Showing posts with label Psychological Thrillers. Show all posts
Showing posts with label Psychological Thrillers. Show all posts

Sunday, November 1, 2026

Movies I Watched in October 2026 - Picks and Pans: "Practical Magic 2" and "Verity"

[I review the "Practical Magic" sequel and the psychological thriller "Verity"]


Practical Magic 2 (2026)

This sequel to "Practical Magic," carries on the story of Gillian and Sally Owens, two witches from a multi-generational family of witches that has been cursed to be loveless.

If you are a regularl reader of my reviews, you know I am not a fan of sequels. Yes, I understand when a movie is popular, it is difficult to say no to making more money on it, but as a moviegoer I am offended by ruining a perfectly good first movie with an often inferior second one.  And sometimes there is a third and fourth...So unless you are making "The Godfather Part II," I say no to sequels.

So naturally I was already in a negative space going into this sequel of "Practical Magic," and I couldn't help but ask, "Did we need a sequel to this film?" When it first came out in 1998, the first film grossed almost $100 million but it cost almost $75 million to make.  So it was hardly a blockbuster.  And it got bad reviews.  But you can't anticipate the power of cult status and supposedly that is what happened with this film which I guess is why 28 years later we have this sequel. And we have the two stars who are also 28 years older and looking for a movie to star in, which is not that easy for, ahem, women of a certain age in Hollywood.

Since it has also been 28 years since I have seen the first one and also being a woman of a certain age, I couldn't remember any of it.  So if you are like me, here are the rudiments of the first film:

Sally (Sandra Bullock) and Gilllian Owens (Nicole Kidman) are part of a Massachusetts family with a witch, Maria Owens, as an ancestor, so I guess that makes them witches too and because of that the family is not popular in the town.  The family also has a curse upon it that any man who falls in love with an Owens woman will die. Sally decides to never fall in love and Gillian can't wait to fall in love. The sisters move on in their lives, but before leaving each other, they use a blood spell to swear to always be faithful to one another, grow old together, and die at the same time. There is drama with Gillian being abused by a man and needing Sally to help her get rid of him, and in so doing, Sally finds love. The sisters reunite in their hometown and with their witchy aunts, Jet (Dianne Wiest) and Frances (Stockard Channing) and the townspeople finally accept them. But is the family curse still in effect? 

And that is where we left them in the first film.

Now here we are with the sequel.  It is 28 years later and Sally and Gillian are back in their home town.  Sally's husband has died, and grief-stricken, Sally doesn't want anything to do with magic and casts a final spell to make sure her daughters Kylie (Joey King) and Antonia (Maisie Williams, who you may recognize from "Game of Thrones") also don't have anything to do with magic, hoping the curse - you know, that one about any man falling in love with an Owens girl will die - will not affect them.

Later, Aunt Jet has been trying to break the curse with the Book of Raven but the important pages, as in the pages called "How to Break the Curse," are sealed shut. Jet is on her last legs but leaves a note for her sister Frances to continue trying to break the curse. Jet dies on her birthday.

After Jet dies, the family holds a wake at the house. There, Sally and Gillian meet Kylie's boyfriend, Gideon (Xolo Mariduena). Kylie tells him she loves him - uh-oh- and the next morning - yep. He is hit by a car and left in a coma and that's when Kylie and Antonia find out about the curse. Angry, Kylie steals the Book of Raven and heads off to England to search for Professor Ian Wright (Lee Pace) who Aunt Frances tells her could help her break the curse. When she arrives in the town of Thornfield, Maria Owens' birthplace, Kylie meets Tom (Solly McLeod), who offers to help her.  Meanwhile, Sally and Gillian race to England and everything comes to a head and a dark family secret is revealed.

Does the curse get broken?

Well, here is a more important question.  Did we need this sequel?

If you loved the first film, then you will probably say "Yes!"  And if you have missed Sandra and Nicole on the big screen, then perhaps. They are both good actresses and they look great.  A little plastic surgery and being filmed through gauze doesn't hurt. I know, I'm bad. But you really have to want to see them to watch this because there is not much of a plot - find Kylie and overturn the curse - and the movie is too long to sustain that. And the movie is more about Kylie than Sally and Gillian. I actually felt sorry for Maisie who was left behind with Gideon and didn't have much to do in this despite her "Game of Thrones" credentials.

However, there were some things I liked.

Based on Alice Hoffman's "The Book of Magic" and adapted by Akiva Goldsman, Georgia Pritchett and Kelly Marcel and directed by Suzanne Bier, the movie could stand on its own without having to see the first one, which is a good thing for a sequel, though exposition could have been better and would have helped us care more about these characters. I liked that Sally was a librarian. The production values were first-rate as in the film was pretty to look at. I liked the beautiful English village and countryside. But most of all I liked the message: No magic is stronger than a sister's love.

Rosy the Reviewer says...but did I like this movie enough to recommend it? Did we need this sequel?  No. (Available for rent or purchase on Amazon Prime and Apple+)


Verity (2026)



A struggling writer is asked to ghostwrite for a best-selling author who can no longer write.

Lowen Ashleigh (Dakota Johnson) is a struggling writer in New York City.  While on her way to a meeting with a publisher, a bike messenger is hit by a car and blood splashes everywhere including all over her.  A handsome stranger hustles her off to a restroom in a nearby coffee shop and gives her his shirt so she can make her meeting.  When she arrives at the meeting, wouldn't you know (huge movie cliche), there the guy is.  

Lowen is at the meeting with the publisher because they are looking for someone to finish a popular series by Verity Crawford (Anne Hathaway), who has been in a car accident and can no longer write. That guy who helped Lowen is Jeremy, Verity's husband (Josh Hartnett). Verity writes twisted thrillers from the perspective of villains, and Lowen has been chosen to ghostwrite because she writes in a similar style to Verity's and Verity loved one of her books. And the publisher needs a ghostwriter because they don't want fans to think the series is over. They need three more books to complete the series.  Lowen is offered $75,000 per book.  How can she say no? So she doesn't and off she goes to Jeremy and Verity's house in a remote part of Vermont. And can I ask why movies like this always take place in big houses in the middle of nowhere? 

Anyway, let the real life twisted thriller begin. 

Lowen is staying at the house with Jeremy, a paralyzed and catatonic Verity and their son Crew (Brady Wagner). Jeremy is grieving the death of their daughter, Harper, Crew's twin, who died in a canoe accident.  Lowen is there to see the notes that Verity has kept for upcoming novels, but c'mon, we know something is going to happen between Lowen and Jeremy. But before that, Lowen just happens to discover a thumb drive in a pack of cigarettes.  Huh?  Very convenient for our plot because this thumb drive is a secret autobiographical journel written by Verity where she spills her guts about her obsession with Jeremy and some horrible things she has done, all played out in flashbacks with Verity's voice as voice over while Lowen reads. Meanwhile, Lowen thinks she sees Verity looking at her and Crew tells her that Verity talks to him. Mmmm. Lowen starts to think that Verity might be faking it.

So the film started out kind of spooky, and I was giving it a chance, despite some wonky dialogue and thriller cliches.  And yes, Jeremy and Lowen get together and I thought we were going to have some kind of dark love triangle, too, but then Lowen finds a letter written by Verity that turns everything upside down and is a big twist that made absolutely no sense, and ruined everything for me, though I saw some of it coming from a mile away. 

Verity means "the quality or state of being true, real, or accurate."  And since one of our protagonists is named Verity, the film seems to be trying to make a point about truth and how it can be manipulated.  Veriry makes some wild claims about her life and about Jeremy. Is she telling the truth?  What are we to believe?

Well, you know what?  I didn't really care because this film had so many cliches, coincidences and holes in it that I lost interest. And it was slow going.  Not much happens until the last 30 minutes and even then, the film really lost me. Based on Colleen Hoover's novel of the same name and adapted by Nick Antosca and directed by Mike Showalter, the story is way over-the-top and far-fetched. It has the same feel as movies like "Gone Girl" and "The Housemaid," but not as good.  Dakota Johnson is a lovely actresss who can do a lot but doesn't have much to do here and neither does Anne Hathaway. Kind of a waste of two beautiful, talented actresses. 

Rosy the Reviewer says...Verity writes twisted thrillers and I think this was supposed to be one of those. Twisted? Yes, literally. Thriller, no.  I thought it was kind of dumb, but if you like campy, soapy and sexy movies, you might enjoy it. (For rent or purchase on Amazon Prime)




See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!

Tuesday, March 17, 2026

March Movie Madness 2026

[When you need a break from basketball, here are some fun movies. I review "The Housemaid," "Untitled Home Invasion Romance" and "My Oxford Year"]


The Housemaid (2025)


A young woman with a troubled past hopes to start a new life as a housemaid for a wealthy couple only to discover she may have gotten herself into even worse trouble.

Millie Calloway (Sydney Sweeney) is living in her car until she is hired by Nina Winchester (Amanda Seyfried) as a live-in maid. She joins Nina's wealthy husband Andrew (Brandon Sklenar) and daughter Cece (Indiana Elle) at their home in Great Neck, Long Island and is given an attic bedroom that can be locked from the outside. Odd. And Millie has some issues. We later learn that Millie is on parole and desperate to keep her job as part of the conditions of her parole. 

But Millie is not the only one with issues. Millie learns that Nina had been institutionalized for trying to drown Cece and for attempting suicide by overdose. She has anger and OCD issues too. In fact, she is kind of a psycho and Millie starts to wonder what she has gotten herself into.  Little Cece isn't very friendly, either. Kind of a creepy kid.

And then there is the handsome Andrew. He is charming to Millie and an attraction develops. What is his deal?  And what is the deal with his and Nina's marriage? Is this the story of every woman's nightmare - the husband attracted to the nanny, or in this case, the housemaid? Or a remake of "Single White Female," but oh, noooo. 

Things are not at all as they first appear in this story based on the novel by Freida McFadden, a screenplay by Rebecca Sonnenshine and directed by Paul Feig, who famously directed "Bridesmaids" and "A Simple Favor." And this is certainly more "A Simple Favor" than "Bridesmaids." Not a comedy, though there are some moments that could be interpreted as funny. But it's mostly a thriller, all about secrets and lies, where everyone looks like a villain until the secrets, lies and real villain are revealed. It's kind of a cringey tale, but cringey in a good, thriller, edge of your seat, and kind of campy way with some major plot twists. This is the kind of movie we used to see a lot of in the 90's.

Seyfried lets it all hang out in some very unhinged, and sort of fun, moments and Sklenar is one handsome dude. Oh, and there is some hot sex (this wouldn't be a Sydney Sweeney movie without some hot sex where she can show off that bod of hers).

Rosy the Reviewer says...a fast-moving and fun thriller with a twist you won't see coming. (For rent or purchase on Amazon Prime)


Untitled Home Invasion Romance (2025)


As a last-ditch attempt to save his failing marriage, an actor stages a home invasion during a romantic getaway weekend so he can play the hero.  Doesn't work out the way he had hoped.

Jason Biggs is all grown up now and no longer obsessed with pies. He is now a director. This is his directorial debut, and here, he not only directs, but stars as Kevin, an aspiring actor, whose marriage is not going well.  So after coming off a two month separation with his wife, Suzie (Meaghan Rath), he plans a getaway vacation to rekindle their marriage. They go to the house where Suzie spent her summers as a young girl.  First mistake.  She has some traumatic memories associated with the cottage. He also gets the lame idea ot staging a home invasion at the cottage so he can be a hero and "save" his wife.  So he hires Ernie (Arturo Castro), an actor friend, to break in and be the bad guy. Second mistake. You know how those things go. Best laid plans and all of that. When someone actually dies and Kevin finds himself in the middle of a murder investigation, everything spirals out of the control and we learn about a traumatic event in Suzie's youth.

Written by Joshua Paul Johnson and Jamie Napoli, this is one of those excruciating films where one bad decision leads to a worse one and a worser one and on and on.  Let's just say that Kevin is not very smart. But in the end, it's all kind of fun in a dark way.

Rosy the Reviewer says...a surprisingly violent film but also surprisingly enjoyable...in an excruciating and violent way (For rent or purchase on Amazon Prime).

 

My Oxford Year (2025)

Anna has her life all mapped out. Until she meets Jamie and her world gets turned upside down. 

Anna De La Vega (Sofia Carson) is a hard-working, middle class Ivy Leaguer who has deferred a post-graduate offer for a job as a financial analyst at Goldman Sachs to take a year off to study Victorian poetry at Oxford - a childhood dream - but then she plans to return to America for her job at Goldman Sachs for a life of financial security.  Falling in love was not part of her plan.

On her first day at Oxford, Anna gets splashed by a puddle as Jamie Davenport (Corey Mylchreest) speeds by in his vintage Jaguar sports car. They meet again later and she recognizes him as the guy who splashed her and she is not amused. And wouldn't you know? It turns out he is the teacher for one of her classes. Awww. Talk about meeting cute.  More cuteness follows as the two become closer. Jamie takes Anna to a pub (she had never been to one) and he explains that "Pubs are like churches.  We consider them sacred and attend them religiously." Jamie is a bit of a rich playboy who is difficult to pin down, but the two fall in love and they frolic in the beauty that is Oxford and the English countryside. It's all very cute.

But then, the cuteness ends. Turns out there has been a reason why Jamie has been holding back and when his secret is revealed, the film takes a dramatic turn that challenges our lovers relationship. What will happen? Well, it's rather predictable, but, hey, it's the journey.

Written by Julia Whelan, Allison Burnett and Melissa Osborne and directed by Iain Morris, we get to take part in a journey that follows two beautiful young lovers around historic Oxford and as they travel the beautiful English countryside in this literary, sweet and uplifting story.  What more could you ask for?

Rosy the Reviewer says...if you like drama, romance and a poignant story, you will enjoy this (Netflix).


See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!


Wednesday, November 12, 2025

My November 2025 Movie Picks and Pans!

[I review the psychological thriller, "The Woman in Cabin 10," as well as the black comedy "The Roses" and Ben and Amy Stiller's documentary about their parents, "Stiller & Meara: Nothing is Lost."]


The Woman in Cabin 10 (2025)



An investigative journalist becomes involved in a tangled mystery while on a luxury cruise ship.

Recovering from the trauma of witnessing a source's murder, investigative journalist Laura "Lo" Blacklock (Keira Knightley) receives an invitation from terminally ill billionaire Anne Bullmer (Lisa Loven Kongsli) to join her and her husband, Richard (Guy Pearce), and some other wealthy guests, aboard their luxury yacht sailing to a fundraising gala in Norway.  Anne wants Laura to write about her new charitable foundation.

The first evening at sea, Lo ducks into Cabin 10 to avoid her ex-boyfriend, Ben (David Ajala), a photographer working for the Bullmers, and encounters a mysterious blonde woman (Gitte Witt) there. After dinner, Anne privately reveals to Lo that she has stopped taking her medication and plans to donate all of her fortune to charity. 

That night, waking to a ruckus and a woman's scream next door, Lo finds a bloody handprint by Cabin 10 and witnesses someone fall overboard. She alerts the ship and despite Laura's insistence that there was a woman in Cabin 10, all guests are accounted for and she is told that no guest was staying in Cabin 10. 

Did she imagine it?  Was it a hallucination brought on by my her guilt about her source? No, Laura knows what and who she saw so she sets out to solve this mystery.

In the meantime, the trip continues.  When Laura meets with Anne again, Anne appears to have forgotten their earlier conversation and when Laura sneaks into Cabin 10, she finds blonde hair in the sink drain. Then some other strange things start to happen. But the more she asks questions, the more the crew and guests refuse to believe her suspicions and in fact start thinking there is something mentally wrong with her.  But as she gets closer and closer to solving the mystery that is unfolding on the ship, Laura realizes her life is in danger.

What is going on?  Who was that blonde woman in Cabin 10?  And who was it that Laura saw fall off the ship?  And why won't anyone believe her?

Based on the 2016 novel by Ruth Ware, adapted by Joe Shrapnel, Anna Waterhouse and Simon Stone and directed by Stone, this is a classic, old-fashioned, psychological thriller.  You have the troubled journalist, a fish out of water hanging with very rich people (played by some recognizable British actors - Hannah Waddingham, David Morrissey, Art Malik, et al); everyone on the yacht is seemingly suspicious; our heroine witnesses a murder but no one believes her; and there is a big twist.

If you read the book, you know how this will go. Or maybe not.  I'm not sure what it says about me or the book, but I read it and could not remember the twist.  I'm also not sure what it says about me that I couldn't help but think how fun it would be for there to be an episode of "Below Deck" that featured a real life murder mystery like this.  But, I know, that would be pushing "reality TV" too far.

Rosy the Reviewer says...despite some "Huh?" moments and Laura doing some stupid stuff, this is a fast-moving psychological thriller reminiscent of those old Hitchcock films that will satisfy fans of "woman in jeopardy" stories. (Netflix)



 The Roses (2025)



A "reimagining" of the 1989 film "The War of the Roses."

I almost dislike remakes of perfectly good films as much as a I dislike sequels, and the original "The War of the Roses" is a perfectly good movie that I think would stand up today, but who can resist Olivia Colman and Benedict Cumberbatch as a married couple battling it out when their marriage goes wrong? And there are some distinct differences between the two films, so I am going to go along with the "reimagining" angle instead of calling this a remake.  And if you never saw "The War of the Roses," then this will all be new to you. 

Architect Theo (Cumberbatch) and aspiring chef Ivy (Colman) meet in London in the kitchen of a restaurant where Theo is having a work lunch and when Ivy shares that she is moving to America, Theo says they should go together. Ivy replies "We haven't even had sex yet," to which Theo replies, "That's minutes away."  And he was right.  Off they go to have hot and heavy sex in the cold walk-in fridge.

Fast forward ten years, Theo and Ivy are married with two children, Hattie (Delaney Quinn) and Roy (Ollie Robinson), and living in Mendocino, California (but actually filmed in England in Devon - I thought that was the case, because I lived in Northern California and used to go to Mendocino quite often and it didn't look familiar. So then couldn't help but wonder why Mendocino)? 

However, the cracks in the marriage are already starting to show.  Ivy is a free spirit who spoils the children with desserts and fun while Theo is more regimented and health and exercise conscious.  But then, since Ivy had given up her career dreams to raise the children, Theo presents her with a restaurant. She names it "We've Got Crabs!"

But later, while Ivy's restaurant takes off, Theo loses his job in a catastrophic way, and in a reversal role, becomes the stay-at-home dad where he imposes his discipline on the kids, even having them sign commitment documents to exercise and eat right. And this time, with Ivy's success, she tells Theo she will pay for him to build them a dream house, which he does.  

So times passes.  Hattie (Hala Finley) and Roy (Wells Rappaport) are now teens, and Ivy starts to feel shut-out of the kids' lives, and Theo is jealous of Ivy's success.  Despite attempts to save the marriage and with the kids away at boarding school, the marriage goes to hell. Theo wants a divorce but he thinks he deserves to keep the house, since he designed it and built it.  However, Ivy thinks she deserves it because she paid for it.  In fact, Ivy doesn't want Theo to have anything, so the two make each other's lives unbearable with cruel tactics - really bad stuff like trying to hurt each other's businesses and reputations. And then it gets worse!

Directed by Jay Roach from a screenplay by Tony McNamara (based on the 1981 novel "The War of the Roses" by Warren Adler), Colman and Cumberbatch are great to watch, even when they are doing terrible things to each other. But I couldn't help think that it took too long to get to the mean, I mean, fun parts.  I remember the earlier film, "The War of the Roses" being faster moving and funnier.

Rosy the Reviewer says...this film is all about Colman and Cumberbatch, and if you like them and you never saw the original, you might enjoy this film, but I did see the original and liked that one better. But watching Colman and Cumberbatch was worth it to me (for rent or purchase on Amazon Prime).



Stiller & Meara: Nothing is Lost (2025)


Amy and Ben Stiller reminisce about their famous parents, Jerry Stiller and Anne Meara.

Stiller & Meara were a husband-and-wife comedy team
 made up of Jerry Stiller and Anne Meara that was popular primarily in the 1960s and 1970s. The duo made frequent appearances on television variety shows such as "The Ed Sullivan Show."

Stiller and Meara were among the earliest graduates of The Second City improvisational comedy troupe to become famous.  They were regulars on "The Ed Sullivan Show, but the two also had separate careers. Anne starred on "Archie Bunker's Place" from 1979-1982 and had film roles and Jerry had a career boost as George Costanza's father on "Seinfeld."

Jerry saved everything so after their deaths, their children Ben and Amy Stiller go back to the apartment where they were raised and where their parents lived for so many years, and as Ben and Amy go through all of the mementos of their parents' lives, theirs and their parents' stories unfold with the help of home movies and other archival footage. 

Though this film covers Anne's and Jerry's careers and shares footage from some of their comedy bits, this heartfelt film, written and directed by Ben and Amy, it is almost more about what it was like for Ben and Amy growing up with famous parents who worked together.

Anne would often say it was difficult to see where the act ended and the marriage began. Likewise, the kids would hear them yelling and weren't sure if they were rehearsing or fighting. Ben and Amy share anecdotes and personal observations about their lives with these remarkable people who they clearly loved and admired. And it's a remarkable documentary.

Rosy the Reviewer says...a poignant and fun tribute to a wonderful pair of actor/comedians who deserve to be remembered. (Apple+)

See You Next Time!

If you enjoyed this post, feel free to like it and share it on Facebook, X, or other sites; email it to your friends and/or follow me on Facebook at https://www.facebook.com/rosythereviewer where I share short reviews about TV shows I am watching, books I am reading and all sorts of other fun stuff that doesn't appear here!

And next time you are wondering whether or not to watch a particular film, check out my reviews on IMDB (The International Movie Database). Go to IMDB.com, find the movie you are interested in.  Scroll over to the right of the synopsis to where it says "Critics Reviews" - Click on that and if I have reviewed that film, you will find Rosy the Reviewer alphabetically on the list (NOTE:  IMDB keeps moving stuff around so if you don't find "Critics Reviews" where I am sending you, look around.  It's worth it)!