.

Written and directed by Rian Johnson, this film is a modern take on Agatha Christie without losing any of her dramatic tropes that always kept us guessing.  And the film even makes some statements about class and politics.  But mostly, this film is a lot of fun.

We can always count of Christopher Plummer to bring it and he does and the rest of the cast create a nice ensemble.  And can I say, damn?!  Chris Evans is one handsome guy and there is not one trace of his Captain America persona in his portrayal of the evil Ransom.  But the film really belongs to Daniel Craig as Benoit and Ana de Armas as Marta.  Craig is having a lot of fun playing against type.  There is not a stitch of Mr. Bond in evidence.  Instead, his southern accent is so drawling that he would make Jeff Sessions proud. Benoit teams up with Marta, Harlan's young nurse, because she cannot tell a lie.  If she does, she throws up.  So Blanc enlists her to help him find the truth about Harlan's death. And speaking of which, this is one time I did not figure out the ending or the who dunnit part.

Rosy the Reviewer says...this is one entertaining film.  Highly recommended!

***Some Movies You Might Have Missed***
(And Some You Will Be Glad You Did)!


Scary Stories To Tell in the Dark (2019)

It's Halloween, 1968, and teenager Stella and her friends find a notebook of scary stories that seem to come true.

Stella (Zoe Margaret Colletti) is an unpopular and aspiring writer obsessed with horror who hangs with a couple of other unpopular kids - Auggie (Gabriel Rush) and Chuck (Austin Zajur) - and they are all bullied by the jocks led by Tommy (Austin Abrams), who just happens to be dating Auggie's pretty sister, Ruth (Natalie Ganzhorn).  On Halloween night, they turn the tables and egg Tommy's car who in turn goes after them.  Stella and her friends run for it and escape into a drive-in.  They jump into the nearest car where they meet Ramon (Martin Garza), a young stranger who is at the drive-in alone.  They manage to get rid of the bad guys, befriend Ramon, and decide to head over to the local haunted house, as one does on Halloween night.

It's the decrepit and deserted home of the Bellows family, a 19th century family who ran the paper mill.  Legend has it that the Bellows had a daughter, Sarah, who they never let out of the house. Not only that, they removed her face from all of the family pictures.  Also according to legend, local children would sneak over to the house to try to get a glimpse of Sarah.  Though they never saw her, they heard her.  She would tell them stories through the walls.  And then kids starting disappearing.  It was said that if you go to the house and ask Sarah to tell you a story it will be the last story you will ever hear.

So Stella, Auggie, Chuck and Ramon break into the Bellows mansion and discover a secret room in the basement where they find a mysterious book.  In the meantime, Tommy and his friends have found them and lock them in along with Auggie's sister, Ruth.  That's when Stella gets the bright idea to ask Sarah to tell them a story.  As she does so, the book comes alive and literally self-writes.

Story #1 - Harold.

When Stella and her buddies finally escape the house, they discover that the bullies have trashed Ramon's car so Stella invites Ramon to stay at her place.  She takes the book home.  Meanwhile, Tommy meets his end at the hands of Harold.  You see, Harold is a scarecrow in a scary corn field and Harold comes alive and turns Tommy into a scarecrow too.


Later, Stella and Ramon find a scarecrow wearing Tommy's letter jacket so they realize that the book does have the power to write stories and if a story is written about someone that person dies.  So Stella is freaked out and decides she had better return the book.  She goes back to the house and returns the book only to find it in her room later.


Oh oh.  Another story writes itself.

Story #2 - "The Big Toe."

Poor Auggie gets attacked by a corpse looking for her toe.

And on and on it goes.

"You don't read the book.  The book reads you."

Now the kids realize they need to do something about this book or they are all going to die so Stella decides they need to find out the truth about Sarah Bellows.

Directed by Andre Ovredal and based on the books by Alvin Schwartz (adapted for the screen by Dan and Kevin Hageman and Guillermo del Toro), the young actors are engaging, the film is atmospheric and the stories are actually scary in a hands-over-eyes way but there is more to this film than just your usual horror film.  It's 1968, remember?  There is a true life horror film playing out in the background - Nixon and the Vietnam War and Stella's teenage angst, dealing with the fact that her mother killed herself.

Rosy the Reviewer says...I see a sequel or two in the future but maybe I won't mind.  I really liked this film.

Halloween (2018)

Forty years ago, Laurie Strode escaped the serial killer, Michael Myers.  Now he's back.

And Jamie Lee Curtis is back once again too, recreating her role of Laurie Strode but 40 years later.

I have never really liked Jamie Lee Curtis.  I don't know why.  She seems like a perfectly nice person, though on talk shows appears rather smug and kind of a know-it-all.  But that shouldn't affect my feelings about her as an actress, but I guess it kind of does.

Can you believe it's been 40 years since that first "Halloween," starring Curtis? There have been sequels capitalizing on scary Michael Myers in the wierd mask terrorizing Laurie, but none matched the first one.  So now, 40 years later, the filmmakers are capitalizing on the first film and aren't even bothering to call it "Halloween II" because there has already been one of those or to give it a subtitle because we've had those too.  In fact, we have been following Laurie/Curtis in several sequels to the Laurie Strode/Michael Myers story for the last 40 years, something that this film never acknowledges.  It's as if this film is the direct sequel to the first "Halloween," and we are supposed to forget the plot points in those nine other sequels. And speaking of the first film, this one pays considerable homage to it. But now is there really anything more to say? 

Some researchers have arrived at the psychiatric hospital where serial killer, Michael Myers, has been confined for the last 40 years after terrorizing the community and young Laurie Strode.  But after all of this time, Laurie isn't doing well, but I guess I wouldn't be either if I had been terrorized by a guy in a scary mask weilding a knife.  So just in case he comes back, she has tricked out her house and turned it into a fortress with all kinds of booby traps should Michael reappear.  And of course he does. He escapes the hospital during a transfer, kills his guards and those interviewers and heads back to Laurie's town to terrorize her once again. But this time, Laurie is ready for him.  All doing the intro when Michael is in the hospital and then being transferred, we don't see his face but when he kills the researchers he finds his mask in their car.  How convenient! And also it's conveniently Halloween night so a guy in a mask?  Who notices?

But along with the inevitable encounter with Myers that is to come, there is also a side story here.  Laurie has a daughter (Judy Greer) and a granddaughter (Andi Matichak), but she is estranged from them because of her obsession with Michael Myers. But we also now have two more women for Michael Myers to terrorize.  And it's multigenerational!  Except what Michael doesn't know is that Laurie is ready for him and the hunted now becomes the hunter. It's all rather predictable but I have to say that from time to time I do enjoy a good ass-whooping administered by a woman, or in this case, women.  It's revenge time for Laurie but not before Michael does some major damage to everyone he encounters.

Based on John Carpenter's original "Halloween," and directed by David Gordon Green who also wrote the screenplay with Danny McBride and Jeff Fradley, this is fairly predictable stuff, with some "Huh?" moments (like how did Michael know Laurie's daughter and granddaughter were in the basement and that the kitchen island was the way to get down there?) and most of the film is a lead up to the last 20 minutes when Laurie kicks Michael Myers' ass, but it goes a bit deeper as it plays on our fear of others and what might be lurking in the dark. Greer gets to do some ass-kicking too. The women take control of their own futures.  And for a horror film, it delivers the requisite violence and gore. There is also homage to the first film, especially that classic scene where Laurie has her face up against the door with Michael's hand reaching in. But the bottom line is that the film just wasn't that scary.

Rosy the Reviewer says...maybe not as scary as you would like but it certainly is satisfying in a female self-empowerment kind of way.

***My 1001 Movies I Must See Before I Die Project***

51 to go!

Have YOU seen this classic film?

Downfall (2004)
("Der Untergang")

The final days of Adolph Hitler (Bruno Ganz), as seen through the eyes of his secretary, Traudl Junge.

The film begins and ends with the real Traudl Junge talking about her time as secretary to Hitler and regretting her association.  Then the film tells her story, taking place almost entirely in the bunker where Hitler and his cohorts spent their final days. We see the unraveling of Hitler through the eyes of Traudl Junge, who Hitler hired to be his secretary in 1942, and it is her memoir upon which this film is based. He was not just evil but quite mad, especially as things fell apart and he was giving orders to move troops that no longer existed and issued orders to commanders who were already dead. He and Eva Braun famously committed suicide as did the Goebbels.  In one scene Frau Goebbels exclaims "I don't want to live in a world without National Socialism," and then goes on to kill her six children with poison and cyanide in a particularly gruesome scene before she and her husband, Joseph, kill themselves.

Directed by Oliver Hirschbiegel, the film was based on Junge's memoir "Until the Final Hour" and the book "Inside Hitler's Bunker" by Joaquim Fest.  It was Nominated for an Academy Award for Best Foreign Film, but it caused controversy because of the fear that showing Hitler's final days would somehow prove to be sympathetic toward Hitler, or that it would evoke admiration for people who were able to gain so much support and then be willing to die for their beliefs, but critic Roger Ebert summarized it this way:

"Admiration I did not feel. Sympathy I felt in the sense that I would feel it for a rabid dog, while accepting that it must be destroyed...All we can learn from a film like this is that millions of people can be led, and millions more killed, by madness leashed to racism and the barbaric instincts of tribalism."

And speaking of racism and tribalism: though it would be going out on a bit of a limb to compare our current political situation to Hitler, the racism and tribalism we are experiencing today was not lost on me.

Ganz was remarkable as Hitler, his shoulders and back slowly crumbling lower and lower as Hitler realized his power was lost.

The film ends with an epilogue about what happened to all of Hitler's inner circle who had been with him in the bunker, and then, just as the film began with Junge, she gets the final word, saying she was young and hadn't known about the concentration camps and other horrors that Hitler had ordered but then ends with the statement that she could have probably found out and that youth was no excuse.

Why it's a Must See:  "...the first German movie to portray Adolf Hitler in a conventional narrative...[a] disorienting matter-of-factness is the key to [this film's] brilliance...[along with Bruno] Ganz's grandly withered performance."
---"1001 Movies You Must See Before You Die"

Rosy the Reviewer says...a beautifully produced and engrossing film, but overlong and highly disturbing.

***The Book of the Week***

Face It: A Memoir by Debbie Harry (2019)

Singer Debbie Harry tells all.

I was struck by the fact that Debbie Harry and I had a very similar life up until the age of 18. Though she grew up in New Jersey and I in Michigan, we both had fairly uneventful childhoods with middle class parents.  We roamed our neighborhoods with our friends unsupervised, went to the movie matinee for 25 cents, loved TV, performed in shows and dreamed of being famous. But when we left home, she went off to New York City, became a Playboy Bunny, a drug addict and the famous lead singer for a popular punk/rock band...Blondie... and I didn't.  I went to college, wanted to be an actress and ended up a librarian. C'est la vie! 

Harry presents a very straight-forward, candid memoir.  She matter-of-factly talks about her time hanging with Andy Warhol and friends and then throws in the fact that, oh yeah, then I was raped.  This is one tough lady who has been around and broke new ground as a female musical artist, which was not easy.

The book is illustrated throughout with Harry's artwork, fan art and never-before-seen photographs, and she shares all kinds of insider tidbits on the people (John Waters, Jean-Michel Basquiat) and musicians (David Bowie, Iggy Pop, Duran Duran) she has encountered over the years as the lead singer for Blondie and captures that strange and magical time that was the 1970's and 80's. She was inducted into the Rock & Roll Hall of Fame in 2006, continues to perform as a singer and an actress and is an activist for environmental issues and the LGBTQ community.

Rosy the Reviewer says...if you like candid celebrity autobiographies, this is one!  She doesn't hold back!

Thanks for reading!

See you next Friday


"The Irishman"


The Week in Reviews
(What To See and What To Avoid)

as well as

the latest on

"My 1001 Movies I Must See

Before I Die Project" 

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Check your local library for DVDs and books mentioned.

Next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database).

Go to, find the movie you are interested in.  Scroll down below the synopsis and the listings for the director, writer and main stars to where it says "Reviews" and click on "Critics" - If I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list.