"The Fall Guy" and My Movie Week in Reviews

[I review the new Ryan Gosling movie "The Fall Guy" as well as the tennis film "Challengers," and "Hit Man," a Top Ten movie on Netflix now]

 

The Fall Guy (2024)

Stunt man, Colt Seavers (Ryan Gosling), unwittingly gets involved in a murder conspiracy.

Colt Seavers, a Hollywood stunt man, is "livin' the dream" working as the stunt double for famous action star, Tom Ryder (Aaron Taylor-Johnson). However, he breaks his back during a stunt gone wrong and abandons his career as well as his camerawoman and girlfriend, Jody Moreno (Emily Blunt).

Fast forward 18 months. Colt is now a valet for a Mexican restaurant, no longer "livin' the dream."  However, out of the blue, he is contacted by Gail Meyer (Hannah Waddingham), Tom Ryder's film producer, and she tells him that Jody is now a director and is directing her first film, a space cowboy film titled "Metalstorm" and starring Tom. Gail tells Colt that Jody needs him, so Gail wants Colt to fly to Sydney to join the production. Turns out Jody didn't know anything about Colt becoming part of the production and is still angry with him for ghosting her.  So...the real reason that Gail wanted Colt to come was to find Tom Ryder who has gotten into trouble with some drug dealers.  He needs to be found before the film goes over budget and gets canceled.

Well, that's her story, anyway. Turns out, Tom has been involved in a murder and Gail has some plans for Colt. Lots of action as Colt tries to extricate himself from the plot. In the meantime, there is a rekindling of Colt's and Jody's love affair, so we've got action, rom-com and a convoluted conspiracy plot.

Written by Drew Pearse and loosely based on the 1980's TV series "The Fall Guy" starring Lee Majors, this is a movie filled with action and stunts about movies filled with action and stunts.

What I liked - the action and stunts.  There are some very cool scenes with exciting stunts, and the film shows how many of the movie stunts we take for granted are done, which is quite fascinating. Cars rolling over and crashing, people falling from high places, fights, all of that. It's an insider look at how action movies are made. 

What I didn't like - everything else.

Sadly, the film is an action movie about action movies with a tedious plot that is supposed to be funny at times but really isn't.

I never think of Ryan Gosling as a comedy guy or a wise-cracking action hero.  I always think of him as a serious, moody actor.  Yes, I know he was nominated for an Oscar for playing Ken in the Barbie Movie, but if you really think about it, he played Ken straight and that was what made his performance funny.  Here, he has shtick that he has to pull off and wise-guy dialogue, and I just didn't buy it. But I can blame some of it on the script which wasn't very good.  It's an unbelievable, not very interesting plot.  The "fall guy" who does falls for a living is going to be the "fall guy" in a conspiracy plot.  Get it?  Duh.

Emily Blunt is always good but here doesn't have that much to do as an actress, though she does get to have some action scenes herself which, though not very believable, were kind of fun.  And I like Hannah Waddingham, who you may or may not recognize from "Ted Lasso" despite her black hair and, I swear, fake teeth.

Directed by David Leitch, I think this was supposed to be a satire on action films, and it definitely is an homage to those folks who thrill us with their stunts, but it just didn't come together.  Slow to get going, and when it finally did get going, lots of "huh?" moments. However, if you watch it, stay to the end.  An almost unrecognizable Lee Majors has a cameo.

Rosy the Reviewer says...if you like action movies and you don't care if there is a believable plot or not, you might enjoy this.  Otherwise, save your money, or if you really think you need to see this, wait for it to stream for free. (In theatres or for rent on Amazon Prime)

Challengers (2024)

It's all about a 13 year love triangle between an injured tennis star turned coach (Zendaya), her tennis player ex-boyfriend (Josh O'Connor), and her tennis champion husband (Mike Faist).

It's 2019 and Tashi (Zendaya) and Art Donaldson (Faist, best known for originating the role of Connor Murphy on Broadway in "Dear Even Hansen") are a wealthy married couple with a young daughter.  Art is a tennis champ and only one U.S. Open title away from a Career Grand Slam, but he is struggling.  Tashi, herself a tennis champ but retired due to injury, is his manager and coach and enters him as a wild card in a Challenger event in New Rochelle, New York in hopes it will help him get back on track.  

And then there is Patrick Zweig (O'Connor), another tennis champ, but one who has fallen on hard times.  He is living in his car and scraping by.  It just so happens he is also entered in the Challenger tournament.

So what do these three people have to do with one another?

In a series of flashbacks we find out.

In 2006, Patrick and Art were close friends and friendly rivals.  Together, they won the boys' junior doubles title at the U.S. Open.  It is there that they see Tashi Duncan for the first time.  She is a rising tennis star and both boys become infatuated with her.  They introduce themselves and invite her to their hotel room where a sort of threesome ensues.  But before things get really out of hand, Tashi leaves saying she will give her phone number to whichever boy wins the final the next day.  Patrick wins and the two start a relationship.

Later, Tashi and Art play college tennis at Stanford and Patrick turns pro and both boys continue a relationship with Tashi, though the relationship between the boys sours.  We already know that Art and Tashi end up together, but how that happens and what happens between Art and Patrick and their subsequent tennis careers is all played out in a series of back and forth flashbacks culminating in a final present day match between Art and Patrick.

As an aside, I have a rather personal relationship with tennis.  

My older sister was a rising college tennis star herself in the 1950's and went on to become a pro and teach tennis.  She and I both went to the same college and let's just say that when I took a tennis class and it was taught by one of the coaches who had coached my sister, I could see the disappointment on his face. I didn't have the gift. My sister called me a "motor moron," and I guess there is something to that when it comes to sports, though I can play the piano and am a really good ping pong player. There has to be some hand and eye coordination in there somewhere.  Anyway, I knew to pick my own lane.  I was an actress!

Speaking of which, Zendaya has made it as an actress and is hot right now.  She started out as a young actress and singer and at 16 was the youngest contestant on "Dancing with the Stars" but made her mark in "The Greatest Showman" in 2017 and later in the TV series "Euphoria." 

Faist and O'Connor, though good actors, are unlikely leading men. They do fine as callow young men in love with a goddess like Zendaya, but as men in their thirties, I wasn't buying it, which is strange because they are both in their 30's in real life. They worked better as college students. I just didn't buy O'Connor has a husband. And I hate to say it, but both are also just too ordinary looking to be leading men and objects of Zendaya's desires, but thankfully the story, written by Justin Kuritzkees and directed by Lucca Guadagnino, carries them. After awhile, I forgot about their looks and got into the story, though this is a 90 minute movie wearing a 135 minute bit of sheep's clothing. It didn't need to be that long and the soundtrack was annoying.

Rosy the Reviewer says...some good tennis sequences will satisfy tennis fans and a quirky romance might satisfy rom-com fans. (in theatres and for rent on Amazon Prime)

 

Hit Man (2024)

 

A college professor moonlights undercover for the New Orleans Police Department as a fake hit man to uncover murder plots.

Gary Johnson (Glenn Powell) is a mild-mannered professor of psychology and philosophy at the University of New Orleans who lives alone and just happens to also be working undercover with the New Orleans Police Department, pretending to be a hit man to assist in undercover sting operations. He is a self-professed "undercover murder stopper." He started out with the police department as a tech guy but when Jasper (Austin Amelio), their regular undercover guy is suspended, they recruit Gary to take his place. Turns out, despite the fact that Gary is a mild-mannered philosophy professor with an interest in birding, he is really good at the personification and disguises needed to be a believable hit man. He adopts the persona of "Ron," and Ron has many personalities and disguises that belie his real life. Let's just say that in real life, Gary is a bit of a nerd, but when he is Ron, he is a tough and scary hit man.

Ron/Gary meets Madison (Adria Arjona), a femme fatale who is trying to have her abusive husband killed.  Uh-oh.  You know how those things go. Gary is attracted to her and sympathetic.  He tells her to keep her money and use it to begin a new life. But as these things go, they meet again and begin a relationship, but Gary is worried that Madison is attracted to Ron, not Gary, but soon Gary is pulled into Madison's complicated life with her ex-husband, Ray (Evan Holtzman), who unknowingly tries to hire Gary to kill Madison! And it all gets more complicated with Jasper coming back and becoming a thorn in Gary's side.

Glen Powell is my new favorite handsome leading man. He is so totally my type.  Well, my type if I was 40 years younger!  I first noticed him in "Anyone But You," a bad movie that I didn't like, but I liked him, and now it seems he is everywhere. Guess I'm not the only one who liked him!

Written by Richard Linklater and Powell and directed by Linklater, who so beautifully directed "Boyhood," "The Before Trilogy" and others, this is a dark comedy that is a Top Ten movie on Netflix right now and it deserves that.  It's fast moving, darkly funny with witty narration, intelligent dialogue, original situations, an ending you won't see coming and based on a real guy (so don't miss the epilogue). You will enjoy it.  I promise.

Rosy the Reviewer says...A LOT OF FUN! And there is that handsome Glenn Powell! (Netflix)

 

Thanks for reading!

See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

 

Musical Biopics!

[I review "Back to Black," the new biopic about Amy Winehouse, as well as "Bob Marley: One Love" and "Beautiful Rebel," the story of Gianna Nannini, a rock star you have probably never heard of]

 Back to Black (2024)

The life and career of singer, Amy Winehouse.

Sadly, the life of Amy Winehouse was short.  She is a member of the 27 Club, dying too soon from alcohol poisoning.

This biopic follows Amy (Marisa Abela) from her adolescence, growing up in a Jewish family, with her father Mitch (Eddie Marsan) and her grandmother, Cynthia (Lesley Manville) aka Nan who herself had been a singer - to Amy's untimely death at 27. Though she had some early critical and commercial success in the U.K. with her expressive jazz, soul, blues and reggae vocals, it was when she wrote her album "Back to Black" that she found international acclaim.  In the meantime, she met the love of her life (more like an obsession), Blake Fielder-Civil (Jack O'Connell), and it was a volatile love affair.  Blake was into cocaine and Amy disapproved but she had her own issues with alcohol and bulimia and possibly mental illness. It was when he left her and her beloved grandmother died, that Amy was inspired to write that second album, "Back to Black." It was a black time. That album was one of the best-selling albums in UK history and in 2008 she won five Grammys, tying the then record for most wins by a female artist in a single night and becoming the first British woman to win five Grammys.  She and Blake reconciled and got married but after he went to jail and then wanted a divorce, Amy fell further into alcoholism and drug addiction, and despite a stint in rehab, she relapsed and died of alcohol poisoning at 27.

Though the film, written by Matt Greenhalgh and directed by Sam Taylor-Johnson, covers all of that, there are no real earth-shattering revelations here. Interestingly, Amy's father, Mitch, who was a controversial figure in her life comes off as benign and seems to get a pass, and the film doesn't really offer much in the way of why Amy abused alcohol and drugs and died young, though there is an implication that her husband, Blake, wasn't much help to her (he was kind of a bad guy - he introduced her to crack). The film also implies that Amy relapsed when she found out Blake's girlfriend had a baby because, despite her success, Amy just wanted to be a wife and mother.  

We will never know whether that is true or not or what led Amy to drink herself to death, but what makes this film worth seeing is the Oscar-worthy performance by Abela. From the moment the camera sees her, she lights up the screen and you believe she is Amy.  She channels Amy from her beehive hairdo and tattoos to her singing, and believe it or not, Abela has said she didn't really think she could sing.  And the music throughout is wonderful.

Is this the defining story of Amy Winehouse?  Probably not, but it's an old-fashioned linear biopic, a small film with huge impact, a good story with great performances.  It's my kind of film and thank you to the British film industry for continuing to make these kinds of films and not completely pandering to fans of superheroes, horror and epics.  They keep putting out serious films for serious fans like me.

Rosy the Reviewer says...a tour de force performance by Marisa Abela that is not to be missed.  We will be seeing more of her. (In theatres)

Bob Marley: One Love (2024)

An homage to Bob Marley.

Watching this movie, I realized that as much as I enjoyed Bob Marley's music, I didn't really know that much about his life except that he died young.  Sadly, this movie doesn't really reveal that much about the man or his life.  I don't want to say it's a puff piece, but it is clearly an homage.  

The film itself is also confusing at times, telling his story in short flashbacks that are actually distracting and don't do much to enlighten about how Bob became famous and, if you don't know much about Rastafari or Jamaican history, it can be confusing.  

But this is what I got - In 1976 Bob, played by Kingsley Ben-Adir, is already a star in Jamaica and wants to put on a concert called Smile Jamaica to promote peace because various factions are at war.  But as he prepares for the concert, he and his wife, Rita (Lashana Lynch), and Bob's manager are shot.  Though they recover and the concert goes on, Bob sends Rita and the children to the U.S. to stay with his Mom (never explained why that happened), while he goes to London to record an album, which turns out to be "Exodus," inspired by the film of the same name.  The album is a hit and popularizes reggae and brings the Rastafari movement to the forefront. Bob goes on tour, enjoys his fame but it is short-lived.  He develops skin cancer and dies in 1981 at the age of 36.

Written by Terence Winter, Frank E. Flowers, Zac Baylin, and Reinaldo Marcus Green and directed by Green, the film feels more like a moment in time  than a biopic. The story would have benefited from a more old-fashioned linear treatment.  It all just never really went anywhere nor managed much drama or had a point of view. Though the performance by Ben-Adir was believable, I didn't feel the film enlightened us much about the man.  Though there are hints about his peccadillos, as in philandering, nothing much is made of that or anything else, other than the guy was a good guy, and so good, he even forgave the guys who shot him! Lynch as Marley's wife, Rita, had little to do. Let's just say that the highlight of this film was the music.

Rosy the Reviewer says...if you are a Marley fan and like reggae music, you might enjoy this, but in general, the film was a disappointment. I came away from the film still not knowing much more about him than I already knew. (For rent on Amazon Prime. If you still want to watch it, wait until it streams somewhere for free). 

Beautiful Rebel (2024)

Meet Gianna Nannini, the most famous rock star you have never heard of!

Well, she is famous in Europe, anyway.

Directed by Cinzia TH Torrini, this is the story of what Gianna Nannini (Letizia Toni) went through to make it as a rock star in Italy. It's the typical story of a father who thought it was more appropriate for his daughter to play tennis than write and sing, but isn't that how many of our greats get going? They rebel. It's the old "I'll show you" thing.

Nannini went off on her own with no family support and endured setbacks and humiliations until she found her voice and industry support. She was a provocateur with such songs as "Death by Self-Inflicted Abortion." 

Nannini scored her first domestic hit in 1979 with the single "America" and the album "California," which became a success in several European countries. Her international breakthrough happened in 1984 with the release of her sixth album, "Puzzle," which peaked in the top 10 in the Italian, German, Austrian and Swiss charts.  

She was also sexually fluid, something not supported in the Italy of the 1980's, but when she had a mental breakdown, her family rallied round, she overcame that, too, and came back even stronger, later performing with Sting, Bocelli and others.  The film ends with actual performance footage of Nannini.

Brando is effective as Nannini and the story is dramatic and engaging, though it moves fast through her life and career and you might have some "Huh?" moments. It's an old-fashioned linear biopic, and you know by now, I like those, and, though it tries to cover too much ground without going too deep, it's an introduction to Nannini who deserves to be introduced.

Rosy the Reviewer says...a sometimes poignant story of living life on one's own terms and making it. If you love music, expand your horizons into this world of European rock and meet Gianna Nannini. (In Italian with English subtitles - Netflix)

Thanks for reading!

See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

More Good Movies You Might Not Know About, Part 2

[I review the new documentary "Catching Fire: The Story of Anita Pallenberg," as well as an indie character study, "Mickey Hardaway," and the rom-com, "Somebody I Used To Know."] 

Catching Fire: The Story of Anita Pallenberg (2023)

A documentary about a famous person you have probably never heard of....rock and roll muse, Anita Pallenberg, who was most famous for her relationships with the Rolling Stones (yes, more than one) in the 1960's and 70's, but who was much more than that. 

I was a child of the 60's and loved the Rolling Stones.  I knew who Anita Pallenberg was, but I didn't really know anything much about her.

What I knew:

She was a model and an actress who was the girlfriend of Brian Jones, then Keith Richards with a bit of dabbling with Mick Jagger.  Well, I didn't really know the Mick Jagger part. She was a style icon of the 60's and 70's, starred in some movies, and she and Keith were both addicted to heroin.

What I didn't know:

Born in either Rome or Hamburg (her early life is unclear), she moved to New York City at 19 and became part of Andy Warhol's Factory.  She became a model and traveled the world, meeting the Rolling Stones back stage in Munich in 1965. She was a free spirit who drew people to her infectious personality. Immediately attracted to Brian Jones (he was the handsome Rolling Stone), the two became an item and she gave up modeling and moved to London to be with him.  The two got involved in taking drugs, but Brian's drug use overtook him.  He was abusive to Anita, at which point Keith, who had always had a crush on her, moved in to rescue her, though she hardly needed rescuing.  When she and Brian would fight, she threw as many punches as he did. 

It didn't help the relationship with Brian when Anita discovered acting and starred in "Barbarella" and later the cult classic "Performance," the latter film also starring Mick Jagger. Those two hooked up briefly, though Anita always said she was never that attracted to Mick. By then, Anita had moved on from Brian to Keith and her affair with Mick upset Keith so much he wrote "Gimme Shelter." And when she went back to Keith, Mick wrote "You Can't Always Get What You Want." Drugs had always been a part of Anita's life but with Keith, the heroin addiction began in earnest and when Brian Jones died and she had her first child, she started going off the rails.  There was the death of a child, a breakdown and and break-up but like a phoenix from the ashes, Anita endured.  She died in 2017.

After watching this riveting documentary directed by Alexis Bloom and Svetlana Zill, now I know all about her and what a presence she was. Her impact on the Rolling Stones and others who knew her was enormous. She was the ultimate 60's rock chick.

Both of Keith's and her living children - Marlon and Angela (aka Dandelion) - weigh in on their mother's life and her impact on them.  At her death, an unpublished autobiography was found and in the film, Scarlett Johansson tells Anita's story "in her own words." Keith and Marianne Faithfull also weigh in along with others who knew Anita. The film is full of never-before-seen footage, film clips, photographs and home movies. 

Keith calls Anita "a piece of work (in a good way)," and others talk about her charisma, her intellect and talent and what a force of nature she was. Keith ends the film by saying "She made a man of me."  Mick does not weigh in.

Rosy the Reviewer says...an absolutely fascinating true story that is a must-see for Rolling Stones fans, and you Baby Boomers out there will enjoy reliving your youth. I know I did. (in theatres or for rent on Amazon Prime)

Note: A great double feature would be this film along with "The Stones and Brian Jones," another documentary I reviewed back in April. 

Mickey Hardaway (2024)

A young man tries to rise above the trauma and abuse he suffered as a child to follow his dreams.

Mickey (Rashad Hunter) is a talented artist who dreams of being a cartoonist and sketch artist, but he can't seem to rise above the abuse he suffered at school and at home. His father (David Chattam)not only beat him physically but beat down his dreams. He thinks art is a waste of time. But Mickey finds encouragement from his art teacher (Dennis L.A. White) and later his counselor (Charlz Williams) at the Art Institute where he was awarded a scholarship.  But sometimes, when abuse runs deep, even well-meaning people are not enough. After being taken advantage of by an employer who Mickey thought was going to help him with his animation career, he starts drinking and his life unravels.  But Grace (Ashley Parchment), his caring girlfriend, encourages him to seek help. He meets with Dr. Cameron Harden (Stephen Cofield Jr.), and in a series of flashbacks during his sessions, we see just what Mickey has gone through.

Filmed in black and white, with a brief bit of color, this is a grim character study, very neo-noir and talky with some actors better than others, but, you will keep watching, because you want to see what will happen to Mickey.  Will he make it?  And you care because of Hunter, whose portrayal of Mickey is poignant and effective. And when Mickey says things like, "When you feel the world doesn't give a damn about you, you feel you have nothing to lose," you worry about Mickey, and, as the film progresses, and he says,  "It's hard to be good when all you know is evil," you worry even more as you get insight into why some young men turn to violence.

Written and directed by Marcellus Cox and based on his short film of the same name, this is his feature film debut, a bit of raw naturalism reminiscent of early Spike Lee, and a look at what can happen when someone feels he has nowhere to turn after years of abuse and disappointment.  

Cox says the film showcases "the generational trauma and mental exhaustion that people, in particular black men, have to endure and how we're taught to keep moving on with life without discussing our emotions and seeking help until it's too late and even then sometimes it's not enough once you find it...it's a conversational character study that doesn't seek to give you answers but more to show how folks, in a time more than ever with depression being a mainstay, reach their breaking points...with mental health being at an all-time high in the Black community, I really wanted to bring this subject to a much needed forefront."

And Cox has done that.

Rosy the Reviewer says...some grim realism but the film shines a light on the effects of generational trauma and mental illness, and for a first feature film, Cox shows promise for a long career as a serious writer/director. Make some room, Spike! (Tubi)

Somebody I Used To Know (2023)

Workaholic Ally returns to her hometown and reconnects with her old boyfriend - trouble ensues.

Ally (Alison Brie) is a showrunner for a reality show called "Dessert Island," that is part "Survivor," part "Love Island" and part "The Great British Baking Show (sounds like my kind of reality show)!" In case you didn't know, a showrunner literally "runs the show," so Ally is a bit of a workaholic and doesn't have much going on except work.  And she has never taken the time to evaluate her life and ask herself if she is happy, so when her show is canceled she decides to go back to her hometown - Leavenworth, Washington and visit her mother (Julie Hagerty).

While there, she runs into her old boyfriend, Sean (Jay Ellis), at a bar and they spend the evening together reminiscing. Ally had always wanted to leave town to follow her dreams to become a documentary filmmaker, but so far that dream as eluded her, but Sean likes it in Leavenworth, thank you very much.  He is close to his family and even has a house on their property. With no job and few prospects, getting back together with Sean seems very appealing to Ally. Maybe she made a mistake to leave. The evening ends with a kiss with Ally wanting to go further but Sean begs off.  She finds out why the next day - Sean is getting married the next weekend. Awk-ward!  And even more awkward is the fact that Sean's mother, Jojo, insists that Ally come to the wedding and film it! Ally jumps at the chance because now she thinks she should be with Sean, not his fiance, Cassidy (Kiersey Clemons). 

But wait, there is more awkward stuff.  With a nod to "My Best Friend's Wedding," Ally starts meddling in an effort to split them up.  But then things get complicated when Ally and Cassidy get to know each other and their initial suspicions about each other fade away. Things continue to be awkward and go from bad to worse... until they get better.

The Christmas-oriented Leavenworth, Washington makes for a scenic backdrop for a rom-com. Having lived in Washington for several years, I have personal experience about the cuteness of Leavenworth, and it has an interesting history.  It is a small town in the Cascade Mountains styled after a Bavarian village. In the 1960's when the lumber mills closed and the town was in decline, the city looked to tourism to revitalize the area.  They modeled the town after the Danish-themed town of Solvang, California, and today Leavenworth is a hotspot of tourism, especially at Christmas.  There are countless restaurants serving German food, pretzels and beer, a nutcracker museum and even a Snow Train from Seattle that takes visitors there (I've done that too)! 

Brie is a talented comic actress and she and Ellis are an engaging couple. Brie is especially good at awkward, and I mean that in a good way.  The rest of the ensemble are also first-rate and the town of Leavenworth also stars. 

Written by Dave Franco and Brie (who are married in real life) and directed by Franco, this is not your usual silly rom-com. It's a smart one with real, believable characters and a message about loving yourself before you can love anyone else. Instead of "boy meets girl, boy and girl break up and then get back together," this is more "boy meets girl and girl finds herself."  And there is even a satire on reality TV thrown in.

Rosy the Reviewer says...a sweet and enjoyable rom-com with a serious message. (Amazon Prime)

Thanks for reading!

See you next time!

If you enjoyed this post, feel free to like it and share it on Facebook, Twitter, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer 

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

Now Playing in a Living Room Near You! - "Unfrosted," "The Idea of You," "Argylle" and "The Zone of Interest."

[I review the new Jerry Seinfeld movie "Unfrosted," now playing on Netflix as well as the May-December love story "The Idea of You," now playing on Amazon Prime, the spy spoof, "Argylle," now playing on Apple+ and a 2024 Best Picture nominee "Zone of Interest," now playing on Max]

 

Unfrosted (2024)

The story of the creation of Pop Tarts - well, kind of.

I had the pleasure of seeing comedian Jerry Seinfeld live on a couple of occasions and despite the fact that he avoids politics and never goes "blue," he was and is very, very funny.  Sadly, I wish I could say the same thing about his latest effort writing, directing and starring in this feature film. Though there are some funny bits, much of it falls flat.

Here's the set up.  

It's the early 60's and cereal makers Post and Kellogg's are in a bitter rivalry to be King of the Cereals. Bob Cabana (played by Jerry but not a real person) is an executive at Kellogg's and is on a mission to stay ahead of Post. It just so happens that both businesses are in the small town of Battle Creek, Michigan, which adds to the competition. So far, Kellogg's is kicking Post's butt, but then, Post comes up with a little breakfast fruit treat with a long shelf life called "Country Squares" and Kellogg's can't stand that.  They must come up with their own product, one that little kids can pop into a toaster.  And they do.  This is the Kellogg's story about Pop Tarts.

Well, let's just say, that's the only part of this story that is true and it's actually Jerry's story which is 99% fiction populated with big name comic stars, a sort of cereal manufacturing version of "It's a Mad, Mad, Mad, Mad World."

But despite all of the comedy stars in the film, the film is surprisingly unfunny most of the time.  It's very slapstick with old-fashioned schtick that made me groan more than laugh, but I did chuckle a few times. Jim Gaffigan always makes me laugh, and I enjoyed Amy Schumer as Marjorie Merriweather Post.  But Hugh Grant as Thurl Ravenscroft, a Shakespearean actor who was the real life voice of Tony the Tiger, was particularly funny, especially in a bit where he leads the Kellogg's mascots on a takeover of the Kellogg's building as the bigwigs are certifying the Pop Tarts, a funny spoof of January 6th. Likewise, another stand-out was Kyle Dunnigan who played both Walter Cronkite and Johnny Carson, though sadly those characters were probably way over the head of younger viewers as in "Who are they and why is this supposed to be funny?" 

But other than that, despite appearances by Melissa McCarthy, Christian Slater, SNL past and present cast members Mikey Day, Kyle Mooney, Fred Armisen, Bobby Moynihan, Beck Bennett and Darrell Hammond, Max Greenfield, Cedric the Entertainer, Sebastian Maniscalco, James Marsden, Peter Dinklage, George Wallace,  Dan Levy, and Jon Hamm, who of course channels "Mad Men," and other recognizable faces, the movie just wasn't that funny.

But here's the thing.  

Jerry Seinfeld has revealed that Pop Tarts changed his young life. Obviously, if he wanted to make a film about them, he is obsessed, and if he has the means to feed his obsession, then who am I to judge? He is clearly enjoying the heck out of this movie, and I rather enjoyed watching him and the others enjoy themselves.

I also have a personal angle.  

I grew up two hours from Battle Creek.  I remember a school trip or two to visit the Post and Kellogg's manufacturing plants.  And then I went to college in Kalamazoo, just a half hour from Battle Creek, so there is a little Michigan pride going on there for me.

And in case you didn't know, frosted or unfrosted Pop Tarts is a thing amongst Pop Tart aficionados.  From the title you can see where Jerry stands on that issue.

Rosy the Reviewer says...it's 90+ minutes of positive silliness. Though not as funny as I would have liked, I could describe it as cute, so if you are in the mood for that, you might enjoy this, especially if you have kids.  Kids would love it. (Netflix)

The Idea of You (2024)

Older woman, younger man.  My kind of love story!

Solène Marchand (Anne Hathaway) is a divorced gallery owner in Los Angeles who ends up at Coachella with her teenaged daughter, Izzy (Ella Rubin) and her friends. Solene meets cute with Hayes Campbell (Nicholas Galitzine), one of the members of the boy band, August Moon (she mistakes his trailer for a porta-potty), and despite the age difference they are instantly attracted.

After Coachella, Hayes tracks Solene down and shows up at her gallery and they hook up, have hot sex and enjoy a May-December love story until Solene gets outed in the press and on the Internet as a Cougar - though 40 and 24 doesn't seem that bad to me (but perhaps that's just my wishful thinking) - and she can't handle the heat, pardon the expression, and then we have the usual coming together, breaking up, coming together, yada yada yada, because whether you are 24 or 40, as Gene Pitney told us (and if you don't know who Gene Pitney is, you are probably both 24 or 40), "True love never runs smooth." 

"I'm too old for you..." kiss...kiss...kiss...no, no, no, yes, yes, yes...you know the drill. And then Izzy is totally embarrassed at school by her mother's relationship, forcing Solene to make a choice. She breaks up with Hayes.  Will our lovers be able to get together? C'mon. Like I said. You know the drill.

Based on the book by Robinne Lee and written by Michael Showalter (who also directed) and Jennifer Westfeldt, the plot of this film is nothing new when it comes to a romantic movie. What makes this film stand apart from the usual love stories?  Two very attractive people and giving older women some props.  Anne Hathaway is luminous on screen as a woman over 40 who is actually an object of desire. It used to be when a woman turned 40 she was invisible, especially in Hollywood. Now 40 is the new 20. (Can I ask if 75 is the new 55)? And then there is newcomer Nicolas Galitzine who made his mark in "Red, White and Royal Blue." He is a handsome fellow if ever there was one. I have always been a sucker for an English accent.  And all of the romance is punctuated with some fun boy band music.

Rosy the Reviewer says...if you need a little romance in your life (and some hot sex), this is a sweet little romantic getaway! (Amazon Prime)

Argylle (2024)

A reclusive author, who writes spy novels, discovers that her latest book has come to life.

Elly Conway (Bryce Dallas Howard), an introverted spy novelist, who is working on her fifth book about Aubrey Argylle (Henry Cavill), the eponymous character of her Argylle series, is saved from a mysterious altercation on a train by Aidan Wilde (Sam Rockwell), who identifies himself as an actual spy.  He also tells Elly about a nefarious organization called the Division, and she has been targeted because her novels appear to predict their future.  The two join forces, hoping that what Elly writes next will come up with a plan to stop the Division. In the meantime, Aidan and Elly search for a Masterkey that would help expose the Division.

A convoluted plot ensues, much like James Bond films of the past where I never knew what was going on or who was doing what to whom, but I still loved them.  Turns out, Elly has some suppressed memories and a big secret is revealed about Elly's true identity.

Written by Jason Fuchs and directed by Matthew Vaughn, this is a fun premise and a stylized spoof of spy movies with some great stunts and performances from Bryan Cranston, Richard E. Grant, Dua Lipa, John Cena and Samuel L. Jackson. And then there is Alfie, the cat.

Rosy the Reviewer says...if you like stylized versions of spy movie spoofs like "The Man from Uncle" or "Our Man Flint," and you can suspend disbelief for some major over-the-top goofiness, you might like this. (Apple+)

The Zone of Interest (2023)

The everyday life of Rudolph Hoss, the commandant of the Auschwitz concentration camp, and his family as they go about their daily lives living next door to the camp.

We don't see much happening in this depiction of Rudolf Hoss (Christian Friedel), his wife, Hedwig (Sandra Huller), and their five children, as they go about their lives in 1943, enjoying their lovely home with a garden... right next door to Auschwitz.  But there is no enjoyment next door where gunshots and shouting can be heard and smoke can be seen rising out of chimneys.  

And that's the horror here, how Hoss and his family are going about their mundane lives while hundreds are being killed next door.  One particular horrible scene shows Hedwig and her German friends going through the belongings of Jewish women deportees, with Hedwig trying on a fur coat that once belonged to a doomed Jewish woman and whirling around in it without a care in the world. One of their sons plays with his collection of gold teeth.

Hoss clearly loves his job as he meets with some people to design a new crematorium that will kill more efficiently, and he is rewarded for his work by being promoted to deputy inspector of the camps.  However, he must move but Hedwig wants to stay behind in the house.  Why not? It's idyllic...for her.  Later, he heads an operation that will transport 700,000 Hungarian Jews to work camps or to be killed.  Once again he does a good job and reunites with his family at Auschwitz.

Based on the novel by Martin Amis and written and directed by Jonathan Glazer, this is a Polish film that was nominated for an Oscar, not just for Best International Feature Film, but also for Best Picture.  It's slow moving and almost feels like cinema verite as the cameras follow the family, going about their lives, nary a thought about what is going on next door, except Rudolf who is always working on how to kill more people faster. The horror is in the mundanity of it all. And watching, we don't see anything either except for smoke billowing out of chimneys next door and hear sounds of screams, dogs barking, and trains coming and going, which makes the film truly horrific, bringing home the atrocities without actually showing them. It's like reality TV at its most horrific. 

The cast is excellent. Christian Friedel is chilling as Rudolf and Sandra Huller gives another great performance as Hedwig (She was also in "Anatomy of a Fall" and was nominated for an Oscar for Best Actress for that). The last couple of years have been big ones for her.  

Rosy the Reviewer says...you have never seen a film about the Holocaust like this one. It's not an easy film but we need to bear witness and never forget. The indifference of the Hoss family to the human suffering taking place next door is a sad reflection of the kind of indifference that still exists today. (In German, Polish and Yiddish on Max) 

Thanks for reading!

See you next time!

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And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critic Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!